The Fountainhead Part 51

One phase of his life, however, was little known and never mentioned. The top floor of the building under his penthouse was his private art gallery. It was locked. He had never admitted anyone, except the caretaker. A few people knew about it. Once a French amba.s.sador asked him for permission to visit it. Wynand refused. Occasionally, not often, he would descend to his gallery and remain there for hours. The things he collected were chosen by standards of his own. He had famous masterpieces; he had canvases by unknown artists; he rejected the works of immortal names for which he did not care. The estimates set by collectors and the matter of great signatures were of no concern to him. The art dealers whom he patronized reported that his judgment was that of a master.

One night his valet saw Wynand returning from the art gallery below and was shocked by the expression of his face; it was a look of suffering, yet the face seemed ten years younger. "Are you ill, sir?" he asked. Wynand looked at him indifferently and said: "Go to bed."

"We could make a swell spread for the Sunday scandal sheet out of your art gallery," said Alvah Scarret wistfully. "No," said Wynand. "But why, Gail?" "Look, Alvah. Every man on earth has a soul of his own that n.o.body can stare at. Even the convicts in a penitentiary and the freaks in a side show. Everybody but me. My soul is spread in your Sunday scandal sheet-in three-color process. So I must have a subst.i.tute-even if it's only a locked room and a few objects not to be pawed."

It was a long process and there had been premonitory signs, but Scarret did not notice a certain new trait in Gail Wynand's character until Wynand was forty-five. Then it became apparent to many. Wynand lost interest in breaking industrialists and financiers. He found a new kind of victim. People could not tell whether it was a sport, a mania or a systematic pursuit. They thought it was horrible, because it seemed so vicious and pointless.

It began with the case of Dwight Carson. Dwight Carson was a talented young writer who had achieved the spotless reputation of a man pa.s.sionately devoted to his convictions. He upheld the cause of the individual against the ma.s.ses. He wrote for magazines of great prestige and small circulation, which were no threat to Wynand. Wynand bought Dwight Carson. He forced Carson to write a column on the Banner, dedicated to preaching the superiority of the ma.s.ses over the man of genius. It was a bad column, dull and unconvincing; it made many people angry. It was a waste of s.p.a.ce and of a big salary. Wynand insisted on continuing it.

Even Alvah Scarret was shocked by Carson's apostasy. "Anybody else, Gail," he said, "but, honest, I didn't expect it of Carson." Wynand laughed; he laughed too long, as if he could not stop it; his laughter had an edge of hysteria. Scarret frowned; he did not like the sight of Wynand being unable to control an emotion; it contradicted everything he knew of Wynand; it gave Scarret a funny feeling of apprehension, like the sight of a tiny crack in a solid wall; the crack could not possibly endanger the wall-except that it had no business being there.

A few months later Wynand bought a young writer from a radical magazine, a man known for his honesty, and put him to work on a series of articles glorifying exceptional men and d.a.m.ning the ma.s.ses. That, too, made a great many of his readers angry. He continued it. He seemed not to care any longer about the delicate signs of effect on circulation.

He hired a sensitive poet to cover baseball games. He hired an art expert to handle financial news. He got a socialist to defend factory owners and a conservative to champion labor. He forced an atheist to write on the glories of religion. He made a disciplined scientist proclaim the superiority of mystical intuition over the scientific method. He gave a great symphony conductor a munificent yearly income, for no work at all, on the sole condition that he never conduct an orchestra again.

Some of these men had refused, at first. But they surrendered when they found themselves on the edge of bankruptcy through a series of untraceable circ.u.mstances within a few years. Some of the men were famous, others obscure. Wynand showed no interest in the previous standing of his prey. He showed no interest in men of glittering success who had commercialized their careers and held no particular beliefs of any kind. His victims had a single attribute in common: their immaculate integrity.

Once they were broken, Wynand continued to pay them scrupulously. But he felt no further concern for them and no desire to see them again. Dwight Carson became a dipsomaniac. Two men became drug addicts. One committed suicide. This last was too much for Scarret. "Isn't it going too far, Gail?" he asked. "That was practically murder." "Not at all," said Wynand, "I was merely an outside circ.u.mstance. The cause was in him. If lightning strikes a rotten tree and it collapses, it's not the fault of the lightning." "But what do you call a healthy tree?" "They don't exist, Alvah," said Wynand cheerfully, "they don't exist."

Alvah Scarret never asked Wynand for an explanation of this new pursuit. By some dim instinct Scarret guessed a little of the reason behind it. Scarret shrugged and laughed, telling people that it was nothing to worry about, it was just "a safety valve." Only two men understood Gail Wynand: Alvah Scarret-partially; Ellsworth Toohey-completely.

Ellsworth Toohey-who wished, above all, to avoid a quarrel with Wynand at that time-could not refrain from a feeling of resentment, because Wynand had not chosen him as a victim. He almost wished Wynand would try to corrupt him, no matter what the consequences. But Wynand seldom noticed his existence.

Wynand had never been afraid of death. Through the years the thought of suicide had occurred to him, not as an intention, but as one of the many possibilities among the chances of life. He examined it indifferently, with polite curiosity, as he examined any possibility-and then forgot it. He had known moments of blank exhaustion when his will deserted him. He had always cured himself by a few hours in his art gallery.

Thus he reached the age of fifty-one, and a day when nothing of consequence happened to him, yet the evening found him without desire to make a step farther.

Gail Wynand sat on the edge of the bed, slumped forward, his elbows on his knees, the gun on the palm of his hand.

Yes, he told himself, there's an answer there somewhere. But I don't want to know it. I don't want to know it.

And because he felt a pang of dread at the root of this desire not to examine his life further, he knew that he would not die tonight. As long as he still feared something, he had a foothold on living; even if it meant only moving forward to an unknown disaster. The thought of death gave him nothing. The thought of living gave him a slender alms-the hint of fear.

He moved his hand, weighing the gun. He smiled, a faint smile of derision. No, he thought, that's not for you. Not yet. You still have the sense of not wanting to die senselessly. You were stopped by that. Even that is a remnant-of something.

He tossed the gun aside on the bed, knowing that the moment was past and the thing was of no danger to him any longer. He got up. He felt no elation; he felt tired; but he was back in his normal course. There were no problems, except to finish this day quickly and go to sleep.

He went down to his study to get a drink.

When he switched on the light in the study, he saw Toohey's present. It was a huge, vertical crate, standing by his desk. He had seen it earlier in the evening. He had thought "What the h.e.l.l," and forgotten all about it.

He poured himself a drink and stood sipping it slowly. The crate was too large to escape his field of vision, and as he drank he tried to guess what it could possibly contain. It was too tall and slender for a piece of furniture. He could not imagine what material property Toohey could wish to send him; he had expected something less tangible-a small envelope containing a hint at some sort of blackmail; so many people had tried to blackmail him so unsuccessfully; he did think Toohey would have more sense than that.

By the time he finished his drink, he had found no plausible explanation for the crate. It annoyed him, like a stubborn crossword puzzle. He had a kit of tools somewhere in a drawer of his desk. He found it and broke the crate open.

It was Steven Mallory's statue of Dominique Francon.

Gail Wynand walked to his desk and put down the pliers he held as if they were of fragile crystal. Then he turned and looked at the statue again. He stood looking at it for an hour.

Then he went to the telephone and dialed Toohey's number.

"h.e.l.lo?" said Toohey's voice, its hoa.r.s.e impatience confessing that he had been awakened out of sound sleep.

"All right. Come over," said Wynand and hung up.

Toohey arrived half an hour later. It was his first visit to Wynand's home. Wynand himself answered the door bell, still dressed in his pyjamas. He said nothing and walked into the study, Toohey following.

The naked marble body, its head thrown back in exaltation, made the room look like a place that did not exist any longer: like the Stoddard Temple. Wynand's eyes rested on Toohey expectantly, a heavy glance of suppressed anger.

"You want, of course, to know the name of the model?" Toohey asked, with just a hint of triumph in his voice.

"h.e.l.l, no," said Wynand. "I want to know the name of the sculptor."

He wondered why Toohey did not like the question; there was something more than disappointment in Toohey's face.

"The sculptor?" said Toohey. "Wait ... let me see ... I think I did know it.... It's Steven ... or Stanley ... Stanley something or other.... Honestly, I don't remember."

"If you knew enough to buy this, you knew enough to ask the name and never forget it."

"I'll look it up, Mr. Wynand."

"Where did you get this?"

"In some art shop, you know, one of those places on Second Avenue."

"How did it get there?"

"I don't know. I didn't ask. I bought it because I knew the model."

"You're lying about that. If that were all you saw in it, you wouldn't have taken the chance you took. You know that I've never let anyone see my gallery. Did you think I'd allow you the presumption of contributing to it? n.o.body has ever dared offer me a gift of that kind. You wouldn't have risked it, unless you were sure, terribly sure, of how great a work of art this is. Sure that I'd have to accept it. That you'd beat me. And you have."

"I'm glad to hear it, Mr. Wynand."

"If you wish to enjoy that, I'll tell you also that I hate seeing this come from you. I hate your having been able to appreciate it. It doesn't fit you. Though I was obviously wrong about you: you're a greater art expert than I thought you were."

"Such as it is, I'll have to accept this as a compliment and thank you, Mr. Wynand."

"Now what was it you wanted? You intended me to understand that you won't let me have this unless I grant an interview to Mrs. Peter Keating?"

"Why, no, Mr. Wynand. I've made you a present of it. I intended you only to understand that this is Mrs. Peter Keating."

Wynand looked at the statue, then back at Toohey.

"Oh you d.a.m.n fool!" said Wynand softly.

Toohey stared at him, bewildered.

"So you really did use this this as a red lamp in a window?" Wynand seemed relieved; he did not find it necessary to hold Toohey's glance now. "That's better, Toohey. You're not as smart as I thought for a moment." as a red lamp in a window?" Wynand seemed relieved; he did not find it necessary to hold Toohey's glance now. "That's better, Toohey. You're not as smart as I thought for a moment."

"But, Mr. Wynand, what ...?"

"Didn't you realize that this statue would be the surest way to kill any possible appet.i.te I might have for your Mrs. Keating?"

"You haven't seen her, Mr. Wynand."

"Oh, she's probably beautiful. She might be more beautiful than this. But she can't have what that sculptor has given her. And to see that same face, but without any meaning, like a dead caricature-don't you think one would hate the woman for that?"

"You haven't seen her."

"Oh, all right, I'll see her. I told you you should be allowed to get away with your stunt completely or not at all. I didn't promise you to lay her, did I? Only to see her."

"That is all I wanted, Mr. Wynand."

"Have her telephone my office and make an appointment."

"Thank you, Mr. Wynand."

"Besides, you're lying about not knowing the name of that sculptor. But it's too much bother to make you tell me. She'll tell me."

"I'm sure she'll tell you. Though why should I lie?"

"G.o.d knows. By the way, if it had been a lesser sculptor, you'd have lost your job over this."

"But, after all, Mr. Wynand, I have a contract."

"Oh, save that for your labor unions, Elsie! And now I think you should wish me a good night and get out of here."

"Yes, Mr. Wynand. I wish you a good night."

Wynand accompanied him to the hall. At the door Wynand said: "You're a poor businessman, Toohey. I don't know why you're so anxious to have me meet Mrs. Keating. I don't know what your racket is in trying to get a commission for that Keating of yours. But whatever it is, it can't be so valuable that you should have been willing to part with a thing like this in exchange."

II

"WHY DIDN'T YOU WEAR YOUR EMERALD BRACELET?" ASKED Peter Keating. "Gordon Prescott's so-called fiancee had everybody gaping at her star sapphire."

"I'm sorry, Peter. I shall wear it next time," said Dominique.

"It was a nice party. Did you have a good time?"

"I always have a good time."

"So did I ... Only ... Oh G.o.d, do you want to know the truth?"

"No."

"Dominique, I was bored to death. Vincent Knowlton is a pain in the neck. He's such a d.a.m.n sn.o.b. I can't stand him." He added, cautiously: "I didn't show it, did I?"

"No. You behaved very well. You laughed at all his jokes-even when no one else did."

"Oh, you noticed that? It always works."

"Yes, I noticed that."

"You think I shouldn't, don't you?"

"I haven't said that."

"You think it's ... low, don't you?"

"I don't think anything is low."

He slumped farther in his armchair; it made his chin press uncomfortably against his chest; but he did not care to move again. A fire crackled in the fireplace of his living room. He had turned out all the lights, save one lamp with a yellow silk shade; but it created no air of intimate relaxation, it only made the place look deserted, like a vacant apartment with the utilities shut off. Dominique sat at the other end of the room, her thin body fitted obediently to the contours of a straight-backed chair; she did not look stiff, only too poised for comfort. They were alone, but she sat like a lady at a public function; like a lovely dress dummy in a public show window-a window facing a busy intersection.

They had come home from a tea party at the house of Vincent Knowlton, a prominent young society man, Keating's new friend. They had had a quiet dinner together, and now their evening was free. There were no other social engagements till tomorrow.

"You shouldn't have laughed at theosophy when you spoke to Mrs. Marsh," he said. "She believes in it."

"I'm sorry. I shall be more careful."

He waited to have her open a subject of conversation. She said nothing. He thought suddenly that she had never spoken to him first-in the twenty months of their marriage. He told himself that that was ridiculous and impossible; he tried to recall an occasion when she had addressed him. Of course he had; he remembered her asking him: "What time will you be back tonight?" and "Do you wish to include the Dixons for Tuesday's dinner?" and many things like that.

He glanced at her. She did not look bored or anxious to ignore him. She sat there, alert and ready, as if his company held her full interest; she did not reach for a book, she did not stare at some distant thought of her own. She looked straight at him, not past him, as if she were waiting for a conversation. He realized that she had always looked straight at him, like this; and now he wondered whether he liked it. Yes, he did, it allowed him no cause to be jealous, not even of her hidden thoughts. No, he didn't, not quite, it allowed no escape, for either one of them.

"I've just finished The Gallant Gallstone," The Gallant Gallstone," he said. "It's a swell book. It's the product of a scintillating brain, a Puck with tears streaming down his face, a golden-hearted clown holding for a moment the throne of G.o.d." he said. "It's a swell book. It's the product of a scintillating brain, a Puck with tears streaming down his face, a golden-hearted clown holding for a moment the throne of G.o.d."

"I read the same book review. In the Sunday Banner Banner."

"I read the book itself. You know I did."

"That was nice of you."

"Huh?" He heard approval and it pleased him.

"It was considerate toward the author. I'm sure she likes to have people read her book. So it was kind to take the time-when you knew in advance what you'd think of it."

"I didn't know. But I happen to agree with the reviewer."