Hearing Secret Harmonies Part 9

'You may be right, Canon. I was not thinking along quite those lines. What I mean is that mumbo-jumbo has never played any part in my own life. I am even now with my greatly changed views a man of affairs, somebody who wants to get things done, and, since I want to get things done, let us move to more concrete matters. Young Murtlock, living much of his time in a caravan, is not an altogether easy person to contact. My informant who had himself had some truck with him said that he, Murtlock, sometimes visited you. I thought that perhaps a meeting, or at least the forwarding of a letter, could be arranged through your good self. What struck me about Scorp Murtlock as I understand he is usually called was his vigorous sense of rebellion. He is a genuinely rebellious personality. They are rarer than you might think, even today. He seems to have been treated scandalously, indeed ultra vires ultra vires. His way of life, in certain details, may not be my own, but I am in sympathy with his determination to revolt. Would you be with me, Canon?'

Fenneau was not committed so easily.

'If you meet Scorpio, Lord Widmerpool, you will find he holds no less strong views on laws that he himself regards as binding, than is his desire to break the bonds that he feels fetter those laws.'

'That is just what I mean. He seems the prototype of what has become a positive obsession with me, that is to say the necessity to uproot bourgeois values, more especially bourgeois values in connexion with legality. On top of that I am told that young Scorp has a most attractive personality.'

'Scorpio's personality can be very attractive.'

Fenneau showed a few teeth when he said that.

'As you may know, I hold a certain academic appointment. A number of the young people with whom I am brought in contact have made my house something of a centre. I might almost use the word commune. Do you think that Scorp Murtlock would pay me a visit?'

'That is something on which I cannot p.r.o.nounce with certainty, Lord Widmerpool.'

Fenneau placed his fingers together again, this time the hands a little apart, in a conventionally parsonic position. He repeated his statement.

'No. I cannot be sure of that. For one thing I am myself uncertain of Scorpio's precise whereabouts at the moment.'

'They could no doubt be ascertained.'

'I could make enquiries.'

'I am sure you could run him to earth.'

'Do you really wish me to do so? I should issue a warning. Charming as Scorpio can be in certain moods, he has what can only be called a darker side too. I cannot advise contact with him to anyone not well versed in the mysteries in which he traffics not always then.'

Fenneau spoke the words with profound gravity. Widmerpool showed no sign whatever of noticing this change of tone. He did not laugh, because he rarely laughed, but he made little or no attempt to hide the fact that he found this warning absurd. For some reason he was absolutely set on getting Murtlock into his clutches.

'I think I can a.s.sert, by this time, that I am something of an expert on the ways of young people at least as tricky to handle as Master Murtlock. As I said earlier, I should like to add him and his followers if only temporarily to our own community, anyway persuade him to come and see us. There is something about him that I have greatly taken to. It may be his refusal to compromise. The question is only whether or not you yourself will be able to bring us together.'

'Was there any particular aspect, in the difficulties Scorpio was having with the local people, that you found of interest ones that I could tell him about, if we were to meet in the near future?'

Widmerpool hesitated.

'I understand there was some rather absurd complaint about nudity, which Murtlock sensibly answered by pointing out that, in the past, stripping to the skin was accepted as a sign of humility and poverty.'

'That wors.h.i.+p should take place unclothed in the manner of Adam was a familiar heresy in the Middle Ages. If Scorpio practised such rites, they are ones which I cannot approve.'

Fenneau spoke severely. Widmerpool must have felt that he had got on to the wrong tack. He quickly abandoned what seemed to have become a delicate subject.

'That was just one of the points, Canon, just one of the points. It may even have been untrue. May I a.s.sume then that, if I send a letter through your good self, young Murtlock will get it sooner or later?'

'If you really wish that, Lord Widmerpool, but I advise against.'

'In spite of your advice.'

'Then I will do my best.'

Widmerpool made a gesture of thanks. He withdrew. He rightly saw that further conversation might harm rather than forward his aims. Fenneau asked one of the waiters whether it would be possible to have another cigar. He sat back in his chair.

'That was interesting.'

'You dealt with Widmerpool almost as if you were prepared for his approach.'

'To those familiar with the rhythm of living there are few surprises in this world. Not only is Lord Widmerpool anxious to meet Scorpio, Scorpio has already spoken of his intention to make himself known to Lord Widmerpool.'

'You kept that dark.'

'For a number of reasons I judged it best. I am by no means satisfied that their conjunction is desirable. At the same time, what happened tonight convinces me that no purpose is served by refusal to collaborate in transmission of a message. Other more powerful forces are on the march. Che sara sara Che sara sara.

'Why should Murtlock wish to meet Widmerpool?'

'Scorpio's plans are not often crystal clear.'

'He can hardly hope to bring Widmerpool into his cult.'

'There may be more material considerations. Scorpio is not unpractical in worldly matters. You have probably noticed that.'

'You mean Widmerpool's place might provide a convenient temporary base?'

'That is possible.'

'Which would make putting up with Widmerpool himself worth while?'

'To gain mastery is also one of Scorpio's aims.'

'Power?'

'The goal of the Alchemists.'

'Perhaps a mutual attraction in those terms?'

'We live in a world in which much remains and must remain unrevealed.'

Fenneau looked at his watch.

'I think I shall have to be wending my way homeward. We have had a most pleasant talk. Ah, yes. Something else. I expect that, in your profession, a lot of books pa.s.s through your hands for which you have little or no use, review copies and the like. Books of all kinds flow into a writer's daily life. Do please remember some of them for my Christmas bazaar. I will send you a reminder nearer the season. Let me have your address. Write it down here. Goodnight, goodnight.'

5.

TO BE TOLD SOMETHING THAT comes as a surprise, then find everyone has known about it for ages, is no uncommon experience. The remarks on the subject of Delavacquerie and Polly Duport, dropped by the actor at the Royal Academy dinner, were a case in point. Mere chance must have been the cause of having heard nothing of this close a.s.sociation. It had been going on for some little time, and there appeared to be no secret about their relations.h.i.+p. Mention of it cropped up again, not long after, in some quite other connexion. All the same, although we continued to meet at comparatively regular intervals, Delavacquerie himself never brought up the matter. When he did so, that was about a year later than this first indication that they even knew each other.

During that year, among many other events in one's life, two things happened that could have suggested achievement of the mutually desired meeting between Widmerpool and Murtlock. The month of both indications was roughly dated as December, by the arrival of Canon Fenneau's reminder about books for his bazaar, and the fact that, when Greening and I ran across each other in London, we were doing our Christmas shopping. Neither event positively brought home the Widmerpool/Murtlock alliance at the time. The first of these was the bare announcement in the paper that Widmerpool, having resigned the chancellors.h.i.+p of the university, was to be replaced by some other more or less appropriate figure. After his various public p.r.o.nouncements there seemed nothing particularly notable in Widmerpool preferring to disembarra.s.s himself of official duties of any sort whatsoever.

Greening's information was rather another matter. It should have given a clue. We met in the gift department of some big shop. Greening, who had been badly wounded in the Italian campaign, had a limp, but was otherwise going strong. He had been ADC to the General at the Divisional Headquarters on which we had both served in the early part of the war; later rejoined his regiment, and, it had been rumoured, died of wounds. He looked older, of course, but his habit of employing a kind of schoolboy slang that seemed to predate his own generation had not changed. He still blushed easily. He said he was a forestry consultant, married, with three children. We talked in a desultory way of the time when we had soldiered together.

'Do you remember the DAAG at that HQ?'

'Widmerpool?'

'That's the chap. Major Widmerpool. Rather a s.h.i.+t.'

'Of course I remember him.'

'He was always getting my goat, but what I thought was really b.l.o.o.d.y awful about him was the way he behaved to an old drunk called Bithel, who commanded the Mobile Laundry.'

'I remember Bithel too.'

'Bithel had to be shot out, the old boy had to go all right, but Widmerpool boasted in the Mess about his own efficiency in getting rid of Bithel, and how Bithel had broken down, when told he'd got to go. It may have happened, but we didn't all want to hear about it from Widmerpool.'

'If it's any consolation, Widmerpool's become very odd himself now.'

'You know that already? I was coming on to that. He's gone round the bend. Nothing less.'

'You've seen him?'

'I was looking at some timber woodland off my usual beat and was told an extraordinary story by the johnny I was dealing with. Widmerpool it must be the same b.u.g.g.e.r, from what he said runs a kind of well, I don't know what the h.e.l.l to call it sort of colony for odds and sods, not far away from the property I was inspecting. Widmerpool's place has been going for a year or two a kind of rest-home for layabouts but lately things have considerably hotted up, my client said. A new lot had arrived who wore even stranger togs, and went in for even gaudier monkey-tricks. This chap talked of Widmerpool as having made himself a sort of Holy Man. Not bad going after starting as a DAAG.'

Greening, unable to paraphrase the narrative of the owner of the woodland, could produce no revelation beyond that. Nevertheless the account of Widmerpool had evidently made a strong impression on him. I don't think the possibility of the new arrivals being Murtlock's adherents occurred to me at the time. If that had been at all conveyed, the conclusion would have been that Murtlock had been absorbed into Widmerpool's larger organization. In short, what Greening spoke of seemed little more than what had been initially outlined some time before by Delavacquerie's son. Greening began to collect his parcels.

'Well, I must go on my way rejoicing. Nice to have had a chin-wag. Best for the Festive Season. I'm determined not to eat too much plum pudding this year.'

When, Christmas over, I next saw Delavacquerie, it was well into the New Year. He gave news of Gwinnett being in London again.

'I thought him rather standoffish when he was over here before. This time he got in touch with me at once. In his own remote way he was very friendly.'

'Has he returned to that gruesome dump in St Pancras?'

'I picked him up there the other day, and we lunched at the buffet at King's Cross Station.'

'How's he getting on with Gothic Symbols Gothic Symbols, etc?'

'I think it will be rather good. The Elizabethan and Jacobean dramatists happen to be a subject of mine too. In fact I was able to a.s.sist in a minor way by taking him to a Jacobean play that's rarely staged. It's ascribed to Fletcher. The Humorous Lieutenant The Humorous Lieutenant, not particularly gothic, nor full of mortality, but Gwinnett seemed glad to have an opportunity to see it.'

Without reading the notices very carefully, I had grasped that a play of that name was being given a limited run of a few weeks at a theatre where such productions once in a way found a home. An energetic young director (more influential in that line than Norman Chandler) had been responsible for the revival of this decidedly obscure comedy, interest in it, so Delavacquerie now said, having been to to some extent aroused by himself.

'I once toyed with the idea of calling my own collected war poems The Humorous Lieutenant The Humorous Lieutenant, from this play. Then I thought the t.i.tle would be misunderstood, even ironically.'

'Why was he humorous?'

'He wasn't, in the modern sense, not a jokey subaltern, but moody and melancholy in the Elizabethan meaning of humorous one of your Robert Burton types. The Lieutenant had reason to be. He was suffering from a go of the pox. Having a dose made him unusually brave, fighting being less of a strain than sitting about in camp feeling like h.e.l.l. One sees the point. When he was cured all the Lieutenant's courage left him.'

'How did you persuade them to put the play on?'

'I infiltrated the idea through Polly Duport, who is rather a friend of mine. She thought she'd like to play Celia, though a bit old for the part of a young girl.'

This was Delavacquerie's first mention of Polly Duport. There was some parallel with the way in which Moreland had first produced Matilda, when she had been playing in The d.u.c.h.ess of Malfi The d.u.c.h.ess of Malfi. I was quite unable to tell whether this casual method of introducing the name was deliberate, or Delavacquerie supposed I had always known about the a.s.sociation. Clinging to privacy was characteristic of both of them. Apparent secrecy might be partly explained by the shut-in nature of Polly Duport's life of the Theatre, scarcely at all cutting across Delavacquerie's two-fold existence, divided between poetry and public relations.

'I believe you've met Polly?'

'I haven't seen her for ages. I used to know her parents who are divorced of course.'

I did not add that, when we were young, I had been in love with Polly Duport's mother. There seemed no moral obligation to reveal that, in the light of Delavacquerie having kept quiet for so long about her daughter; an example of the limitations, mentioned before, set round about the friends.h.i.+ps of later life.

'You knew both Polly's parents? It is almost unprecedented to have met the two of them. I myself have never seen either, though Polly spends a lot of time looking after her father, who has been very ill. She's marvellously good about him. He never sounds very agreeable. Her mother as you probably know was married to that South American political figure who was murdered by terrorists the other day.'

'Poor Colonel Flores? Was he murdered?'

'Wasn't he a general? He was machine-gunned from behind an advertis.e.m.e.nt h.o.a.rding, so Polly told me. It wasn't given much s.p.a.ce in the English papers. I didn't see it reported myself. He was retired by then. It was bad luck.'

I felt sorry about Colonel Flores, a master of charm, even if other qualities may have played a part in his rise to power. Delavacquerie returned to the subject of Gwinnett and the play.

'He seemed to enjoy it a great deal. I had never seen Gwinnett like that before. He became quite talkative afterwards, when we all had supper together.'

'What's it about?'

'A King falls in love with his son's girlfriend that's Celia, played by Polly while the son himself is away at the wars. When the son returns, his father says the girl is dead. The King has really hidden Celia, and is trying to seduce her. As he has no success, he decides to administer a love potion. Unfortunately the love potion is drunk by the Humorous Lieutenant. In consequence the Lieutenant falls in love with the King, instead of Celia doing so.'

'Did the Lieutenant's exaggerated sense of humour cause him to drink the love philtre?'

'It was accidental. He had been knocked out in a fight, and someone, thinking a bowl of wine was lying handy, gave him the love philtre as a pick-me-up. The incident is quite funny, but really has nothing to do with the play like so many things that happen to oneself. As a neurotic figure, the Lieutenant is perhaps not altogether unlike Gwinnett.'

'Possibly Gwinnett too should drink a love philtre?'

'Gwinnett is going to risk much stronger treatment than that. Do you remember that Lord Widmerpool, after making that speech at the Magnus Donners, asked Gwinnett to come and see him? Widmerpool has returned to the charge, as to a visit, and Gwinnett is going to go.'

'That sounds a little grisly.'

'Precisely why Gwinnett is going to do it He wishes to have the experience. Widmerpool's situation has recently become more than ever extraordinary. From being, in a comparatively quiet way, an encourager of dissidents and dropouts, the recent addition to his community of Scorpio Murtlock, the young man we talked about some little time ago, has greatly developed its potential. Murtlock provides a charismatic element, and apparently Widmerpool thinks there are immense power possibilities in the cult. He's got enough money to back it, anyway for the moment.'

'But surely it's Murtlock's cult, not Widmerpool's.'

'We shall see. Gwinnett thinks that a struggle for power is taking place. That is one of the things that interests him. Gwinnett's angle on all this is that the cult, with its rites and hierarchies, is all as near as you can get nowadays to the gothicism of which he is himself writing. He has seen something of the semi-mystic dropout groups of his own country, but feels this one offers a more Jacobean setting, through certain of its special characteristics.'

'Does Gwinnett approve or disapprove? I expect he doesn't show his hand?'

'On the contrary, Gwinnett disapproves. He talked quite a lot about his disapproval. As I understand it, one of the tenets of the cult is that Harmony, Power, Death, are all more or less synonymous not Desire and Death, like Shakespeare. Gwinnett disapproves of Death being, so to speak, removed from the romantic a.s.sociations of Love his own approach, with which his book deals to be prost.i.tuted to the vulgar purposes of Power pseudo-magical power at that. At the same time he wants to examine the processes as closely as possible.'

'Some might think it insensitive of Gwinnett, in the circ.u.mstances, to visit Widmerpool, even in the interests of seventeenth-century scholars.h.i.+p.'

'On that question Widmerpool himself has made his own standpoint unambiguously clear by going out of his way to invite Gwinnett to come and see him. You said that Gwinnett, when writing about Trapnel, saw himself as Trapnel. Now Gwinnett, writing about gothic Jacobean plays, sees himself as a character in one of them. I regret to say that I shall not be in England when Gwinnett pays his visit to Widmerpool, and therefore won't hear how things went that is, if Gwinnett chooses to tell me.'