Life and Remains of John Clare Part 2

"Mr. Taylor had seen Clare, for the first time, in the morning; and he doubted much if our invitation would be accepted by the rustic poet, who had now just returned from his daily labour, shy, and reserved, and disarrayed as he was. In a few minutes, however, Clare announced his arrival by a hesitating knock at the door--'between a single and a double rap'--and immediately upon his introduction he dropped into a chair. Nothing could exceed the meekness, simplicity, and diffidence with which he answered the various enquiries concerning his life and habits, which we mingled with subjects calculated or designed to put him much at his ease. Of music he expressed himself pa.s.sionately fond, and had learnt to play a little on the violin, in the humble hope of obtaining a trifle at the annual feasts in the neighbourhood, and at Christmas. The tear stole silently down the cheek of the rustic poet as one of our little party sang 'Auld Robin Gray.'"

Mr. Martin gives a somewhat different account of this interview. He states that the poet took decidedly too much wine, and that while under its influence he wrote some doggerel verses which Mr. Gilchrist had the cruelty to print in the article intended formally to introduce Clare to the notice of the English public. Mr. Gilchrist was an accomplished and warm-hearted man, and it was by his desire that Hilton, the Royal Academical, painted Clare's portrait for exhibition in London, but he presumed too much upon his social superiority, and his judgment was at fault in supposing that the poet was all meekness and diffidence. On one occasion he took him sharply to task for a.s.sociating with a Nonconformist minister, and Clare warmly resented this interference and for a time absented himself from Mr. Gilchrist's house. A conciliation, however, soon took place, and the poet and the learned grocer of Stamford were fast friends until the death of the latter in 1823.

"HEARKEN UNTO A VERSER"

Clare's first volume was brought out by Taylor and Hessey in January, 1820. It was ent.i.tled "Poems Descriptive of Rural Life and Scenery,"

and contained an introduction from the pen of Mr. Taylor. In this preface the peculiarities of Clare's genius were described with force and propriety, his perseverance in the face of great discouragements was commended, and the sympathy and support of the public were invited in the following pa.s.sage:--

"No poet of our country has shown greater ability under circ.u.mstances so hostile to its development. And all this is found here without any of those distressing and revolting alloys which too often debase the native worth of genius, and make him who was gifted with powers to command admiration live to be the object of contempt or pity. The lower the condition of its possessor the more unfavourable, generally, has been the effect of genius on his life. That this has not been the case with Clare may, perhaps, be imputed to the absolute depression of his fortune. When we hear the consciousness of possessing talent, and the natural irritability of the poetic temperament, pleaded in extenuation of the follies and vices of men in high life, let it be accounted no mean praise to such a man as Clare that with all the excitements of their sensibility to his station he has preserved a fair character amid dangers which presumption did not create and difficulties which discretion could not avoid. In the real troubles of life, when they are not brought on by the misconduct of the individual, a strong mind acquires the power of righting itself after each attack, and this philosophy, not to call it by a better name, Clare possesses. If the expectations of a 'better life,' which he cannot help indulging, should all be disappointed by the coldness with which this volume may be received, he can 'put up with distress, and be content.' In one of his letters he says, 'If my hopes don't succeed the hazard is not of much consequence: if I fall, I am advanced at no great distance from my low condition: if I sink for want of friends my old friend Necessity is ready to help me as before. It was never my fortune as yet to meet advancement from friends.h.i.+p: my fate has ever been hard labour among the most vulgar and lowest conditions of men, and very small is the pittance hard labour allows me, though I always toiled even beyond my strength to obtain it.' To see a man of talent struggling under great adversity with such a spirit must surely excite in every generous heart the wish to befriend him. But if it be otherwise, and he should be doomed to remediless misery,

Why, let the stricken deer go weep, The hart ungalled play, For some must watch, while some sleep,-- Thus runs the world away."

Towards the end of January 1820, the Rev Mr. Holland of Northborough, the minister already referred to, called upon Clare with the joyful news that his poems had been published, and that the volume was a great success. Next day a messenger arrived from Stamford with an invitation to the poet to meet Mr. Drury and Mr. Gilchrist. They confirmed the favourable report made by Mr. Holland, and at length Clare had an opportunity of seeing the book which had caused him so many anxious days and sleepless nights. He made no attempt to conceal the honest pride he felt on receiving the congratulations of his friends, and acknowledged his obligation to Mr. Taylor for the editorial pains he had taken to prepare his ma.n.u.scripts for the press, but he was deeply mortified at the tone of the "Introduction"

in which Mr. Taylor dwelt, perhaps unconsciously, on Clare's poverty as const.i.tuting his chief claim to public notice.

The success of the "Poems" could scarcely be overstated. The eager curiosity of the public led to the first edition being exhausted in a few days, and a second was promptly announced. "The Gentleman's Magazine," the "New Monthly Magazine," the "Eclectic Review," the "Anti-Jacobin Review," the "London Magazine," and many other periodicals, welcomed the new poet with generous laudation. Following these came the "Quarterly Review," then under the editors.h.i.+p of the trenchant Gifford. To the astonishment of the reading public, the "Quarterly," which about this time "killed poor Keats," admitted a genial article on the rustic bard, and gave him the following excellent advice:--

"We counsel, we entreat him to continue something of his present occupations, to attach himself to a few in the sincerity of whose friends.h.i.+p he can confide, and to suffer no temptations of the idle and the dissolute to seduce him from the quiet scenes of his youth (scenes so congenial to his taste) to the hollow and heartless society of cities, to the haunts of men who would court and flatter him while his name was new, and who, when they had contributed to distract his attention and impair his health, would cast him off unceremoniously to seek some other novelty. Of his again encountering the difficulties and privations he lately experienced there is no danger. Report speaks of honourable and n.o.ble friends already secured: with the aid of these, the cultivation of his own excellent talents, and a meek but firm reliance on that good Power by whom these were bestowed, he may, without presumption, antic.i.p.ate a rich reward in the future for the evils endured in the morning of his life."

The estimate formed by the writer of the liberality of Clare's patrons was exaggerated, and instead of there being no danger of his ever again having to encounter difficulties and privations he was scarcely ever free from them until the crowning privation had placed him beyond their influence.

EXAMPLES

The "Poems Descriptive of Rural Life and Scenery" were about seventy in number, including twenty-one sonnets. The volume opened with an apostrophe to Helpstone, in the manner of Goldsmith, and among the longer pieces were "The Fate of Amy," "Address to Plenty in Winter,"

"Summer Morning," "Summer Evening," and "Crazy Nell." The minor pieces included the sonnet "To the Primrose," already quoted, "My love, thou art a Nosegay sweet," and "What is Life?", a reflective poem produced under circ.u.mstances with which the reader has been made acquainted. The compositions last named are inserted here as examples of Clare's style at this early period of his career:--

MY LOVE, THOU ART A NOSEGAY SWEET.

My love, thou art a nosegay sweet, My sweetest flower I'll prove thee, And pleased I pin thee to my breast, And dearly do I love thee.

And when, my nosegay, thou shalt fade, As sweet a flower thou'lt prove thee; And as thou witherest on my breast For beauty past I'll love thee.

And when, my nosegay, thou shalt die, And heaven's flower shalt prove thee, My hopes shall follow to the sky, And everlasting love thee.

WHAT IS LIFE?

And what is Life? An hour-gla.s.s on the run, A mist retreating from the morning sun, A busy, bustling, still repeated dream; Its length?--A minute's pause, a moment's thought; And happiness?--a bubble on the stream, That in the act of seizing shrinks to nought.

What are vain hopes?--The puffing gale of morn, That of its charms divests the dewy lawn, And robs each flow'ret of its gem,--and dies; A cobweb hiding disappointment's thorn, Which stings more keenly through the thin disguise.

And what is Death? Is still the cause unfound?

That dark, mysterious name of horrid sound?-- A long and lingering sleep, the weary crave.

And Peace? where can its happiness abound?

No where at all, save heaven, and the grave.

Then what is Life?--When stripp'd of its disguise, A thing to be desir'd it cannot be, Since everything that meets our foolish eyes Gives proof sufficient of its vanity.

'T is but a trial all must undergo, To teach unthankful mortals how to prize That happiness vain man's denied to know Until he's called to claim it in the skies.

The following lines in the "Address to Plenty" have always been admired for their Doric strength and simplicity, and the vivid realism of the scene which they depict:--

Toiling in the naked fields, Where no bush a shelter yields, Needy Labour dithering stands, Beats and blows his numbing hands, And upon the crumping snows Stamps, in vain, to warm his toes.

Leaves are fled, that once had power To resist a summer shower; And the wind so piercing blows, Winnowing small the drifting snows;

Clare used at first, without hesitation, the provincialisms of his native county, but afterwards, as his mind matured, he saw the propriety of adopting the suggestions which Charles Lamb and other friends made to him on this subject, and his style gradually became more polished, until in the "Rural Muse" scarcely any provincialisms were employed, and the glossary of the earlier volumes was therefore unnecessary.

The article in the "Quarterly" was, with the exception, perhaps, of the concluding paragraph just quoted, from the pen of Clare's friend and neighbour, Mr. Gilchrist, who wrote to Clare on the subject in the following jocular strain:--

"What's to be done now, Maester? Here's a letter from William Gifford saying I promised him an article on one John Clare, for the 'Quarterly Review.' Did I do any such thing? Moreover, he says he has promised Lord Radstock, and if I know him, as he thinks I do, I know that the Lord will persecute him to the end. This does not move me much. But he adds, 'Do not fail me, dear Gil, for I count upon you.

Tell your simple tale, and it may do the young bard good.' Think you so? Then it must be set about. But how to weave the old web anew--how to hoist the same rope again and again--how to continue the interest to a twice-told tale? Have you committed any arsons or murders that you have not yet revealed to me? If you have, out with 'em straight, that I may turn 'em to account before you are hanged; and as you will not come here to confess, I must hunt you up at Helpstone; so look to it, John Clare, for ere it be long, and before you expect me, I shall be about your eggs and bacon. I have had my critical cap on these two days, and the cat-o'-nine-tails in my hands, and soundly I'll flog you for your sundry sins, John Clare, John Clare!

Given under my hand the tenth of the fourth month, anno Domini 1820."

A LION AT LAST

Following close upon the complimentary criticisms in the princ.i.p.al monthlies, the condescension of the "Quarterly" completed the little triumph, and Clare's verses became the fas.h.i.+on of the hour. One of his poems was set to music by Mr. Henry Corri, and sung by Madame Vestris at Covent Garden. Complimentary letters, frequently in rhyme, flowed in upon him, presents of books were brought by nearly every coach, [2] and influential friends set about devising plans (of which more presently) to rescue him from poverty and enable him to devote at all events a portion of his time to the Muses. On the other hand, visitors from idle curiosity were far more numerous than was agreeable, and he was pestered with applications for autographs and poems for ladies' alb.u.ms, with patronage and advice from total strangers, with tracts from well-meaning clergymen, and with invitations to lionizing parties. One of these communications was in its way a unique production, and for the entertainment of the reader a portion of it is here introduced:--

"The darksome daughter of Chaos has now enveloped our hemisphere (which a short time since was enubilous of clouds) in the grossest blackness. The drowsy G.o.d reigns predominantly, and the obstreperous world is wrapped in profound silence. No sounds gliding through the ambient air salute my attentive auricles, save the frightful notes which at different intervals issue from that common marauder of nocturnal peace--the lonesome, ruin-dwelling owl. Wearied rustics, exhausted by the toils of the day, are enjoying a sweet and tranquil repose. No direful visions appal their happy souls, nor terrific ghosts of quondam hours stand arrayed before them. Every sense is lost in the oblivious stream. Even those who on the light, fantastic toe lately tripped through the tangled dance of mirth have sunk into the arms of Tired Nature's sweet restorer, balmy sleep. Meditation, avaunt! Respected (tho' unknown) Sir,--Out of the abundant store of your immutable condescension graciously deign to pardon the bold a.s.surance and presumptuous liberty of an animated ma.s.s of undistinguished dust, whose fragile composition is most miraculously composed of congenial atoms so promiscuously concentred as to personify in an abstracted degree the beauteous form of man, to convey by proxy to your brilliant opthalmic organs the sincere thanks of a mild, gentle, and grateful heart for the delightful amus.e.m.e.nt I have experienced and the instruction I have reaped by reading your excellent poems, in (several of) which you have exquisitely given dame nature her natural form, and delineated her in colours so admirable that on the perusal of them I was led to exclaim with extacy Clare everywhere excels in the descriptive. But your literary prowess is too circuitously authenticated to admit of any punctilious commendation from my debilitated pen, and under its umbrageous recess, serenely segregated, from the malapert and hypochondriachal vapours of myopic critics (as I am no acromatic philosopher) I trust every solecism contained in this autographical epistle will find a salvable retirement. Tho' no Solitaire, I am irreversibly resolved to be on this occasion heteroc.l.i.tical. I will not insult your good sense by lamenting the exigencies of the present times, as doubtless it always dictates to you to be (whilst travelling through the mazy labyrinth of joy and sorrow) humble in the lucent days of prosperity and omnific in the tenebricous moments of adversity."

Clare's claim to the t.i.tle of poet having been established, his n.o.ble neighbours at Milton and Burghley invited him to visit them. At Milton Park he was graciously received by Earl Fitzwilliam and Lord and Lady Milton, after he had dined with the servants. A long conversation on his health, means, expectations, and principles was held, and he was dismissed with a very handsome present--an earnest of greater favours to come.

The visit to the Marquis of Exeter was equally gratifying. His lords.h.i.+p made himself acquainted with the state of the poet's affairs, and having read a number of unpublished effusions which Clare had taken with him, told him that it was his intention to allow him an annuity of fifteen pounds for life. The delight of the poor bard may be imagined without difficulty, for now he doubted not he could reconcile Patty's parents to the long hoped-for marriage, and deliver his mistress from anxieties which had for some time made life almost intolerable. He dined in the servants' hall. About the same time Clare also visited by invitation General Birch Reynardson, of Holywell Park--a visit full of romance, as narrated by Mr. Martin, a beautiful young lady, governess to the General's children, having to all appearances fallen desperately in love with the poet at first sight. The only unromantic incident of the day was the customary dinner at the servants' table. Clare's biographer, with excusable warmth, says that his local patrons, however much they might differ on other subjects, held that the true place of a poet was among footmen and kitchen maids. But it should not be forgotten that the n.o.blemen named were life-long friends of Clare and his family, and it would be unjust to reflect upon their memory because the relations of "the hearty and generous Oxford," the Duke and d.u.c.h.ess of Queensbury, and Lord Bolingbroke with the polite and scholarly Prior, Gay, and Pope were not immediately established between the Marquis of Exeter or Earl Fitzwilliam and the gifted but unlettered rustic who had toiled in their fields.

Clare's proud spirit was almost always restive under the burden of patronage, especially if bestowed on account of his poverty, but we may feel sure that he did not expect to dine with these n.o.blemen, that no indignity was intended in sending him to the common hall, and that it did not occur to him that he ought to feel insulted. Clare was married to Martha Turner at Great Casterton Church on the 16th of March, 1820, and for a time Mrs. Clare remained at her father's house. She afterwards joined her husband at the house of his parents in Helpstone, his "own old home of homes," as he fondly called the lowly cottage in one of his most pathetic poems, and there they all remained, with the offspring of the marriage, until the removal to Northborough in 1832. Flushed with his recent good fortune, Clare distributed bride cake among his friends, and received from all hearty good wishes for his future happiness.

FIRST VISIT TO LONDON

Early in the same month, and before his marriage, Clare accepted the invitation of his publishers, Messrs. Taylor and Hessey, to pay them a visit in Town. He was accompanied by Mr. Gilchrist, and remained for a week, making his home at his publishers' house in Fleet Street.

With great difficulty Mr. Taylor persuaded him to meet a party of friends and admirers at dinner. It was impossible for him to overcome with one effort his natural shyness, but the cordial manner in which he was welcomed by Mr. Taylor's guests put him comparatively at his ease, for he was made to feel that the labourer was forgotten in the poet and that he was regarded as an equal. The host placed him at dinner next to Admiral Lord Radstock, an intimate friend of Mrs.

Emmerson, a lady whose name will frequently occur in the course of this memoir. His lords.h.i.+p had taken great interest in Clare from the first appearance of his poems, and had already made him several presents of books. By mingled tact and kindness he got from the poet an account of his life, his struggles, his hopes, his fears, and his prospects. Clare's share in the conversation made so deep an impression upon Lord Radstock that he conceived for him an attachment approaching to affection, and never ceased to exert all the influence of his position and high character in favour of his protege. The Editor has before him many letters addressed to Clare by his excellent friend, but is restrained, by a wish expressed in one of the number, from publis.h.i.+ng any portion of them. The request does not, however, apply to the inscriptions in books which Lord Radstock presented to Clare, and as the intimacy had a very important influence on the poet's career, those who are sufficiently interested in the subject to read these pages will not look upon the following pa.s.sages as a superfluity.

In a work by Thomas Erskine on the Christian Evidences his lords.h.i.+p wrote:--

"The kindest and most valuable present that Admiral Lord Radstock could possibly make to his dear & affectionate friend, John Clare.

G.o.d grant that he may make the proper use of it!"