A Spirit in Prison Part 55

"So are you, Madre! But you try to hide it from me."

Hermione was startled. She took Vere's hand, and held it for a moment in silence, pressing it with a force that was nervous. And her luminous, expressive eyes, immensely sensitive, beautiful in their sensitiveness, showed that she was moved. At last she said:

"Perhaps that is true. Yes, I suppose it is."

"Why do you try to hide it?"

"I suppose--I think because--because it has brought to me a great deal of pain. And what we hide from others we sometimes seem almost to be destroying by that very act, though of course we are not."

"No. But I think I should like to encourage my imagination."

"Do you encourage it?" the mother asked, looking at her closely.

Again, as Vere had been on the edge of telling her mother all she knew about Peppina, she was on the edge of telling her about the poems of the sea. And again, moved by some sudden, obstinate reluctance, come she knew not why, she withheld the words that were almost on her lips.

And each time the mother was aware of something avoided, of an impulse stifled, and therefore of a secret deliberately kept. The first time Hermione had not allowed her knowledge to appear. But on this second occasion for a moment she lost control of herself, and when, after a perceptible pause, Vere said, "I know I love it," and was silent, she exclaimed:

"Keep your secrets, Vere. Every one has a right to their freedom."

"But, Madre--" Vere began, startled by her mother's abrupt vehemence.

"No, Vere, no! My child, my dearest one, never tell me anything but of your own accord, out of your own heart and desire. Such a confidence is beautiful. But anything else--anything else, I could not bear from you."

And she got up and left the room, walking with a strange slowness, as if she put upon herself an embargo not to hasten.

The words and--specially that--the way in which they were spoken made Vere suddenly and completely aware of something that perhaps she had already latently known--that the relation between her mother and herself had, of late, not been quite what once it was. At moments she had felt almost shy of her mother, only at moments. Formerly she had always told her mother everything, and had spoken--as her mother had just said--out of her own heart and desire, with eagerness, inevitably. Now--well, now she could not always do that. Was it because she was growing older?

Children are immensely frank. She had been a child. But now--she thought of the Marchesino, of Peppina, of her conversation with Monsieur Emile in the Grotto of Virgilio, and realized the blooming of her girlhood, was aware that she was changing. And she felt half frightened, then eager, ardently eager. An impulse filled her, the impulse towards a fulness of life that, till now, she had not known. And for a moment she loved those little, innocent secrets that she kept.

But then she thought again of her mother, the most beloved of all her world. There had been in her mother's voice a sound of tragedy.

Vere stood for a long while by the window thinking.

The day was very hot. She longed to bathe, to wash away certain perplexities that troubled her in the sea. But Gaspare was not on the island. He had gone she knew not where. She looked at the sea with longing. When would Gaspare be back? Well, at least she could go out in the small boat. Then she would be near to the water. She ran down the steps and embarked. At first she only rowed a little way out into the Saint's Pool, and then leaned back against the white cus.h.i.+ons, and looked up at the blue sky, and let her hand trail in the water. But she was restless to-day. The Pool did not suffice her, and she began to paddle out along the coast towards Naples. She pa.s.sed a ruined, windowless house named by the fisherfolk "The Palace of the Spirits,"

and then a tiny hamlet climbing up from a minute harbor to an antique church. Children called to her. A fisherman shouted: "Buon viaggio, Signorina!" She waved her hand to them apathetically and rowed slowly on. Now she had a bourne. A little farther on there was a small inlet of the sea containing two caves, not gloomy and imposing like the Grotto of Virgilio, but cosy, shady, and serene. Into the first of them she ran the boat until its prow touched the sandy bottom. Then she lay down at full length, with her hands behind her head on the cus.h.i.+ons, and thought--and thought.

Figures pa.s.sed through her mind, a caravan of figures travelling as all are travelling: her mother, Gaspare, Giulia, with her plump and swarthy face; Monsieur Emile, to whom she had drawn so pleasantly, interestingly near in these last days; the Marchesino (strutting from the hips and making his bold eyes round), Peppina, Ruffo. They went by and returned, gathered about her, separated, melted away as people do in our musings.

Her eyes were fixed on the low roof of the cave. The lilt of the water seemed to rock her soul in a cradle. "Madre--Ruffo! Madre--Ruffo!"

The words were in her mind like a refrain. And then the oddity, the promiscuity of life struck her. How many differences there were in this small group of people by whom she was surrounded! What would their fates be, and hers? Would her life be happy? She did not feel afraid. Youth ran in her veins. But--would it be? She saw the red cross on Peppina's cheek. Why was one singled out for misery, another for joy? Which would be her fate? Ruffo seemed to be standing near her. She had seen him several times in these last days, but only at evening, fugitively, when he came in the boat with the fishermen. He was stronger now. He had saluted her eagerly. She had spoken to him from the sh.o.r.e. But he had not landed again on the island. She felt as if she saw his bright and beaming eyes. And Ruffo--would he be happy? She hoped so. She wanted him to be happy. He was such a dear, active boy--such a real boy. What must it be like to have a brother? Gaspare approved of Ruffo now, she thought; and Gaspare did not like everybody, and was fearfully blunt in expressing his opinion. She loved his bluntness. How delightfully his nose twitched when he was pleased! Dear old Gaspare! She could never feel afraid of anything or anybody when he was near. Monsieur Emile--the poems--the Marchesino singing. She closed her eyes to think the better.

"Signorina! Signorina!"

Vere woke and sat up.

"Signorina!"

Gaspare was looking at her from his boat.

"Gaspare!"

She began to realize things.

"I was--I was thinking."

"Si, Signorina. I always think like that when I am in bed."

She laughed. She was wide awake now.

"How did you find me?"

"I met one of the fishermen. He had seen you row into the cave."

"Oh!"

She looked at him more steadily. His brown face was hot. Perspiration stood on his forehead just under the thick and waving hair.

"Where have you been, Gaspare? Not to Naples in all this heat?"

"I have been to Mergellina, Signorina."

"Mergellina! Did you see Ruffo?"

"Si, Signorina."

There was something very odd about Gaspare to-day, Vere thought. Or was she still not thoroughly awake? His eyes looked excited, surely, as if something unusual had been happening. And they were fixed upon her face with a scrutiny that was strange, almost as if he saw her now for the first time.

"What is it, Gaspare? Why do you look at me like that?"

Gaspare turned his eyes away.

"Like what, Signorina? Why should I not look at you?"

"What have you been doing at Mergellina?"

She spoke rather imperiously.

"Nothing particular, Signorina."

"Oh!"

She paused, but he did not speak.

"Where did you see Ruffo?"

"At the harbor, Signorina."

"Tell me, Gaspare, do you like him?"

"Ruffo?"