Seraphina: A Novel Part 3

"What am I to do with you, Seraphina?" asked my father. He sat behind his desk, nervously rifling through doc.u.ments. I sat across from him on a backless stool; it was the first day I'd been well enough to leave my room. Orma occupied the carven oak chair in front of the window, the gray morning light haloing his uncombed hair. Anne-Marie had brought us tea and fled, but I was the only one who'd taken any. It grew cold in my cup.

"What did you ever intend to do with me?" I said with some bitterness, rubbing the rim of my cup with my thumb.

Papa shrugged his narrow shoulders, a distant look in his sea-gray eyes. "I had some hope of marrying you off until these gruesome manifestations appeared on your arm and your-" He gestured at my body, up and down.

I tried to shrink into myself. I felt disgusting to my very soul-if I even had a soul. My mother was a dragon. Nothing was certain anymore.

"I understand why you didn't want me to know," I muttered into my teacup, my voice rough with shame. "Before this ... this outbreak, I might not have felt the urgency of secrecy; I might have unburdened myself to one of the maids, or ..." I'd never had many friends. "Believe me, I see the point now."

"Oh, you do, do you?" said Papa, his gaze grown sharp. "Your knowledge of the treaty and the law would not have kept you silent, but being ugly makes it all clear to you?"

"The time to consider the treaty and the law was before you married her," I said.

"I didn't know!" he cried. He shook his head and said in a gentler tone, "She never told me. She died giving birth to you, bleeding silver all over the bed, and I was thrown into the deep end of the sea, without even the woman I loved best to help me."

Papa ran a hand through his thinning hair. "I could be exiled or executed, depending on our Queen's humor, but it may not be up to her, ultimately. Few cases of cohabiting with dragons have ever come all the way to trial; the accused have usually been torn to bits by mobs, been burned alive in their houses, or simply disappeared before it came to that."

My throat was too dry to speak; I swallowed a mouthful of cold tea. It was bitter. "Wh-what happened to their children?"

"There are no records of any of them having children," said Papa. "But do not imagine for one moment that the citizenry wouldn't know what to do with you if they found out. They need only turn to scripture for that!"

Orma, who had been staring into s.p.a.ce, snapped his focus back to us. "St. Ogdo had some specific recommendations, if memory serves," he said, tugging at his beard. " 'If soe'er the worms defile your women, producing misshapen, miscegenated abominations, suffer not such ghastly issue to live. Cleave the infant's skull with a thrice-blessed axe, ere its fontanelles harden like unto steel. Sever its scaly limbs and burn them in separate fires, lest they return in the night, crawling like worms, to kill righteous folk. Tear open the monster child's belly, p.i.s.s upon its entrails, and set ablaze. Half-breeds are born gravid: if you bury the abdomen intact, twenty more will spring up from the ground-' "

"Enough, saar," said Papa. His eyes, the color of stormy water, scanned my face. I stared back in horror, my mouth clamped shut to keep myself from crying. Did he eschew religion because the Saints themselves extolled the killing of his child? Did Goreddis still hate dragons after thirty-five years of peace because Heaven demanded it?

Orma had not registered my distress at all. "I wonder whether Ogdo and those who express similar revulsion-St. Vitt, St. Munn, many others-had experience with half-breeds. Not because Seraphina resembles the description, obviously, but because they acknowledge the possibility at all. There is no recorded case of crossbreeding at the great library of the Tanamoot, which is astonis.h.i.+ng in itself. You'd think, in almost a millennium, someone would have tried it on purpose."

"No," said Papa, "I wouldn't think it. Only an amoral dragon would think it."

"Exactly," said Orma, unoffended. "An amoral dragon would think it, try it-"

"What, by force?" Papa's mouth puckered as if the idea brought bile to his throat.

The implication didn't bother Orma. "-and record the experiment's results. Perhaps we are not as amoral a species as is commonly supposed in the Southlands."

I could hold back tears no longer. I felt dizzy, empty; a cold draft under the door set me swaying unsteadily. Everything had been stripped away: my human mother, my own humanity, and any hope I had of leaving my father's house.

I saw the void beneath the surface of the world; it threatened to pull me under.

Even Orma couldn't help noticing my distress. He c.o.c.ked his head, perplexed. "Give her education over to me, Claude," he said, leaning back and gathering condensation off the diamond panes of the little window with a fingertip. He tasted it.

"To you," sneered my father. "And what will you do with her? She can't go two hours without these infernal visions giving her seizures."

"We could work on that, to start. We saar have techniques for taming a rebellious brain." Orma tapped his own forehead, and then tapped it again as if the sensation intrigued him.

Why had it never struck me how deeply peculiar he was?

"You'll teach her music," said my father, his golden voice pitched an octave too high. I could see the struggle beneath his face as clearly as if his skin were gla.s.s. He had never been merely protecting me; he had been protecting his broken heart.

"Papa, please." I held out my open hands like a supplicant before the Saints. "I have nothing else left."

My father wilted in his chair, blinking away tears. "Do not let me hear you."

Two days later, a spinet was delivered to our house. My father instructed them to set it up in a storeroom at the very back of the house, far from his study. There was no room for the stool; I ended up sitting on a trunk. Orma had also sent a book of fantasias by a composer called Viridius. I had never seen musical notation before, but it was instantly familiar to me, as the speech of dragons had been. I sat until the light at the window began to fade, reading that music as if it were literature.

I knew nothing of spinets, but I a.s.sumed one opened the lid. The inside of mine was painted with a bucolic scene: kittens frolicking upon a patio, peasants making hay in the fields behind them. One of the kittens-the one aggressively a.s.saulting a ball of blue wool-had a peculiar gla.s.sy eye. I squinted at it in the semidarkness and then tapped it with my finger.

"Ah, there you are," crackled a deep voice. It seemed to come, incongruously, from the throat of the painted kitten.

"Orma?" How was he speaking to me? Was this some draconian device?

"If you're ready," he said, "let us begin. There is much to be done."

And that was how he saved my life the third time.

For the next five years Orma was my teacher and my only friend.

For someone who'd never intended to declare himself my uncle, Orma took his avuncular duties seriously. He taught me not just music but everything he thought I should know about dragonkind: history, philosophy, physiology, higher mathematics (as close as they came to a religion). He answered even my most impudent questions. Yes, dragons could smell colors under the right conditions. Yes, it was a terrible idea to transform into a saarantras right after eating an aurochs. No, he did not understand the exact nature of my visions, but he believed he saw the way to help me.

Dragons found the human condition confusing and often overwhelming, and they had developed strategies over the years for keeping their heads "in ard" while they took human form. Ard was a central concept of draconic philosophy. The word itself meant roughly "order" or "correctness." Goreddis used the word to refer to a dragon battalion-and that was one definition. But for dragons, the idea went much deeper. Ard was the way the world should be, the imposition of order upon chaos, an ethical and physical rightness.

Human emotions, messy and unpredictable, were ant.i.thetical to ard. Dragons used meditation and what Orma called cognitive architecture to part.i.tion their minds into discrete s.p.a.ces. They kept their maternal memories in one room, for example, because they were disruptively intense; the one maternal memory I'd experienced had bowled me over. Emotions, which the saar found uncomfortable and overpowering, were locked away securely and never permitted to leak out.

Orma had never heard of visions like mine and did not know what caused them. But he believed a system of cognitive architecture could stop the visions from striking me unconscious. We tried variations on his maternal memory room, locking the visions (that is, an imaginary book representing them) in a chest, a tomb, and finally a prison at the bottom of the sea. It would work for a few days, until I collapsed on my way home from St. Ida's and we had to start again.

My visions showed the same people over and over; they'd become so familiar I'd given them all nicknames. There were seventeen, a nice prime number, which interested Orma inordinately. He finally lit upon the idea of trying to contain the individuals, not the visions as such. "Try creating a representation, a mental avatar, of each person and building a s.p.a.ce where they might want to stay," Orma had said. "That boy, Fruit Bat, is always climbing trees, so plant a tree in your mind. See if his avatar will climb it and stay there. Maybe if you cultivate and maintain your connections to these individuals, they won't seek your attention at inconvenient times."

From this suggestion, an entire garden had grown. Each avatar had its place within this garden of grotesques; I tended them every night or suffered headaches and visions when I did not. As long as I kept these peculiar denizens calm and peaceful, I was not troubled by visions. Neither Orma nor I understood exactly why it worked. Orma claimed it was the most unusual mental structure he had ever heard of; he regretted not being able to write a dissertation on it, but I was a secret, even among dragons.

No unwanted vision had seized me in four years, but I could not relax my vigilance. The headache I'd developed after Prince Rufus's funeral meant the grotesques in my garden were agitated; that was when a vision was most likely to hit me. After Orma left me on the bridge, I hurried back to Castle Orison as quickly as I could, antic.i.p.ating an hour's work attending to my mental hygiene, as Orma called it, putting my mind back in ard.

My suite at the palace had two rooms. The first was a parlor where I practiced. The spinet Orma had given me stood by the far wall; beside it was a bookcase with my own books, my flutes, my oud. I staggered into the second room, containing wardrobe, table, and bed; I'd had only two weeks' acquaintance with the furniture, but it felt sufficiently mine that I was at home here. Palace servants had turned down the bedclothes and lit the fire.

I stripped to my linen chemise. I had scales to wash and oil, but every inch of me whimpered for the soft bed and there was still my head to deal with.

I pulled the bolster off my bed and sat on it cross-legged, as Orma had taught me. I shut my eyes, in so much pain now that it was hard to slow my breaths sufficiently. I repeated the mantra All in ard until I had calmed enough to see my sprawling, colorful garden of grotesques stretching all the way to my mind's horizon.

I endured a moment of confusion as I got my bearings; the layout changed each time I visited. Before me squatted the border wall of ancient, flat bricks; ferns grew out of its every cranny like tufts of green hair. Beyond it I saw the Faceless Lady fountain, the poppy bank, and a lawn with bulbous, overgrown topiaries. As Orma had instructed, I always paused with my hands upon the entrance gate-wrought iron, this time-and said, "This is my mind's garden. I tend it; I order it. I have nothing to fear."

Pelican Man lurked among the topiaries, his slack, expansive throat wattle dangling over the front of his tunic like a fleshy bib. It was always harder when I ran into a deformed one first, but I plastered on a smile and stepped onto the lawn. Cold dew between my toes surprised me; I hadn't noticed I was barefoot. Pelican Man took no note of my approach but kept his eyes upon the sky, which was always starry in this part of the garden.

"Are you well, Master P?" Pelican Man rolled his eyes at me balefully; he was agitated. I tried to take his elbow-I didn't touch the hands of a grotesque if I could help it-but he s.h.i.+ed away from me. "Yes, it was a stressful day," I said mildly, circling, herding him toward his stone bench. Its hollow seat was filled with soil and planted with oregano, producing a lovely smell when one sat on it. Pelican Man found it soothing. He headed for it at last and curled up among the herbs.

I watched Pelican Man a few moments longer, to make sure he was truly calmed. His dark skin and hair looked Porphyrian; his red baglike throat, expanding and contracting with every breath, looked like nothing of this world. As vivid as my visions were, it was disturbing to imagine him-and others still more deformed-out in the world somewhere. Surely the G.o.ds of Porphyry were not so cruel as to allow a Pelican Man to exist? My burden of horribleness was light compared with that.

He remained tranquil. That was one settled, and it hadn't been difficult. The intensity of my headache seemed disproportionate, but maybe I would find others more agitated.

I rose to continue my rounds, but my bare feet encountered something cold and leathery in the gra.s.s. Stooping down, I found a large piece of orange peel, and then several more sc.r.a.ps scattered among the towering boxwoods.

I had given the garden permanent features peculiar to each grotesque-Fruit Bat's trees, Pelican Man's starry sky-but my deeper mind, the hidden current Orma called underthought, filled in everything else. New embellishments, peculiar plants or statuary, appeared without warning. Refuse on the lawn seemed wrong, however.

I tossed the peels under the hedge and wiped my hands on my skirt. There was only one orange tree that I knew of in this garden. I would put off worrying until I'd seen it.

I found Miserere pulling out her feathers by the rocking stile; I led her to her nest. Newt thrashed about under the apple trees, crus.h.i.+ng the bluebells; I led him to his wallow and rubbed mud onto his tender head. I checked that the lock on the Wee Cottage still held and then picked my way barefoot through an unantic.i.p.ated field of thistles. I could see the taller trees of Fruit Bat's grove in the distance. I took the lime walk, ducking into leafy side gardens along the way, clucking, soothing, putting to bed, tending everyone. At the end of the walk, a yawning chasm blocked my way. Loud Lad's ravine had s.h.i.+fted positions and now blocked my path to Fruit Bat's date palms.

Loud Lad represented the Samsamese piper I'd seen. He was a favorite; I am ashamed to say I gravitated toward the more normal-looking denizens. This avatar was unusual in that it made noise (hence the name), built things, and sometimes left its designated area. This had caused me no end of panic at first. There had been one other grotesque, Jannoula, who'd been p.r.o.ne to wander, and she'd frightened me so badly that I'd locked her away in the Wee Cottage.

The visions were like peering into someone else's life with a mystical spygla.s.s. In the case of Jannoula, she had somehow been able to look back at me through her avatar. She had spoken to me, pried, prodded, stolen, and lied; she had drunk my fears like nectar, and smelled my wishes on the wind. In the end, she began trying to influence my thoughts and control my actions. In a panic, I'd told Orma and he helped me find a way to banish her to the Wee Cottage. I barely managed to trick her into entering. It was hard to fool someone who could tell what you were thinking.

With the Loud Lad avatar, however, motion just seemed to be characteristic; I had no sense that a real-world Samsamese piper was gazing back at me. Gazebos and pergolas sprouted all over the garden, gifts from His Loudness, and it pleased me to see them.

"Loud Lad!" I cried at the edge of his ravine. "I need a bridge!"

A gray-eyed, round-cheeked head popped up, followed by an oversized body clad in Samsamese black. He sat upon the lip of the cliff, took three fish and a lady's nightdress from his bag-caterwauling all the while-and unfolded them into a bridge for me to cross.

It was very like dreaming, this garden. I tried not to question the logic of things.

"How are you? You're not upset?" I asked, patting his bristly blond head. He hooted and disappeared into his creva.s.se. That was normal; he was usually calmer than the rest, maybe because he kept so busy.

I hurried toward Fruit Bat's grove, worry beginning to catch up with me now. Fruit Bat was my very favorite grotesque, and the only orange tree in the garden grew in his stand of figs, dates, lemons, and other Porphyrian fruits. I reached the grove and looked up, but he wasn't among the leaves. I looked down; he'd stacked fallen fruit into tidy pyramids, but he was nowhere to be seen.

He had never left his designated s.p.a.ce before, not once. I stood a long time, staring at the empty trees, trying to rationalize his absence.

Trying to slow my panicked heart.

If Fruit Bat was loose in the garden, that explained the orange peel on Pelican Man's lawn, and it might very well explain the intensity of my headache. If some little Porphyrian boy had found the way to peer back up the spygla.s.s like Jannoula ... I went cold all over. It was inconceivable. There must be another explanation. It would break my heart to have to cut off my connection to one I was so inexplicably fond of.

I pushed on, settling the remaining denizens, but my heart wasn't in it. I found more orange peel in Muttering Creek and upon Three Dunes.

The last piece of the garden tonight was the Rose Garden, prissy domain of Miss Fusspots. She was a short, stout old woman in a gabled cap and thick spectacles, homely but not overtly grotesque. I'd seen her too during that first barrage of visions, fussing about her stew. That was the origin of her name.

It took me a moment to spot her-a moment during which I had panicked palpitations-but she was merely on her hands and knees in the dirt behind an unusually large albiflora. She was pulling up weeds before they had a chance to sprout. It was efficient, if baffling. She did not seem particularly perturbed; she ignored me completely.

I looked across the sundial lawn toward the egression gate; I longed for bed and rest, but right now I didn't dare. I had to locate Fruit Bat.

There upon the sundial's face lay an entire orange rind, peeled off as one piece.

And there was the boy himself, up the ancient yew tree beside the border wall. He looked pleased that I had spotted him; he waved, leaped down, and skipped across the sundial lawn toward me. I gaped, alarmed by his bright eyes and smile, afraid of what they might mean.

He held out a slice of orange. It curled like a prawn on his brown hand.

I stared at it in perplexity. I could deliberately induce a vision by holding a grotesque's hands; I had done so once for each of them, seizing control of the visions and ending their control over me. That was the only time I'd done it. It felt wrong, like I was spying on people.

Was Fruit Bat merely offering me an orange, or did he wish me to take his hand? The latter notion gave me chills. I said, "Thank you, Bat, but I'm not hungry now. Let's go find your trees."

He followed me like a puppy, past Pandowdy's swamp, through the b.u.t.terfly garden, all the way back to his home grove. I'd expected him to leap right back up into the trees, but he looked at me with wide black eyes and held the orange slice up again. "You need to stay here and not go wandering around," I admonished. "It's bad enough that Loud Lad does it. Do you understand?"

He gave no indication that he understood; he ate the piece of orange, gazing into the distance. I patted his fluffy cloud of hair and waited until he was up a tree before I left.

I made my way to the gate, bowed to the sundial lawn, and said the designated words of parting: "This is my garden, all in ard. I tend it faithfully; let it keep faith with me."

I opened my eyes in my own room and stretched my stiff limbs. I poured myself some water from the ewer on the table and tossed the bolster back onto the bed. My headache had evaporated; apparently I'd solved the problem, even if I hadn't understood it.

Orma would have some idea about this. I determined to ask him tomorrow, and that prospect soothed my worry into sleep.

My morning routine was elaborate and time-consuming, so Orma had given me a timepiece that emitted blasphemy-inducing chirps at whatever early hour I specified. I kept it on top of the bookcase in the parlor, in a basket with a few other trinkets, so that I was forced to trudge all the way in there and dig around to switch it off.

It was a good system, except when I was too exhausted to remember to set the alarm. I awoke in a blaze of panic half an hour before I was due to lead choir practice.

I yanked my arms out of the sleeves of my chemise and shoved them up through the neck hole, lowering the linen garment until it rested around my hips like a skirt. I emptied the ewer into the basin and added the contents of the kettle, which were only slightly warmed from sitting on the hearth all night. I scrubbed the scales on my arm and around my middle with a soft cloth. The scales themselves registered no temperature; the trickle-down was far too cold to be comfortable today.

Everyone else washed once a week, if that, but no one else was susceptible to scale mites or burrowing chibbets. I dried myself and rushed to the bookcase for my pot of salve. Only certain herbs emulsified in goose grease stopped my scales from itching; Orma had found a good supplier in the one dragon-friendly part of town, the neighborhood called Quighole.

I usually practiced smiling while I slathered my scales with goo, figuring that if I could smile through that, I could smile through anything. Today I really didn't have the time.

I pulled up my chemise and wrapped a cord around the left forearm so the sleeve couldn't fall open. I put on a kirtle, gown, and surcoat; I wore three layers at minimum, even in summer. I threw on a respectful white sash for Prince Rufus, hastily brushed my hair, and dashed into the corridor feeling less than ready to face the world.

Viridius, sprawled on his gout couch, had already started conducting the castle choir by the time I arrived, breathless, breakfast rolls in hand. He glared at me; his beetling brows were still mostly red, though the fringe of hair around his head was a shocking white. The ba.s.s line stumbled, and he barked, "Glo-ri-a, you gaggle of laggards! Why have your mouths stopped? Did my hand stop? Indeed, it did not!"

"Sorry I'm late," I mumbled, but he did not deign to look at me again until the final chord had resolved.

"Better," he told the choir before turning his baleful eye on me. "Well?"

I pretended I thought he wanted to know about yesterday's performances. "The funeral went well, as you've probably already heard. Guntard accidently broke the reed of his shawm by sit-"

"I did have an extra reed," piped up Guntard, who did double duty with the choir.

"Which you didn't find until later, at the tavern," quipped someone else.

Viridius silenced them all with a scowl. "The choir of idiots will desist from idiocy! Maid Dombegh, I was referring to your excuse for being late. It had better be a good one!"

I swallowed hard, repeating This is the job I wanted! to myself. I'd been a fan of Viridius's music from the moment I laid eyes on his Fantasias, but it was hard to reconcile the composer of the transcendent Suite Infanta with the bullying old man on the couch.

The choristers eyed me with interest. Many had auditioned for my position; whenever Viridius scolded me, they appreciated how narrowly they had escaped this fate.

I curtsied stiffly. "I overslept. It won't happen again."

Viridius shook his head so fiercely his jowls waggled. "Need I underscore to any of you amateur squawkers that our Queen's hospitality-nay, our entire nation's worth-will be judged by the quality of our performances when Ardmagar Comonot is here?"

Several musicians laughed; Viridius quashed all merriment with a scowl. "Think that's funny, you tone-deaf miscreants? Music is one thing dragons can't do better than us. They wish they could; they're fascinated; they've tried and tried again. They achieve technical perfection, perhaps, but there's always something missing. You know why?"

I recited along with the rest of the chorus, though it turned my insides cold: "Dragons have no souls!"

"Exactly!" said Viridius, waving his gout-mangled fist in the air. "They cannot do this one thing-glorious, Heaven-sent, coming naturally to us-and it is up to us to rub their faces in it!"

The choristers gave a little "Hurrah!" before disbanding. I let them flow out around me; Viridius would expect me to stay and speak with him. Of course, seven or eight singers had pressing questions. They stood around his gout couch, fondling his ego as if he were the Pashega of Ziziba. Viridius accepted their praise as matter-of-factly as if they were handing back their choir robes.

"Seraphina!" boomed the master, turning his attention to me at last. "I heard complimentary words about your Invocation. I wish I could have been there. This infernal illness makes a prison of my very body."