The Wandering Jew Part 51

"I'll tell you all, by and by, about when and how we met Gabriel; for if you expect to sleep, you are mistaken. You'll give me half your room, and a fine chat we'll have. Spoil-sport will stay outside of this door; he is accustomed to sleep at the children's door."

"Dear me, love, I think of nothing. But, at such a moment, if you and the young ladies wish to sup, Agricola will fetch something from the cook-shop."

"What do you say, children?"

"No, thank you, Dagobert, we are not hungry; we are too happy."

"You will take a little wine and water, sweetened, nice and hot, to warm you a little, my dear young ladies," said Frances; "unfortunately, I have nothing else to offer you."

"You are right, Frances; the dear children are tired, and want to go to bed; while they do so, I'll go to my boy's room, and, before Rose and Blanche are awake, I will come down and converse with you, just to give Agricola a respite."

A knock was now heard at the door.

"It is good Mother Bunch come to see if we want her," said Agricola.

"But I think she was here when my husband came in," added Frances.

"Right, mother; and the good girl left lest she should be an intruder: she is so thoughtful. But no--no--it is not she who knocks so loud."

"Go and see who it is, then, Agricola."

Before the blacksmith could reach the door, a man decently dressed, with a respectable air, entered the room, and glanced rapidly round, looking for a moment at Rose and Blanche.

"Allow me to observe, sir," said Agricola, "that after knocking, you might have waited till the door was opened, before you entered. Pray, what is your business?"

"Pray excuse me, sir," said the man, very politely, and speaking slowly, perhaps to prolong his stay in the room: "I beg a thousand pardons--I regret my intrusion--I am ashamed--"

"Well, you ought to be, sir," said Agricola, with impatience, "what do you want?"

"Pray, sir, does not Miss Soliveau, a deformed needlewoman, live here?"

"No, sir; upstairs," said Agricola.

"Really, sir," cried the polite man, with low bows, "I am quite abroad at my blunder: I thought this was the room of that young person. I brought her proposals for work from a very respectable party."

"It is very late, sir," said Agricola, with surprise. "But that young person is as one of our family. Call to-morrow; you cannot see her to night; she is gone to bed."

"Then, sir, I again beg you to excuse--"

"Enough, sir," said Agricola, taking a step towards the door.

"I hope, madame and the young ladies, as well as this gent, will be a.s.sured that--"

"If you go on much longer making excuses, sir, you will have to excuse the length of your excuses; and it is time this came to an end!"

Rose and Blanche smiled at these words of Agricola; while Dagobert rubbed his moustache with pride.

"What wit the boy has!" said he aside to his wife. "But that does not astonish you--you are used to it."

During this speech, the ceremonious person withdrew, having again directed a long inquiring glance to the sisters, and to Agricola and Dagobert.

In a few minutes after, Frances having spread a mattress on the ground for herself, and put the whitest sheets on her bed for the orphans, a.s.sisted them to undress with maternal solicitude, Dagobert and Agricola having previously withdrawn to their garret. Just as the blacksmith, who preceded his father with a light, pa.s.sed before the door of Mother Bunch's room, the latter, half concealed in the shade, said to him rapidly, in a low tone:

"Agricola, great danger threatens you: I must speak to you."

These words were uttered in so hasty and low a voice that Dagobert did not hear them; but as Agricola stopped suddenly, with a start, the old soldier said to him,

"Well, boy, what is it?"

"Nothing, father," said the blacksmith, turning round; "I feared I did not light you well."

"Oh, stand at ease about that; I have the legs and eyes of fifteen to night;" and the soldier, not noticing his son's surprise, went into the little room where they were both to pa.s.s the night.

On leaving the house, after his inquiries about Mother Bunch, the over polite Paul Pry slunk along to the end of Brise-Miche Street. He advanced towards a hackney-coach drawn up on the Cloitre Saint-Merry Square.

In this carriage lounged Rodin, wrapped in a cloak.

"Well?" said he, in an inquiring tone.

"The two girls and the man with gray moustache went directly to Frances Baudoin's; by listening at the door, I learnt that the sisters will sleep with her, in that room, to-night; the old man with gray moustache will share the young blacksmith's room."

"Very well," said Rodin.

"I did not dare insist on seeing the deformed workwoman this evening on the subject of the Baccha.n.a.l Queen; I intend returning to-morrow, to learn the effect of the letter she must have received this evening by the post about the young blacksmith."

"Do not fail! And now you will call, for me, on Frances Baudoin's confessor, late as it is; you will tell him that I am waiting for him at Rue du Milieu des Ursins--he must not lose a moment. Do you come with him. Should I not be returned, he will wait for me. You will tell him it is on a matter of great moment."

"All shall be faithfully executed," said the ceremonious man, cringing to Rodin, as the coach drove quickly away.

CHAPTER x.x.xI. AGRICOLA AND MOTHER BUNCH.

Within one hour after the different scenes which have just been described the most profound silence reigned in the soldier's humble dwelling. A flickering light, which played through two panes of gla.s.s in a door, betrayed that Mother Bunch had not yet gone to sleep; for her gloomy recess, without air or light, was impenetrable to the rays of day, except by this door, opening upon a narrow and obscure pa.s.sage, connected with the roof. A sorry bed, a table, an old portmanteau, and a chair, so nearly filled this chilling abode, that two persons could not possibly be seated within it, unless one of them sat upon the side of the bed.

The magnificent and precious flower that Agricola had given to the girl was carefully stood up in a vessel of water, placed upon the table on a linen cloth, diffusing its sweet odor around, and expanding its purple calix in the very closet, whose plastered walls, gray and damp, were feebly lighted by the rays of an attenuated candle. The sempstress, who had taken off no part of her dress, was seated upon her bed--her looks were downcast, and her eyes full of tears. She supported herself with one hand resting on the bolster; and, inclining towards the door, listened with painful eagerness, every instant hoping to hear the footsteps of Agricola. The heart of the young sempstress beat violently; her face, usually very pale, was now partially flushed--so exciting was the emotion by which she was agitated. Sometimes she cast her eyes with terror upon a letter which she held in her hand, a letter that had been delivered by post in the course of the evening, and which had been placed by the housekeeper (the dyer) upon the table, while she was rendering some trivial domestic services during the recognitions of Dagobert and his family.

After some seconds, Mother Bunch heard a door, very near her own, softly opened.

"There he is at last!" she exclaimed, and Agricola immediately entered.

"I waited till my father went to sleep," said the blacksmith, in a low voice, his physiognomy evincing much more curiosity than uneasiness.

"But what is the matter, my good sister? How your countenance is changed! You weep! What has happened? About what danger would you speak to me?"

"Hus.h.!.+ Read this!" said she, her voice trembling with emotion, while she hastily presented to him the open letter. Agricola held it towards the light, and read what follows:

"A person who has reasons for concealing himself, but who knows the sisterly interest you take in the welfare of Agricola Baudoin, warns you. That young and worthy workman will probably be arrested in the course of to-morrow."