Blue Nights Part 5

The projection room.

I tried to a.s.similate this.

Some people we knew in Los Angeles did in fact live in houses with projection rooms but to the best of my knowledge she had never seen one. These people who lived in houses with projection rooms belonged to our "working" life. She, I had imagined, belonged to our "private" life. Our "private" life, I had also imagined, was separate, sweet, inviolate.

I set this distinction to one side and asked how she planned to furnish the projection room.

There would need to be a table for the telephone to the projectionist, she said, then stopped to consider the empty shelf.

"And whatever I'll need for Dolby Sound," she added then.

As I describe these very clear memories I am struck by what they have in common: each involves her trying to handle adult life, trying to be a convincing grown-up person at an age when she was still ent.i.tled to be a small child. She could talk about "My IRA" and she could talk about "Dolby Sound" and she could talk about "just noticing" she had cancer, she could call Camarillo to find out what she needed to do if she was going crazy and she could call Twentieth CenturyFox to find out what she needed to do to be a star, but she was not actually prepared to act on whatever answers she got. "Little Toys" could still a.s.sume equal importance. She could still consult her pediatrician.

Was this confusion about where she stood in the chronological scheme of things our doing?

Did we demand that she be an adult?

Did we ask her to a.s.sume responsibility before she had any way of doing so?

Did our expectations prevent her from responding as a child?

I recall taking her, when she was four or five, up the coast to Oxnard to see Nicholas and Alexandra. On the drive home from Oxnard she referred to the czar and czarina as "Nicky and Sunny," and said, when asked how she had liked the picture, "I think it's going to be a big hit."

In other words, despite having just been told what had seemed to me as I watched it a truly harrowing story, a story that placed both parents and children in unthinkable peril-a peril to children more unthinkable still because its very source lay in the bad luck of having been born to these particular parents-she had resorted without hesitation to the local default response, which was an instant a.s.sessment of audience potential. Similarly, a few years later, taken to Oxnard to see Jaws, she had watched in horror, then, while I was still unloading the car in Malibu, skipped down to the beach and dove into the surf. About certain threats I considered real she remained in fact fearless. When she was eight or nine and enrolled in Junior Lifeguard, a program run by the Los Angeles County lifeguards that entailed being repeatedly taken out beyond the Zuma Beach breakers on a lifeguard boat and swimming back in, John and I arrived to pick her up and found the beach empty. Finally we saw her, alone, huddled in a towel behind a dune. The lifeguards, it seemed, were insisting, "for absolutely no reason," on taking everyone home. I said there must be a reason. "Only the sharks," she said. I looked at her. She was clearly disappointed, even a little disgusted, impatient with the turn the morning had taken. She shrugged. "They were just blues," she said then.

When I remember the "sundries" I am forced to remember the hotels in which she had stayed before she was five or six or seven. I say "forced to remember" because my images of her in these hotels are tricky. On the one hand those images survive as my truest memories of the paradox she was-of the child trying not to appear as a child, of the strenuousness with which she tried to present the face of a convincing adult. On the other hand it is just such images-the same images-that encourage a view of her as "privileged," somehow deprived of a "normal" childhood.

On the face of it she had no business in these hotels.

The Lancaster and the Ritz and the Plaza Athenee in Paris.

The Dorchester in London.

The St. Regis and the Regency in New York, and also the Chelsea. The Chelsea was for those trips to New York when we were not on expenses. At the Chelsea they would find her a crib downstairs and John would bring her breakfast from the White Tower across the street.

The Fairmont and the Mark Hopkins in San Francisco.

The Kahala and the Royal Hawaiian in Honolulu. "Where did the morning went," she would ask at the Royal Hawaiian when she woke, still on mainland time, and found the horizon dark. "Imagine a five-year-old walking to the reef," she would say at the Royal Hawaiian, near a swoon, when we held her hands and swung her through the shallow sea.

The Amba.s.sador and the Drake in Chicago.

It was at the Amba.s.sador, in the Pump Room at midnight, that she ate caviar for the first time, a mixed success since she wanted it again at every meal thereafter and did not yet entirely understand the difference between "on expenses" and "not on expenses." She had happened to be in the Pump Room at midnight because we had taken her that night to Chicago Stadium to see a band we were following, Chicago, research for A Star Is Born. She had sat through the concert onstage, on one of the amps. The band had played "Does Anybody Really Know What Time It Is," and "25 or 6 to 4." She had referred to the band as "the boys."

When we left Chicago Stadium with the boys that night the crowd had rocked the car, delighting her.

She did not want to go to her grandmother's in West Hartford the next day, she had advised me when we got back to the Amba.s.sador, she wanted to go to Detroit with the boys.

So much for keeping our "private" life separate from our "working" life.

In fact she was inseparable from our working life. Our working life was the very reason she happened to be in these hotels. When she was five or six, for example, we took her with us to Tucson, where The Life and Times of Judge Roy Bean was shooting. The Hilton Inn, where the production was based during its Tucson location, sent a babysitter to stay with her while we watched the dailies. The babysitter asked her to get Paul Newman's autograph. A crippled son was mentioned. Quintana got the autograph, delivered it to the babysitter, then burst into tears. It was never clear to me whether she was crying about the crippled son or about feeling played by the babysitter. d.i.c.k Moore was the cinematographer on The Life and Times of Judge Roy Bean but she seemed to make no connection between this d.i.c.k Moore she encountered at the Hilton Inn in Tucson and the d.i.c.k Moore she encountered on our beach. On our beach everyone was home, and so was she. At the Hilton Inn in Tucson everyone was working, and so was she. "Working" was a way of being she understood at her core. When she was nine I took her with me on an eight-city book tour: New York, Boston, Was.h.i.+ngton, Dallas, Houston, Los Angeles, San Francisco, Chicago. "How do you like our monuments," Katharine Graham had asked her in Was.h.i.+ngton. She had seemed mystified but game. "What monuments," she had asked with interest, entirely unaware that most children who visited Was.h.i.+ngton were shown the Lincoln Memorial instead of National Public Radio and The Was.h.i.+ngton Post. Her favorite city on this tour had been Dallas. Her least favorite had been Boston. Boston, she had complained, was "all white."

"You mean you didn't see many black people in Boston," Susan Traylor's mother had suggested when Quintana got back to Malibu and reported on her trip.

"No," Quintana said, definite on this point. "I mean it's not in color."

She had learned to order triple lamb chops from room service on this trip.

She had learned to sign her room number for s.h.i.+rley Temples on this trip.

If a car or an interviewer failed to show up at the appointed time on this trip she had known what to do: check the schedule and "call Wendy," Wendy being the publicity director at Simon & Schuster. She knew which bookstores reported to which best-seller lists and she knew the names of their major buyers and she knew what a green room was and she knew what agents did. She knew what agents did because before she was four, on a day when my schedule for household help had fallen apart, I had taken her with me to a meeting at the William Morris office in Beverly Hills. I had prepared her, explained that the meeting was about earning the money that paid for the triple lamb chops from room service, impressed on her the need for not interrupting or asking when we could leave. This preparation, it turned out, was entirely unnecessary. She was far too interested to interrupt. She accepted a gla.s.s of water when one was offered to her, managed the heavy Baccarat gla.s.s without dropping it, listened attentively but did not speak. Only at the end of the meeting did she ask the William Morris agent the question apparently absorbing her: "But when do you give her the money?"

When we noticed her confusions did we consider our own?

I still have the "Sundries" box in my closet, marked as she marked it.

18.

I do not know many people who think they have succeeded as parents. Those who do tend to cite the markers that indicate (their own) status in the world: the Stanford degree, the Harvard MBA, the summer with the white-shoe law firm. Those of us less inclined to compliment ourselves on our parenting skills, in other words most of us, recite rosaries of our failures, our neglects, our derelictions and delinquencies. The very definition of success as a parent has undergone a telling transformation: we used to define success as the ability to encourage the child to grow into independent (which is to say into adult) life, to "raise" the child, to let the child go. If a child wanted to try out his or her new bicycle on the steepest hill in the neighborhood, there may have been a pro forma reminder that the steepest hill in the neighborhood descended into a four-way intersection, but such a reminder, because independence was still seen as the desired end of the day, stopped short of nagging. If a child elected to indulge in activity that could end badly, such negative possibilities may have gotten mentioned once, but not twice.

It so happened that I was a child during World War Two, which meant that I grew up in circ.u.mstances in which even more stress than usual was placed on independence. My father was a finance officer in the Army Air Corps, and during the early years of the war my mother and brother and I followed him from Fort Lewis in Tacoma to Duke University in Durham to Peterson Field in Colorado Springs. This was not hards.h.i.+p but neither was it, given the overcrowding and dislocation that characterized life near American military facilities in 1942 and 1943, a sheltered childhood. In Tacoma we were lucky enough to rent what was called a guest house but was actually one large room with its own entrance. In Durham we again lived in one room, this one not large and not with its own entrance, in a house that belonged to a Baptist preacher and his family. This room in Durham came with "kitchen privileges," which amounted in practice to occasional use of the family's apple b.u.t.ter. In Colorado Springs we lived, for the first time, in an actual house, a four-room bungalow near a psychiatric hospital, but did not unpack: there was no point in unpacking, my mother pointed out, since "orders"-a mysterious concept that I took on faith-could arrive any day.

My brother and I were expected in each of these venues to adapt, make do, both invent a life and simultaneously accept that any life we invented would be summarily upended by the arrival of "orders." Who gave the orders was never clear to me. In Colorado Springs, where my father was stationed for longer than he had been in either Tacoma or Durham, my brother scouted the neighborhood, and made friends. I trolled the grounds of the psychiatric hospital, recorded the dialogue I overheard, and wrote "stories." I did not at the time think this an unreasonable alternative to staying in Sacramento and going to school (later it occurred to me that if I had stayed in Sacramento and gone to school I might have learned to subtract, a skill that remains unmastered), but it would have made no difference if I had. There was a war in progress. That war did not revolve around or in any way hinge upon the wishes of children. In return for tolerating these home truths, children were allowed to invent their own lives. The notion that they could be left to their own devices-were in fact best left so-went unquestioned.

Once the war was over, and we were again home in Sacramento, this laissez-faire approach continued. I remember getting my learner's driving permit at age fifteen-and-a-half and interpreting it as a logical mandate to drive from Sacramento to Lake Tahoe after dinner, two or three hours up one of the switchbacked highways into the mountains and, if you just turned around and kept driving, which was all we did, since we already had whatever we wanted to drink in the car with us, two or three hours back. This disappearance into the heart of the Sierra Nevada on what amounted to an overnight DUI went without comment from my mother and father. I remember, above Sacramento at about the same age, getting sluiced into a diversion dam while rafting on the American River, then dragging the raft upstream and doing it again. This too went without comment.

All gone.

Virtually unimaginable now.

No time left on the schedule of "parenting" for tolerating such doubtful pastimes.

Instead, ourselves the beneficiaries of this kind of benign neglect, we now measure success as the extent to which we manage to keep our children monitored, tethered, tied to us. Judith Shapiro, when she was president of Barnard, was prompted to write an op-ed piece in The New York Times advising parents to show a little more trust in their children, stop trying to manage every aspect of their college life. She mentioned the father who had taken a year off from his job to supervise the preparation of his daughter's college applications. She mentioned the mother who had accompanied her daughter to a meeting with her dean to discuss a research project. She mentioned the mother who had demanded, on the grounds that it was she who paid the tuition bills, that her daughter's academic transcript be sent to her directly.

"You pay $35,000 a year, you want services," Tamar Lewin of The New York Times was told by the director of "the parents' office" at Northeastern in Boston, an office devoted to the tending of parents having become a virtually ubiquitous feature of campus administration. For a Times piece a few years ago on the narrowing of the generation gap on campus, Ms. Lewin spoke not only to the tenders of the parents but also to the students themselves, one of whom, at George Was.h.i.+ngton University, allowed that she used well over three thousand cellphone minutes a month talking to her family. She seemed to view this family as an employable academic resource. "I might call my dad and say, 'What's going on with the Kurds?' It's a lot easier than looking it up. He knows a lot. I would trust almost anything my dad says." Asked if she ever thought she might be too close to her parents, another George Was.h.i.+ngton student had seemed only puzzled: "They're our parents," she had said. "They're supposed to help us. That's almost their job."

We increasingly justify such heightened involvement with our children as essential to their survival. We keep them on speed dial. We watch them on Skype. We track their movements. We expect every call to be answered, every changed plan reported. We fantasize unprecedented new dangers in their every unsupervised encounter. We mention terrorism, we share anxious admonitions: "It's different now." "It's not the way it was." "You can't let them do what we did."

Yet there were always dangers to children.

Ask anyone who was a child during the supposedly idyllic decade advertised to us at the time as the reward for World War Two. New cars. New appliances. Women in high-heeled pumps and ruffled ap.r.o.ns removing cookie sheets from ovens enameled in postwar "harvest" colors: avocado, gold, mustard, brown, burnt orange. This was as safe as it got, except it wasn't: ask any child who was exposed during this postwar harvest fantasy to the photographs from Hiros.h.i.+ma and Nagasaki, ask any child who saw the photographs from the death camps.

"I have to know about this."

So Quintana said when I found her hiding under the covers of her bed in Malibu, stunned, disbelieving, flashlight in hand, studying a book of old Life photographs that she had come across somewhere.

There were blue-and-white checked gingham curtains in the windows of her room in Malibu.

I remember them blowing as she showed me the book.

She was showing me the photographs Margaret Bourke-White did for Life of the ovens at Buchenwald.

That was what she had to know.

Or ask the child who would not allow herself to fall asleep during most of 1946 because she feared the fate of six-year-old Suzanne Degnan, who on January seventh of that year had been kidnapped from her bed in Chicago, dissected in a sink, and disposed of in pieces in the sewers of the far north side. Six months after Suzanne Degnan's disappearance a seventeen-year-old University of Chicago soph.o.m.ore named William Heirens was arrested and sentenced to life imprisonment.

Or ask the child who nine years later followed the California search for fourteen-year-old Stephanie Bryan, who vanished while walking home from her Berkeley junior high school through the parking lot of the Claremont Hotel, her customary shortcut, and was next seen several hundred miles from Berkeley, buried in a shallow grave in California's most northern mountains. Five months after Stephanie Bryan's disappearance a twenty-seven-year-old University of California accounting student was arrested, charged with her death, and within two years convicted and executed in the gas chamber at San Quentin.

Since the events surrounding the disappearances and deaths of both Suzanne Degnan and Stephanie Bryan occurred in circulation areas served by aggressive Hearst papers, both cases were extensively and luridly covered. The lesson taught by the coverage was clear: childhood is by definition perilous. To be a child is to be small, weak, inexperienced, the dead bottom of the food chain. Every child knows this, or did.

Knowing this is why children call Camarillo.

Knowing this is why children call Twentieth CenturyFox.

"This case has been a haunting one all my life as I was a grown-up eight-year-old when it happened and followed it every day in the Oakland Tribune from day one till the end." So wrote an internet correspondent in response to a recent look back at the Stephanie Bryan case. "I had to read it when my parents weren't around as they didn't think it was fitting to be reading about a homicide at my age."

As adults we lose memory of the gravity and terrors of childhood.

h.e.l.lo, Quintana. I'm going to lock you here in the garage.

After I became five I never ever dreamed about him.

I have to know about this.

One of her abiding fears, I learned much later, was that John would die and there would be no one but her to take care of me.

How could she have even imagined that I would not take care of her?

I used to ask that.

Now I ask the reverse: How could she have even imagined that I could take care of her?

She saw me as needing care myself.

She saw me as frail.

Was that her anxiety or mine?

I learned about this fear when she was temporarily off the ventilator in one or another ICU, I have no memory which.

I told you, they were all the same.

The blue-and-white printed curtains. The gurgling through plastic tubing. The dripping from the IV line, the rales, the alarms.

The codes. The crash cart.

This was never supposed to happen to her.

It must have been the ICU at UCLA.

Only at UCLA was she off the ventilator long enough to have had this conversation.

You have your wonderful memories.

I do, but they blur.

They fade into one another.

They become, as Quintana a month or two later described the only memory she could summon of the five weeks she spent in the ICU at UCLA, "all mudgy."

I tried to tell her: I too have trouble remembering.

Languages mingle: do I need an abogado or do I need an avocat?

Names vanish. The names for example of California counties, once so familiar that I recited them in alphabetized order (Alameda and Alpine and Amador, Calaveras and Colusa and Contra Costa, Madera and Marin and Mariposa) now elude me.

The name of one county I do remember.

The name of this single county I always remember.

I had my own Broken Man.

I had my own stories about which I had to know.

Trinity.

The name of the county in which Stephanie Bryan had been found buried in the shallow grave was Trinity.

The name of the test site at Alamogordo that had led to the photographs from Hiros.h.i.+ma and Nagasaki was also Trinity.

19.

"What we need here is a montage, music over.