Plays: Comrades; Facing Death; Pariah; Easter Part 2

BERTHA. Can I help it if the professor keeps us? Why must you always pick on me?

AXEL. Do I pick on you?

BERTHA. What's that? Didn't you--

AXEL. Yes, yes, yes! I picked on you--forgive me--forgive me--for thinking that it was your fault.

BERTHA. Well, it's all right there. But what did you pay him with?

AXEL. To be sure. Gaga paid back the twenty francs he owed me.

BERTHA [Takes out account-book.] So, he paid you back? Come on, then, and I'll put it down, for the sake of order. It's your money, so of course you can dispose of it as you please, but as you wish me to take care of the accounts--[Writes] fifteen francs in, five francs out, model. There.

AXEL. No. Look here. It's twenty francs in.

BERTHA. Yes, but there are only fifteen here.

AXEL. Yes, but you should put down twenty.

BERTHA. Why do you argue?

AXEL. Did I--Well, the man's waiting--

BERTHA. Oh, yes. Be good and get things ready for me.

AXEL. [Puts model stand in place. Calls to model]. Are you undressed yet?

THE MODEL [From back of screen]. Soon, monsieur.

BERTHA [Closes door, puts wood in stove]. There, now you must go out.

AXEL [Hesitating]. Bertha!

BERTHA. Yes?

AXEL. Is it absolutely necessary--with a nude model?

BERTHA. Absolutely!

AXEL. H'm--indeed!

BERTHA. We have certainly argued that matter out.

AXEL. Quite true. But it's loathsome nevertheless--[Goes out right.]

BERTHA [Takes up brushes and palette. Calls to model]. Are you ready?

THE MODEL. All ready.

BERTHA. Come on, then. [Pause.] Come on. [There is a knock.] Who is it?

I have a model.

WILLMER [Outside]. Willmer. With news from the salon.

BERTHA. From the salon! [To model]. Dress yourself! We'll have to postpone the sitting.--Axel! Willmer is here with news from the salon.

[Axel comes in, also Willmer; the model goes out unnoticed during the following scene.]

WILMER. h.e.l.lo, dear friends! Tomorrow the jury will begin its work. Oh, Bertha, here are your pastels. [Takes package from pocket.]

BERTHA. Thanks, my good Gaga; how much did they cost? They must have been expensive.

WILLMER. Oh, not very.

BERTHA. So they are to start tomorrow. So soon? Do you hear, Axel?

AXEL. Yes, my friend.

BERTHA. Now, will you be very good, very, very good?

AXEL. I always want to be good to you, my friend.

BERTHA. You do? Now, listen. You know Roubey, don't you?

AXEL. Yes, I met him in Vienna mid we became good friends, as it's called.

BERTHA. You know that he is on the jury?

AXEL. And then what?

BERTHA. Well--now you'll be angry, I know you will.

AXEL. You know it? Don't prove it, then.

BERTHA [Coaxing]. You wouldn't make a sacrifice for your wife, would you?

AXEL. Go begging? No, I don't want to do that.

BERTHA. Not for me? You'll get in anyway, but for your wife!

AXEL. Don't ask me.

BERTHA. I should really never ask you for anything!

AXEL. Yes, for things that I can do without sacrificing--

BERTHA. Your man's pride!

AXEL. Let it go at that.