Brilliance. Part 13

"Listen, Gary," Cooper said, ignoring the outburst, "we don't have a lot of time." The back of a semi loomed, brake lights flaring as the trucker tried to pull over, but Cooper was going too fast, had to skim between the lanes, the left mirror inches from the concrete barrier, the right almost touching the truck panels. He was good at driving fast, enjoyed the dance of hurtling steel, but the circ.u.mstances were making it tricky, the chaos of sirens and lights and horns and screams and blood, not to mention the stakes, a vision of what he feared was about to happen. "I need you to answer some questions. First, where exactly is the bomb?"

"How do you know about the-"

"Don't say anything, you hear?" Evans again. "You hear me?"

There was the snick of metal against leather. Cooper spared a quarter second to glance in the rearview. Evans had turned into a statue, his eyes rolling but muscles locked. Bobby Quinn didn't look away from the pistol he held to the man's temple. "Go ahead, Coop. I think the backseat is out of opinions."

"Thank you." Cooper put on his best mild grin. "Now. We know you planted the bomb." They hadn't, of course, until Gary confirmed it a moment ago, but there was no point saying that. He pulled past a sedan, saw a patch of blessedly empty straightaway and floored it. "These are the things I need to know. Where exactly is it? What kind of bomb? How powerful? How is it detonated? When?"

Gary moaned and rocked forward, his hands clenched over his left thigh. The backs of his hands were caked in dried blood. His features were pale. "JesusG.o.d this hurts. I need a doctor."

"Elevate it."

The man looked at him, and Cooper nodded. "Go ahead."

Gary fumbled to undo his seatbelt, then spun so that he was leaning against the side door. He raised the leg awkwardly, bracing a boot against the console and moaning as he did.

"Better? Good. Now listen. Where exactly is the bomb? What kind is it? How powerful? How is it detonated? When?"

"I don't." He gasped as the Escalade hit a pothole at 112 miles an hour, bouncing on the heavy shocks as they blew past a tour bus. "G.o.dd.a.m.n it! Take me to a hospital."

Cooper glanced over. Gary Nie-whatever's long hair was scraggly and matted with sweat. His body was broadcasting agony, all of his muscles tensed, and trying to read the subtleties beneath that was dicey at best. One thing was for sure, though, the man looked smaller when he wasn't holding a shotgun.

Slowly and carefully, he asked again. "Where is the bomb? What kind is it? How powerful? How is it detonated? When?"

Gary looked over, his eyes glossy with tears. His lips quivered, and then he whispered something.

"What?"

"I said." The man fought a breath in. "Screw you, Gas Man. I am John Smith."

The road was two lanes of blacktop in each direction under steel-gray skies. Half a mile ahead a bridge stretched across the listless brown of the Pa.s.saic River. Cooper checked the side mirror. Clear.

He leaned across Gary Nie-whatever's chest and yanked the door handle at the same time as he jerked the steering wheel left. Centripetal force and the weight of the man's body threw the door open.

For a fraction of a second, Gary hung weightless as a balloon, his mouth open, arms in front of him, the chain of the handcuffs still swinging between them as a roar of wind filled the world.

Then Cooper jerked the wheel to the right, narrowly dodging the lane divider. The door slammed shut. In the rearview mirror Gary's body hit the pavement at a hundred miles an hour, smearing and bouncing. There was a squeal of air brakes as the tour bus behind them fought to stop, and then his body vanished beneath its wheels.

Quinn said, "Jesus Christ! Cooper-"

"Shut up." Cooper looked in the rearview. Dusty Evans had both hands to his mouth, the muscles of his throat twitching. His eyes stared, unbelieving. Cooper waited until he turned back to the front, locked gazes. "Now. Where exactly is the bomb? What kind is it? How powerful? How is it detonated? When?"

CHAPTER THIRTEEN.

In a very real sense, the south end of Manhattan is the center of the universe. The concrete canyons of Broad and Wall, of Na.s.sau and Exchange and Maiden, have for a century served as the financial epicenter of the world. The largest of the Federal Reserve Banks is located there. AIG, Morgan Stanley, Deloitte, Merrill Lynch. And until abnorms like Erik Epstein forced the government to shut it down, $153 billion flowed through the New York Stock Exchange every single day.

It is a landscape of marble and gla.s.s, of cobblestone streets thronged with tourists and traders, of the rumble of delivery trucks on Broadway and blasts of warm air from the subway, of enormous American flags and somber statues. During the workday the population swells 600 percent. Under the very best of circ.u.mstances, it is not easy to navigate quickly.

Cooper was not finding today to be the best of circ.u.mstances.

The new Leon Walras Exchange was located in the grand old building that used to house the NYSE. Though popular opinion focused on Erik Epstein, the twenty-four-year-old billionaire had in truth been only the most successful of a number of abnorms whose gifts broke the global financial system. For two hundred years, the market had existed on the myth that all people were equal. It was a nonsensical statement, but an easy one for most people to swallow when the prospect of financial gain was involved.

It was a myth that couldn't survive the gifted. Epstein and others like him had pillaged the market with as much ease as Cooper could have dodged a slap.

Two years ago, the United States had bowed to the inevitable and dissolved the stock market. It was a nuclear option, and while it had worked, the side effects were disastrous. Without the free market to support it, American industry had to pay for itself-and found it often couldn't. Small-cap companies became endangered species. Entrepreneurs.h.i.+p plummeted. Protests on Wall Street raged to this day. Meanwhile, fortunes were wiped away, and the grandmother who stored cash in her mattress suddenly had the right savings plan.

If it was to survive, America had to develop a new system of exchange, one which would be impervious to the games-mans.h.i.+p of gifted individuals. By functioning as an auction house and averaging the bids to arrive at a final price, the Leon Walras Exchange had in one stroke stripped out the volatility, excitement, and emotion of investing, while still offering the potential for businesses to raise capital. It was a step backward to a more archaic age that had taken two painful years to move through the political process.

And today, March 12, 2013, at 2:00 p.m. General Electric would become the first public offering of the new financial reality. At 2:00 p.m., history would be made.

Which meant that now, at 1:51 p.m., lower Manhattan was a nightmare. Wall Street had been cordoned off for blocks in each direction. Foot police redirected traffic on Broadway, blowing whistles and gesturing impatiently. Half a dozen school buses had been parked along Liberty, and harried teachers fought to corral children hyped up on the excitement of an afternoon out of cla.s.s. A line of protesters shoved against a police barricade, raising placards and shouting slogans. A marching band played in Trinity Churchyard, the bra.s.s mostly lost in the noise but the ba.s.s thumping uneasily through every stomach. Media helicopters circled above. Bobby Quinn's datapad showed a live feed of a podium on the steps where the former CEO of the NYSE chatted with the new CEO of the LWE and the first deputy mayor of New York, the three of them surrounded by men in dark suits and sungla.s.ses.

If there was a worse place for a bomb to go off, Cooper couldn't think where it would be.

"I don't know nothing about how to make bombs, man. I'm an electrician." All the hard-guy att.i.tude had vanished from Dusty Evans in the instant his friend skidded across the concrete. "I just did what I was told. The company I work for did some of the wiring on the new Exchange. Mr. Smith had me steal a key and then use it to plant the bombs."

"Bombs? More than one?"

"Five of them."

Ahead of them two cops were walking a police barrier into place. Cooper burped the siren, pointed at his chest, then at the street beyond. The nearer cop nodded and rotated the barrier out of their way. Cooper tossed them a salute as he steered the Escalade through the gap. Every nerve in his body was screaming for speed, but in the crowd of tourists and sightseers they had to creep forward at five miles an hour. Someone banged on the back window of the truck. A blonde stopped right in front of him to pose for her pimply-faced boyfriend. Cooper laid on the horn.

1:53.

"What did they look like?"

"Like in the movies. Blocks of gray putty. They weighed about fifteen pounds."

"Total?"

"Each."

It had gone on like that the whole ride in, every question leading to an unhappy answer. Eventually Evans had started repeating himself. When it was obvious they'd gotten out of him all they were going to, Quinn had used a second pair of cuffs to secure his hands to his opposite ankles. It was an awkward, uncomfortable position, and the big man was bent nearly in half, weeping softly.

"Shut it," Quinn said. He'd climbed up to the pa.s.senger seat, and when he saw Cooper looking at him, he c.o.c.ked his head and took a breath, his nostrils flaring. It was a look that read, Well, we're in it now. "We could evacuate."

"The politicians, maybe." Cooper rode up on the curb to pa.s.s a cop on a horse. "Not all these people."

"Some of them. Use the cops, SWAT-"

"It'd be panic, people trampling each other. Besides, we don't know it's on a timer. If Smith sees everyone running, he'll blow it early." Ahead a row of fast-food vendors had parked right in the middle of Broadway. He grimaced, thought about plowing through the falafel truck, threw the truck into park instead. 1:56. "I'm going to have to try to stop this myself."

"Yourself? Bulls.h.i.+t. I'm coming-"

"You have at least one cracked rib."

"I can take the pain."

"I know you can. But you'll slow me down. Besides, all I know about disarming bombs comes from old cop shows. Unless I just pull the red wire, I'm going to need help." He popped the magazine on the Beretta. Eight rounds left. "I need you to get me a bomb squad."

"They'll never make it. Not in this crowd."

"Then get them ready to talk me through it. I'll be on the earpiece. And call Peters, let him know what's going on." He took a deep breath, then opened the car door. The crowd noise enveloped him. "And, Bobby, just in case-"

"-arrange ambulances and emergency services, I know. But make sure it doesn't come to that, okay?" The fear in his partner's eyes wasn't for his own safety or for Cooper's. It ran deeper than that, and broader. Cooper recognized it because the same thoughts had been running through his head. It was a fear of what would be unleashed if he failed. A fear of the cracking of the world.

Cooper slammed the door and began to push through the crowd. 1:57.

The ceremony won't start on time. These things never do. And John Smith likes theater. He'll wait until every camera is watching.

But then he will blow it. Unless you stop him.

He ran, trying to move between the bodies that mobbed the street. Cooper hated crowds, felt a.s.saulted by them. All those intentions crossing and crisscrossing, it was like trying to listen to a thousand conversations at once. But where his mind would turn the noise of a thousand conversations into gray noise he could ignore, he couldn't tune out body language and physical cues. They came at him all at once and from every direction. All he could do was try to focus, to put his attention on the woman right in front of him and the angle of her shoulder that meant she was about to s.h.i.+ft her bag. To the man about to speak to his friend. To the little girl who looked a lot like Kate-no, push that away, no time now to think about Kate-reaching up for her mother's hand.

When he couldn't find a hole, he made one, barreling through with one elbow up like the prow of a s.h.i.+p. Yells rose behind him, and curses. Someone shoved at his shoulder.

"Cooper." Quinn's voice in his ear. "Peters is trying to reach the officer in charge on the scene, but it's madness right now."

"No kidding." He surged past a cl.u.s.ter of schoolgirls. "What about my bomb squad?"

"Scrambling now. ETA fifteen minutes."

Fifteen minutes. d.a.m.n, d.a.m.n, d.a.m.n. There was a bank on the corner, and he raced through the revolving door. The lobby was sweet relief. Velvet ropes, bland colors, stale air, a manageable number of people. He sprinted across. A manager rose from his desk. The security guard yelled something. Cooper ignored it all, focused on making it to the opposite door.

And then he was on the corner of Wall and Broad, where history was about to be made, and the whole world was noise and howling chaos.

People were packed shoulder to shoulder. He winced at the tangled skein of vectors in front of him, at the collective motion of the crowd, the herd, something he could never read or understand, his talents all aimed at the individual, the person, the pattern.

Focus. There's no time.

To the south was the magnificent facade that had once belonged to the NYSE, with its six ma.s.sive columns supporting an intricate sculpture above. Beneath was a stage and podium, dignitaries milling nearby, security orbiting them like planets around a star.

He started pus.h.i.+ng south, gently where he could, roughly where he couldn't. Somehow he had to get to the Broad Street entrance. In a door off the lobby he would find a janitor's hallway and a freight elevator that would take him to the bas.e.m.e.nt, where he could access the wiring tunnels where Dusty Evans had placed his bombs.

Sure, Coop. Just get through the crowd, past the security, through the lobby, down to the bas.e.m.e.nt, into the tunnels, and then all you have to do is figure out how to disarm five separate bombs placed at strategic structural locations.

1:59.

Body odor and thrown elbows, hairspray and curses. He pushed forward one agonizing step at a time. Everyone seemed to be yelling, even when their mouths were closed. A wave of frustration washed over him, and he fought the urge to pull his gun, fire into the air. This was pointless. It would take too long to get to the front, and even if he made it, security would be too tight. He needed a better plan. Cooper pushed over to a newspaper dispenser-quick flash of Bryan Vasquez disintegrating-and climbed up on top of it.

The Broad Street entrance was too tight. But maybe back on Wall Street? There must be side entrances. They'd be guarded too, but security would be lighter, and if his rank didn't get him in fast enough, then he'd find another way. He scanned the crowd, planning his move, eyes falling across businesspeople in business suits, parents with cameras and weary expressions, locals here for the free theater, a homeless man shaking a Dunkin' Donuts cup, a group of protesters holding signs, a very, very pretty girl heading west- Holy s.h.i.+t.

He leaped off the dispenser, tumbling into a burly dude holding a giant soda. Man and drink flew in opposite directions. Cooper kept the inertia going, went through the hole the falling man had made, heading away from the ceremony. "Bobby, I've got our bomber in sight, the woman in the photograph. She's on Wall Street heading west."

"Roger. I'll alert the police-"

"Negative. Say again, negative. If she spots someone coming after her, she'll blow the bombs."

"Cooper-"

"Negative." He pushed forward, forcing himself not to sprint. It was just like John Smith to have her on scene, gauging the exact moment to trigger the bomb. Timing it for maximum damage.

But that planning was going to work against Smith this time. Bombs Cooper knew nothing about, but a bomber he could handle.

He shoved through the crowd, throwing elbows and stomping on feet. He found her, lost her, found her again. The farther he went from the podium, the more things opened up, until he was able to read individual body language again. He went as fast as he dared, and yet though she was walking at a calm pace, she seemed to be getting farther ahead of him with every step. Somehow people seemed to be always moving out of her way. Two singing drunks in soccer jerseys swayed into a crowd of people, clearing a hole just in front of her. A father hoisted his son onto his shoulders, and she slid behind them. Two cops pushed through the crowd, opening a lane she followed for half the length of a building. It was like watching Barry Adams strut across a football field untouched by an entire defensive line. As if she was looking at things not as they were, but as they would be when she reached them.

She's an abnorm.

No surprise, really; most of Smith's top operatives would be. But it explained how she'd beaten them so handily in DC. If she had a gift for patterning anything like Barry Adams's, then the whole world would be moving vectors to her. Walking through the security perimeter would simple. She'd probably even pegged Cooper as the leader. Blowing the bomb while standing ten feet from him was her way of giving the bird.

That made his belly burn, and he quickened his pace. He was twenty yards behind her and moving fast. She hadn't looked back, not once. Concentrating on the terrain in front of her. Which suggested that she was near her goal. He looked ahead and saw it. A side entrance to the Exchange.

Two cops stood nearby, their postures relaxed. She walked past them, overshot the entrance by a few steps, and then paused to look at her watch. One of the cops. .h.i.tched up his belt and said something that made the other laugh, and she pivoted lightly and slid around behind them. Cooper couldn't believe it. If she'd raised one slender arm she could have tapped the cops on the shoulder, and yet they were completely unaware of her. It was the strangest thing, a virtuoso display of ability that practically rendered her invisible, and it would have been gorgeous to watch-except that she pushed open the door of the Exchange and slipped inside.

"s.h.i.+t. She made it into the building. I'm going after her."

"Do you want-"

"Hold on." Cooper walked toward the police. The girl had somehow been able to slip right through their blind spot, but he didn't know how to do that. Sorry, fellas. "Excuse me, Officer, do you know where the stage is?"

"Round the corner, buddy." The cop pointed. "Follow the-"

Cooper bobbed down and hammered a left hook into the man's exposed kidney, placing it in the fabric portion of the bulletproof vest. The cop gasped and staggered. As he did, Cooper grabbed the front of his s.h.i.+rt and shoved him at his partner as hard as he could. The two collided and went down in a tangle. Cooper followed them, driving his knee into the solar plexus of the second cop, then scrambled to his feet and through the door.

A marble entrance, broad and bright. Sunlight poured in the windows. People milled about, holding champagne gla.s.ses and chatting. A string quartet played in the corner, the notes bouncing off marble and gla.s.s. Stepping out of the crowd was like surfacing for air. He glanced around, saw the woman vanish around a corner to the right, and hurried after her. Figure thirty seconds, tops, before the cops had caught their breath, radioed in, and come after him.

Ten steps took him to the corner. He rounded it, blood singing in his veins. The woman stood halfway down the corridor, in front of a painted metal door. In one hand she held a ring of keys. In the other, a cell phone.

No.

Cooper abandoned all attempts at subtlety for a headlong sprint. Time drew out like a blade. His eyes caught details: the smell of fresh paint, the buzz of the lights. At the sound of his footfalls, the woman looked up. Her eyes, already huge with mascara, widened further. She dropped the keys but raised the phone. Cooper pushed as hard as he could. Everything came down to his hurtling progress, that against-the-wall feeling that he simply could not go any faster, his mind replaying yesterday and the explosion in DC, the slow-motion spill of fire, the way Bryan Vasquez had melted into a red mist; she was doing it again, only this time it wasn't one man she was executing, it was hundreds of people on national television, and the phone had reached her face and her eyes locked on him and her lips parted to speak just as Cooper's arm lashed out in a forehand slap that knocked the cell phone from her fingers. The device hit the floor and broke on the bounce, plastic pieces skittering across the marble.

She said, "Wait, you don't-" and then his fist slammed into her belly and doubled her over. He didn't like punching women, but d.a.m.ned if he was going to take a chance with this one.

"I got her," he said. "Target in custody." Bobby Quinn hooted in the earpiece.

A wave of relief washed over Cooper. Jesus, but that had been close. He spun the woman around, pulled one arm behind her back, and dug for his cuffs with the other.

"Listen," she said, gasping between the words. "You have...to let...me go."