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Plays: Comrades; Facing Death; Pariah; Easter Part 39

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ELEONORA. That would be dreadful--but what must be, must be. Oh, that this day were ended! [Takes clock from table and puts the hands forward.] Dear old clock, go a little faster--tick, tick, tick. [The clock strikes eight.] Now it's eight. [Moves hands again.]

Tick, tick, tick. [Business with clock.] Now it's nine--ten--eleven--twelve--o'clock. Now it is Easter eve, and the sun will soon be rising, and then we'll color the Easter eggs.

BENJAMIN. You can make time fly, can't you?

ELEONORA. Think, Benjamin, of all the anemones and violets that had to stay in the snow all winter and freeze there in the darkness.

BENJAMIN. How they must suffer!

ELEONORA. Night is hardest for them--they are afraid of the darkness, but they can't run away, and so they must stay there thro' the long winter night, waiting for spring, which is their dawn. Everybody and everything must suffer, but the flowers suffer most. Yes, and the song-birds, they have returned; where are they to sleep tonight?

BENJAMIN [Childishly]. In the hollow trees.

ELEONORA. There aren't hollow trees enough to hold them all. I have only noticed two hollow trees in the orchard, and that's where the owls live, and they kill the song birds. [Elis is heard playing the piano inside.

Eleonora and Benjamin listen for a few moments.] Poor Elis, who thinks that Christine has gone from him, but I know that she will return.

BENJAMIN. Why don't you tell him, if you know?

ELEONORA, Because Elis must suffer; every one should suffer on Good Friday, that they may remember Christ's suffering on the cross. [The sound of a policeman's whistle is heard off in the distance.]

ELEONORA [Starts up]. What was that?

BENJAMIN. Don't you know?

ELEONORA. No.

BENJAMIN. It's the police.

ELEONORA. Ah, yes, that's the way it sounded when they came to take father away--and then I became ill.--And now they are coming to take me.

BENJAMIN [Rus.h.i.+ng to the door and guarding it]. No, no, they must not take you. I shall defend you, Eleonora.

ELEONORA. That's very beautiful, Benjamin, but you mustn't do that.

BENJAMIN [Looking thro' curtain]. There are two of them. [Eleonora tries to push Benjamin aside. He protests mildly.] No, no, not you, then--I don't want to live any longer.

ELEONORA. Benjamin, go and sit down in that chair, child, sit down.

[Benjamin obeys much against his will.]

ELEONORA [Peeps thro' curtain]. Oh! [Laughs.] It's only some boys. Oh, we doubters! Do you think that G.o.d would be angry, when I didn't do any harm, only acted thoughtlessly? It served me right--I shouldn't have doubted.

BENJAMIN. But tomorrow that man will come and take the things.

ELEONORA. Let him come. Then we'll go out under the sky, away from everything--away from all the old home things that father gathered for us, that I have seen since I was a child. Yes, one should never own anything that ties one down to earth. Out, out on the stony ways to wander with bruised feet, for that road leads upward. That's why it's the hard road.

BENJAMIN. Now you are so serious again!

ELEONORA. We must be today. But do you know what will be hardest to part with? This dear old clock. We had it when I was born and it has measured out all my hours and days. [She takes the clock from table.] Listen, it's like a heart beating,--just like a heart.--They say it stopped the very hour that grandfather died. We had it as long ago as that.

Good-bye, little timekeeper, perhaps you'll stop again soon. [Putting clock on table again.] Do you know, it used to gain time when we had misfortune in the house, as tho' it wished to hasten thro' the hours of evil, for our sake of course. But when we were happy it used to slow down so that we might enjoy longer. That's what this good clock did. But we have another, a very bad one--and now it has to hang in the kitchen.

It couldn't bear music, and as soon as Elis would play on the piano it would start to strike. Oh, you needn't smile; we all noticed it, not I alone, and that's why it has to stay out in the kitchen now, because it wouldn't behave. But Lina doesn't like it either, because it won't be quiet at night, and she cannot time eggs by it. When she does, the eggs are sure to be hard-boiled--so Lina says. But now you are laughing again.

BENJAMIN. Yes, how can I help--

ELEONORA. You are a good boy, Benjamin, but you must be serious. Keep the birch rod in mind; it's hanging behind the mirror.

BENJAMIN. But you say such funny things, that I _must_ smile. And why should we be weeping always?

ELEONORA. Shall we not weep in the vale of tears?

BENJAMIN. H'm.

ELEONORA. You would rather laugh all the time, and that's why trouble comes your way. But it's when you are serious that I like you best.

Remember that. [Pause.]

BENJAMIN. Do you think that we will get out of this trouble, Eleonora?

ELEONORA. Yes, most of it will take care of itself, when Good Friday is over, but not all of it--today the birch rod, tomorrow the Easter eggs--today snow--tomorrow thaw. Today death--tomorrow life--resurrection.

BENJAMIN. How wise you are!

ELEONORA. Even now I can feel that it is clearing outside--and that the snow is melting--I can smell the melting snow. And tomorrow violets will sprout against walls facing south. The clouds are lifting--I feel it--I can breathe easier. Oh, I know so well when the heavens are clear and blue.--Go and pull the shades up, Benjamin. I want G.o.d to see us.

[Benjamin rises and obeys. Moonlight streams into the room.]

ELEONORA. The moon is full--Easter moon! But you know it is really the sun s.h.i.+ning, although the moon gives us the light--the light!

ACT III.

[Easter eve. The music before and thro' this act, Haydn's Sieben Worte.

No. 5. Adagio. Scene the same. The curtains are up. The landscape outside is in a grey light. There is a fire in the stove. The doors are closed. Eleonora is seated near the stove with a bunch of crocuses in her hand. Benjamin enters from R.]

ELEONORA. Where have you been all this long time, Benjamin?

BENJAMIN. It hasn't been very long.

ELEONORA. I have wanted you so!

BENJAMIN. Have you? And where have you been, Eleonora?

ELEONORA. I went down street and bought these crocuses, and now I must warm them. They were frozen. Poor dears!

BENJAMIN. Yes. It's so chilly today, there isn't a bit of suns.h.i.+ne.

ELEONORA. The sun is behind the fog. There aren't any clouds, just sea-fog. I can smell the salt in the air.--

BENJAMIN. Did you see any birds out there?

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Plays: Comrades; Facing Death; Pariah; Easter Part 39 summary

You're reading Plays: Comrades; Facing Death; Pariah; Easter. This manga has been translated by Updating. Author(s): August Strindberg. Already has 616 views.

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