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Virgil Patman pushed the gla.s.s away from his hand when he heard the noise outside and wrapped his fingers around the bone handle of the pistol. The light slanting through the open doorway was weak, almost the last of the sun. He waited for the squat figure of Rondo to appear in this dim square of light, and started slightly when suddenly a thin shape appeared. And he sat bolt upright when next De Sana was in the room, clutching the door frame and breathing hard.
Patman watched him curiously and managed to keep the surprise out of his voice when he asked, "Where's Rondo? Thought you relieved him."
De Sana gasped out the word, "Quaine!" and wheeled to the front corner where the rifle had been. He took two steps and stopped dead. Patman watched the thin shoulders stiffen and raised the pistol with his hand still on the table until the barrel was leveled at the outlaw.
"So you led them here after all." His voice was low, almost a mumble, but the hate in the words cut against the stillness of the small room. He looked directly into Patman's face, as if not noticing the pistol leveled at him. "I must be getting old," he said in the same quiet tone.
"You're not going to get a h.e.l.l of a lot older," Patman answered. "But I'll tell you this. We didn't bring Quaine and his Apaches here. You can believe that or not. I don't much care. Just all of a sudden I don't think you're doing anybody much good being alive."
De Sana's mouth eased slightly as he smiled. "Why don't you let your boy do his own fighting?" And with the words he looked calmed again, as if he didn't care that a trap was tightening about him. Patman noticed it, because he had seen the panic on his face when he entered. Now he saw this calm returning and wondered if it was just a last-act bravado. It unnerved him a little to see a man so at ease with a gun turned on him and he lifted the pistol a foot off the table to make sure the outlaw had seen it.
"I'm not blind."
"Just making sure, Lew," Patman drawled.
De Sana seemed to relax even more now, and moved his hand to his back pocket, slowly, so the other man wouldn't get the wrong idea. He said, "Mind if I have a smoke?" while he dug the tobacco and paper from his pocket.
Patman shook his head once from side to side, and his eyes squinted at the outlaw, wondering what the h.e.l.l he was playing for. He looked closely as the man poured tobacco into the creased paper and didn't see any of it shake loose to the floor. The fool's got iron running through him, he thought.
De Sana looked up as he shaped the cigarette. "You didn't answer my question," he said.
"About the boy? He can take care of himself," Patman answered.
"Why isn't he here, then?" De Sana said it in a low voice, but there was a sting to the words.
Patman said, "He's out courting your girlfriend," and smiled, watching the dumbfounded expression freeze on the gunman's face. "You might say I'm giving him a little fatherly hand here," and the smile broadened.
De Sana's thin body had stiffened. Now he breathed long and shrugged his shoulders. "So you're playing the father," he said. Standing half-sideways toward Patman, he pulled the unlit cigarette from his mouth and waved it at the man seated behind the table. "I got to reach for a match, Dad."
"Long as you can do it with your left hand," Pat-man said. Then added, "Son."
De Sana smiled thinly and drew a match from his side pocket.
Patman watched the arm swing down against the thigh and saw the sudden flame in the dimness as it came back up. And at that split second he knew he had made his mistake.
He saw the other movement, another something swinging up, but it was off away from the sudden flare of the match and in the fraction of the moment it took him to realize what it was, it was too late. There was the explosion, the stab of flame, and the shock against his arm. At the same time he went up from the table and felt the weight of the handgun slipping from his fingers, as another explosion mixed with the smoke of the first and he felt the sledgehammer blow against his side. He went over with the chair and felt the packed-dirt floor slam against his back.
His hands clutched at his side instinctively, feeling the wetness that was there already, then winced in pain and dropped his right arm next to him on the floor. He closed his eyes hard, and when he opened them again he was looking at a pistol barrel, and above it De Sana's drawn face.
Unsmiling, the outlaw said, "I don't think you'd a made a very good father." He turned quickly and sprinted out of the hut.
Patman closed his eyes again to see the swirling black that sucked at his brain. For a moment he felt a nausea in his stomach, then numbness seemed to creep over his body. A p.r.i.c.kling numbness that was as soothing as the dark void that was spinning inside his head. I'm going to sleep, I'm going to sleep, he thought. But before he did, he remembered hearing a shot come from outside, then another. he thought. But before he did, he remembered hearing a shot come from outside, then another.
Cima Quaine walked over to him when he saw the boy look up quickly.
Dave Fallis looked anxiously from Patman's motionless form up to the chief scout who now stood next to him where he knelt.
"I saw his eyes open and close twice!" he whispered excitedly.
The scout hunkered down beside him and wrinkled his buckskin face into a smile. It was an ageless face, cold in its dark, crooked lines and almost cruel, but the smile was plain in the eyes. He was bare-headed, and his dark hair glistened flat on his skull in the lantern light that flickered close behind him on the table.
"You'd have to tie rocks to him and drop him in a well to kill Virgil," he said. "And then you'd never be sure." He glanced at the boy to see the effect of his words and then back to Patman. The eyes were open now, and Patman was grinning at him.
"Don't be too sure," he said weakly. His eyes went to Fallis who looked as if he wanted to say something, but was afraid to let it come out. He smiled back at the boy watching the relief spread over his face and saw him bite at his lower lip. "Did you get him?"
Fallis shook his head, but Quaine said, "Vea Oiga was crawling up to take the horses when De Sana ran into the corral and took one without even waiting to saddle. He shot at him, but didn't get him." He twisted his head and looked up at one of the Apaches standing behind him. "When we get home, you're going to spend your next two months' pay on practice sh.e.l.ls."
Vea Oiga dropped his head and looked suddenly ashamed and ridiculous with the vermilion sergeant stripes painted on his naked arms. He shuffled through the doorway without looking up at the girl who stepped inside quickly to let him pa.s.s.
She stood near the cupboard not knowing what to do with her hands, watching Dave Fallis. One of the half-dozen Coyotero scouts in the room moved near her idly, and she shrank closer to the wall nervously picking at the frayed collar of her dress. She looked about the room wide-eyed for a moment, then stepped around the Apache hurriedly and out through the doorway. She moved toward the lean-to, but held up when she saw the three Apaches inside laughing and picking at the strips of venison that were hanging from the roof to dry. After a while, Fallis got up stretching the stiffness from his legs and walked to the door. He stood there looking out, but seeing just the darkness.
Cima Quaine bent closer to Patman's drawn face. The ex-trooper's eyes were open, but his face was tight with pain. The hole in his side had started to bleed again. Patman knew it was only a matter of time, but he tried not to show the pain when the contract scout lowered close to him. He heard the scout say, "Your partner's kind of nervous," and for a moment it sounded far away.
Patman answered, "He's young," but knew that didn't explain anything to the other man.
"He's anxious to get on after the man," Quaine went on. "How you feel having an avenging angel?" Then added quickly, "h.e.l.l, in another day or two you'll be avenging yourself."
"It's not for me," Patman whispered, and hesitated. "It's for himself, and the girl."
Quaine was surprised, but kept his voice down. "The girl? He hasn't even looked at her since we got here."
"And he won't," Patman said. "Until he gets him." He saw the other man's frown and added, "It's a long story, all about pride and getting your toes stepped on." He grinned to himself at the faint sign of bewilderment on the scout's face. n.o.body's going to ask a dying man to talk sense. Besides, it would take too long.
After a silence, Patman whispered, "Let him go, Cima."
"His yen to make war might be good as gold, but my boys ain't worth a d.a.m.n after dark. We can pick up the man's sign in the morning and have him before sundown."
"You do what you want tomorrow. Just let him go tonight."
"He wouldn't gain anything," the scout whispered impatiently. "He's got the girl here now to live with long as he wants."
"He's got to live with himself, too." Patman's voice sounded weaker. "And he doesn't take free gifts. He's got a funny kind of pride. If he doesn't go after that man, he'll never look at that girl again."
Cima Quaine finished, "And if he does go after him, he may not get the chance. No, Virg. I better keep him here. He can come along tomorrow if he wants." He turned his head as if that was the end of the argument and looked past the Coyoteros to see the girl standing in the doorway.
She came in hesitantly, dazed about the eyes, as if a strain was sapping at her vitality to make her appear utterly spent. She said, "He's gone," in a voice that was not her own.
Cima Quaine's head swung back to Patman when he heard him say, "Looks like you don't have anything to say about it."
At the first light of dawn, Dave Fallis looked out over the meadow from the edge of timber and was unsure. There was moisture in the air lending a thickness to the gray dawn, but making the boundless stillness seem more empty. Mist will do that, for it isn't something in itself. It goes with lonesomeness and sometimes has a feeling of death. He reined his horse down the slight grade and crossed the gray wave of meadow, angling toward the dim outline of a draw that trailed up the ridge there. It cut deep into the tumbled rock, climbing slowly. After a while he found himself on a bench and stopped briefly to let his horse rest for a moment. The mist was below him now, clinging thickly to the meadow and following it as it narrowed through the valley ahead. He continued on along the bench that finally ended, forcing him to climb on into switchbacks that shelved the steepness of the ridge. And after two hours of following the ridge crown, he looked down to estimate himself a good eight miles ahead of the main trail that stayed with the meadow. He went down the opposite slope, not so steep here, but still following switchbacks, until he was in level country again and heading for the Escudillas in the distance.
The sun made him hurry. For every hour it climbed in the sky lessened his chance of catching the man before the Coyoteros did. He was going on luck. The Coyoteros would use method. But now he wondered if it was so much luck. Vea Oiga had told him what to do.
He had been leading the horse out of the corral and down through the timber when Vea Oiga grew out of the shadows next to him, also leading a horse. The Indian handed the reins to the boy and held back the mare he had been leading. "It is best you take gelding," he whispered. "The man took stallion. Leave the mare here so there is no chance she will call to her lover."
The Apache stood close to him confidently. "You have one chance, man," he said. "Go to Bebida Wells, straight, without following the trail. The man will go fast for a time, until he learns he is not being followed. But at dawn he will go quick again on the main trail for that way he thinks he will save time. But soon he will tire and will need water. Then he will go to Bebida Wells, for that is the only water within one day of here. When he reaches the well, he will find his horse spent and his legs weary from hanging without stirrups. And there he will rest until he can go on."
He had listened, fascinated, while the Indian read into the future and then heard how he should angle, following the draws and washes to save miles. For a moment he wondered about this Indian who knew him so well in barely more than an hour, how he had antic.i.p.ated his intent, why he was helping. It had made no sense, but it was a course to follow, something he had not had before. The Apache had told him, "Shoot straight, man. Shoot before he sees you."
And with the boy pa.s.sing from view into the darkness, Vea Oiga led the mare back to the corral, thinking of the boy and the dying man in the hut. Revenge was something he knew, but it never occurred to him that a woman could be involved. And if the boy failed, then he would get another chance to shoot straight. There was always plenty of time.
The sun was almost straight up, crowding the whole sky with its bra.s.sy white light, when he began climbing again. The Escudillas seemed no closer, but now the country had turned wild, and from a rise he could see the wildness tangling and growing into gigantic rock formations as it reached and climbed toward the sawtooth heights of the Escudillas.
He had been angling to come around above the wells, and now, in the heights again, he studied the ravines and draws below him and judged he had overshot by only a mile. On extended patrols out of Thomas they had often hit for Bebida before making the swing-back to the south. It was open country approaching the wells, so he had skirted wide to come in under cover of the wildness and slightly from behind.
A quarter of a mile on he found a narrow draw dense with pines strung out along the walls, the pines growing into each other and bending across to form a tangled arch over the draw. He angled down into its shade and picketed the gelding about halfway in. Then, lifting the Winchester, he pa.s.sed out of the other end and began threading his way across the rocks.
A yard-wide defile opened up on a ledge that skirted close to the smoothness of boulders, making him edge sideways along the shadows of the towering rocks, until finally the ledge broadened and fell into a ravine that was dense with growth, dotted with pale yucca stalks against the dark green. He ran through the low vegetation in a crouch and stopped to rest at the end of the ravine where once more the ground turned to grotesque rock formations. Not a hundred yards off to the left, down through an opening in the rocks, he made out the still, sand-colored water of a well.
More cautiously now, he edged through the rocks, moving his boots carefully on the flinty ground. And after a dozen yards of this he crept into the narrowness of two boulders that hung close together, pointing the barrel of the Winchester through the aperture toward the pool of muddy water below.
He watched the vicinity of the pool with a grimness now added to his determination; he watched without reflecting on why he was there. He had thought of that all morning: seeing Virg die on the dirt floor....But the outlaw's words had always come up to blot that scene. "I think you better teach him the facts of life." Stepping on his toes while he was supposed to smile back. It embarra.s.sed him because he wanted to be here because of Virg. First Virg and then the girl. He told himself he was doing this because Virg was his friend, and because the girl was helpless and couldn't defend herself and deserved a chance. That's what he told himself.
But that was all in the past, hazy pictures in his mind overshadowed by the business at hand. He knew what he was doing there, if he wasn't sure why. So that when the outlaw's thin shape came into view below him, he was not excited.
He did not see where De Sana had come from, but realized now that he must have been hiding somewhere off to the left. De Sana crouched low behind a scramble of rock and poked his carbine below toward the pool, looking around as if trying to determine if this was the best position overlooking the well. His head turned, and he looked directly at the aperture behind him, where the two boulders met, studying it for a long moment before turning back to look down his carbine barrel at the pool. Dave Fallis levered the barrel of the Winchester down a fraction and the front sight was dead center on De Sana's back.
He wondered why De Sana had taken a carbine from the corral lean-to and not a saddle. Then he thought of Vea Oiga who had fired at him as he fled. And this brought Vea Oiga's words to memory. "Shoot before he sees you."
Past the length of the oiled gun barrel, he saw the Y formed by the suspenders and the faded underwear top, darkened with perspiration. The shorthaired skull, thin and hatless. And at the other end, booted long legs, and toes that kicked idly at the gravel.
For a moment he felt sorry for De Sana. Not because the barrel in front of him was trained on his back. He watched the man gaze out over a vastness that would never grow smaller. Straining his eyes for a relentless something that would sooner or later hound him to the ground. And he was all alone. He watched him kick his toes for something to do and wipe the sweat from his forehead with the back of his hand. De Sana perspired like everyone else. That's why he felt sorry for him. He saw a man, like a thousand others he had seen, and he wondered how you killed a man.
The Indian had told him, "Shoot before he sees you." Well, that was just like an Indian.
He moved around from behind the rocks and stood there in plain view with the rifle still pointed below. He felt naked all of a sudden, but brought the rifle up a little and called, "Throw your gun down and turn around!"
And the next second he was firing. He threw the lever and fired again-then a third time. He sat down and ran his hand over the wetness on his forehead, looking at the man who was now sprawled on his back with his carbine across his chest.
He buried the gunman well away from the pool and scattered rocks around so that when he was finished you'd wouldn't know that a grave was there. He took the outlaw's horse and his guns. That would be enough proof. On the way back he kept thinking of Virg and the girl. He hoped that Virg would still be alive, but knew that was too much to ask. Virg and he had had their good times and that was that. That's how you had to look at things.
He thought of the girl and wondered if she'd think he was rus.h.i.+ng things if he asked her to go withhim to thePanhandle,afteralegal ceremony....
And all the way back, not once did he think of Lew De Sana.
2.
The Hard Way.
Tio Robles stretched stiffly on the straw mattress, holding the empty mescal bottle upright on his chest. His sleepy eyes studied Jimmy Robles going through his ritual. Tio was half smiling, watching with amus.e.m.e.nt.
Jimmy Robles b.u.t.toned his s.h.i.+rt carefully, even the top b.u.t.ton, and pushed the s.h.i.+rttail tightly into his pants, smooth and tight with no blousing about the waist. It made him move stiffly the few minutes he was conscious of keeping the clean s.h.i.+rt smooth and unwrinkled. He lifted the gun belt from a wall peg and buckled it around his waist, inhaling slowly, watching the faded cotton stretch tight across his stomach. And when he wiped his high black boots it was with the same deliberate care.
Tio's sleepy smile broadened. "Jaime," he spoke softly, "you look very pretty. Are you to be married today?" He waited. "Perhaps this is a feast day that has slipped my mind." He waited longer. "No? Or perhaps the mayor has invited you to dine with him."
Jimmy Robles picked up the sweat-dampened s.h.i.+rt he had taken off and unpinned the silver badge from the pocket. Before looking at his uncle he breathed on the metal and rubbed its smooth surface over the tight cloth of his chest. He pinned it to the clean s.h.i.+rt, studying the inscription cut into the metal that John Benedict had told him read Deputy Sheriff. Deputy Sheriff.
Sternly, he said, "You drink too much," but could not help smiling at this picture of indolence sprawled on the narrow bed with a foot hooked on the window ledge above, not caring particularly if the world ended at that moment.
"Why don't you stop for a few days, just to see what it's like?"
Tio closed his eyes. "The shock would kill me."
"You're killing yourself anyway."
Tio mumbled, "But what a fine way to die."
Jimmy left the adobe hut and crossed a backyard before pa.s.sing through the narrow dimness of two adobes that squeezed close together, and when he reached the street he tilted his hat closer to his eyes against the afternoon glare and walked up the street toward Arivaca's business section. This was a part of Sat.u.r.day afternoon. This leaving the Mexican section that was still quiet, almost deserted, and walking up the almost indiscernible slope that led to the more prosperous business section.
Squat gray adobe grew with the slope from Spanishtown into painted, two-story false fronts with signs hanging from the ramadas. Soon, cowmen from the nearer ranges and townspeople who had quit early because it was Sat.u.r.day would be standing around under the ramadas, slapping each other on the shoulder thinking about Sat.u.r.day night. Those who hadn't started already. And Jimmy Robles would smile at everybody and be friendly because he liked this day better than any other. People were easier to get along with. Even the Americans.
Being deputy sheriff of Arivaca wasn't a hard job, but Jimmy Robles was new. And his newness made him unsure. Not confident of his ability to uphold the law and see that the goods and rights of these people were protected while they got drunk on Sat.u.r.day night.
The sheriff, John Benedict, had appointed him a month before because he thought it would be good for the Mexican population. One of their own boys. John Benedict said you performed your duty "in the name of the law." That was the thing to remember. And it made him feel uneasy because the law was such a big thing. And justice. He wished he could picture something other than that woman with the blindfold over her eyes. John Benedict spoke long of these things. He was a great man.
Not only had he made him deputy, but John Benedict had given him a pair of American boots and a pistol, free, which had belonged to a man who had been hanged the month before. Tio Robles had told him to destroy the hanged man's goods, for it was a bad sign; but that's all Tio knew about it. He was too much Mexicano. Mexicano. He would go on sweating at the wagonyard, grumbling, and drinking more mescal than he could hold. It was good he lived with Tio and was able to keep him out of trouble. Not all, some. He would go on sweating at the wagonyard, grumbling, and drinking more mescal than he could hold. It was good he lived with Tio and was able to keep him out of trouble. Not all, some.
His head was down against the glare and he watched his booted feet move over the street dust, lost in thought. But the gunfire from up-street brought him to instantly. He broke into a slow trot, seeing a lone man in the street a block ahead. As he approached him, he angled toward the boardwalk lining the buildings.
Sid Roman stood square in the middle of the street with his feet planted wide. There was a stubble of beard over the angular lines of his lower face and his eyes blinked sleepily. He jabbed another cartridge at the open cylinder of the Colt, and fumbled trying to insert it into one of the small openings. The nose of the bullet missed the groove and slipped from his fingers. Sid Roman was drunk, which wasn't unusual, though it wasn't evident from his face. The glazed expression was natural.
Behind him, two men with their hats tilted loosely over their eyes sat on the steps of the Samas Cafe, their boots stretched out into the street. A half-full bottle was between them on the ramada step. A third man lounged on his elbows against the hitch rack, leaning heavily like a dead weight. Jimmy Robles moved off the boardwalk and stood next to the man on the hitch rack.
Sid Roman loaded the pistol and waved it carelessly over his head. He tried to look around at the men behind him without moving his feet and stumbled off balance, almost going down.
"Come on ...who's got the money!" His eyes, heavy lidded, went to the two men on the steps. "Hey, Walt, dammit! Put up your dollar!"
The one called Walt said, "I got it. Go ahead and shoot," and hauled the bottle up to his mouth.
Sid Roman yelled to the man on the hitch rack, "You in, Red?" The man looked up, startled, and stared around as if he didn't know where he was.
Roman waved his pistol toward the high front of the saloon across the street. supreme, in foot-high red letters, ran across the board hanging from the top of the ramada. "A dollar I put five straight in the toploopofthe P. P." He slurred his words impatiently.
Jimmy Robles heard the man next to him mumble, "Sure, Sid." He looked at the sign, squinting hard, but could not make out any bullet scars near the P. P. Maybe there was one just off to the left of the Maybe there was one just off to the left of the S S. He waited until the cowman turned and started to raise the Colt.
"Hey, Sid." Jimmy Robles smiled at him like a friend. "I got some good targets out back of the jail."
Aiming, Sid Roman turned irritably, hot in the face. Then the expression was blank and gla.s.sy again.
"How'd you know my name?"
Jimmy Robles smiled, embarra.s.sed. "I just heard this man call you that."