The Delight Makers Part 3

Loud laughter, screams, and animated talking diverted his attention, and caused him to run in the direction of the new house of the Corn clan. He heard the voice of his brother, but at the same time women's voices also, and as soon as he turned the farther corner of the building, he saw what was plainly a playful encounter between Okoya and a pair of young girls.

The former had his bow in hand ready to shoot, and he pointed the arrow at the maidens alternately; they, utterly unconcerned about his weapon, were pressing him with weapons of their own, which he was much more anxious to avoid than they his missiles. These were two pairs of very dirty hands filled and covered with liquid mud with which the damsels attempted to decorate his person. Okoya was clearly on the defensive, and the advantage so far seemed on the side of his aggressors. Shyuote flew to his a.s.sistance. Rus.h.i.+ng to a large vessel of burnt clay, standing alongside the wall and filled with water, he plunged both hands into it, and began to bespatter the a.s.sailants with the not very clean liquid. Forthwith one of the girls turned against the new enemy. She was older and taller than Shyuote. Seizing his raven locks she pulled him to the ground on his face, knelt on the prostrate form, and then and there gave the boy a series of energetic cuffs against which the youngster struggled and wriggled in the most desperate but absolutely ineffectual manner. The fair s.e.x held the balance of power and wielded it. At every attempt of Shyuote to rise or to roll over, she pushed his face back into the moist ground, she pulled his hair, thumped his shoulders, and boxed his ears. She was in earnest, and Shyuote was powerless in her firm grasp. He could not even scream, for a thick coating of soil had fastened itself to his features, had penetrated into eye, mouth, and nostrils. His fate was as melancholy as it was ludicrous; it brought about a truce between Okoya and the other maiden. They dropped, he the weapon, she her muddy arms, and looked at the other set of combatants with surprise and with immoderate laughter. The Indian is not tender-hearted on such occasions. When the victorious beauty at last arose, suffering her victim to turn over again, the merriment became uproarious, for Shyuote presented the appearance of a blowing, spitting, coughing, statue of dirt. His looks were in no manner improved by his frenzy after the boy had rubbed his eyes, and recovered his breath.

Tears of rage rolled down his cheeks over patches of sand and mud, and when he noticed the mirth of the others Shyuote's fury knew no bounds.

He rushed madly at the triumphant la.s.s, who did not shrink from the hostile approach. The contest was threatening to a.s.sume serious proportions, when another person appeared upon the scene, at the sight of whom even Shyuote temporarily stayed all demonstrations, while Okoya seemed both startled and embarra.s.sed. The new-comer was a young girl too; she carried on her head a vessel of burnt clay similar to a flat urn, decorated with black and red designs on cream-coloured ground, and filled with water.

To understand this scene we must know that the two girls had been engaged in putting on the last coat of plaster to the walls of the abode of the Corn people, when Okoya suddenly came upon them. At a glance they saw that he had been on a hunt, and also that he had hunted in vain.

Here was a welcome opportunity for jeering and mockery. They interrupted their plastic labour, and turned against him with such merciless allusions to his ill-success, that unable any longer to reply to their sarcasm Okoya threatened them, in jest of course, with his bow. Instead of desisting, the girls at once moved upon him with muddy hands. The one who last appeared upon the scene, although a.s.sistant to the others, inasmuch as she carried the water needed in the preparation of the mud for plastering, had not seen the engagement just fought. She looked at the group in blank surprise, stood still without lifting the bowl from her head, and presented thus the appearance of a handsome statue, dusky and graceful, whose l.u.s.trous black eyes alone moved, glancing from one of the members of the group to the other. Those large expressive eyes plainly asked, "What does all this mean?"

The antagonists of Okoya and Shyuote were buxom la.s.ses, rather short, thick-waisted, full-chested, with flat faces, prominent cheek-bones, and bright eyes. The third maiden was taller and much more graceful: her features were less coa.r.s.e, less prominently distinctive. The nose was well-proportioned, the mouth also, although the lips were rather heavy.

The eyes were large and beaming, soft yet not without an intelligent expression. All three girls were dressed nearly alike. A dark-blue cotton garment descended as far as the knees; it was tied over the left shoulder, and the right was exposed. A red-tinged scarf served as belt around the waist. Arms and feet were bare. The long black hair streamed loosely. Two of them wore heavy necklaces of green stones, red pebbles, and sh.e.l.l beads. The last comer carried only a single string of sh.e.l.l beads with an iridescent conch fastened to it in front. Ear-pendants of turquoises hung from the ears of all three.

The attention of the girl with the urn on her head soon rested on Shyuote, and she was the first to break the silence by a hearty peal of laughter. This started her companions again, and the one nearest to Okoya exclaimed,--

"Mitsha help us throw the water in your urn over the head of the boy.

Okoya began it all, give it to him, too. You are strong enough."

At the mention of Okoya's name the maiden addressed as Mitsha started.

She threw a quick glance like a flash at him. Her face quivered and coloured slightly. Turning away, she deposited the water-urn at the foot of the wall, and remained standing, her eyes directed to the cliffs, her lithe fingers carelessly playing with the beads of her necklace. She was disinclined to take any part in the fray, and her behaviour acted as a damper on the buoyancy of the others. Okoya hastily gathered up his arrows, and called Shyuote to his side. But the boy did not care to obey. Thirst for revenge held him to the spot of his defeat; he shook his fists at the girls, clenched his teeth, and began to threaten vengeance, and to shower uncomplimentary expressions upon them. As soon, however, as the one who had so effectually routed him showed again a decided movement toward his raven locks, he beat a hasty retreat to his elder brother. This change of base excited new hilarity, and under a shower of jokes and sarcasms the two boys departed. Okoya walked along at a steady gait; but Shyuote, as soon as he considered the distance safe enough, turned around, making grimaces at the belligerent damsels, vowing vengeance, and uttering opprobrious epithets of the choicest kind. He noticed that the two returned his compliments without reserve, whereas Mitsha stood in silence leaning against the house-wall. One single look, one earnest almost sad glance, she sent after the disappearing form of Shyuote's elder brother.

The main building was now close at hand. It was an irregular pentagon, and at places two, at others three stories high. With one single exception these stories formed terraces, retreating successively from the ground to the top like so many steps of a staircase. Nowhere did there appear any entrance. Notched beams led up to trapdoors in the roofs, similar beams penetrated into the interior below. Absolute stillness reigned about the edifice. Some women scoured scanty clothing in the ditch running past the structure; on the terraces not a soul appeared. The lads directed their course toward that side where the three stories presented a perpendicular wall, and as they neared it an entrance, or doorway, high enough for a man and wide enough for four abreast appeared in the vertical front. It led them through a dark pa.s.sage into an interior court which was fairly clean and contained three estufas. Its diameter did not exceed one hundred and fifty feet.

Toward this court, or yard, the stories of the building descended in terraces also; but though everywhere beams leaned up as ladders, access to the ground-floor was also afforded by narrow doorways closed with hides or mats. It was hot and quiet in this yard; the sun shed glaring light into it and over the roofs. Naked urchins played and squirmed below, whereas above, an old woman or some aged man would cower motionless, shading their blear eyes with one hand and warming their cold frames in the heat. Okoya went directly to one of the ground-floor openings, lifted the deerskin that hung over it, and called out the usual greeting,--

"Guatzena!"

"Opona,--'come in,'" responded a woman's voice. Both lads obeyed the summons. At first the room seemed dark on account of the sudden contrast with the glare outside, but as soon as this first impression was overcome, it appeared moderately lighted. It was a chamber about fourteen feet long and ten feet wide, and its walls were whitewashed with burnt gypsum. Deer-hides and a mat plaited of yucca-leaves lay rolled up in one corner. A niche contained a small earthen bowl, painted white with black symbolic figures. A doorway to the right led into another compartment which seemed darker than the first. As soon as the boys entered the room, a woman appeared in this side doorway. She was small, slender, and apparently thirty-five years of age. Her features, notwithstanding the high cheek-bones, were attractive though wan and thin. An air of physical suffering lay over them like a thin cloudy veil. At the sight of this woman, Okoya's heart began to throb again; for she it was whom he so direly suspected, nay, accused of treachery and deceit. This woman was his mother.

FOOTNOTES:

[Footnote 1: The word "umo" properly signifies "grandfather;" but it is used indiscriminately for all ages and s.e.xes in calling. An old man, for instance, will call his grandchild "umo;" so will a wife her husband, a brother his sister, etc.]

[Footnote 2: _Estufa_ properly means a stove, and the name was applied to those semi-subterranean places by the Spaniards on account of their comfortable temperature in winter. They recalled to them the _temaz-calli_, or sweat-houses, of Mexico.]

[Footnote 3: The preservation of traditions is much systematized among the Pueblo Indians. Certain societies know hardly any other but the folk-tales relating to their own particular origin. To obtain correct tradition it is necessary to gain the confidence of men high in degree.

That is mostly very difficult.]

CHAPTER II.

The homes of the Pueblo Indians of New Mexico, especially as regards the size and disposition of the rooms, are to-day slightly modified from what they were in former times. An advance has been made, inasmuch as the buildings are not any longer the vast and ill-ventilated honeycombs composed of hundreds of dingy sh.e.l.ls, which they were centuries ago. The houses, while large and many-storied, are comparatively less extensive, and the apartments less roomy than at the time when the Queres lived in the Rito de los Frijoles.

The two rooms where we left the lads and their mother at the close of the preceding chapter formed such a home. In the front one the family slept at night, with the exception of Okoya who was obliged to join the other youths in the estufa of his clan. The husband was not always at home after sunset. But the mother, Shyuote, and a little girl four years old invariably took their nightly rest there. To the little girl we have not yet been introduced. When the boys returned she was in the court-yard at play, and in the usual state of complete undress which is the regular condition of Indian children of her age.

The inner cell was kitchen and storeroom, and there the family partook of their meals.

Among the Pueblos the house was in charge of the women exclusively, everything within the walls of the house, the men's clothing and weapons excepted, belonging to the housekeeper. Even the crops if once housed were controlled by her. As long as they were in the field, the husband or masculine head of the family could dispose of them. Afterward he must consult the woman, and he could not sell an ear of corn without her consent. It is still so to-day in many villages. Formerly all the field-products were gathered and stored in the granaries of the several clans whence each household drew its supplies. Even the proceeds of communal hunts and fisheries were treated in this manner. Only where the husband, son, or brother killed game while out alone, could he do with it as he pleased.

Not many centuries ago the members of each clan, or rather the women, their offspring, and aged people who were taken care of by their children, lived together. They occupied a certain section of the great hive which the communal dwelling represented, and such a section was not unappropriately called in Spanish a _quartel_ or quarter. The husband also stayed with his wife and the younger children, but he had no rights as owner, or proprietor, to his abode. Since it was the custom for women to raise the walls of buildings, and to finish the house inside and outside, they owned it also. The man was only tolerated. His home was properly with his clan, whither he must return in case his spouse departed this life before him.

It was different in regard to the fields. Each clan had its particular holding, and since the field-work devolved upon the men, the cultivated plots belonged to them alone. Within each allotment every member who was of age, or so situated as to have to support himself or a family, owned and tilled a certain plot which was his by common consent, although in no manner determined by metes or bounds. The condition of owners.h.i.+p was regular improvement of the plot, and if that condition was not complied with, any other member of the same clan could step in and work it for his own benefit. In case of death the field reverted to the maternal relative of its owner, whereas the widow and children fell back for support upon the resources of their own clan. Hence the singular feature that each household got its livelihood from two distinct groups of blood-relatives. The home which we have entered belonged to the quarters of the Gourd people, or clan Tanyi hanutsh, from which the mother descended; and Okoya had slept at night in the estufa of that cl.u.s.ter ever since his thirteenth year. But the cultivated patch which the father tilled pertained to the fields of his clan, that of Water, Tzitz hanutsh. Though the Water people were his relatives, the crop raised by him found its way into the storeroom of Tanyi for the support of the family which he claimed as his own.

Okoya's mother scanned her boys with a sober glance, and turned back into the kitchen without uttering a word.

Soon a grating sound issued from that apartment, indicating that toasted corn was being ground on the flat slab called in Queres, _yakkat_, and now usually termed _metate_ in New Mexico. The boys meanwhile had approached a niche in the wall. Each one took a pinch of yellow cornmeal from the painted bowl, and scattered it successively to the north, west, south, east; then threw a little of it up in the air and to the ground before him. During this performance their lips moved as if in prayer.

Then they separated, for the spirits had been appealed to, and their entrance into their home was under the special protection of Those Above. Shyuote, whose trout had been ruined during the combat with the girls, threw himself on the roll in the corner, there to mourn over his defeat. Okoya went out into the court-yard. Both expected an early meal, for the fire crackled in the dark kitchen, and a clapping of hands gave evidence that corn-cakes were being moulded to appease their hungry stomachs.

The court-yard had become very quiet. Even the children had gone to rest in a shady place, where they slept in a promiscuous heap, a conglomerate of human bodies, heads, and limbs, intermingled. The form of an old man rose out of a hatchway in the ground-floor, and a tall figure, slightly stooping, clad in a garment, and with a head of iron gray hair, stood on the flat roof. He walked toward a beam leading down into the court, seized its upper end and descended with his face toward the wall, but without faltering. A few steps along the house brought him in front of Okoya, who had squatted near the doorway of his mother's dwelling. The youth was so absorbed in gloomy thoughts that the man's appearance was unexpected. Starting in surprise and hastily rising, Okoya called into the house,--

"Yaya, sa umo,--'Mother, my grandfather!'"

The old man gave a friendly nod to his grandchild, and crossed the threshold, stooping low. Still lower the tall form had to bend while entering the kitchen door. He announced his coming to the inmate in a husky voice and the common formula,--

"Guatzena!"

"Raua,--'good,'" the woman replied.

Her father squatted close to the fire and fixed his gaze on his daughter. She knelt on the floor busy spreading dough or thick batter on a heated slab over the fire. She was baking corn-cakes,--the well-known _tortillas_ as they are called to-day.

After a short pause the old man quietly inquired,--

"My child, where is your husband?"

"Zashue Tihua," the woman answered, without looking up or interrupting her work, "is in the fields."

"When will he come?"

The woman raised her right hand, and pointed to the hole in the wall, whence light came in from the outside. The wall faced the west, and the height of the loophole corresponded to that of the sun about one hour before sunset.

"Give food to the children," directed the old man. "When they have eaten and are gone I shall speak to you."

The fire crackled and blazed, and ruddy flashes shot across the features of the woman. Was it a mere reflection of the fire, or had her features quivered and coloured? The old man scanned those features with a cold, steady look.

She removed from the fire the sooty pot of clay in which venison cut in small pieces was stewing together with corn, dark beans, and a few roots and herbs as seasoning. Then she called out,--

"Shyuote, come and eat! Where is Okoya?"

The latter alone heard the invitation, for Shyuote had gone to sleep on the hides. The elder brother shook him, and went into the kitchen. He was followed by the child who staggered from drowsiness. The mother meanwhile had placed on the floor a pile of corn-cakes. Beside it, in an earthen bowl decorated inside and out with geometrical lines, steamed the stew. Dinner was ready; the table spread.

To enjoy this meal both lads squatted, but Shyuote, still half asleep, lost his balance and tumbled over. Angry at the merriment which this created, the boy hastily grabbed the food, but his mother interfered.

"Don't be so greedy, uak,--'urchin.' Remember Those Above," she said; and Shyuote, imitating the example of Okoya, crossly muttered a prayer, and scattered crumbs before him. Then only, both fell to eating.

This was done by simply folding a slice of the cake to form a primitive ladle, and dipping the contents of the stew out with it. Thus they swallowed meat, broth, and finally the ladle also. Okoya arose first, uttering a plainly audible hoa. Shyuote ate longer; at last he wiped his mouth with the seam of his wrap, grumbled something intended for thanksgiving, and strolled back to his resting place in the front room.

Okoya went out into the court-yard to be alone with his forebodings. The sight of his mother seemed oppressive to him.

After the boys had gone the woman emptied the remainder of the stew back into the pot, filled the painted bowl with water, and put both vessels in a corner. Then she sat down, leaning against the wall, looking directly toward her father. Her face was thin and wan, her cheeks were hollow, and her eyes had a suppressed look of uneasiness.