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Stories by English Authors: London Part 16

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"It is very hot here," he continued, "and I am going out. I am tired of work."

He hesitated, and then added, "I should like you to come with me, if you can spare the time."

She packed up her things at once, and the two friends moved slowly away, he gazing absently at the pictures, and she wondering in her mind as to the meaning of his strange mood.

When they were on the steps inside the building, he turned to Helen Stanley and said:

"I should like to go back to the pictures once more. I feel as if I must stand among them just a little longer. They have been my companions for so long that they are almost part of myself. I can close my eyes and recall them faithfully. But I want to take a last look at them; I want to feel once more the presence of the great masters, and to refresh my mind with their genius. When I look at their work I think of their life, and can only wonder at their death. It was so strange that they should die."

They went back together, and he took her to his favourite pictures, but remained speechless before them, and she did not disturb his thoughts.

At last he said:

"I am ready to go. I have said farewell to them all. I know nothing more wonderful than being among a number of fine pictures. It is almost overwhelming. Once expects nature to be grand, but one does not expect man to be grand."

"You know we don't agree there," she answered. "_I_ expect everything grand and great from man."

They went out of the gallery, and into Trafalgar Square. It was a scorching afternoon in August, but there was some cooling comfort in seeing the dancing water of the fountains sparkling so brightly in the suns.h.i.+ne.

"Do you mind stopping here a few minutes?" he said. "I should like to sit down and watch. There is so much to see."

She led the way to a seat, one end of which was occupied by a workman, who was sleeping soundly, and snoring too, his arms folded tightly together. He had a little clay pipe in the corner of his mouth; it seemed to be tucked in so snugly that there was not much danger of its falling to the ground. At last Helen spoke to her companion.

"What do you mean by saying that you will not be able to finish your picture? Perhaps you are not well. Indeed, you don't look well. You make me anxious, for I have a great regard for you."

"I am ill and suffering," he answered, quietly. "I thought I should have died yesterday; but I made up my mind to live until I saw you again, and I thought I would ask you to spend the afternoon with me, and go with me to Westminster Abbey, and sit with me in the cloisters. I do not feel able to go by myself, and I know of no one to ask except you; and I believed you would not refuse me, for you have been very kind to me.

I do not quite understand why you have been kind to me, but I am wonderfully grateful to you. Today I heard some one in the gallery say that you were plain. I turned round and I said, 'I beg your pardon; _I_ think she is very beautiful.' I think they laughed, and that puzzled me; for you have always seemed to me a very beautiful person."

At that moment the little clay pipe fell from the workman's mouth and was broken into bits. He awoke with a start, gazed stupidly at the old man and his companion, and at the broken clay pipe.

"Curse my luck!" he said, yawning. "I was fond of that d.a.m.ned little pipe."

The old man drew his own pipe and his own tobacco-pouch from his pocket.

"Take these, stranger," he said. "I don't want them. And good luck to you."

The man's face brightened up as he took the pipe and pouch.

"You're uncommon kind," he said. "Can you spare them?" he added, holding them out half reluctantly.

"Yes," answered the old man; "I shall not smoke again. You may as well have these matches too."

The labourer put them in his pocket, smiled his thanks, and walked some little distance off; and Helen watched him examine his new pipe, and then fill it with tobacco and light it.

Mr. Lindall proposed that they should be getting on their way to Westminster, and they soon found themselves in the abbey. They sat together in the Poets' Corner; a smile of quiet happiness broke over the old man's tired face as he looked around and took in all the solemn beauty and grandeur of the resting-place of the great.

"You know," he said, half to himself, half to his companion, "I have no belief of any kind, and no hopes and no fears; but all through my life it has been a comfort to me to sit quietly in a church or a cathedral.

The graceful arches, the sun s.h.i.+ning through the stained windows, the vaulted roof, the n.o.ble columns, have helped me to understand the mystery which all our books of philosophy cannot make clear, though we bend over them year after year, and grow old over them, old in age and in spirit. Though I myself have never been outwardly a wors.h.i.+pper, I have never sat in a place of wors.h.i.+p but that, for the time being, I have felt a better man. But directly the voice of doctrine or dogma was raised the spell was broken for me, and that which I hoped was being made clear had no further meaning for me. There was only one voice which ever helped me, the voice of the organ, arousing me, thrilling me, filling me with strange longing, with welcome sadness, with solemn gladness. I have always thought that music can give an answer when everything else is of no avail. I do not know what you believe."

"I am so young to have found out," she said, almost pleadingly.

"Don't worry yourself," he answered, kindly. "Be brave and strong, and let the rest go. I should like to live long enough to see what you will make of your life. I believe you will never be false to yourself or to any one. That is rare. I believe you will not let any lower ideal take the place of your high ideal of what is beautiful and n.o.ble in art, in life. I believe that you will never let despair get the upper hand of you. If it does you may as well die; yes, you may as well. And I entreat you not to lose your entire faith in humanity. There is nothing like that for withering up the very core of the heart. I tell you, humanity and nature have so much in common with each other that if you lose part of your pleasure in the latter; you will see less beauty in the trees, the flowers, and the fields, less grandeur in the mighty mountains and the sea. The seasons will come and go, and you will scarcely heed their coming and going: winter will settle over your soul, just as it settled over mine. And you see what I am."

They had now pa.s.sed into the cloisters, and they sat down in one of the recesses of the windows, and looked out upon the rich plot of gra.s.s which the cloisters enclose. There was not a soul there except themselves; the cool and the quiet and the beauty of the spot refreshed these pilgrims, and they rested in calm enjoyment.

Helen was the first to break the silence.

"I am glad you have brought me here," she said; "I shall never grumble now at not being able to afford a fortnight in the country. This is better than anything else."

"It has always been my summer holiday to come here," he said. "When I first came I was like you, young and hopeful, and I had wonderful visions of what I intended to do and to be. Here it was I made a vow that I would become a great painter, and win for myself a resting place in this very abbey. There is humour in the situation, is there not?"

"I don't like to hear you say that," she answered. "It is not always possible for us to fulfil all our ambitions. Still, it is better to have had them, and failed of them, than not to have had them at all."

"Possibly," he replied, coldly. Then he added, "I wish you would tell me about yourself. You have always interested me."

"I have nothing to tell you about myself," she answered, frankly. "I am alone in the world, without friends and without relations. The very name I use is not a real name. I was a foundling. At times I am sorry I do not belong to any one, and at other times I am glad. You know I am fond of books and of art, so my life is not altogether empty; and I find my pleasure in hard work. When I saw you at the gallery I wished to know you, and I asked one of the students who you were. He told me you were a misanthrope. Then I did not care so much about knowing you, until one day you spoke to me about my painting, and that was the beginning of our friends.h.i.+p."

"Forty years ago," he said, sadly, "the friend of my boyhood deceived me. I had not thought it possible that he could be false to me. He screened himself behind me, and became prosperous and respected at the expense of my honour. I vowed I would never again make a friend. A few years later, when I was beginning to hold up my head, the woman whom I loved deceived me. Then I put from me all affection and all love.

Greater natures than mine are better able to bear these troubles, but my heart contracted and withered up."

He paused for a moment, many recollections overpowering him. Then he went on telling her the history of his life, unfolding to her the story of his hopes and ambitions, describing to her the very home where he was born, and the dark-eyed sister whom he had loved, and with whom he had played over the daisied fields, and through the carpeted woods, and all among the richly tinted bracken. One day he was told she was dead, and that he must never speak her name; but he spoke it all the day and all the night,--Beryl, nothing but Beryl,--and he looked for her in the fields and in the woods and among the bracken. It seemed as if he had unlocked the casket of his heart, closed for so many years, and as if all the memories of the past and all the secrets of his life were rus.h.i.+ng out, glad to be free once more, and grateful for the open air of sympathy.

"Beryl was as swift as a deer!" he exclaimed. "You would have laughed to see her on the moor. Ah, it was hard to give up all the thoughts of meeting her again. They told me I should see her in heaven, but I did not care about heaven. I wanted Beryl on earth, as I knew her, a merry laughing sister. I think you are right: we don't forget; we become resigned in a dead, dull kind of way."

Suddenly he said, "I don't know why I have told you all this. And yet it has been such a pleasure to me. You are the only person to whom I could have spoken about myself, for no one else but you would have cared."

"Don't you think," she said gently, "that you made a mistake in letting your experiences embitter you? Because you had been unlucky in one or two instances it did not follow that all the world was against you.

Perhaps you unconsciously put yourself against all the world, and therefore saw every one in an unfavourable light. It seems so easy to do that. Trouble comes to most people, doesn't it? And your philosophy should have taught you to make the best of it. At least, that is my notion of the value of philosophy."

She spoke hesitatingly, as though she gave utterance to these words against her will.

"I am sure you are right, child," he said, eagerly.

He put his hands to his eyes, but he could not keep back the tears.

"I have been such a lonely old man," he sobbed; "no one can tell what a lonely, loveless life mine has been. If I were not so old and so tired I should like to begin all over again."

He sobbed for many minutes, and she did not know what to say to him of comfort; but she took his hand within her own, and gently caressed it, as one might do to a little child in pain. He looked up and smiled through his tears.

"You have been very good to me," he said, "and I dare say you have thought me ungrateful. You mended my coat for me one morning, and not a day has pa.s.sed but that I have looked at that darn and thought of you.

I liked to remember that you had done it for me. But you have done far more than this for me: you have put some sweetness into my life.

Whatever becomes of me hereafter, I shall never be able to think of my life on earth as anything but beautiful, because you thought kindly of me and acted kindly for me. The other night, when this terrible pain came over me, I wished you were near me; I wished to hear your voice.

There is very beautiful music in your voice."

"I would have come to you gladly," she said, smiling quietly at him.

"You must make a promise that when you feel ill again you will send for me. Then you will see what a splendid nurse I am, and how soon you will become strong and well under my care, strong enough to paint many more pictures, each one better than the last. Now will you promise?"

"Yes," he said, and he raised her hand reverently to his lips.

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Stories by English Authors: London Part 16 summary

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