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Selections from Poe Part 15

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The chest had been full to the brim, and we spent the whole day, and the greater part of the next night, in a scrutiny of its contents.

There had been nothing like order or arrangement. Everything had been heaped in promiscuously. Having a.s.sorted all with care, we found ourselves possessed of even vaster wealth than we had at first supposed. In coin there was rather more than four hundred and fifty thousand dollars: estimating the value of the pieces, as accurately as we could, by the tables of the period. There was not a particle of silver. All was gold of antique date and of great variety: French, Spanish, and German money, with a few English guineas, and some counters, of which we had never seen specimens before. There were several very large and heavy coins, so worn that we could make nothing of their inscriptions. There was no American money. The value of the jewels we found more difficulty in estimating. There were diamonds--some of them exceedingly large and fine--a hundred and ten in all, and not one of them small; eighteen rubies of remarkable brilliancy; three hundred and ten emeralds, all very beautiful; and twenty-one sapphires, with an opal. These stones had all been broken from their settings and thrown loose in the chest. The settings themselves, which we picked out from among the other gold, appeared to have been beaten up with hammers, as if to prevent identification.

Besides all this, there was a vast quant.i.ty of solid gold ornaments: nearly two hundred ma.s.sive finger and ear-rings; rich chains--thirty of these, if I remember; eighty-three very large and heavy crucifixes; five gold censers of great value; a prodigious golden punch-bowl, ornamented with richly chased vine-leaves and Baccha.n.a.lian figures; with two sword-handles exquisitely embossed, and many other smaller articles which I cannot recollect. The weight of these valuables exceeded three hundred and fifty pounds avoirdupois; and in this estimate I have not included one hundred and ninety-seven superb gold watches; three of the number being worth each five hundred dollars, if one. Many of them were very old, and as time-keepers valueless, the works having suffered more or less from corrosion; but all were richly jewelled and in cases of great worth. We estimated the entire contents of the chest, that night, at a million and a half of dollars; and, upon the subsequent disposal of the trinkets and jewels (a few being retained for our own use), it was found that we had greatly undervalued the treasure.

When, at length, we had concluded our examination, and the intense excitement of the time had in some measure subsided, Legrand, who saw that I was dying with impatience for a solution of this most extraordinary riddle, entered into a full detail of all the circ.u.mstances connected with it.

"You remember," said he, "the night when I handed you the rough sketch I had made of the _scarabaeus_. You recollect, also, that I became quite vexed at you for insisting that my drawing resembled a death's-head. When you first made this a.s.sertion I thought you were jesting; but afterwards I called to mind the peculiar spots on the back of the insect, and admitted to myself that your remark had some little foundation in fact. Still, the sneer at my graphic powers irritated me--for I am considered a good artist--and, therefore, when you handed me the sc.r.a.p of parchment, I was about to crumple it up and throw it angrily into the fire."

"The sc.r.a.p of paper, you mean," said I.

"No: it had much of the appearance of paper, and at first I supposed it to be such, but when I came to draw upon it, I discovered it, at once, to be a piece of very thin parchment. It was quite dirty, you remember. Well, as I was in the very act of crumpling it up, my glance fell upon the sketch at which you had been looking, and you may imagine my astonishment when I perceived, in, fact, the figure of a death's-head just where, it seemed to me, I had made the drawing of the beetle. For a moment I was too much amazed to think with accuracy.

I knew that my design was very different in detail from this--although there was a certain similarity in general outline. Presently I took a candle and, seating myself at the other end of the room, proceeded to scrutinize the parchment more closely. Upon turning it over, I saw my own sketch upon the reverse, just as I had made it. My first idea, now, was mere surprise at the really remarkable similarity of outline--at the singular coincidence involved in the fact that, unknown to me, there should have been a skull upon the other side of the parchment, immediately beneath my figure of the _scarabaeus_, and that this skull, not only in outline, but in size, should so closely resemble my drawing. I say the singularity of this coincidence absolutely stupified me for a time. This is the usual effect of such coincidences. The mind struggles to establish a connection--a sequence of cause and effect--and, being unable to do so, suffers a species of temporary paralysis. But, when I recovered from this stupor, there dawned upon me gradually a conviction which startled me even far more than the coincidence. I began distinctly, positively, to remember that there had been _no_ drawing on the parchment when I made my sketch of the _scarabaeus_. I became perfectly certain of this; for I recollected turning up first one side and then the other, in search of the cleanest spot. Had the skull been then there, of course I could not have failed to notice it. Here was indeed a mystery which I felt it impossible to explain; but, even at that early moment, there seemed to glimmer, faintly, within the most remote and secret chambers of my intellect, a glow-worm-like conception of that truth which last night's adventure brought to so magnificent a demonstration. I arose at once, and, putting the parchment securely away, dismissed all farther reflection until I should be alone.

"When you had gone, and when Jupiter was fast asleep, I betook myself to a more methodical investigation of the affair. In the first place I considered the manner in which the parchment had come into my possession. The spot where we discovered the _scarabaeus_ was on the coast of the mainland, about a mile eastward of the island, and but a short distance above high-water mark. Upon my taking hold of it, it gave me a sharp bite, which caused me to let it drop. Jupiter, with his accustomed caution, before seizing the insect, which had flown towards him, looked about him for a leaf, or something of that nature, by which to take hold of it. It was at this moment that his eyes, and mine also, fell upon the sc.r.a.p of parchment, which I then supposed to be paper. It was lying half-buried in the sand, a corner sticking up. Near the spot where we found it, I observed the remnants of the hull of what appeared to have been a s.h.i.+p's long boat. The wreck seemed to have been there for a very great while; for the resemblance to boat timbers could scarcely be traced.

"Well, Jupiter picked up the parchment, wrapped the beetle in it, and gave it to me. Soon afterwards we turned to go home, and on the way met Lieutenant G----. I showed him the insect, and he begged me to let him take it to the fort. On my consenting, he thrust it forthwith into his waistcoat pocket, without the parchment in which it had been wrapped, and which I had continued to hold in my hand during his inspection. Perhaps he dreaded my changing my mind, and thought it best to make sure of the prize at once--you know how enthusiastic he is on all subjects connected with Natural History. At the same time, without being conscious of it, I must have deposited the parchment in my own pocket.

"You remember that when I went to the table, for the purpose of making a sketch of the beetle, I found no paper where it was usually kept. I looked in the drawer, and found none there. I searched my pockets, hoping to find an old letter, and then my hand fell upon the parchment. I thus detail the precise mode in which it came into my possession; for the circ.u.mstances impressed me with peculiar force.

"No doubt you will think me fanciful--but I had already established a kind of _connection_. I had put together two links of a great chain.

There was a boat lying on a seacoast, and not far from the boat was a parchment--_not a paper_--with a skull depicted on it. You will, of course, ask 'where is the connection?' I reply that the skull, or death's-head, is the well-known emblem of the pirate. The flag of the death's-head is hoisted in all engagements.

"I have said that the sc.r.a.p was parchment, and not paper. Parchment is durable--almost imperishable. Matters of little moment are rarely consigned to parchment; since, for the mere ordinary purposes of drawing or writing, it is not nearly so well adapted as paper. This reflection suggested some meaning--some relevancy--in the deaths-head.

I did not fail to observe, also, the _form_ of the parchment. Although one of its corners had been, by some accident, destroyed, it could be seen that the original form was oblong. It was just such a slip, indeed, as might have been chosen for a memorandum--for a record of something to be long remembered and carefully preserved."

"But," I interposed, "you say that the skull, was _not_ upon the parchment when you made the drawing of the beetle. How then do you trace any connection between the boat and the skull--since this latter, according to your own admission, must have been designed (G.o.d only knows how or by whom) at some period subsequent to your sketching the _scarabaeus_?"

"Ah, hereupon turns the whole mystery; although the secret, at this point, I had comparatively little difficulty in solving. My steps were sure, and could afford but a single result. I reasoned, for example, thus: When I drew the _scarabaeus,_ there was no skull apparent on the parchment. When I had completed the drawing I gave it to you, and observed you narrowly until you returned it. _You_, therefore, did not design the skull, and no one else was present to do it. Then it was not done by human agency. And nevertheless it was done.

"At this stage of my reflections I endeavored to remember, and _did_ remember, with entire distinctness, every incident which occurred about the period in question. The weather was chilly (O rare and happy accident!), and a fire was blazing on the hearth. I was heated with exercise and sat near the table. You, however, had drawn a chair close to the chimney. Just as I placed the parchment in your hand, and as you were in the act of inspecting it, Wolf, the Newfoundland, entered, and leaped upon your shoulders. With your left hand you caressed him and kept him off, while your right, holding the parchment, was permitted, to fall listlessly between your knees, and in close proximity to the fire. At one moment I thought the blaze had caught it, and was about to caution you, but, before I could speak, you had withdrawn it, and were engaged in its examination. When I considered all these particulars, I doubted not for a moment that _heat_ had been the agent in bringing to light, on the parchment, the skull which I saw designed on it. You are well aware that chemical preparations exist, and have existed time out of mind, by means of which it is possible to write on either paper or vellum, so that the characters shall become visible only when subjected to the action of fire.

Zaffre, digested in _aqua regia_, and diluted with four times its weight of water, is sometimes employed; a green tint results. The regulus of cobalt, dissolved in spirit of nitre, gives a red. These colors disappear at longer or shorter intervals after the material written upon cools, but again become apparent upon the re-application of heat.

"I now scrutinized the death's-head with care. Its outer edges--the edges of the drawing nearest the edge of the vellum--were far more _distinct_ than the others. It was clear that the action of the caloric had been imperfect or unequal. I immediately kindled a fire, and subjected every portion of the parchment to a glowing heat. At first, the only effect was the strengthening of the faint lines in the skull; but, on persevering in the experiment, there became visible at the corner of the slip, diagonally opposite to the spot in which the death's-head was delineated, the figure of what I at first supposed to be a goat. A closer scrutiny, however, satisfied me that it was intended for a kid."

"Ha! ha!" said I, "to be sure I have no right to laugh at you--a million and a half of money is too serious a matter for mirth--but you are not about to establish a third link in your chain: you will not find any especial connection between your pirates and a goat; pirates, you know, have nothing to do with goats; they appertain to the farming interest."

"But I have just said that the figure was _not_ that of a goat."

"Well, a kid, then--pretty much the same thing."

"Pretty much, but not altogether," said Legrand. "You may have heard of one _Captain_ Kidd. I at once looked on the figure of the animal as a kind of punning or hieroglyphical signature. I say signature, because its position on the vellum suggested this idea. The death's-head at the corner diagonally opposite had, in the same manner, the air of a stamp, or seal. But I was sorely put out by the absence of all else--of the body to my imagined instrument--of the text for my context."

"I presume you expected to find a letter between the stamp and the signature."

"Something of that kind. The fact is, I felt irresistibly impressed with a presentiment of some vast good fortune impending. I can scarcely say why. Perhaps, after all, it was rather a desire than an actual belief;--but do you know that Jupiter's silly words, about the bug being of solid gold, had a remarkable effect on my fancy? And then the series of accidents and coincidences--these were so _very_ extraordinary. Do you observe how mere an accident it was that these events should have occurred on the _sole_ day of all the year in which it has been, or may be, sufficiently cool for fire, and that without the fire, or without the intervention of the dog at the precise moment in which he appeared, I should never have become aware of the death's-head, and so never the possessor of the treasure?"

"But proceed--I am all impatience."

"Well; you have heard, of course, the many stories current--the thousand vague rumors afloat about money buried, somewhere on the Atlantic coast, by Kidd and his a.s.sociates. These rumors must have had some foundation in fact. And that the rumors have existed so long and so continuously, could have resulted, it appeared to me, only from the circ.u.mstance of the buried treasure still _remaining_ entombed.

Had Kidd concealed his plunder for a time, and afterwards reclaimed it, the rumors would scarcely have reached us in their present unvarying form. You will observe that the stories told are all about money-seekers, not about money-finders. Had the pirate recovered his money, there the affair would have dropped. It seemed to me that some accident--say the loss of a memorandum indicating its locality--had deprived him of the means of recovering it, and that this accident had become known to his followers, who otherwise might never have heard that treasure had been concealed at all, and who, busying themselves in vain, because unguided, attempts to regain it, had given first birth, and then universal currency, to the reports which are now so common. Have you ever heard of any important treasure being unearthed along the coast?"

"Never."

"But that Kidd's acc.u.mulations were immense is well known. I took it for granted, therefore, that the earth still held them; and you will scarcely be surprised when I tell you that I felt a hope, nearly amounting to certainty, that the parchment so strangely found involved a lost record of the place of deposit."

"But how did you proceed?"

"I held the vellum again to the fire, after increasing the heat, but nothing appeared. I now thought it possible that the coating of dirt might have something to do with the failure; so I carefully rinsed the parchment by pouring warm water over it, and, having done this, I placed it in a tin pan, with the skull downwards, and put the pan upon a furnace of lighted charcoal. In a few minutes, the pan having become thoroughly heated, I removed the slip, and, to my inexpressible joy, found it spotted, in several places, with what appeared to be figures arranged in lines. Again I placed it in the pan, and suffered it to remain another minute. Upon taking it off, the whole was just as you see it now."

Here Legrand, having reheated the parchment, submitted it to my inspection. The following characters were rudely traced, in a red tint, between the death's-head and the goat:--

53 305))6*;4826)4.)4);806*;48 8--60))85;;]8*;:*8 83(8 8)5* ;46(;88*96*?;8)*(;485);5* 2:*(;4956*2(5*--4)8--8*;4069 285);)6 8)4;1(9;48081;8:81;48 85;4)485 528806*81(9;48;(8 8;4(?34;48)4;161;:188;?;

"But," said I, returning him the slip, "I am as much in the dark as ever. Were all the jewels of Golconda awaiting me on my solution of this enigma, I am quite sure, that I should be unable to earn them."

"And yet," said Legrand, "the solution is by no means so difficult as you might be led to imagine from the first hasty inspection of the characters. These characters, as any one might readily guess, form a cipher--that is to say, they convey a meaning; but then, from what is known of Kidd, I could not suppose, him capable of constructing any of the more abstruse cryptographs. I made up my mind, at once, that this was of a simple species--such, however, as would appear, to the crude intellect of the sailor, absolutely insoluble without the key."

"And you really solved it?"

"Readily; I have solved others of an abstruseness ten thousand times greater. Circ.u.mstances, and a certain bias of mind, have led me to take interest in such riddles, and it may well be doubted whether human ingenuity can construct an enigma of the kind which human ingenuity may not, by proper application, resolve. In fact, having once established connected and legible characters, I scarcely gave a thought to the mere difficulty of developing their import.

"In the present case--indeed in all cases of secret writing--the first question regards the _language_ of the cipher; for the principles of solution, so far, especially, as the more simple ciphers are concerned, depend on, and are varied by, the genius of the particular idiom. In general, there is no alternative but experiment (directed by probabilities) of every tongue known to him who attempts the solution, until the true one be attained. But, with the cipher now before us, all difficulty is removed by the signature. The pun upon the word 'Kidd' is appreciable in no other language than the English. But for this consideration I should have begun my attempts with the Spanish and French, as the tongues in which a secret of this kind would most naturally have been written by a pirate of the Spanish main. As it was, I a.s.sumed the cryptograph to be English.

"You observe there are no divisions between the words. Had there been divisions, the task would have been comparatively easy. In such case I should have commenced with a collation and a.n.a.lysis of the shorter words, and, had a word of a single letter occurred, as is most likely (_a_ or _I_, for example), I should have considered the solution as a.s.sured. But, there being no division, my first step was to ascertain the predominant letters, as well as the least frequent. Counting all, I constructed a table, thus:

Of the character 8 there are 33 ; " 26 4 " 19 ) " 16 * " 13 5 " 12 6 " 11 1 " 8 0 " 6 92 " 5 :3 " 4 ? " 3 -- " 2 ] " 1

"Now, in English, the letter which most frequently occurs is _e_.

Afterwards the succession runs thus: _a o i d h n r s t u y c f g l m w b k p q x z. E_ predominates, however, so remarkably that an individual sentence of any length is rarely seen, in which it is not the prevailing character.

"Here, then, we have, in the very beginning, the groundwork for something more than a mere guess. The general use which may be made of the table is obvious--but, in this particular cipher, we shall only very partially require its aid. As our predominant character is 8, we will commence by a.s.suming it as the _e_ of the natural alphabet. To verify the supposition, let us observe if the 8 be seen often in couples--for _e_ is doubled with great frequency in English--in such words, for example, as 'meet,' 'fleet,' 'speed,' 'seen,' 'been,'

'agree,' etc. In the present instance we see it doubled no less than five times, although the cryptograph is brief.

"Let us a.s.sume 8, then, as _e_. Now, of all _words_ in the language, 'the' is most usual; let us see, therefore, whether there are not repet.i.tions of any three characters, in the same order of collocation, the last of them being 8. If we discover repet.i.tions of such letters, so arranged, they will most probably represent the word 'the.' On inspection, we find no less than seven such arrangements, the characters being ;48. We may, therefore, a.s.sume that the semicolon represents _t_, that 4 represents _h_, and that 8 represents _e_--the last being now well confirmed. Thus a great step has been taken.

"But, having established a single word, we are enabled to establish a vastly important point; that is to say, several commencements and terminations of other words. Let us refer, for example, to the last instance but one, in which combination ;48 occurs--not far from the end of the cipher. We know that the semicolon immediately ensuing is the commencement of a word, and, of the six characters succeeding this 'the,' we are cognizant of no less than five. Let us set these characters down, thus, by the letters we know them to represent, leaving a s.p.a.ce for the unknown--

t eeth

"Here we are enabled, at once, to discard the '_th_,' as forming no portion of the word commencing with the first _t_; since, by experiment of the entire alphabet for a letter adapted to the vacancy, we perceive that no word can be formed of which this _th_ can be a part. We are thus narrowed into

t ee,

and, going through the alphabet, if necessary, as before, we arrive at the word 'tree' as the sole possible reading. We thus gain another letter _r_, represented by (, with the words 'the tree' in juxtaposition.

"Looking beyond these words, for a short distance, we again see the combination ;48, and employ it by way of _termination_ to what immediately precedes. We have thus this arrangement:

the tree ;4(?34 the,

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Selections from Poe Part 15 summary

You're reading Selections from Poe. This manga has been translated by Updating. Author(s): Edgar Allan Poe. Already has 601 views.

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