The Shelters Of Stone Part 70

It was not the warmest welcome he had ever received. Jondalar detected a definite reservation and restriction. She was welcoming him "here," to this place specifically, but this was a temporary location. He knew Feather Gra.s.s Camp referred to any summer hunting camp site. The Mamutoi were sedentary in the winter, and this group, like the rest, lived in a permanent encampment or community of one or two large or several smaller semisubterranean earthlodges, which they called Falcon Camp. She had not welcomed him there.

"I am Jondalar of the Zelandonii, I greet you in the name of the Great Earth Mother, whom we call Doni."

"We do have extra sleeping places in the mamut's tent," Thurie continued, "but I don't know about the...animals."

"If you would not mind," Jondalar said, if only for the sake of courtesy, "it would be easier for us to set up our own camp nearby, rather than stay within your Camp. We appreciate your hospitality, but the horses need to graze, and they know our tent and will return to it. They might be uneasy coming into your Camp."

"Of course," Thurie said, relieved. They would make her uneasy, too.

Ayla realized she needed to exchange welcomes, too. Wolf seemed less defensive, and Ayla tentatively relaxed her hold on him. I can't sit here holding Wolf all the time, she thought. When she stood up, he started to jump up on her, but she motioned him down.

Without extending his hands or offering to come any closer, Rutan welcomed her to his Camp. She returned the greeting, in kind. "I am Ayla of the Mamutoi," she said, then added, "of the Mammoth Hearth. I greet you in the name of Mut."

Thurie added her welcome, hedging to restrict it to only this place, as she had done with Jondalar. Ayla responded formally. She wished more friendliness had been shown, but she supposed she couldn't blame them. The concept of animals traveling willingly with people could be frightening. Not everyone would be as accepting as Talut had been of the strange innovation, Ayla realized, and with a pang, she felt the loss of the people she loved from Lion Camp.

Ayla turned to Jondalar. "Wolf is not feeling so protective now. I think he will mind me, but I should have something to restrain him while he's around this Camp, and for later, to hold him back in case we meet other people," she said in Zelandonii, not feeling able to speak freely around this Camp of Mamutoi, though wis.h.i.+ng she could. "Maybe something like that rope guider you made for Racer, Jondalar. There's a lot of spare rope and thongs in the bottom of one of my pack baskets. I am going to have to teach him not to go after strangers like that; he has to learn to stay where I want him to."

Wolf must have understood that raising their spears was a threatening gesture. She could hardly blame him for springing to the defense of the people and horses that made up his strange pack. From his point of view, it was perfectly understandable, but that didn't mean it was acceptable. He could not approach all the people they might meet on their Journey as though they were strange wolves. She would have to teach him to modify his behavior, to meet unknown people with more restraint. Even as the thought came to her, she wondered if there were other people who understood that a wolf would respond to the wishes of a woman, or that a horse would let a human ride on his back.

"You stay there with him. I'll get the rope," Jondalar said. Still holding on to Racer's lead, though the young stallion had calmed down, he looked for the rope in Whinney's pack baskets. The hostility of the Camp had abated somewhat, the people seemed hardly more guarded than they would be toward any strangers. From the way they were watching, their fear seemed to have been replaced by curiosity.

Whinney had settled down, too. Jondalar scratched and patted her and spoke affectionately while he rummaged through the pack baskets. He was more than fond of the st.u.r.dy mare, and though he loved Racer's high spirits, he admired Whinney's serene patience. She had a calming effect on the young stallion. He tied Racer's lead rope to the thong that held the pack baskets on his dam. Jondalar often wished he could control Racer the way Ayla controlled Whinney, with no halter or lead rope. But as he rode the animal, he was discovering the amazing sensitivity of a horse's skin, developing a good seat, and beginning to guide Racer with pressure and posture.

Ayla moved to the other side of the mare with Wolf. When Jondalar gave her the rope, he spoke to her quietly. "We don't have to stay here, Ayla. It's still early. We can find another place, on this river or another."

"I think it's a good idea for Wolf to get used to people, especially strangers, and even if they're not too friendly, I wouldn't mind visiting. They are Mamutoi, Jondalar, my people. These may be the last Mamutoi I will ever see. I wonder if they are going to the Summer Meeting? Maybe we can send a message to Lion Camp with them."

Ayla and Jondalar set up their own camp a short distance away from Feather Gra.s.s Camp, upstream along the large tributary. They unpacked the horses and let them free to graze. Ayla felt a moment of concern watching them disappear into the dusty blowing haze, as they wandered away from their camp.

The woman and man had been traveling along the right bank of a large river, but some distance from it. Though flowing generally south, the river meandered across the landscape, twisting and turning as it gouged a deep trench out of the flat plains. By keeping to the steppes above the river valley, the travelers could take a more direct route, but one that was exposed to the unremitting wind and the harsher effects of sun and rain on open terrain.

"Is this the river Talut talked about?" Ayla asked, unrolling her sleeping furs.

The man reached into one of a pair of pack baskets for a rather large, flat piece of mammoth tusk with markings incised on it. He looked up toward the section of the dingy sky that glowed with an unbearably bright but diffused light, then at the obscured landscape. It was late afternoon, that much he could tell, but not much more.

"There's no way to know, Ayla," Jondalar said, putting the map back. "I can't see any landmarks, and I'm used to judging the distance traveled by my own legs. Racer moves at a different pace."

"Will it really take a whole year to reach your home?" the woman asked.

"It's hard to say for sure. Depends on what we find along the way, how many problems we have, how often we stop. If we make it back to the Zelandonii by this time next year, we can count ourselves lucky. We haven't even reached Beran Sea, where the Great Mother River ends, and we will have to follow her all the way to the glacier at her source, and then beyond," Jondalar said. His eyes, an intense and unusually vivid shade of blue, looked worried, and his forehead wrinkled in a familiar furrow of concern.

"We'll have some large rivers to cross, but it's that glacier that worries me most, Ayla. We have to cross over it when the ice is frozen solid, which means we have to reach it before spring, and that's always unpredictable. A strong south wind blows in that region that can warm the deepest cold to melting in one day. Then the snow and ice on top melt, and break up like rotten wood. Wide cracks open and the snow bridges over them collapse; streams, even rivers of melt.w.a.ter flow across the ice, sometimes disappearing into deep holes. It's very dangerous then, and it can happen very suddenly. It's summer now, and though winter may seem a long way off, we have much farther to travel than you might think."

The woman nodded. There was no point in even thinking about how long the Journey would take, or what would happen when they arrived. Better to think of each day as it came, and plan only for the next day or two. Better not to worry about Jondalar's people, and whether they would accept her as one of them the way the Mamutoi had.

"I wish it would stop blowing," she commented.

"I am tired of eating grit, too," Jondalar said. "Why don't we go visit our neighbors, and see if we can get something better to eat."

They took Wolf with them when they returned to Feather Gra.s.s Camp, but Ayla kept him close. They joined a group that had gathered near a fire over which a large rump was spitted. Conversation was slow to start, but it wasn't long before curiosity became warm interest and fearful reserve gave way to animated talk. The few people who inhabited those periglacial steppes had little opportunity to meet anyone new, and the excitement of this chance encounter would fuel discussions and fill the stories of Falcon Camp for a long time to come. Ayla became friendly with several of the people, particularly a young woman with a baby daughter just at the age of sitting una.s.sisted and laughing out loud, who charmed them all, but mostly Wolf.

The young mother was very nervous at first when the animal singled out her child for his solicitous attention, but when his eager licks made her giggle with delight, and he showed gentle restraint, even when she grabbed handfuls of fur and pulled, everyone was surprised.

The other children were eager to touch him, and before long Wolf was playing with them. Ayla explained that the wolf had grown up with the children of Lion Camp, and probably missed them. He had always been especially gentle with the very young, or the weak, and he seemed to know the difference between the unintentional overzealous squeeze from a toddler and the purposeful pull of a tail or ear by an older child. He allowed the former with patient forebearance, and he repaid the latter with a warning growl, or a gentle nip that did not break skin but showed that he could.

Jondalar mentioned that they had recently left the Summer Meeting, and Rutan told them that necessary repairs to their earthlodge had delayed their departure or they would have been there. He asked Jondalar about his travels and about Racer, with many people listening. They seemed more reluctant to question Ayla, and she didn't volunteer much, though the mamut would have liked to have taken her aside for private discussions of more esoteric subjects, but she preferred to stay with the Camp. Even the headwoman was more relaxed and friendly by the time they headed back to their own camp, and Ayla asked her to pa.s.s on her love and remembrances to Lion Camp when they finally reached the Summer Meeting.

That night, Ayla lay awake thinking. She was glad she had not let natural hesitation about joining the Camp that had been less than welcoming stop her. Given the opportunity to overcome their fear of the strange or unknown, they had been interested and willing to learn. She had learned, too, that traveling with such unusual companions was likely to inspire strong reactions from anyone they might happen to meet along the way. She had no idea what to expect, but there could be little doubt that this Journey was going to be far more challenging than she had imagined.

An Interview with Jean M. Auel Random House: While your novels focus on a civilization of the past, there is a very modern theme that runs throughout, of Ayla struggling to achieve equality with her peers. When you first created this dynamic character, how much thought did you put into giving her modern sensibilities?

Jean M. Auel: The reason there is a modern sensibility to my characters is that those Cro-Magnon "cavemen" were modern people, the first modern humans in Europe. I researched my characters as much as every other aspect of this early culture. My information is based on the knowledge of today's scientists, not the antiquarians of the nineteenth century whose views, unfortunately, are still held by too many. I have traveled to many of the locations where those early humans lived and have become acquainted with many professionals who study them, some of whom have shown me remarkable sites, including extraordinary painted and engraved caves. The reason there is a modern sensibility to my characters is that those Cro-Magnon "cavemen" were modern people, the first modern humans in Europe. I researched my characters as much as every other aspect of this early culture. My information is based on the knowledge of today's scientists, not the antiquarians of the nineteenth century whose views, unfortunately, are still held by too many. I have traveled to many of the locations where those early humans lived and have become acquainted with many professionals who study them, some of whom have shown me remarkable sites, including extraordinary painted and engraved caves.

Those early modern humans called Cro-Magnon were the first people who not only had skeletons like ours but were like us in many other ways, which can be convincingly demonstrated by the archaeological record. They were our many-times-great-grandparents; whatever qualities we claim for ourselves, we must grant them. They had the same range of intelligence that we do, the same emotional responses and psychological reactions, the same ease and facility with language, the same talents, skills, and abilities. And they had a remarkable creative impulse. I've seen it, and it certainly convinced me. Neanderthals are still unknowns, but they were far more advanced than most of us imagine; they were also human with brains larger than the average today. There were differences between us, but they were our close cousins. Once I learned this, I knew I could write the story of a young Cro-Magnon woman raised by a clan of Neanderthals who then finds her way back to her own kind of people. Ayla's struggle creates tension and conflict, but it is not a modern theme. It is a universal theme. It's natural, part of the human condition, to want to be accepted. People understand this and always have.

RH: Your research is praised throughout the world for its accuracy and detail. Can you tell us a bit about your process? Your research is praised throughout the world for its accuracy and detail. Can you tell us a bit about your process?

JA: Most of the information comes from reading and library research, but I have also learned a great deal from asking questions, taking cla.s.ses, and traveling. For example, I took a cla.s.s from an expert in arctic survival, where we spent a night on the snowy slopes of a nearby mountain to learn how to live in cold conditions. From a cla.s.s in aboriginal life skills, I learned how people live off the land, and how to brain-tan a deer hide into wearable buckskin. I've taken plant identification cla.s.ses and cla.s.ses on how to cook wild foods. Ayla's medicine-woman skills come from a combination of first-aid books, books on herbal medicines, and asking questions of doctors and other skilled health pract.i.tioners like nurses and paramedics. I have visited many of the sites I write about to get a feel for them, even though conditions are most likely different now. I even worked for a short time at an archaeological dig so I could understand where information comes from and how scientists find it. Most of the information comes from reading and library research, but I have also learned a great deal from asking questions, taking cla.s.ses, and traveling. For example, I took a cla.s.s from an expert in arctic survival, where we spent a night on the snowy slopes of a nearby mountain to learn how to live in cold conditions. From a cla.s.s in aboriginal life skills, I learned how people live off the land, and how to brain-tan a deer hide into wearable buckskin. I've taken plant identification cla.s.ses and cla.s.ses on how to cook wild foods. Ayla's medicine-woman skills come from a combination of first-aid books, books on herbal medicines, and asking questions of doctors and other skilled health pract.i.tioners like nurses and paramedics. I have visited many of the sites I write about to get a feel for them, even though conditions are most likely different now. I even worked for a short time at an archaeological dig so I could understand where information comes from and how scientists find it.

RH: How much in your books is based on fact, and how much is fiction? That is, do you fill in the gaps left by history? How much in your books is based on fact, and how much is fiction? That is, do you fill in the gaps left by history?

JA: My books are entirely fiction, based on as much factual information as I could find on their subjects. They take place 30,000 years ago, and the only things left from that time are hard objects-things made of stone and bone, such as stone tools, carved items, animal and human skeletal remains-and, as it turns out, microscopic residues. Pollen has been found in Neanderthal graves. Hair from various animals and DNA traces of animal blood from stones and knives add information. Inference fills in a certain amount. For example, if the skeleton of an old Neanderthal man shows that from a young age he had been blind in one eye, had had an arm amputated, and walked with a limp, it is fair to surmise that he was not hunting woolly mammoths, which raises interesting questions: Who amputated his arm? Who stopped the bleeding? Who treated the shock? How did he live to be an old man? Obviously someone took care of him; the question is why? Could it have been because they loved him? Or that his culture took care of their weak and wounded? Perhaps "red in tooth and claw" is not an appropriate way to describe those enigmatic human cousins. My books are entirely fiction, based on as much factual information as I could find on their subjects. They take place 30,000 years ago, and the only things left from that time are hard objects-things made of stone and bone, such as stone tools, carved items, animal and human skeletal remains-and, as it turns out, microscopic residues. Pollen has been found in Neanderthal graves. Hair from various animals and DNA traces of animal blood from stones and knives add information. Inference fills in a certain amount. For example, if the skeleton of an old Neanderthal man shows that from a young age he had been blind in one eye, had had an arm amputated, and walked with a limp, it is fair to surmise that he was not hunting woolly mammoths, which raises interesting questions: Who amputated his arm? Who stopped the bleeding? Who treated the shock? How did he live to be an old man? Obviously someone took care of him; the question is why? Could it have been because they loved him? Or that his culture took care of their weak and wounded? Perhaps "red in tooth and claw" is not an appropriate way to describe those enigmatic human cousins.

RH: The Earth's Children The Earth's Children series is an epic adventure spanning many years. Have you always known where the story is going, or has each book been planned separately? series is an epic adventure spanning many years. Have you always known where the story is going, or has each book been planned separately?

JA: When I started, my question was "I wonder if I could write a short story?" Then I got into the research and got all fired up, and I realized I was writing a book. At the time, I was calling it When I started, my question was "I wonder if I could write a short story?" Then I got into the research and got all fired up, and I realized I was writing a book. At the time, I was calling it Earth's Children Earth's Children, and as it grew, I thought it would be one big saga that fell easily into six parts. I wrote about 450,000 words, and thought I would cut when I rewrote it. But when I started to reread it, I realized that I didn't know how to write fiction, so I read books about how to write a novel. When I went back and began rewriting the book, instead of editing and cutting down, I found that putting in the dialogue and the scenes to make a story made it grow. It was with some surprise and trepidation that I came to realize that each of the separate parts was a complete story, and that I had a six-book series. I have been working from that original rough draft as an outline for the series, so I have always known, more or less, where the story is going.

RH: Your own books have a great heroine in Ayla. Who is your favorite literary heroine? Your own books have a great heroine in Ayla. Who is your favorite literary heroine?

JA: I don't really have one. It may once have been the princess in the fairy tale "East of the Sun and West of the Moon," which my favorite sixth-grade teacher read to the cla.s.s. Though I didn't realize it at the time, I think the reason is that in this fairy tale, the man is captured and the princess has to perform feats of skill to save him. That was the trouble with so many of the books I read when I was young. The ones I liked were full of action and adventure, but it was always the men who were acting and adventuring. I never identified with the heroine that was sitting around waiting to be rescued. I was with the hero, I don't really have one. It may once have been the princess in the fairy tale "East of the Sun and West of the Moon," which my favorite sixth-grade teacher read to the cla.s.s. Though I didn't realize it at the time, I think the reason is that in this fairy tale, the man is captured and the princess has to perform feats of skill to save him. That was the trouble with so many of the books I read when I was young. The ones I liked were full of action and adventure, but it was always the men who were acting and adventuring. I never identified with the heroine that was sitting around waiting to be rescued. I was with the hero, snick-snicking snick-snicking with the sword, or whatever. I still identify with the one actively making the story happen, and I enjoy both male and female protagonists. I don't think it was a conscious decision, but when I started writing, I wanted to write about a woman who did interesting things. I guess that's why she is a heroine. with the sword, or whatever. I still identify with the one actively making the story happen, and I enjoy both male and female protagonists. I don't think it was a conscious decision, but when I started writing, I wanted to write about a woman who did interesting things. I guess that's why she is a heroine.

RH: What advice would you give to an aspiring writer? What advice would you give to an aspiring writer?

JA: You learn to write by writing, and by reading and thinking about how writers have created their characters and invented their stories. If you are not a reader, don't even think about being a writer. If you want to write, don't say you want to do it someday, don't wait until the spirit moves you: Sit down and do it every day, or at least on some kind of regular basis. But I would warn those who aspire to it that writing fiction is the hardest work I have ever done. Sometimes words don't want to come. For me, the way to get past writer's block, or whatever those periods are called, is to sit and put down one word after another. I may not even keep that work, though often I do. It doesn't matter. I need to get something written. Inspiration happens when you are working at it. At other times I can be so completely immersed in the story that I don't know where the time has gone, but when I get up, I'm drained. I have poured everything I have into the work-and sometimes I find myself finding ways to stall before I sit down to work the next time. But for all the effort, it's what I want to do for the rest of my life. You learn to write by writing, and by reading and thinking about how writers have created their characters and invented their stories. If you are not a reader, don't even think about being a writer. If you want to write, don't say you want to do it someday, don't wait until the spirit moves you: Sit down and do it every day, or at least on some kind of regular basis. But I would warn those who aspire to it that writing fiction is the hardest work I have ever done. Sometimes words don't want to come. For me, the way to get past writer's block, or whatever those periods are called, is to sit and put down one word after another. I may not even keep that work, though often I do. It doesn't matter. I need to get something written. Inspiration happens when you are working at it. At other times I can be so completely immersed in the story that I don't know where the time has gone, but when I get up, I'm drained. I have poured everything I have into the work-and sometimes I find myself finding ways to stall before I sit down to work the next time. But for all the effort, it's what I want to do for the rest of my life.

ABOUT THE AUTHOR.

JEAN M. AUEL is an international phenomenon. Her books have sold 34 million copies worldwide. Her extensive research has earned her the respect of archaeologists and anthropologists around the world. She lives with her husband, Ray, in Oregon, where she is at work on the final book in the Earth's Children series. series.

Novels by Jean M. Auel

THE CLAN OF THE CAVE BEAR.

THE VALLEY OF HORSES.

THE MAMMOTH HUNTERS.

THE PLAINS OF Pa.s.sAGE.

THE SHELTERS OF STONE.