Notable Women Authors of the Day Part 5

The first three-volume novel she published was called "Love's Conflict."

It was written under sad circ.u.mstances. Her children were ill of scarlet fever; most of the servants, terror-stricken, had deserted her, and it was in the intervals of nursing these little ones that, to divert her sad thoughts, she took to her pen. From that time she wrote steadily and rapidly, and up to the present date she has actually turned out fifty-seven novels besides an enormous quant.i.ty of journalistic work, about one hundred short stories, and numerous essays, poems, and recitations. She says of herself, that from earliest youth she had always determined on being a novelist, and at the age of ten she wrote a story for the amus.e.m.e.nt of her playfellows, and ill.u.s.trated it with her own pen-and-ink sketches (for be it known, the accomplished author has likewise inherited this talent from her father, and to this day she will decorate many a letter to her favourite friends with funny and clever little ill.u.s.trations and caricatures). But she wisely formed the determination that she would never publish anything until her judgment was more matured, so as to ensure success, that she "would study people, nature, nature's ways, and character, and then she would let the world know what she thought"; and in this piece of self-denial she has shown extreme wisdom, and reaped her reward in the long record of successes that she has scored and the large fortune she has made, but which, alas!

she no longer possesses. "Others have spent it for me," she says plaintively; but she adds generously, "and I do not grudge it to them."

Part of it enabled her, at any rate, to give each and all of her children a thoroughly good education, and she is proud to think that they owe it all to her own hard work. Miss Marryat is always especially flattered to hear that her novels are favourites with women, and she had a gratifying proof of this when visiting Canada in 1885. She was waited on by a deputation of ladies, armed with bouquets and presents, to thank her for having written that charming story called "My Own Child."

"Gup," which had an extensive sale, is entirely an Anglo-Indian book, not so much of a novel as a collection of character sketches and tales, which her powers of observation enabled her to form out of the life in Indian stations. For the benefit of the uninitiated, the word "Gup"

shall be translated from Hindustanee into English: "Gossip." "Woman Against Woman," "Veronique," "Petronel," "Nelly Brooke," "Fighting the Air," were amongst the earliest of the eighteen novels that she brought out in the first eleven years of her literary career. These, together with her "Girls of Feversham," have been republished in Germany and America, and translated into Russian, German, Swedish, and French. Miss Marryat says: "I never sit down deliberately to compose or think out a plot. The most ordinary remark or anecdote may supply the motive, and the rest comes by itself. Sometimes I have as many as a dozen plots, in different stages of completion, floating in my brain. They appear to me like a set of houses, the first of which is fully furnished; the second finished, but empty; the third in course of building; till the furthest in the distance is nothing but an outline. As soon as one is complete, I feel I _must_ write it down; but I never think of the one I am writing, always of the next one that is to be, and sometimes of three or four at a time, till I drive them forcibly away. I never feel at home with a plot till I have settled the names of the characters to my satisfaction.

As soon as I have done that they become sentient beings in my eyes, and seem to dictate what I shall write. I lose myself so completely whilst writing, that I have no idea, till I take it up to correct, what I have written." Judging by the great heap of MSS. alluded to on her writing-table, there seems but little for the writer to correct. At your request, she hands you half a dozen pages, and you notice but three alterations amongst them; the facile pen, the medium of her thoughts, seems to have known exactly what it had to write. The novel is called "How like a Woman," and will shortly make its appearance.

Her latest published works are "On Circ.u.mstantial Evidence," "A Scarlet Sin," "Mount Eden," "Blindfold," "Brave Heart and True," "The Risen Dead," "There is no Death," and "The n.o.bler s.e.x." With respect to Miss Marryat's book, "There is no Death," many people have p.r.o.nounced it to be, not only the most remarkable book that she has ever written, but the most remarkable publication of the time. To the public it is so full of marvels as to appear almost incredible, but to her friends, who know that everything related there happened, under the author's eyes, it is more wonderful still. The amount of correspondence that she has received on the subject ever since the book appeared in June, 1891, is incalculable. Even to this date she has seven or eight letters daily, all containing the same demand, "Tell us how we can see our Dead." This book has done more to convince many people of the truth of Spiritualism than any yet written. Florence Marryat numbers her converts by the hundred and they are all gathered from educated people; men of letters and of science have written to her from every part of the world, and many clergymen have succ.u.mbed to her courageous a.s.sertions. It is curious and interesting to know that Miss Marryat's experiences are not only those of the past, but that she pa.s.ses through just as wonderful things every day of her life, and the spirit world is quite as familiar to her as the natural one, and far more interesting. Whether her readers sympathise with her or not, or whether they believe that she really saw and heard all the marvels related in "There is no Death," the book must remain as a remarkable record of the experiences of a woman whose friends know her to be incapable of telling a lie and especially on a subject which she holds to be sacred. "I really do not care much," says Miss Marryat with a smile, "if my readers believe me or not. If they do not it is their loss, not mine. I have done what I considered to be my duty in trying to convince the world of what _I_ know to be true, and to which I shall continue to testify as long as I have breath."

"Tom Tiddler's Ground" is the history of her own adventures while in America. Many of her books have been dramatised, and at one time nine of these plays were running simultaneously in the provinces. She says, "The most successful of my works are transcripts of my own experience. I have been accused of caricaturing my acquaintances, but it is untrue. The majority of them are not worth the trouble, and it is far easier for me to draw a picture from my own imagination, than to endure the society of a disagreeable person for the sake of copying him or her."

But Miss Marryat's talents are versatile. After a long illness when her physicians recommended rest from literature, believing an entire change of occupation would be the best tonic for her, she went upon the stage--a pursuit which she had always dearly loved--and possessing a fine voice, and great musical gifts, with considerable dramatic power, she has been successful, both as an actress and an entertainer. She wrote a play called "Her World Against a Lie" (from her own novel), which was produced at the Prince of Wales' Theatre, and in which she played the chief comedy part, Mrs. Hephzibah Horton, with so much skill and _aplomb_, that the _Era_, _Figaro_, _Morning Post_, and other papers, criticised her performances most favourably. She also wrote "Miss Chester" and "Charmyon" in conjunction with Sir Charles Young.

She was engaged for the opening of the Prince of Wales's (then the Princes') Theatre when she played "Queen Altemire" in _The Palace of Truth_. She has toured with D'Oyly Carte's _Patience_ companies, with George Grossmith in _Entre Nous_, and finally with her own company in _The Golden Goblet_ (written by her son Frank). Altogether Miss Marryat has pursued her dramatic life for fifteen years, and has given hundreds of recitations and musical entertainments which she has written for herself. One of these last, called "Love Letters," she has taken through the provinces three times, and once through America. It lasts two hours; she accompanies herself on the piano, and the music was written by George Grossmith. Another is a comic lecture ent.i.tled, "Women of the future (1991); or, what shall we do with our men?" She has also made many tours throughout the United Kingdom, giving recitals and readings from her father's works, and other pieces by Albery and Grossmith.

For the last seven years Miss Marryat has never looked at a criticism on her books. She says her publishers are her best friends, and their purses are her a.s.sessors, and she is quite satisfied with the result.

She has an intense love of animals, and asks if you would object to the presence of her dogs, as this is the hour for their admittance. On the contrary, it is what you have been longing for, and two magnificent bulldogs of long pedigree are let in. Ferocious as is their appearance, their manners are perfect, and their great brown eyes seem human in their intelligence as each comes up to make acquaintance. Meantime the two doves have gone peacefully to sleep, each perched on a bra.s.s dragon, and the dogs eye them respectfully, as if they were all members of "a happy family."

A neat little maid comes in with a tea-tray, but ere she is permitted to lay the prettily embroidered cloth, Miss Marryat directs attention to the table, which is a curiosity. It is a small round table, made from the oak planks of the quarter deck of H.M.S. _Ariadne_. This was sent to her by a gentleman who never saw her, with a letter saying that she would prize the wood over which her father's feet had so often trod. It bears in the centre a bra.s.s inscription, as follows:--"Made from the timbers of H.M.S. Ariadne, commanded by Captain Marryat, R.N., C.B., 1828."

Miss Marryat, probably wis.h.i.+ng to pay you a peculiar honour, pushes forward her own special revolving writing chair; but no, you had surrept.i.tiously tried it whilst waiting for her, and unhesitatingly p.r.o.nounce it to be the most uncomfortable piece of furniture ever made.

It is constructed of wood, is highly polished, and has a hard seat, hard elbow rests, and a hard unyielding back. She laughs heartily, and declares she will hear no word against her "old arm-chair"; she says she has got used to it; it has been, like herself, a great traveller; she has written in it for twenty years, and it is a particular favourite.

Miss Marryat wears a diamond ring, which has a peculiar history, and is very old. During the first Burmese war in which her father was engaged, the natives were in the habit of making little slits in their skin, and inserting therein any particular stone of value they wished to conceal.

One of these men was taken prisoner, and on being searched, or felt over--for there was not much clothing to search--a small hard lump was found on his leg, which at once revealed the presence of some valuable.

A slight incision produced a diamond, which was confiscated, set, and presented by the good old sailor to his sister-in-law, Mrs. Horace Marryat, whose only son, Colonel Fitzroy Marryat, gave it to his cousin, the author.

She takes you into the adjoining room to see two oil-paintings of wrecks, _chef d'oeuvres_ of the great Flemish seascape painter, Louis Boeckhaussen, and valued at a high figure. There is a story attached to these also. They belonged originally to the Marryat collection at Wimbledon House, and were given to her brother Frederick by his grandmother on his being promoted to be first lieutenant of the _Sphynx_, and were hanging in his cabin when that s.h.i.+p was wrecked off the Needles, Isle of Wight. They remained fourteen days under water, and when rescued were sent to a Plymouth dealer to be cleaned. Lieutenant Marryat, for his bravery on that occasion, was immediately appointed to the _Sphynx's_ twin vessel, the ill-fated _Avenger_, who went down with 380 souls on the Sorelli rocks.

After this catastrophe, the dealer sent the paintings to the young officer's mother, saying it was by his instructions, and that he had refused to take them to sea again, as he declared that they were "much too good to go overboard." Miss Marryat also possesses a painting by Cawno, from "j.a.phet in search of a Father," which was left to her by the will of the late Mr. Richard Bently, the publisher, and this she prizes highly. She has several presentation pens, one of porcupine quill and silver, with which her father wrote his last five novels; another of ivory, coral, and gold, inscribed with her name and presented by Messrs.

Macniven and Cameron; a third of silver, and a fourth of gold and ivory, given by admirers of her writings; fifthly, and the one she values most and chiefly uses, a penholder of solid gold with amethysts, which belonged to an American ancestress of the family, for Miss Marryat's paternal grandmother was a Boston belle. This was a tribute from her American relations when she crossed the Atlantic, with the words that she was "the most worthy member to retain it." A noise of barking and scratching at the door is heard outside. Florence Marryat opens it, and many tiny, rough, prize terriers rush in. She laughs at your exclamation of surprise at the number of her dog friends and answers, "They are not all kept entirely for amus.e.m.e.nt. I sell the puppies, and they fetch large prices. It is quite the fas.h.i.+on to be in trade now-a-days, you know. One lady runs a boarding-house, another, her emporium for furniture, a third, her bonnet shop, a fourth, her dress-making establishment, so why not I, my kennels? I love dogs better than bonnets, or chairs, or people, and so I derive pleasure as well as profit from my particular fancy, and I should be lonely without these pets."

But, as though talking of old reminiscences had changed her mood from gay to grave, she asks you to look at a few very special treasures in her writing room. "I call this my room of home memories," she says with exceeding softness and pathos. "There are my children's pictures; those," pointing to a small shelf, "are my best friend's books." "_Here_ are portraits of all whom I love best, my living, and my dead!"

[Ill.u.s.tration: Emily Lovett Cameron]

MRS. LOVETT CAMERON.

Nestling between Knightsbridge on the north, and Brompton Road on the south, lies a quiet, old-fas.h.i.+oned square, which the organ-grinder and bra.s.s band are no longer permitted to disturb. Everything is so still that it is difficult to realise that it is within a few minutes' walk from a busy, noisy thoroughfare. So near and yet so far from London's "madding crowd." In summer time when the ancient trees, which are said never to have been disturbed for generations, are in full leaf, the little square might indeed be a slice out of the country itself; and even now, with bare and leafless branches, it presents a peaceful, rural appearance, for the h.o.a.r frost has covered every bough and shrub with a million of glittering particles, which sparkle like diamonds in the wintry suns.h.i.+ne. In the centre of the north side of Montpelier Square is Mrs. Lovett Cameron's home, a cheerful-looking little house, gay with window boxes, and fleecy muslin curtains draped with bright coloured ribbons. An application at the bra.s.s horseshoe knocker is promptly responded to, and you are admitted into the hall and vociferously greeted by "Nancy," a handsome fox-terrier, the pet of the house, a treasure-trove from the Dogs' Home. The first object which attracts the eye, and, as it were, overshadows you, is the head of a gigantic Indian buffalo, so sleek and life-like in appearance, with its huge horns, that you involuntarily shudder to think what a formidable opponent the savage monster must have proved in the flesh ere he became the trophy of that gallant sportsman, the late Hector Cameron.

Ascending the staircase, the walls of which are hung with a series of Colonel Crealock's spirited hunting sketches, you are ushered into the drawing-room, which is divided midway by a carved white wood archway of Moorish design. Large palms, tall arum lilies, and graceful ferns, are grouped here and there about the room; no sound is heard save the song of caged birds. The Oriental bowls and jars are filled with great double chrysanthemums of golden brown, and other winter flowers; but a light step approaches; the door softly opens, and the author enters: seeing her framed in the doorway, clad in the soft folds of a simply-made violet velvet tea-gown, the first glance conveys to the mind an immediate impression that she is in thorough harmony with her surroundings.

Mrs. Lovett Cameron is a fair, slight woman, a little below the middle height; her large blue eyes have a very thoughtful, gentle expression; her broad low brow is crowned with bright chestnut coloured hair. Her habitually serious look changes, however, when having settled you into a corner of the couch, with a cup of steaming coffee, she enters into friendly conversation. Meanwhile you cast furtive glances around the room. A bright fire blazes cheerfully on the blue and brown tiled hearth. The carved white mantelpiece, with side recesses, is covered with delicate specimens of old Dresden china, and surmounted by a broad shelf, on which stand five exquisite antique j.a.panese jars, the _bleu poudre_ and deep crimson being thrown into relief by the soft tints of the "b.u.t.tercup" coloured wall paper.

Amongst the pictures which adorn the walls is a portrait, after Sir G.o.dfrey Kneller, of Sir Edmund Verney, an ancestor of the family, bearing the inscription "Standard Bearer to Charles I., who lost his life in the Battle of Edghill." The original painting is at Lis...o...b.., Buckinghams.h.i.+re, a property which still belongs to the Lovett family.

Further on is a lovely copy of the Madonna Caracci, in the Dresden Gallery. Several pieces of valuable old blue china, quaint bits of Oriental flat figures, together with a plate or two of old Dutch ware decorate the walls, and an ancient convex mirror of great antiquity. Two antique corner cupboards (Dutch) with flat gla.s.s doors disclose many little treasures of enamel, old Worcester and Nankin, which Mrs. Cameron says that she prizes as much from a.s.sociation as for their own intrinsic value. An Italian cabinet inlaid with ebony and ivory occupies one side of the wall, and, unlocking its doors, she takes out some priceless sc.r.a.ps of old lace of cobweb-looking fabric, which she inherited from a maternal ancestress, together with a few pieces of the Queen Anne silver which are scattered on the tiny marqueterie table yonder. Amongst these there is a richly-chased tankard, on which is the inscription, "Oration Prize adjudged to Verney Lovett, of Trinity College, Cambridge, in the year 1774." There is an amusing story told of another of Mrs. Cameron's ancestresses. She was a Huguenot, a Mademoiselle de Bosquet, and, at the time of the persecution of the French Protestants, when only a little girl, she was packed up in a basket, smuggled out of France and sent over to England to ensure her safety.

The long, dwarf bookcase on the right is filled with literary treasures, inherited from the "Oration Prize" winner. Mrs. Cameron takes out several, and mentions that they are valuable editions of "Montaigne,"

"Chesterfield's Letters," the "Tattler," the "Spectator," etc., but the gem of the collection, and one that she greatly values, is a complete set of the poems of Edmund Waller, dated 1729, in good preservation, each poem headed with engravings by Vertue, chiefly portraits of the Stuart family. The bookcase opposite contains several presentation copies from brother and sister writers. Amongst them you look in vain for the author's own works, but she says that they shall all be seen presently in her own study below, and as she leads the way thither, past the conservatory, you pause to admire the picturesque grouping of the flowers and palms, some so high that the cages of the feathered songsters are half concealed. Your hostess remarks that she "delights in flowers, and is always lucky with them."

Turning to the right, she opens the door of her cosy little writing-room. The dark red walls, with a frieze of large j.a.panese flowers, are hung with etchings, photographs, and pictures, all of which have their own story. Here is a complete series of Aitken's "First Point to Point Race"; there portraits of the "Prize Fox-terriers of England," presented to her by the late Sir John Reid. Also sundry winners of the Derby, and many a pet dog and horse. Mrs. Cameron points out her husband's favourite hunter, "Roscommon," and his wonderful pony, "Tommy Dod," who "jumped like a cat," and carried him for many seasons in Leicesters.h.i.+re, and who, with his master, was often mentioned with honour in _Baily's Magazine_. A few sketches of the Thames indicate her favourite resort for leisure hours, many summer days and autumn holidays being spent on the river, in quiet nooks and corners, where, under the able tuition of her barrister brother, Norman Pearson, late of Balliol, and coach of the "Kingston Eight," Mrs. Lovett Cameron has achieved considerable dexterity in sculling and canoeing.

Antlers and deers' heads, ranged high near the ceiling, testify further to the sporting proclivities of the family. Over a quaint little corner cupboard a big stuffed hawk looks down with an absurdly wise expression.

A high, three-cornered, and somewhat ascetic-looking chair is pushed aside from a proportionately high and business-like writing table--a handsome old English piece of furniture, which is loaded with ma.n.u.script and books of reference, denoting the occupation in which Mrs. Cameron was probably engaged when summoned to receive you, and you hastily begin a word of apology; but she turns it aside and observes that she was "quite glad to be interrupted, as she had been working beyond her usual hour."

Over the table hangs a venerable canary, _aetat_. fourteen, who has learnt to be mute in business hours. Opposite the window stands a large antique Chippendale bookcase with gla.s.s doors, filled with hooks of history, travel, biography, English poets, and old dramatists. One shelf is reserved for another purpose, and here can be read the names of fourteen three-volume novels, well known to the world, written by Mrs.

Lovett Cameron. Her husband has had them all bound alike in Russian leather, and looks on them as his own especial property. This shelf is now nearly full, and Mrs. Cameron remarks laughingly that "by rights she ought to die when it _is_ full, as there will be no room for any more in the cupboard." Of these novels, the first, "Juliet's Guardian," made its bow to the public in 1876, having previously appeared in the pages of _Belgravia_, "Jack's Secret" ran as a serial through the same magazine, having been applied for, when _Belgravia_ changed hands, by the present owner "to bring him luck." Taking out one after another of these daintily-bound volumes--"Deceivers Ever," "Vera Nevill," "Pure Gold," "A North Country Maid," "A Dead Past," "In a Gra.s.s Country," "A Devout Lover," "This Wicked World," "Worth Winning," "The Cost of a Lie," "Neck or Nothing," and other short stories--you see that most of them have pa.s.sed through several editions, and in "In a Gra.s.s Country," "ninth edition," proving the special popularity of that particular book, which chiefly made Mrs. Lovett Cameron's literary reputation. Her latest additions to these entertaining works of fiction are "A Lost Wife,"

"Weak Woman," and "A Daughter's Heart."

It is always deeply interesting to hear about the early days of such a well-known writer. Explaining to Mrs. Cameron that not only in Europe, but also in the Colonies where her books are as largely circulated, that she has many friends and admirers who will love to hear all about her first literary efforts, she kindly consents to gratify you, and says, that "to begin at the beginning," she was sent at the early age of six to Paris, to acquire the language; she was placed in the family of the late M. Nizard, an academician, and a man of some literary repute, who later on became a member of the Senate. She has a vivid recollection of the house--since demolished--surrounded by a large garden in the Rue de Conscelles, where her childish days were spent. Amongst such surroundings, it was natural that the girl should become imbued with a love of reading, which, though carefully guided, was stimulated to the utmost, and when, later on, after some further years at a school in England, she returned home, she found herself in constant disgrace, because she was always reading and hated needlework. As her mother and sister were enthusiastic in this feminine accomplishment, and were constantly engrossed in the embroidering of church altar-cloths and linen, they were inclined to look on books as an excuse for idleness.

It was at this time that the young girl-student secretly wrote several short stories, and, although very shy of these efforts, she one day confided to her elder sister that she "felt certain she could write a novel." With the honest candour of a family circle towards each other, she was promptly extinguished with the remark, "That is nonsense. If you had any talent for writing, it would have shown itself before this."

Thus discouraged, she laid aside the idea, and never resumed it until after her marriage, when the talent which had lain dormant could no longer be hidden. The story of the launching of her first novel is most interesting, as showing the courage and perseverance of the young author.

She had no acquaintance with a single member of the literary profession--no interest with any editor or publisher; nevertheless, on the completion of "Juliet's Guardian," she took up, by chance, the nearest book at hand; reading therein the names of Chatto and Windus, she then and there packed up her MS., and without any introduction, but with many qualms, made her way to their office. She was courteously received, and informed that she might leave it, and after a brief period of anxious waiting, the good news came that it was accepted. Shortly after, it was brought out, and the young author's first step to fame was accomplished.

Rising to replace this volume, you inadvertently press against a panel in the lower cupboard, which falling open, dislodges a large and somewhat discoloured roll of newspapers, and hastening to gather them up with a murmured word of regret for the accident, Mrs. Cameron remarks with a laugh that they are copies of a paper, the _City Advertiser_, which she and her two brothers started, and actually kept going for six months, the three meeting once a week to carry it on. It was a source of endless amus.e.m.e.nt to them, until the scattering of the family caused it to die a natural death.

The easel yonder holds a large framed photograph of the head of an Apollo, discovered when digging under the streets of Athens; and opposite stands a portfolio full of sketches and maps, descriptive of the route taken by her brother-in-law, Commander Lovett Cameron, the well-known African traveller, who nearly seventeen years ago went on foot across Africa with a small party of friends, but, alas! came back alone. He was the only survivor of the intrepid band, the rest all succ.u.mbed to the perils of the expedition. He it was who surveyed the southern portion of Lake Tanganyika, proving it to be a lake, and discovered the river Lukuga, which is the outlet thereof. Pursuing his travels further, he also proved Lualaba and Congo to be one river, and later discovered Lake Ka.s.sali and the sources of the Zambesi.

But whilst following out the route on a well-worn map, and listening to these interesting details, youthful voices are heard outside, which recall the fact that it is the first day of the holidays, and a tap at the door is followed by the entrance of Mrs. Cameron's two fine, bright boys, accompanied by their father.

The elder lad, "Verney" is at Winchester, the "school for scholars," and he has already evinced a distinct talent for composition, combined with a fund of humour, which has found vent in one or two clever, though childish stories, which betoken the probability that he has inherited his mother's gift of writing, but the younger boy, "Hector," bravely tells you he "likes play better than lessons, and he means to go abroad and shoot elephants." As he is, however, only twelve years old his parents feel no immediate anxiety on _that_ score.

Mrs. Lovett Cameron seldom writes after two o'clock. She uses a pen placed in a funny little stump of a broken mother-of-pearl holder, and, handing it to you, she says, "I have a superst.i.tion about it. Every one of my novels has been mainly written with it, and I often say that if I use another penholder, I write badly. I have told my husband to put it into my coffin."

She is a capital woman of business, and remarks that she "bought all her experience for herself."

Those who do not know Mrs. Cameron well, think that she is cold and proud. Truly, she does not wear her heart on her sleeve; but not to all is revealed the true nature of the woman. Do you go to consult her on a tiresome bit of business, to take a tale of deserving charity, to confide a personal grief? Though in the midst of writing a sentence, the busy pen is thrown aside, as she straightens the tangled web, opens her purse to the pitiful story, or, with tender sympathy, enters into the sorrow.

The good old "grandfather" clock in the corner is a very ancient and much-treasured relic; its hands, however, mark that it is time to go; but Mrs. Lovett Cameron asks you to "stay a moment." She runs lightly upstairs and returns with a bunch of the gold and brown chrysanthemums, which she puts into your hands; then, casting a last look at the fierce buffalo, you pa.s.s out into the quiet little square, and in less than five minutes find yourself again in the noisy region of cabs and omnibuses.

[Ill.u.s.tration: M Hungerford]

MRS. HUNGERFORD.

It is well worth encountering the perils of the sea, even in the middle of winter, and in the teeth of a north-east wind, if only to experience the absolute comfort and ease with which, in these s.p.a.ce-annihilating days, the once-dreaded journey from England to the Emerald Isle can be made. You have resolved to accept a hospitable invitation from Mrs.

Hungerford, the well-known author of "Molly Bawn," etc., to visit her at her lovely home, St. Brenda's, Bandon, co. Cork, where a "hearty Irish welcome" is promised, and though circ.u.mstances prevent your availing yourself of the "month's holiday" so kindly offered, and limit an absence from home to but four days, it is delightful to find that, travelling by the best of all possible routes--the Irish Mail--it is to be accomplished easily and without any fatiguing haste.

Having given due notice of your intentions, you arrive at Euston just in time for the 7.15 a.m. express, and find that by the kindness of the station-master a compartment is reserved, and every arrangement, including an excellent meal, is made for your comfort. The carriages are lighted by electricity, and run so smoothly that it is possible to get a couple of hours' good sleep, which the very early start has made so desirable. On reaching Holyhead at 1.30 p.m. to the minute, you are met by the courteous and attentive marine superintendent, Captain Cay, R.N., who takes you straight on board the _Ireland_, the newest addition to the fleet of fine s.h.i.+ps, owned by the City of Dublin Steam Packet Company. She is a magnificent vessel, 380 feet long, 38 feet in beam, 2,589 tons, and 6,000 horse-power; her fine, broad bridge, handsome deck-houses, and bra.s.s work glisten in the bright sunlight. She carries electric light; and the many airy private cabins indicate that, though built for speed, the comfort of her pa.s.sengers has been a matter of much consideration. She is well captained, well officered, well manned, and well navigated. The good-looking, weather-beaten Captain Kendall is indeed the commodore of the company, and has made the pa.s.sage for nearly thirty years. There is an unusually large number of pa.s.sengers to-day, for it is the first week of the accelerated speed, and it is amusing to notice the rapidity with which the mails are s.h.i.+pped, on men's backs, which plan is found quicker than any appliance. Captain Cay remarks that it is no uncommon thing to s.h.i.+p seven hundred sacks on foreign mail days; he says, too, that never since these vessels were started has there been a single accident to life or limb. But the last bag is on board, steam is up, and away goes the s.h.i.+p past the South Stack lighthouse, built on an island under precipitous cliffs, from which a gun is fired when foggy, and in about an hour the Irish coast becomes visible, Howth and Bray Head. The sea gets pretty rough, but luckily does not interfere with your excellent appet.i.te for the first-cla.s.s refreshments supplied. The swift-revolving paddles churn the big waves into a thick foam as the good s.h.i.+p _Ireland_ ploughs her way through at the rate of twenty knots an hour, "making good weather of it," and actually accomplishes the voyage in three hours and fifteen minutes--one of the shortest runs on record. The punctuality with which these mail packets make the pa.s.sage in all weathers is indeed truly wonderful--a fact which is experienced a few days later on the return journey.

Kingstown is reached at 6.10 p.m. (Irish time), where the mail train is waiting to convey pa.s.sengers by the new loop line that runs in a curve right through "dear dirty Dublin," as it is popularly called, to Kingsbridge, and so on to Cork, where you put up for the night at the Imperial Hotel.