Fear And Loating In Las Vegas Part 3

Suddenly people were screaming at us. We were in trouble. Two thugs wearing red - gold military overcoats were looming over the hood: "What the h.e.l.l are you doing?" one screamed. "You can't park here! here!'

"Why not?" I said. It seemed like a reasonable place to park, plenty of s.p.a.ce. I'd been looking for a parking spot for what seemed like a very long time. Too long. I was about ready to abandon the car and call a taxi . . . but then, yes, we found this s.p.a.ce.

Which turned out to be the sidewalk in front of the main entrance to the Desert Inn. I had run over so many curbs by this time, that I hadn't even noticed this last one. But now we ourselves in a position that was hard to explain . . . the entrance, thugs yelling at us, bad confusion . . . . attorney was out of the car in a flash, waving a five - dollar bill.

"We want this car parked! I'm an old friend of Debbie's. I used to romp romp with her." with her."

For a moment I thought he had blown it . . . then one of the doormen reached out for the bill, saying: "OK, OK. I'll take care of it, sir." And he tore off a parking stub.

"Holy s.h.i.+t!" I said, as we hurried through the lobby.

"They almost had us there. That was quick thinking."

"What do you expect?" he said. "I'm your attorney . . . and you owe me five bucks. I want it now."

I shrugged and gave him a bill. This garish, deep - orlon carpeted lobby of the Desert Inn seemed an inappropriate place to be haggling about nickel/dime bribes for the parking lot attendant. This was Bob Hope's turf. Frank Sinatra's. Spiro Agnew's. The lobby fairly reeked of high - grade formica and plastic palm trees - it was clearly a high - cla.s.s refuge for Big Spenders.

We approached the grand ballroom full of confidence, but they refused to let us in. We were too late, said a man in a wine - colored tuxedo; the house was already full - no seats left, at any price.

"f.u.c.k seats," said my attorney. "We're old friends of Debbie's. We drove all the way from L.A. for this show, and we're G.o.dd.a.m.n well going in."

The tux - man began jabbering about "fire regulations," but my attorney refused to listen. Finally, after a lot of bad noise, he let us in for nothing - provided we would stand quietly in back and not smoke.

We promised, but the moment we got inside we lost control. The tension had been too great. Debbie Reynolds was yukking across the stage in a silver Afro wig . . . to the tune of "Sergeant Pepper," from the golden trumpet of Harry James.

"Jesus creeping s.h.i.+t!" said my attorney. "We've wandered into a time capsule!"

Heavy hands grabbed our shoulders. I jammed the hash pipe back into my pocket just in time. We were dragged across the lobby and held against the front door by goons until our car was fetched up. "OK, get lost," said the wine - tux - man. "We're giving you a break. If Debbie has friendsIke you guys, she's in worse trouble than I thought."

"We'll see about this!" my attorney shouted as we drove away. "You paranoid sc.u.m!"

I drove around to the Circus - Circus Casino and parked near the back door. "This is the place," I said. "They'll never f.u.c.k with us here."

"Where's the ether?" said my attorney. "This mescaline isn't working."

I gave him the key to the trunk while I lit up the hash pipe. He came back with the ether - bottle, un - capped it, then poured some into a kleenex and mashed it under his nose, breathing heavily. I soaked another kleenex and fouled my own nose. The smell was overwhelming, even with the top down. Soon we were staggering up the stairs towards the entrance, laughing stupidly and dragging each other along, like drunks.

This is the main advantage of ether: it makes you behave like the village drunkard in some early Irish novel . . . total loss of all basic motor skills: blurred vision, no balance, numb tongue - severance of all connection between the body and the brain. Which is interesting, because the brain continues to function more or less normally . . . you can actually watch yourself behaving in this terrible way, but you can't controlit.

You approach the turnstiles leading into the Circus - Circus and you know that when you get there, you have to give the man two dollars or he won't let you inside . . . but when you get there, everything goes wrong: you misjudge the distance to the turnstile and slam against it, bounce off and grab hold of an old woman to keep from falling, some angry Rotarian shoves you and you think: What's happening here? What's going on? Then you hear yourself mumbling: "Dogs f.u.c.ked the Pope, no fault of mine. Watch out! . . . Why money? My name is Brinks; I was born . . . born? Get sheep over side . . . women and children to armored car . . . orders from Captain Zeep."

Ah, devil ether - a total body drug. The mind recoils in horror, unable to communicate with the spinal column. The hands flap crazily, unable to get money out of the pocket . . . garbled laughter and hissing from the mouth . . . always smiling.

Ether is the perfect drug for Las Vegas. In this town they love a drunk. Fresh meat. So they put us through the turnstiles and turned us loose inside.

The Circus - Circus is what the whole hep world would be doing on Sat.u.r.day night if the n.a.z.is had won the war. This is the Sixth Reich. The ground floor is full of gambling tables, like all the other casinos . . . but the place is about four stories high, in the style of a circus tent, and all manner of strange County - Fair/Polish Carnival madness is going on up in this s.p.a.ce. Right above the gambling tables the Forty Flying Carazito Brothers are doing a high - wire trapeze act, along with four muzzled Wolverines and the Six Nymphet Sisters from San Diego . . . so you're down on the main floor playing blackjack, and the stakes are getting high when suddenly you chance to look up, and there, right smack above your head is a half - naked fourteen - year - old girl being chased through the air by a snarling wolverine, which is suddenly locked in a death battle with two silver - painted Polacks who come swinging down from opposite balconies and meet in mid - air on the wolverine's neck . . . both Polacks seize the animal as they fall straight down towards the c.r.a.p tables - but they bounce off the net; they separate and spring back up towards the roof in three different directions, and just as they're about to fall again they are grabbed out of the air by three Korean Kittens and trapezed off to one of the balconies.

This madness goes on and on, but n.o.body seems to notice. The gambling action runs twenty - four hours a day on the main floor, and the circus never ends. Meanwhile, on all the upstairs balconies, the customers are being hustled by every conceivable kind of bizarre shuck. All kinds of funhouse - typeShoot the pasties off the nipples of a ten - foot bulle and win a cotton - candy goat. Stand in front of this fantastic machine, my friend, and for just 99$ your likeness will appear, two hundred feet tall, on a screen above downtown Las Vegas. Ninety - nine cents more for a voice message. "Say whatever you want, fella. They'll hear you, don't worry about that. Remember you'll be two hundred feet tall."

Jesus Christ. I could see myself lying in bed in the Mint Hotel, half - asleep and staring idly out the window, when suddenly a vicious n.a.z.i drunkard appears two hundred feet tall in the midnight sky, screaming gibberish at the world: "Woodstock Uber Alles!"

We will close the drapes tonight. A thing like that could send a drug person careening around the room like a pingpong ball. Hallucinations are bad enough. But after a while you learn to cope with things like seeing your dead grandmother crawling up your leg with a knife in her teeth. Most acid fanciers can handle this sort of thing.But n.o.body can handle that other trip - the possibility that any freak with $1.98 can walk into the Circus - Circus and suddenly appear in the sky over downtown Las Vegas twelve times the size of G.o.d, howling anything that comes into his head. No, this is not a good town for psychedelic drugs. Reality itself is too twisted.

Good mescaline comes on slow. The first hour is all waiting, then about halfway through the second hour you start cursing the creep who burned you, because nothing is happeningand then ZANG! Fiendish intensity, strange glow and vibrations . . . a very heavy gig in a place like the Circus - Circiii.

"I hate to say this," said my attorney as we sat down at the Merry - Go - Round Bar on the second balcony, "but this place is getting to me. I think I'm getting the Fear."

"Nonsense," I said. "We came out here to find the American Dream, and now that we're right in the vortex you want to quit." I grabbed his bicep and squeezed. "You must realize,"I said, "that we've found the main nerve."

"I know," he said. "That's what gives me the Fear."

The ether was wearing off, the acid was long gone, but the mescaline was running strong. We were sitting at a small round gold formica table, moving in orbit around the bartender.

"Look over there," I said. "Two women f.u.c.king a polar bear."

"Please," he said. "Don't tcll me those things. Not now." He signaled the waitress for two more Wild Turkeys.

"This is my last drink," he said. "How much money can you lend me?"

"Not much," I said. "Why?"

"I have to go," he said.

"Go?"

"Yes. Leave the country. Tonight."

"Calm down," I said. "You'll be straight in a few hours."

"No," he said. "This is serious.

"George Metesky was serious," I said. "And you see what they did to him."

"Don't f.u.c.k around!" he shouted. "One more hour in this town and I'll kill somebody!"

I could see he was on the edge. That fearful intensity that comes at the peak of a mescaline seizure. "OK," I said. "I'll lend you some money. Let's go outside and see how much we have left."

"Can we make it?" he said.

"Well . . . that depends on how many people we f.u.c.k with between here and the door. You want to leave quietly?"

"I want to leave fast," he said.

"OK. Let's pay this bill and get up very slowly. We're both out of our heads. This is going to be a long walk." I shouted at the waitress for a bill. She came over, looking bored, and my attorney stood up.

"Do they pay you to screw that bear?" he asked her.

"What?"

"He's just kidding," I said, stepping between them.

"Come on, Doc - let's go downstairs and gamble." I got him as far as the edge of the bar, the rim of the merry - go - round, but he refused to get off until it stopped turning.

"It won't stop," I said. "It's not never going to stop." I stepped off and turned around to wait for him, but he wouldn't move . . . and before I could reach out and pull him off, he was carried away. "Don't move," I shouted.

"You'll come around!" His eyes were staring blindly ahead, squinting with fear and confusion. But he didn't move a muscle until he'd made the whole circle.

I waited until he was almost in front of me, then I reached out to grab him - but he jumped back and went around the circle again. This made me very nervous. I felt on the verge of a freakout. The bartender seemed to be watching us.Carson City, I thought. Twenty years.

I stepped on the merry - go - round and hurried around the bar, approaching my attorney on his blind side - and when we came to the right spot I pushed him off. He staggered into the aisle and uttered a h.e.l.lish scream as he lost his balance and went down, thras.h.i.+ng into the crowd . . . rolling like a log, then up again in a flash, fists clenched, looking for somebody to hit.

I approached him with my hands in the air, trying to smile.

"You fell," I said. "Let's go."

By this time people were watching us. But the fool wouldn't move, and I knew what would happen if I grabbed him. "OK," I said. "You stay here and go to jail. I'm leaving." I started walking fast towards the stairs, ignoring him.

This moved him.

"Did you see that?" he said as he caught up with me.

"Some sonofab.i.t.c.h kicked me in the back!"

"Probably the bartender," I said. "He wanted to stomp you for what you said to the waitress."

"Good G.o.d! Let's get out of here. Where's the elevator?"

"Don't go near that elevator," I said. "That's just what they want us to do . . . trap us in a steel box and take us down to the bas.e.m.e.nt." I looked over my shoulder, but n.o.body was following.

"Don't run," I said. "They'd like an excuse to shoot us." He nodded, seeming to understand. We walked fast along the big indoor midway - shooting galleries, tattoo parlors, money - changers and cotton - candy booths - then out through a bank of gla.s.s doors and across the gra.s.s downhill to a parking lot where the Red Shark waited.

'You drive," he said. "I think there's something wrong with me."

7. Paranoid Terror . . . and the Aweful Specter of Sodomy . . . A Flas.h.i.+ng of Knives and Green Water

When we got to the Mint I parked on the street in front of the casino, around a corner from the parking lot. No point risking a scene in the lobby, I thought. Neither one of us could pa.s.s for drunk. We were both hyper - tense. Extremely menacing vibrations all around us. We hurried through the casino and up the rear escalator.

We made it to the room without meeting anybody - but the key wouldn't open the door. My attorney was struggling desperately with it. "Those b.a.s.t.a.r.ds have changed the lock on us," he groaned. "They probably searched the room. Jesus, we're finished."

Suddenly the door swung open. We hesitated, then hurried inside. No sign of trouble. "Bolt everything," said my attorney. "Use all chains." He was staring at two Mint Hotel Room keys in his hand. "Where did this one come from?" he said, holding up a key with number 1221 on it.

"That's Lacerda's room," I said.

He smiled. "Yeah, that's right. I thought we might need it."

"What for?"

"Let's go up there and blast him out of bed with the fire he said.

"No," I said. "We should leave the poor b.a.s.t.a.r.d alone, I get the feeling he's avoiding us for some reason."

"Don't kid yourself," he said. "That Portuguese son of b.i.t.c.h is dangerous. He's watching us like a hawk." He squinted at me. "Have you made a deal with him?"

"I talked with him on the phone," I said, "while you were out getting the car washed. He said he was turning in early, so he can get out there to the starting line at dawn."

My attorney was not listening. He utt.ered an anguished cry and smacked the wall with both hands. "That dirty b.a.s.t.a.r.d!" he shouted. "I knew it! He got hold of my woman!"

I laughed. "That little blonde groupie with the film crew? You think he sodomized her?"

"That's right - laugh about it!" he yelled. "You G.o.dd.a.m.n honkies are all the same." By this time he'd opened a new bottle of tequila and was quaffing it down.

Then he grabbed a grapefruit and sliced it in half with a Gerber Mini - Magnum - a stainless - steel hunting knife with a blade like a fresh - honed straight razor.

"Where'd you get that knife?" I asked.

"Room service sent it up," he said. "I wanted something to cut the limes.

"What limes?"

"They didn't have any," he said. "They don't grow out here in the desert." He sliced the grapefruit into quarters then into eighths . . . then sixteenths . . . then he began aimlessly at the residue. "That dirty toad b.a.s.t.a.r.d," he moaned. "I knew I should have taken him out when I had the chance. Now he has has her." her."

I remembered the girl. We'd had a problem with her on the elevator a few hours earlier: my attorney had made a fool of himself.

"You must be a rider," she'd said. "What cla.s.s are you in?"

"Cla.s.s?" he snapped. "What the f.u.c.k do you mean?"

"What do you ride ride?" she asked with a quick smile.

"We're filming the race for a TV series - maybe we can use you."