A Dying Light In Corduba Part 25

Every town and city has its unhappy quarter. Hispalis might be a thriving hub of commerce, a producer of sculptors and poets, and a regional capital, but it too had potholed lanes where thin, dark-eyed women dragged screaming toddlers to market while very few men were in evidence. I could guess that the missing masculine element were all loafers or thieves, or had died of a wasting disease. Maybe I was prejudiced. Maybe I was just nervous. And maybe I was right to be.

Where the girl lived proved hard to find. There was no point asking directions. Even if anyone knew her, they would conceal it from us. We were too smart and too well- spoken - at least I was. Placidus looked pretty down-at- heel.

'This is a bad place, Falco!'

'Surprise me. At least with two of us, we can watch our backs in two directions.'

'Are we watching for anything in particular?' 'Everything.'

It was now late afternoon. The people of Hispalis were taking a lengthy siesta, much needed in the terrific heat of midsummer. The narrow lanes were quiet. We walked in the shade and trod softly.

Eventually we identified a lodging house, slightly larger and less grim than its surroundings, which appeared to match the directions Cyzacus and Norba.n.u.s had given me. A fat, unhelpful woman on a wonky stool peeling a cabbage into a chipped bowl agreed grumpily that Selia lived there. We were allowed up to knock on her door. She was out.

We went down and sat in what pa.s.sed for a foodshop opposite. There appeared to be little to eat or drink, but a waiter was gambling furiously with a friend. He managed tobreak off long enough to ask us to wait until they finished the next round, after which he scribbled hasty sums on a piece of board, collected the dice again ready, then dashed together two beakers of something lukewarm and cut us two chunks from a loaf, before he and his pal reabsorbed themselves in their game.

Placidus carefully wiped the rim of his cup with the hem of his sleeve. I had learned to toss down a draught without touching the container. There would not be much point in hygienic precautions if the liquor itself was contaminated.

'This is a fine way to do work, Falco!' my companion sighed, settling in.

'If you want it, the job's yours.'

'I don't know if I'm qualified.'

'Can you sit in a bar doing nothing half the day, while you wait for a girl who wants to beat your brains out?'

'I can sit and wait - but I don't know what I'm supposed to do once she arrives.'

'Keep well out of the way,' I advised.

I was beginning to regret bringing him. The neighbourhood was too dangerous. We were getting into serious trouble, and Placidus did not deserve it. Neither did I perhaps, but at least I had some idea what to expect and it was my job.

These tiny streets with cramped dwellings had neither piped water nor sewerage. Ill-defined gutters in the stony tracks between hovels served to take away waste. In bad weather they must be atrocious; even in sunlight they stank. Depression was all around. A pitifully thin goat was tethered to a stick in the foodshop yard. Flies zoomed at us in angry circles. Somewhere a baby cried mournfully.

'You're not by any chance armed, Placidus?'

'You're joking; I'm a procurator, Falco! - Are you?'

'I brought a sword to Hispalis; I didn't expect to get this close to the girl, so I left it at the mansio.'

We were badly positioned. We had come to the only place where we could stop and wait, but the alley outside was so narrow and winding we could see little of it. Thefew people who pa.s.sed all stared at us hard. We sat tight, trying not to look as if our chins were barbered, and trying not to speak when anyone could overhear our Roman accents.

There were several battered lock-ups facing the path. One contained a man whittling at crude pieces of furniture; the rest were closed up, their doors leaning at odd angles. They looked deserted, but could just as well be in fitful use; any artisans who worked in this area were sad men with no hope.

After a while the waiter's friend left and two giggling girls arrived. They sat on a bench and did not order anything, but ogled the waiter who now had time to enjoy the attention. He had extremely long eyelashes; Helena would have said it was from batting them at women. After a short time the girls suddenly scuttled off, then a wide- bodied, bandy-legged man who could have been their father turned up and looked the waiter over. He left too, with nothing said. The waiter cleaned his fingernails with the knife he had used to cut our pieces of bread.

A redhead was walking past outside; she gave the waiter a faint smile. I have a strong aversion to redheads, but this one was worth looking at. We were seated below her line of sight, so we could peruse the goods un.o.btrusively. She was a girl who made the best of herself: a well-filled soft green tunic above thongy shoes, earrings of cascading crescents, a chalk-white face highlighted with purplish colouring, eyes lengthened and widened with charcoal, and elaborate plaits of copper-coloured hair. Her eyes were particularly fine. She walked with a confident swagger, kicking the hem of her skirt so her jingling anklets showed. She looked as though for the right reward she might show off the ankles they decorated, plus the knees and all the rest.

She also looked unlike anyone I had ever seen - though her best feature was that set of rolling brown eyes which did seem familiar. I never forget a shape either, however differently it may be trussed and decorated when I see it a second time. When the girl vanished somewhere opposite Ifound myself quietly finis.h.i.+ng my drink. I said unexcitedly to Placidus, 'I'm going across to check on Selia again. You stay here and keep my seat warm.'

Then I hooked my thumbs casually in my belt and strolled over to the lodging house.

XLVIII XLVIII.

The fat woman had gone. n.o.body was about.

The building occupied a long, narrow plot running away from the street. It was arranged on two floors either side of an open-roofed pa.s.sageway, then widening into a small terminal courtyard with a well in it. This was sufficiently confined to keep out the sun at hot times of year. At intervals pots were hung on the walls, but the plants in them had died from neglect.

The girl lived on the upper level over the yard, where there was a rickety wooden balcony which I reached by an uneven flight of steps at the far end. Outside her door was a pulley arrangement to facilitate drawing up water. There were wet dripmarks on the balcony rail. A shutter now stood open, one which I remembered had been firmly closed before.

I walked around the balcony the long way, that is on the opposite side from Selia's room. I trod easily, trying not to let the planking creak. When I came back to the part above the entrance pa.s.sageway a bridge crossed the gap; I guessed n.o.body used it much for the whole thing sagged worryingly beneath my weight. I moved on gently to her room. She had killed, or tried to kill, two men, so she had thrown away her right to modesty: I went straight in and didn't knock.

The red wig lay on a table. The green tunic hung on a hook. The dancer was naked apart from a loincloth. As she turned to stare at me angrily, she made an appealing sight.

She had one foot on a stool and was anointing her body with what I took to be olive oil. When I stepped through the doorway she deliberately carried on doing it. The body that received the attention was well worth pampering. The spectacle nearly made me forget what I was there for.

'Well, don't be formal! Treat my place as your own!' She threw back her head. Her neck was long. Her own hair, which was an ordinary brown, had been pinned in a flat coil, close against her head. Her body was hard to ignore.

I cast a rapid glance around the place: one room, with a narrow bed. Most of the clutter was on the table, and it was predominantly female stuff. Occasional eating implements were jumbled in among the hairpin pots, cream jars, combs and perfume vials.

'Don't be shy; I've seen nudity before. Besides, we're old friends.'

'You're no friend of mine!'

'Oh come,' I remonstrated sadly. 'Don't you remember me?'

She did pause, with one palm held flat to the oil flask. 'No.'

'You should do. I'm the man who went home from the Society of Olive Oil Producers of Baetica safely in one piece - because I had acquired a large amphora of fish-pickle, with two slaves to carry it.'

She put her foot down on the floor. Her hand still moved slowly upon her gleaming skin, and as she ma.s.saged in the oil it was extremely difficult not to stare. She appeared not to notice that she was transfixing me. But the care with which she oiled her b.r.e.a.s.t.s told me she knew all right.

I waited calmly. When she jumped for the meat-knife that lay among the cosmetics pots I grabbed at her wrist. It would have been perfectly effective, had she not been so slippery.

XLIX.

Luckily for me the wrist I had seized was much smaller than my own; somehow I had encircled it. I felt her bones twisting in my grip and the knife flashed wickedly, but her weapon hand stayed held fast. It wouldn't last. Her all-over lubrication made her impossible to restrain for long.

I kept her at arm's length as she kicked out. Dancers have legs to reckon with. She was strong, but I had the advantage. Barging her s.h.i.+n with mine, I forced her to move back against the wall, making sure the corner of the table bruised her thigh. I banged her arm on the wall to shake the knife free. Spitting, she kept her grip on it. I thought of heaving her off, to spin her round and thrash her back into the wall, but she was so well oiled I would lose my hold. I smashed her elbow on the wall again. She gasped, and struggled to break free.

Her free hand cast behind me, grabbing at a soapstone pot to brain me with. There was no choice. I try hard to avoid naked women who are not my own property, but I had to protect myself. I went in close, throwing my body hard against hers then turning in my shoulder so I could break her hold on the knife two-handedly. This time I did it. The blade clanged to the floor Instantly she went limp, then flexed herself violently. Her arm escaped from mygrip.

I still had her pinned against the wall, but her writhing body was so slippery it was like trying to clutch a live fish. I brought up one knee and stopped her reaching the knife again. She squirmed away from me, dropped to the floor, scuttled under the table, then stood up and tilted it. Vases and boxes crashed to the ground, in a hail of broken gla.s.s, coloured powders, and thick scents. It didn't stop me, and dropping the heavy table lost her the second it took me toleap forwards and grab her by the only part I could circle with both hands: her throat.

'Keep still or I'll throttle you until your eyes pop out!' She thought about fighting. 'Believe me!' I warned again, kicking out with one foot to free it from a tangle of cheap jewellery. To reinforce the message I was squeezing hard. She was choking. I was out of breath. She saw her situation was desperate. She stood still. I felt her jaw clench as she gritted her teeth, no doubt vowing to say nothing and bite me if she could.

'Well, this is intimate!' Her eyes told me what I could do with myself. I was aware of her hands twitching, ready to go for me. I tightened my grip. She saw sense. Now why is it that when I end up in the arms of beautiful girls with no clothes on they are always trying to kill me?' Her response was a look full of hatred; well, the question had been rhetorical. While she glared, I suddenly wrenched her around so her back was against me and I felt less vulnerable to frontal attack. I kept one arm tight across her throat; with the other hand I was reaching for the knife that I kept down my boot. That improved the situation. I let her see what it was. Then I tucked the tip under one of her ribs so she could feel how sharp the blade was.

'Now we're going to talk.'

She made some sort of angry gurgle. I increased my pressure on her windpipe and she fell quiet again. I edged her over to the table that she had conveniently cleared, then I pushed her face down. I was lying on top of her. This possessed some attractions, though I was too preoccupied to enjoy it. Holding down women is nearly impossible; they're too supple. The G.o.ds know how rapists manage it - well, they use terror, which on Selia had no effect. I tweaked my knife against her well-oiled side. 'I can scar you for life, or just kill you. Remember that.'

'd.a.m.n you.'

'Is Selia your real name?'

'Get lost.'

'Tell me who you work for.'

'Anyone who pays.'

'You're an agent.'

'I'm a dancer.'

'No, Spanish dancers come from Gades. Who sent you to Rome?'

'I can't remember.'

'This knife advises you to try.'

'All right; kill me with it then.'

'Very professional! Believe me, real dancers give in much more easily. Who asked you to perform at the dinner that night?'

'I was the official entertainment.'

'That was Perella. Stop lying. Who paid you for what you and your two cronies did afterwards?'

'The same person.'

'Oh, you admit you committed murder then?'

'I admit nothing.'

'I want his name.'

'You want your b.a.l.l.s hacked off with a disembowelling knife!'

I sighed. 'I'm sorry you're taking this uncooperative att.i.tude.'

'You'll be more than sorry, Falco.' She was probably right there.

'Now listen! You may have killed Valentinus, but you underestimated what a thick skull Anacrites had. Simply cracking the Chief Spy's head will have worse consequences than killing him outright.'

'You're never working for Anacrites?' She sounded surprised.

'You did leave him with a slight headache; he was allowed sick leave for a day or two. So you're right. Anacrites is not commissioning. I'm working for a man called Laeta -' I thought I felt her start. 'Keep still, I said.'

'Why?' jeered Sella. 'What are you worried about?'

'Not a lot. I'm a professional too. Crus.h.i.+ng a beautiful naked female on a table has its lighter side - but on thewhole I like my women right side up, and I certainly like them affectionate.'

'Oh, you're all heart!'

'A complete softie. That's why you're face down against a plank of wood covered in bruises, and my knife's in your ribs.'

'You're an idiot,' she told me. 'You don't know anything about the mess you're in. Hasn't it struck you that I'm working for Claudius Laeta - just like you!'

That sounded all too plausible. I preferred not to consider it. There was no immediate need to do so: we both abandoned comparing notes on our devious employer. Two things happened. I was unaware of lessening my grip on the dancer, yet somehow she wriggled suddenly and slithered sideways away from me. Then somebody else seized hold of my hair from behind and pulled me backwards in excruciating pain.

L L.

'I thought you would never get here!' the girl snarled angrily.

Whoever had hauled me upright had me bowed over backwards with a torsion as fight as the throwing sling on a rock-hurling artillery mule. Once I realised, I began to react. Hair grows again. I wrenched my head free. I must have left behind a good handful of my bouncing curls, but now I could move. My eyes streamed, but I was bucking and thras.h.i.+ng. Of course he s.n.a.t.c.hed at my wrist in the same way that I had previously grabbed Selia to make her drop her own knife; he was behind me so I dosed my elbow against my side, resisting him.

Blows rained on my spine and kidneys, then I heard somebody else entering the room. The girl meanwhile was rubbing her bruises and finding a tunic as carelessly as if the rest of us were just flies buzzing around the window- frame. Her bodyguards could do the work now.

I had managed to twist free. I jerked around so I could see my a.s.sailants: the two dark-skinned musicians from the dinner on the Palatine. It was the elder who had attacked me; he was wiry enough, and full of malice and energy. The other, more youthful, was burly, well-muscled and mean- eyed. I was in deep trouble. These were the men who had smashed in the head of Valentinus and left Anacrites for dead. I was fighting for my life.

'Sort him out!' Selia ordered. She had pulled some clothing over her head, but left it around her neck. She had paid these toughs sufficient to be sure they would kill for her. They looked as if they would enjoy it too. So much for the refining effect of music. Apollo was a thug, according to these two.

It was too small a room to contain four of us. We wereclose enough to smell each other's breath. Impetuously Selia herself went for my knife arm, grabbing hold and biting me. The others plunged at me too and with three to contend with in such a confined s.p.a.ce, I was soon overpowered. Selia took possession of my knife. Her a.s.sistants each had me brutally by an arm; they were turning to rush me forwards against the farther wall when the girl complained, 'Oh not in here!' A person of taste: she shrank from having my brains spread over her living s.p.a.ce.

As they manhandled me towards the door I grunted in annoyance, 'Just tell me this, Selia - if we're both working for Laeta why in Hades does he want you to remove me?' I ignored the two brutes, who for a moment stopped bundling me out.