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Against Odds Part 46

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I had noted the black gown and cape-like mantle she wore, both plain, but neat and not an ill fit; and I had also wondered how she had happened to discard her old straw hat with the lopping green bows for the simple dark bonnet she wore, but she did not wait for my criticism.

'I'll tell you how't come,' she went on. 'I ain't blind, and I'd been a-noticin' the difference 'twixt my clo's and some of the rest of 'em; and I was specially took with them plain gownds them ladies wore that you interduced me to that day; an' I jest studied on it, and sort o' calkalated the expense, and then went up to the stores. I wanted a gray rig, like that Miss Ross had on, but I couldn't get none to fit, an' the young lady told me 't black was dredful fash'nable now, so I got this rig; an' 'twas lucky I did ter-day.'

What could she mean by this diversion? I was growing uneasy when she uttered the last words. 'Yes?' I said feebly.

'I s'pose you wonder what I'm drivin' at?' she queried. 'Well, it's comin'. Ye see, I was wearin' these clo's, and the goggles, as I call 'em, when I went sa'nterin' past that house; but I hadn't got to it, nor even to the s'loon yet, when a cab--one of them two-wheeled things, you know, with the man settin' up behind to drive.'

I nodded.

'Wal, it drove up, an' the man opened the door, right in front of that house, an' out got a woman; she was bigger than me, and all drest in black, an' she looked sort of familiar, an' jest as I was wonderin'

who she made me think of, an' she was a-paying the driver, up comes another cab, tearin', and out hopped two fat, red-faced perlecemen, an' there was a little squabble like, an' the woman flung herself round so't I could see her face, an' then I knew her.'

She paused as if for comment, but I was now too much amazed for words.

'I knew her in a minit,' she resumed, 'an' it was that woman that come stridin' into that rug place in Cayrow Street that day. She hadn't no long swingin' veil on this time, and she didn't look nigh so big 'longside them big perlecemen. She had give up quiet enough when she seen she had to; an' they put her into the cab an' drove away, with t'other one behind 'em. I walked pretty slow, so as not to come right into the rumpus, an' I thought, as I come acrost the alley, that I see somethin' a-layin' by the side-walk on the outside. I looked round, and seein' that every last winder was as dark as black, I stooped down to look at the things, an' here they air.' And she shook out with one hand a long black veil which she had drawn from her pocket, and held out with the other the snake-like speaking-tube.

'I c'n see you're in a hurry,' she said, dropping the veil and tube into her lap, 'an' I'll git to the pint now, right off. I wa'n't never no coward, and I jest ached to find out what them fellows was up to.

Mebbe if I'd stopped to think I wouldn't have run the risk, but while I stood there with them things in my hand a idee popped into my mind.

I looked round; there wasn't a soul near me, an' the winders was all dark, so't n.o.body could see me from the house, and of course they hadn't seen the woman git arristed an' took away. We didn't look much alike, but I thought mebbe they'd let me in, thinkin' 'twas her; and when I got in I'd tell 'em I'd found the trumpet at their door, and p'r'aps, if I felt like it, I'd say I'd seen a gentleman to the winder that I was 'quainted with; that is if he didn't come to the door.

Anyhow, I thought I'd try to make sure it 'twas him I see at the winder.'

I shuddered at her cool recital of such a daring venture; and yet I could see how, with her country training, she would see nothing so very serious or dangerous in thus thrusting herself into a strange house, gossip-like, 'to find out what was goin' on.' She took up the trumpet.

'I was used to these things,' she said, 'for my aunt on my mother's side used to live with me; she was a old maid an' she used one.

Stone-deef she was, a'most, but I didn't think then o' usin' this.

When I got onto the top step I felt 'most like runnin' off all of a sudden, but I set my teeth and give the bell a jerk. 'Twa'n't long before the door opened jest a crack, and I see an eye lookin' out. I meant to git inside before I said anything, so I kind o' give the speakin' trumpet, hangin' over my arm, a shake; it was 'most hid under the veil, you know; and then the door opened wider, and I see a woman.

My! the palest, woe-begon'dest woman I'd ever see, 'most. "Oh!" she says, in a shaky, scairt sort o' voice, "come in quick." She looked so peaked and strange I jest stood starin' at her a minit, and all to once she reached out her hand and motioned to me; and as I stepped in she caught hold of the big end of the speakin' trumpet, and then I see that she thought I was deef; and quick as a wink it come to me to play deef 's long as I could--deef folks are allus makin' blunders--and then to 'polergize an' git out. So I stuck the tube to my ear.

'"You're the nurse?" she says through it, but not very loud, for a deef person, that is. "Louder," sez I. So she sed it real loud, an' I nodded.

'Then she motioned me to come into the room to the front, that I had seen the man look out of. It was 'most dark there, only there was a winder on the alley that 'peared to be all boarded up, only jest a slit to the top to let a little streak of light in. "Set down a minit," she says; an' when she let go of the trumpet her hand shook so't I could see it. She opened the door in the back of the room, an'

I see there was a screen on the other side so I couldn't see the room, but I got up an' tiptoed to the door. The carpet was awful thick there an' in the hall, though it was old enough too.

'She hadn't shet the door tight, an' I heard her say, "Wake up, Bob."

An' then a sort of question; an' she says ag'in, "The nurse has come after all, and you can go and sleep now." Then I heard a man say, "What made the old gal so late, blast her eyes! I'd go an' give her a good old blessin' if she wasn't sech a crank-mouthed jade." An' then he seemed to be stirrin', an' I 'most thought he was comin' in; but then he says, "Git her in here, an' then git me somethin' ter eat. I can't sleep when I'm so holler." "Won't you come in an' speak to her, Bob?" says the woman, "an' tell her 'bout the med'cin'; I'm so tired."

'Then I was scairt ag'in, though I declare I felt sorry fer that poor crittur of a woman.

'But the man snarled at her, and says, "Naw, I won't; I'm tired's you be. Hustle now, an' bring me the grub mighty quick."

'I scooted back to my chair then, and in a minit or so she come in an'

motioned me to come into the other room. I see they had mistook me for some deef nurse, an' I begun to think I'd grabbed more'n I could hold, an' to wish I was out. But I went in, an' if ever a woman was struck all of a heap, 'twas me.'

She paused as if mentally reviewing the scene once more, and I fairly quivered with antic.i.p.ation and anxiety for what the next words might develop.

'I had noticed that there was three winders on the alley side of the house,' she resumed, 'an' there bein' only one in the front room, of course I looked to see one sure in this, an' mebbe two, but there wasn't a winder; the wall on that side was smooth, only at the winder place was a kind of cubbard arrangement like, an' the room was lit by a kerosene lamp. It was furnished quite good, too; but in a corner on the bed laid a young man, as good-lookin' about as they make 'em; only he was dretful pale an' thin, an' he 'peared to be sleepin'.

'"There's yer patient," says the woman, through the tube. "There ain't nothin' to do now only ter give him drink, an' not let him talk if he wakes. He sleeps a good deal, an' when he wakes up he's out of his head, an' 'magines he's somebody else, an' ain't in his own house, an'

all sorts of nonsense." She went to the bed an' stood lookin' at the sick man in a queer sort of way, an' she give a big long breath, as if she felt awful bad, an' then went out by a door that I knew went to the hall, an' I heard noises in a minit more, as if they come from the kitchin stove.

'Now I knowed she took me for a nurse and all that, but all the same I begun to think I'd better git out. I couldn't play nurse an' ask about that Sunday-school feller too, an' I thought I'd jest made a big blunder, an' I'd better git out 'thout waitin' for her to come back; an' jest then I heard a little noise, an' I looked round, an' the sick man had rolled over an' was lookin' at me straight, an' when he ketched my eye, he says, "Come here, madam, please." 'Twas a real pleasant voice, though weak, an' I went right up to the bed. He looked at me real sharp, an' sort of wishful, and then he says, "You look like a good woman."

'I didn't say nothin', an' he kep' right on, sort of hurried like. "I was not asleep when you entered," he says, "and I heard that poor woman. I am not insane, and this is not my home. You have come here to nurse me, but if you want money you can earn a hundred nurses' fees by going to a telegraph office and telegraphin' to----"

'Jest then there was a noise in the hall, an' he stopped, an' I picked up a fan an' stood as if I was a-fannin' away a couple of little moths that the lamp had drawed.

'n.o.body came in, so I went to the door an' listened. Seemed as if I heard a door shet upstairs, an' I guessed the woman was taking up the cross man's dinner. So I went back to the bed. He laid still for a bit, and seemed listenin'; then he says:

'"I am a prisoner, and have been half-killed first, an' then drugged to keep me so. My people are wealthy. They will pay you royally if you'll help me; if you'll go to the nearest police-station an' give 'em a paper I will give yer, with my father's name, an'----" He stopped ag'in, an' shet his eyes quick as lightnin'; an' the next minit the pale woman came in quick, an' lookin' awful anxious. She went to the bed an' looked at the sick young feller, an' then she took hold of the trumpet and motioned me to listen. "Can you hear?" she says into it, not very loud. I nodded, an' looked to'rds the bed. "He sleeps real sound," she says, "and won't be likely to wake up, anyhow; I can't leave him alone to talk to you in another room. There's somethin' I forgot, an' some of them may come in any time now. Will you do a wretched woman a small kindness?" She looked at me awful wishful when she said that, an' I nodded my head ag'in.

'"They told me not to let you in unless you gave me a card, and I--I am so troubled I forgot to ask you for it at the door. Will you give me the card now, an' please not give me away to the boys? I can't stand no more trouble. I--I think it was your being so late made me forget. Why was it?"

'For a minit I was stumped, an' then an idee come to me. "Ter tell the truth," I says, as bold as you please, "I've been in a little trouble, an' I forgot that card. You see, I had to put off comin' here on account of a couple of perlecemen that was on the look-out fer me.

I've only jest give 'em the slip." You see I thought when she heard that she'd make 'lowance fer the card, an' I wanted to talk more with that sick boy, fer I b'leeved he was tellin' the truth. But, my! she jumps up, lookin' scairt to pieces, an' she says:

'"The perlece! Do you think they will follow you? can they? Merciful goodness! we can't risk it. I'm almost broke down, but I'll call up Bob, an' you must go right away. Don't you see it won't do?" She s.n.a.t.c.hed a key out of her pocket. "Come," she says. "Mercy, what a risk!" I had took off my gla.s.ses and laid 'em down on the table by the bed. I picked up the black veil I had dropped on the chair, and jest as she went to take the key out of the hall-door--she had to turn her back to do it--I went to the table and took up my gla.s.ses, and tried to ketch that poor boy's eye and make him a sign; but, my! he laid there with his eyes shet, an' sech a look of misery upon his poor face, an' all at once it struck me that I hadn't spoke once, an' that he hadn't noticed the trumpet till the woman come in, and then he thought he'd been a-beggin' help of a deef woman. But I hadn't no chance then, an' as soon as she'd picked out the key, she says, "I'll have to let yer out front. It won't do to risk your being seen coming out by any other way."

'The way was clear when I got out; but I most dreaded meeting one of them men som'ers, and I jest started straight to find you.'

'One moment,' I said hurriedly, as she now ceased. 'You spoke of Miss Jenrys--why did you think of going to her?'

'Why, she was nearest of anybody, an' I thought you was as likely as not to be there.'

CHAPTER x.x.xIV.

'EUREKA!'

AT twelve o'clock p.m. a party of men had gathered not far from the house where Mrs. Camp had made her singular discoveries; they came singly and by twos, from various directions, and their movements were so quiet as not to have disturbed the lightest of sleepers, however near, for with one exception all were trained to the business in hand.

When two of the party had made a careful reconnaissance of the premises they returned to the waiting group.

'There's the door and two windows at the front,' said one, 'and three windows on the alley, the middle one, as we know, boarded on the inside. At the back is a door opening upon a sort of shed, and a window in the same; and in the angle formed by the shed and the rear of the house proper is another window; on the inner side, opposite the alley, the wall is blank. There's no bed in the front room,' the speaker went on rapidly, 'though someone may bunk there. Of course there's a watcher in his room. Two of you must patrol the alley while Brainerd cuts out a pane or two of that closed-up alley window, to see if anything can be heard through the cracks of those inside boards, though it's probable they are padded to deaden sound. As for the upper rooms, they're sleeping there doubtless, and----'

'Don't forget,' interposed Brainerd in a low half-whisper, 'about those iron hooks outside those back windows. They're for something more than signalling; they're stout enough to support a rope with a man at the end, and the rope and the man are both inside, no doubt.'

'Four to the back then,' I said, 'and you, Jeffrys, take the lead; three to the alley, you and two others, Dave. If the thing's not accessible, divide to back and front. Lossing, can you and Murphy hold me on your shoulders while I try that window? Now, all to our places; and there ought to be a train soon over there; let's do our cutting under cover of its noise.'

The Illinois Central Railway was but a little distance from us, and we took our places to await the sound of its first train. But fortune, having baffled and hindered us again and again, seemed now to have relented toward us.

Before trying the window I crept up the steps to examine the lock of the door, and judge, if I could, of its security. Lossing, as he still preferred to be called, and Murphy, the policeman, were standing below me, one on either side of the steps, and as I stood at the door above them I turned and looked about me. All seemed quiet up and down that often unquiet street, and the lights from either direction hardly served their purpose there, a fact which had been considered, doubtless, in making choice of this place.

It was after midnight now, and as I heard, far away yet, the first faint rumble of the train, I put my hand upon the handle of the door.

Was it imagination, or did I feel a responsive touch upon the other side? I let my hand rest lightly upon the k.n.o.b, and waited; then, suddenly, as the rumble of the train came nearer, I sprang down the steps, and, crouching at the side of Lossing, whispered across to Murphy, 'Lay low and be ready; someone's coming out.' There was no time for more words, but I never doubted the readiness of my two helpers, nor their quick comprehension of the situation.

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Against Odds Part 46 summary

You're reading Against Odds. This manga has been translated by Updating. Author(s): Lawrence L. Lynch. Already has 615 views.

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