The Giant's Robe Part 52

The fact was that Mark felt himself able now to face the whole world with equanimity; the knowledge that no one would ever detect him made him a consummate actor. He had long made up his mind how he would greet Caffyn when they met again, and he was delighted to find himself so composed and equal to the occasion.

Caffyn stood looking after the carriage as it drove away with them; he had quite lost his bearings: the paper in Holroyd's hand, Mark's own behaviour in so many instances, Vincent's rapid pursuit, had all seemed to point so clearly to one conclusion--yet what was he to think now? He began for the first time to distrust his own penetration; he very much feared that his elaborate scheme of revenge was a failure, that he must choose some other means of humbling Mabel, and must begin all over again, which was a distressing thought to a young man in his situation. He was glad now that he had never talked of his suspicions, and had done nothing openly compromising. He would not give up even yet, until he had seen Holroyd, and been able to pump him judiciously; until then he must bear the dismal suspicion that he had overreached himself.

One of his shafts at least had not fallen altogether wide, for as Mark and Mabel were being driven home across the Park, she said suddenly: 'So _Harold_ knew that Vincent was alive, then?'

'Yes,' said Mark, '_he_ knew,' and he looked out of the window at the sunset as he spoke.

'And you and Harold kept him from hearing of our wedding?' she said.

'Mark, I thought you said that you had told him?'

'Oh, no,' said Mark; 'you misunderstood--there--there were reasons.'

'Tell me them,' said Mabel.

'Well,' said Mark, 'Vincent was ill--anyone could see that what he wanted was rest, and that the fatigue and--and--the excitement of a wedding would be too much for him--Caffyn wanted a companion up at Wast.w.a.ter, and begged me to say nothing about our marriage just then, and leave it to him to tell him quietly later on--that's all, darling.'

'I don't like it, dear,' said Mabel; 'I don't like your joining Harold in a thing like that. I know you did it all for the best, but I don't see why you could not have told him; if he was not well enough to come to the wedding we should have understood it!'

'Perhaps you're right,' said Mark, easily, 'but, at all events, no harm has come of it to anybody. How they are thinning the trees along here, aren't they? Just look down that avenue!'

And Mabel let him turn the conversation from a subject she was glad enough to forget.

CHAPTER x.x.xVI.

LITTLE RIFTS.

One bright morning in May, not long after the return from the Continent, Mabel was sitting in her own room at the back of the small house which had been taken on Campden Hill; she was writing at a table by the raised window, when the door opened suddenly, and Mark burst in, in a state of suppressed but very evident excitement. 'I have brought you something!' he said, and threw down three peac.o.c.k-blue volumes upon her open blotting-case; the t.i.tle, 'Sweet Bells Jangled,'

ran in sprawling silver letters from corner to corner of the covers, through a medley of cracked bells and withered hyacinths in dull gold; the general effect being more bold than pleasing. Mabel was just about to exclaim sympathetically, 'What a frightful binding they've given you, dear;' when Mark informed her, with some complacency, that it was his own design. 'Nowadays, you see,' he explained, 'you want something to catch the eye, or you won't be read!' Inwardly Mabel could not help wondering that he could condescend to such a device, or think it necessary in his own case. 'Look at the fly-leaf,' he said, and she opened the first volume, and read the printed dedication, '_To My Wife._' 'I thought that must bring me luck,' he said; 'and now, darling, do you know what you are going to do? You are going to put away all those confounded letters and sit down here, and read the opening chapters carefully, and tell me what you think of them.' For till then he had made continual excuses for not showing her any portion of his new work, either in ma.n.u.script or proof, from mixed motives of vanity and diffidence.

Mabel laughed with affectionate pride at his anxiety: 'This is what comes of marrying a great author!' she said; 'go away and let me begin at once, and tell you at lunch how I enjoyed it.'

'No,' said Mark despotically, 'I'm going to stay here--or you might try to skip.'

'But I can't allow that,' she protested; 'suppose I find I'm obliged to skip--suppose it's a terrible disappointment? No, you ridiculous Mark, I didn't mean it--stay if you like, I'm not afraid of being disappointed--though I really would enjoy it best in solitude!'

Mark insisted; he felt that at last he was about to be reinstated in his own opinion, he could wait no longer for the a.s.surance of triumph; when he saw with his own eyes the effect of his genius upon Mabel, when he read the startled delight and growing admiration in her face, then at last he would know that he was not actually an impostor!

There are many methods of self-torture, but perhaps few more ingenious and protracted than submitting the result of one's brain-work to a person whose good opinion we covet, and watching the effect. Mark imposed it on himself, nevertheless, chiefly because in his heart he had very little fear of the result. He took a rocking-chair and sat down opposite Mabel, trying to read the paper; by-and-by, as she read on in silence, his heart began to beat and he rocked himself nervously, while his eyes kept wandering from the columns to the pretty hands supporting the volume which hid Mabel's face. Hands reveal many things, and Mabel's could be expressive enough at times--but they told him nothing then; he watched them turn a leaf from time to time, they always did so deliberately, almost caressingly, he thought, but with no eagerness--although the opening was full of incident. He calculated that she must be at a place where there was a brilliant piece of humorous description; she had a fair share of humour--why didn't she laugh?

'Have you got to that first appearance of the Curate on the tennis-ground?' he asked at last.

She laid down the volume for an instant, and he saw her eyes--they were calm and critical. 'Past that! I am beginning Chapter Three,' she said.

The second chapter had contained some of his most sparkling and rollicking writing--and it had not even moved her to smile! He consoled himself with the reflection that the robuster humour never does appeal to women. He had begun his third chapter with a ludicrous anecdote which, though it bordered on the profane, he had considered too good to be lost, but now he had misgivings.

'I'm afraid,' he ventured dubiously, 'you won't quite like that bit about the bishop, darling?'

'I'm afraid I don't quite,' she replied from behind the book. The story had no real harm in it, even in Mabel's eyes; the only pity was that in any part of 'Illusion' it would have been an obvious blot--and that it did not seem out of keeping in the pages she was reading now.

She had sat down to read with such high hopes, so sure an antic.i.p.ation of real enjoyment, that it was hard to find that the spell was broken; she tried to believe that she read on because she was interested--her real reason was a dread of some pause, when she would be asked to give her opinion. What should she say?

Perhaps it should be explained at once that the book was not a foolish one; Mark, whatever else he was, could scarcely be called a fool, and had a certain share of the literary faculty; it was full of smart and florid pa.s.sages that had evidently been industriously polished, and had something of the perishable brilliancy of varnish. There is a kind of vulgarity of mind so subtle as to resist every test but ink, and the cheap and flashy element in Mark's nature had formed a deposit, slight, perhaps, but perceptible in more than one page of 'Sweet Bells Jangled.' Mabel felt her heart grow heavier as she read. Why had he chosen to deliberately lower his level like this? Where were the strong and masterly touch, the tenderness and the dignity of his first book? That had faults, too, even faults of taste--but here the faults had almost overgrown the taste! Surely if she read on, she would find the style attain the old distinction, and the tone grow n.o.ble and tender once again--but she read on, and the style was always the same, and the tone, if anything, rather worse!

Mark had long since moved to a spot where he could command her face; her fine eyebrows were slightly drawn, her long lashes lowered, and her mouth compressed as if with pain--somehow the sight did not encourage him. She was becoming conscious that her expression was being closely watched, which seldom adds a charm to reading, and at last she could persevere no longer, and shut the book with a faint sigh.

'Well,' said Mark, desperately; he felt as if his fate hung on her answer.

'I--I--have read so little yet,' she said; 'let me tell you what I think at the end!'

'Tell me what you think of it so far,' said Mark.

'_Must_ I?' she said, almost imploringly.

'Yes,' said Mark, with a grating attempt at a laugh; 'put me out of my misery!'

She loved him too well to make some flattering or evasive reply--she was jealous for his reputation, and could not see him peril it without a protest. 'Oh, Mark,' she cried, locking her hands and pressing them tight together, 'you must feel yourself--it is not your best--you have done such great work--you will again, I know, dear--but this, it is not worthy of you--it is not worthy of "Illusion"!'

He knew too well that it was his best, that it was not in him to do better; if the world's verdict agreed with hers, he was a failure indeed. He had been persuading himself that, after all, he was not a common impostor, that he had genius of his own which would be acknowledged far above his friend's talent; now all at once the conviction began to crumble.

He turned upon her with a white face and a look of anger and mortification in his eyes. 'The first is always the best, of course,'

he said bitterly; 'that is the regulation verdict. If "Sweet Bells"

had come first, and "Illusion" second, you would have seen this sad falling off in the _second_ book. I did not think _you_ would be the first to take up that silly old cry, Mabel--I thought I could always come to my wife for encouragement and appreciation; it seems I was mistaken!'

Mabel bit her lip, and her eyes were dazzled for a moment: 'You asked me what I thought,' she said in a low voice; 'do you think it was pleasant to tell you? When you ask me again, I shall know better how you expect to be answered!'

He felt all at once what he had done, and hastened to show his penitence; she forgave, and did not let him see how deeply she had been wounded--only from that day some of the poetry of her life had turned to prose. Of 'Sweet Bells Jangled' she never spoke again, and he did not know whether she ever read it to the end or not.

They had finished breakfast one Sat.u.r.day morning, and Mark was leisurely cutting the weekly reviews, when he suddenly sheltered himself behind the paper he had been skimming--'Sweet Bells' was honoured with a long notice. His head swam as he took in the effect with some effort. The critic was not one of those fallen angels of literature who rejoice over an unexpected recruit; he wrote with a kindly recollection of 'Illusion,' and his condemnation was sincerely reluctant; still, it was unmixed condemnation, and ended with an exhortation to the author to return to the 'higher and more artistic aims' of his first work. Mark's hand shook till the paper rustled when he came to that; he was so long silent that Mabel looked up from reading her letters, and asked if the new book was reviewed yet.

'Reviewed yet!' said Mark from behind the article; 'why, it hasn't been out a fortnight.'

'I know,' said Mabel, 'but I thought perhaps that, after "Illusion"----'

'Every book has to wait its turn!' said Mark, as he saved himself with all the reviews, and locked himself in the little study where he sketched out the stories to which he had not as yet found appropriate endings.

There was another notice amongst the reviews, but in that the critic was relentless in pointing out that the whilom idol had feet of clay--and enormous ones; after a very severe elaboration of the faults, the critic concluded: 'It almost seems as though the author, weary of the laudation which accompanied the considerable (if, in some degree, accidental) success of his first book, had taken this very effectual method of rebuking the enthusiasm. However this may be, one more such grotesque and ill-considered production as that under review, and we can promise him an instant cessation of all the inconveniences of popularity.'

Mark crumpled up the paper and pitched it to the other end of the room in a fury--it was a conspiracy, they were writing him down--oh, the malice and cowardice of it! He destroyed both reviews lest Mabel should see her opinion confirmed, and her faith in him should be shaken.

However, sundry copies of the reviews in question were forwarded to him by good-natured people who thought it might amuse him to see them, and one was even sent to Mabel with red chalk crosses in thoughtful indication of the more unpleasant pa.s.sages; she saw the date, and remembered it as the day on which Mark had fenced himself in at breakfast. She came in with the paper as he sat in his study, and putting one hand on his shoulder, bent over him with a loving reproach in her eyes: 'Someone has just sent me this,' she said; 'you have seen it I know. Why didn't you trust me, dear? Why have you let this come from others? Never try to hide things from me again, Mark--not even for my good! and--and after this let us share everything--sorrow and all--together!' She kissed him once on the forehead, and left him there to his own thoughts.

Why, thought Mabel, was he not strong enough to disregard criticism if he was satisfied with his own work, as he evidently was? She hated to think of his having tried to keep their notices from her in that weak, almost underhand, way; she knew that the motive was not consideration for her feelings, and had to admit sadly that her hero was painfully human after all.

Still 'Illusion' had revealed a nature the n.o.bility of which no weaknesses could obscure, and if his daily life did not quite bear out such indications, he was Mark Ashburn, and she loved him. Nothing could alter that.