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The Atlantic Book of Modern Plays Part 49

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EMMA. Aye. A'll soon settle 'em a bit tighter.

(_Lifts all out, buries her arms in the box, and rearranges its contents._)

SARAH. But what's 'appened to thy looms, la.s.s? They'll not weave by 'emselves while thee's 'ere, tha knows.

EMMA (_looking round_). Eh, looms is all reeght. Factory's stopped.

It's Sat.u.r.day afternoon.

SARAH. So 't is. A'd clean forgot. A do forget time o' th' week sittin' 'ere day arter day wi' nought to do.

EMMA. So that's all reeght. Tha's no need to worry about me.

Tha's got trouble enough of thy own.

(_Resuming at the box_)

SARAH. Aye, th' art reeght theer, la.s.s. Theer's none on us likes to think o' goin' to workus when we're ould.

EMMA. 'Appen it'll be all reeght after all. Parson's coomin' to see thee.

SARAH. Aye, A knaw 'e is. A dunno, but A'm in 'opes 'e'll do summat for me. Tha can't never tell what them folks can do.

EMMA (_kneeling up_). Tha keep thy p.e.c.k.e.r oop, Mrs. Ormerod. That's what my moother says to me when A tould 'er A were coomin' in to thee. Keep 'er p.e.c.k.e.r oop, she says. It's not as if she'd been lazy or a wastrel, she says; Sal Ormerod's bin a 'ard worker in 'er day, she says. It's not as if it were thy fault. Tha can't 'elp tha 'ands goin' paralytic.

(_She continues rummaging in the trunk while speaking._)

SARAH. Naw. It's not my fault. G.o.d knaws A'm game enough for work, ould as A am. A allays knawed as A'd 'ave to work for my living all th' days o' my life. A never was a savin' sort.

EMMA. Theer's nowt against thee for that. Theer's soom as can be careful o' theer bra.s.s an' soom as can't. It's not a virtue, it's a gift. That's what my moother allays says.

(_Resumes packing._)

SARAH. She's reeght an' all. We never 'ad the gift o' savin', my man and me. An' when Tom Ormerod took an' died, the club money as A drew all went on 'is funeral an' 'is gravestone. A warn't goin'

to 'ave it said as 'e warn't buried proper.

EMMA. It were a beautiful funeral, Mrs. Ormerod.

SARAH. Aye.

EMMA. A will say that, beautiful it were. A never seen a better, an' A goes to all as A can. (_Rises._) A dotes on buryin's. Are these the next?

(_Crosses before table for nightdresses, takes the nightdresses and resumes packing._)

SARAH. Aye

(_Emma puts them in and rests on her knees listening to Sarah's next speech._)

SARAH (_pause_). A've been a 'ouseproud woman all my life, Emma, an' A've took pride in 'avin' my bits o' sticks as good as another's. Even th' manager's missus oop to factory 'ouse theer, she never 'ad a better show o' furniture nor me, though A says it as shouldn't. An' it tak's bra.s.s to keep a decent 'ouse over your yead. An' we allays 'ad our full week's 'ollydayin' at Blackpool reg'lar at Wakes time. Us didn't 'ave no childer o' our own to spend it on, an' us spent it on ourselves. A allays 'ad a plenty o' good food in th' 'ouse an' never stinted n.o.body, an' Tom 'e liked 'is beer an' 'is baccy. 'E were a pigeon-fancier, too, in 'is day, were my Tom, an' pigeon-fancying runs away wi' a mint o'

money. No. Soom'ow theer never was no bra.s.s to put in th' bank.

We was allays spent oop coom wages neeght.

EMMA. A knaw, Mrs. Ormerod. May be A'm young, but A knaw 'ow 't is. We works cruel 'ard in th' mill, an' when us plays, us plays as 'ard too (_pause_), an' small blame to us either. It's our _own_ we're spendin'.

SARAH. Aye. It's a 'ard life, the factory 'and's. A can mind me many an' many's the time when th' warnin' bell went on th'

factory lodge at ha'f past five of a winter's mornin' as A've craved for another ha'f hour in my bed, but Tom 'e got me oop an'

we was never after six pa.s.sin' through factory gates all th'

years we were wed. There's not many as can say they were never late. "Work or clem," that were what Tom allays tould me th' ould bell were sayin'. An' 'e were reeght, Emma. "Work or clem" is G.o.d's truth. (EMMA'S _head in box._) An' now th' time's coom when A can't work no more. But Parson's a good man, 'e'll mak' it all reeght. (EMMA'S _head appears._) Eh, it were good o' thee to coom in, la.s.s. A bit o' coompany do mak' a world o' difference. A'm twice as cheerful as A were.

EMMA. A'm glad to 'ear tha say so, Mrs. Ormerod. (_Rises from the box._) Is theer owt else?

SARAH. A were thinkin' A'd like to tak' my black silk as A've worn o' Sundays this many a year, but A canna think it's reeght thing for workus.

EMMA. Oh, thee tak' it, Mrs. Ormerod.

SARAH. A'd dearly love to. Tha sees A'm noan in debt, n.o.bbut what chairs an table 'ull payfor, and A doan't like thowt o' leaving owt as A'm greatly fond of.

EMMA. Yo doan't, Mrs. Ormerod. Thee tak' it. Wheer is it? A'll put un in. Theer's lots o'room on top. A'll see un's noan crushed.

SARAH. It's hanging theer behind door. (EMMA _crosses back to door, gets clothes._) A got un out to show Parson. A thowt A'd ask un if it were proper to tak' it if A've to go. My best bonnet's with it, an' all.

(EMMA _goes below table, takes the frock and bonnet, folds it on the table, and packs it._)

EMMA. A'll put un in.

SARAH. A'm being a lot o' trouble to thee, la.s.s.

EMMA. That's nowt; neighbors mun be neighborly.

(_Gets bonnet from table and packs it._)

SARAH (_after a pause, looking round_). Place doan't look much, an'

that's a fact. Th' furniture's bin goin' bit by bit, and theer ain't much left to part wi' now.

EMMA. Never mind; it 'ull be all reeght now Parson's takken thee oop.

SARAH. A'm hopin' so. A _am_ hopin' so. A never could abide th' thowt o' th' workus--me as 'as bin an 'ard-workin' woman. A couldn't fancy sleepin' in a strange bed wi' strange folk round me, an' when th' Matron said, "Do that," A'd 'ave to do it, an'

when she said, "Go theer," A'd 'ave to a' gone wheer she tould me--me as 'as allays 'eld my yead 'igh an' gone the way A pleased masel'. Eh, it's a terrible thowt, the workus.

EMMA (_rising_). Now tha's sure that's all?

SARAH (_after a pause, considers_). Eh, if A havna forgot my neeghtcaps. (_Rises, moves centre and stops._) A suppose they'll let me wear un in yonder. A doan't reeghtly think as A'd get my rest proper wi'out my neeghtcaps.

EMMA. Oh, they'll let thee wear un all reeght.

SARAH (_as she goes_). A'll go an' get un. (_Exit right, returning presently with the white nightcaps._) That's all now.

(_Gives them to_ EMMA _who meets her at centre._)

EMMA (_putting them in_). Yo' never 'ad no childer, did yo', Mrs.

Ormerod?

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The Atlantic Book of Modern Plays Part 49 summary

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