Plays: Comrades; Facing Death; Pariah; Easter Part 7

AXEL. The end?

BERTHA. Yes, money comes to an end too!

AXEL. Can you lend me ten francs?

BERTHA [Taking out pocketbook]. Ten francs? Yes, indeed, if I have it.

Here you are. Won't you come along? Tell me. They'll think it rather strange!

AXEL. And play the defeated lion before the triumphant chariot?

No, indeed, I'll need my time to learn my part for this evening's performance.

BERTHA. Good-bye then.

AXEL. Good-bye, Bertha. Let me ask you one thing.

BERTHA. What then?

AXEL. Don't come home intoxicated. It would be more disagreeable today than ever.

BERTHA. Does it concern you how I come home?

AXEL. Well, I feel sort of responsible for you, as for a relative, considering that you bear the same name that I do, and besides, it is still disgusting to me to see a woman intoxicated.

BERTHA. Why is it any more disgusting than to see a man intoxicated?

AXEL. Yes, why? Perhaps because you don't bear being seen without a disguise.

BERTHA [Starting]. Good-bye, you old talking-machine. You won't come along?

AXEL. No!

[Bertha goes out; Axel rises, takes off his cutaway to change it for working coat.]

CURTAIN.

ACT II.

[Same scene as Act I, but there is a large table with chairs around it in middle of scene. On table there is writing material and a speaker's gavel. Axel is painting. Abel is sitting near him. She is smoking.]

AXEL. They have finished dinner and are having their coffee now. Did they drink much?

ABEL. Oh, yes, and Bertha bragged and was disagreeable.

AXEL. Tell me one thing, Abel, are you my friend, or not?

ABEL. H'm--I don't know.

AXEL. Can I trust you?

ABEL. No--you can't.

AXEL. Why not?

ABEL. Oh, I just feel that you can't.

AXEL. Tell me, Abel, you who have the common sense of a man and can be reasoned with, tell me how it feels to be a woman. Is it so awful?

ABEL [Jokingly]. Yes, of course. It feels like being a n.i.g.g.e.r.

AXEL. That's strange. Listen, Abel. You know that I have a pa.s.sion for equity and justice--

ABEL. I know you are a visionary--and that's why things will never go well with you.

AXEL. But things go well with you--because you never feel anything?

ABEL. Yes.

AXEL. Abel, have you really never had any desire to love a man?

ABEL. How silly you are!

AXEL. Have you never found any one?

ABEL. No, men are very scarce.

AXEL. H'm, don't you consider me a man?

ABEL. You! No!

AXEL. That's what I fancied myself to be.

ABEL. Are you a man? You, who work for a woman and go around dressed like a woman?

AXEL. What? I, dressed like a woman?

ABEL. The way you wear your hair and go around bare-necked, while she wears stiff collars and short hair; be careful, she'll soon take your trousers away from you.

AXEL. How you talk!

ABEL. And what is your position in your own house? You beg money from her, and she puts you under her guardians.h.i.+p. No, you are not a man! But that's why she took you, when her affairs were in bad shape.

AXEL. You hate Bertha; what have you against her?

ABEL. I don't know, but perhaps I, too, have been struck with that same pa.s.sion for justice.

AXEL. Look here. Don't you believe in your great cause any longer?