The World's Greatest Books - Volume 9 Part 29

_III.--University Life_

I had always had my eye upon Gottingen, but my father obstinately insisted on Leipzig. I arrived in that handsome city just at the time of the fair, from which I derived particular pleasure, being specially attracted by the inhabitants of eastern countries in their strange dresses. I commenced to study under Bohme, professor of history and public law, and Gellert, professor of literature. The reverence with which Gellert was regarded by all young people was extraordinary.

Much has been written about the condition of German literature at that time. I need only state how it stood towards me. The literary epoch in which I was born was developed out of the preceding one by opposition.

Foreign influences had previously predominated, but in this epoch the German sense of freedom and joy began to stir itself. Gottsched, Lessing, Haller, and, above all, Wieland, had produced works of genius.

The venerable Bengel had procured a decided reception for his labours on the Revelation of St. John, from the fact that he was known as an intelligent, upright, G.o.d-fearing, blameless man. Deep minds are compelled to live in the past as well as the future.

Plunging into literature on my own account, I at this period wrote the oldest of my extant dramatic labours, "The Lover's Caprice," following it with "The Accomplices." I had seen already many families ruined by bankruptcies, divorces, vice, murders, burglaries, and poisonings, and, young as I was, I had often, in such cases, lent a hand for help and preservation. Accordingly, these pieces were written from an elevated point of view, without my having been aware of it. But they could find no favour on the German stage.

My health had become somewhat impaired, though I did not think I should soon become apprehensive about my life. I had brought with me from home a certain touch of hypochondria, and a chronic pain in my breast, induced by a fall from horseback, perceptibly increased, and made me dejected. By an unfortunate diet I destroyed my powers of digestion, so that I experienced great uneasiness, yet without being able to embrace a resolution for a more rational mode of life. Besides the epoch of the cold-water bath, the hard bed slightly covered, and other follies unconditionally recommended, had begun, in consequence of some misunderstood suggestions of Rousseau, under the idea of bringing us nearer to nature and delivering us from the corruption of morals.

One night I awoke with a violent hemorrhage, and for several days I wavered between life and death. Recovery was slow, but nature helped me, and I appeared to have become another man, for I had gained a greater cheerfulness of mind than I had known for a long time, and I was rejoiced to feel my inner self at liberty. But what particularly set me up at this time was to see how many eminent men had undeservedly given me their affection, among them being Dr. Hermann Groening, Horn, and, above all, Langer, afterwards librarian at Wolfenb.u.t.tel, whose conversation so far blinded me to the miserable state I was in that I actually forgot it.

The confidence of new friends develops itself by degrees. The religious sentiments, the affairs of the heart which relate to the imperishable, are the things which both establish the foundation and adorn the summit of friends.h.i.+p. The Christian religion was wavering between its own historically positive base and a pure deism, which, grounded on morality, was in its turn to lay the foundation of ethics. Langer was of the cla.s.s who, though learned, yet give the Bible a peculiar preeminence over other writings. He belongs to those who cannot conceive an immediate connection with the great G.o.d of the universe; a mediation, therefore, was necessary for him, an a.n.a.logy to which he thought he could find everywhere, in earthly and heavenly things. Grounded as I was in the Bible, all that I wanted was merely the faith to explain as divine that which I had hitherto esteemed in human fas.h.i.+on. To a sufferer, delicate and weak, the Gospel was therefore welcome.

I left Leipzig in September, 1768, for my native city and my home, where my delicate appearance elicited loving sympathy. Again sickness ensued, and my life was once more in peril, chiefly through a disturbed, I might even say, for certain moments, destroyed digestion. But a skillful physician helped me to convalescence. In the spring I felt so much stronger that I longed to wander forth again from the chambers and spots where I had suffered so much. I journeyed to beautiful Alsace and took up lodgings on the summer-side of the fish-market in Strasburg, where I designed to continue my studies in law. Most of my fellow-boarders were medical students, and at table I heard nothing but medical conversations.

I was thus easily borne along the stream, and at the beginning of the second half-year I attended lectures on chemistry and anatomy. Yet this dissipation and dismemberment of my studies were not enough, for a remarkable political event secured for us a succession of holidays.

Marie Antoinette was to pa.s.s through Strasburg on her way to Paris, and the solemnities were abundantly prepared. In the grand saloon erected on an island in the Rhine I saw a specimen of the tapestries worked after Raffaele's cartoons, and this sight was for me a very decided influence, for I became acquainted with the true and the perfect on a large scale.

_IV.--Fascinating Friends.h.i.+p_

The most important event at this period, and one that was to have the weightiest consequences for me, was my meeting with Herder. He accompanied on his travels the Prince of Holstein-Eutin, who was in a melancholy state of mind, and had come with him to Strasburg. Herder was singular, both in his personal appearance and also in his demeanour. He had somewhat of softness in his manner, which was very suitable and becoming, without being exactly easy. I was of a very confiding disposition, and with Herder especially I had no secrets; but from one of his habits--a spirit of contradiction--I had much to endure.

Herder could be charmingly prepossessing and brilliant, but he could just as easily turn an ill-humoured side forward. He resolved to stay in Strasburg because of a complaint in one of his eyes of the most irritating nature, which required a tedious and uncertain operation, the tear-bag being closed below. Therefore he separated from the prince and removed into lodgings of his own for the purpose of the operation. He confided to me that he intended to compete for a prize offered at Berlin for the best treatise on the origin of language. His work, written in a very neat hand, was nearly completed. During the troublesome and painful cure he lost none of his vivacity, but he became less and less amiable.

He could not write a note to ask for anything without scoffing rudely and bitterly, generally in sardonic verse.

Herder contributed much to my culture, yet he destroyed my enjoyment of much that I had loved before, and especially blamed me in the strongest manner for the pleasure I took in Ovid's "Metamorphoses." I most carefully concealed from him my interest in certain subjects which had rooted themselves within me, and were little by little moulding themselves into poetic form. These were "Goetz von Berlichingen" and "Faust." Of my poetical labours, I believe I laid before him "The Accomplices," but I do not recollect that on this account I received from him either correction or encouragement.

At this epoch of my life took place a singular episode. During a delightful tour in beautiful Alsace, round about the Vosges, I and two fellow-students halted for a time at the house of a Protestant clergyman, pastor in Sesenheim. I had visited the family previously.

Herder here joined us, and during our readings in the evenings introduced to us an excellent work, "The Vicar of Wakefield." With the German translation, he undertook to make us acquainted by reading it aloud.

The pastor had two daughters and a son. The family struck me as corresponding in the most extraordinary manner to that delineated by Goldsmith. The elder daughter might be taken for Olivia in the story, and Frederica, the younger, for Sophia, while, as I looked at the boy, I could scarcely help exclaiming, "Moses, are you here, too?" A Protestant country clergyman is, perhaps, the most beautiful subject for a modern idyl; he appears, like Melchizedek, as priest and king in one person.

Between me and the charming Frederica a mutual affection sprang up. Her beautiful nature attracted me irresistibly, and I was happy beyond all bounds at her side. For her I composed many songs to well-known melodies. They would have made a pretty book; a few of them still remain, and may easily be found among the others. But we were destined soon to part. Such a youthful affection, cherished at random, may be compared to a bombsh.e.l.l thrown at night, which rises with a soft, brilliant light, mingles for a moment with the stars, then, in descending, describes a similar path in the reverse direction, and at last brings destruction where it terminates its course.

_V.--Among the Jurists_

In 1772 I went to Wetzlar, the seat of the Reichskammergericht, or Imperial Chamber. This was a kind of court of chancery for the whole empire; and I went there in order to gain increased experience in jurisprudence. Here I found myself in a large company of talented and vivacious young men, a.s.sistants to the commissioners of the various states, and by them was accorded a genial welcome.

To one of the legations at Wetzlar was attached a young man of good position and abilities, named Jerusalem, whose sad suicide soon afterwards resulted through an unhappy pa.s.sion for the wife of a friend.

On this history the plan of "The Sorrows of Werther" was founded. The effect of this little book was great, nay, immense, and chiefly because it exactly hit the temper of the times. For as it requires but a little match to blow up an immense mine, so the explosion which followed my publication was mighty from the circ.u.mstances that the youthful world had already undermined itself; and the shock was great because all extravagant demands, unsatisfied pa.s.sions, and imaginary wrongs, were suddenly brought to an eruption.

At this period I usually combined the art of design with poetical composition. Whenever I dictated, or listened to reading, I drew the portraits of my friends in profile on grey paper in white and black chalk. But feeling the insufficiency of this copying, I betook myself once more to language and rhythm, which were much more at my command.

How briskly, how joyously, I went to work with them will appear from the many poems which, enthusiastically proclaiming the art of nature and the nature of art, infused, at the moment of production, new spirit into me as well as in my friends.

At this epoch, and in the midst of these occupations, I was sitting one evening with a struggling light in my chamber, when there entered a well-formed, slender man, who announced himself by the name of Von Knebel. Much to my satisfaction, I learned that he came from Weimar, where he was the companion of Prince Constantin. Of matters there I had already heard much that was favourable; for several strangers who had come from Weimar a.s.sured us that the widowed d.u.c.h.ess Amalia had gathered round her the best men to a.s.sist in the education of the princes, her sons; that the arts were not only protected by this princess, but were practised by her with great diligence and zeal.

At Weimar was also one of the best theatres of Germany, which was made famous by its actors, as well as by the authors who wrote for it. When I expressed a wish to become better acquainted with these persons and things, my visitor replied, in the most friendly manner possible, that nothing was easier, since the hereditary prince, with his brother, the Prince Constantin, had just arrived in Frankfort, and desired to see and know me.

I at once expressed the greatest willingness to wait upon them; and my new friend told me that I must not delay, as their stay would not be long. I proceeded with Von Knebel to the young princes, who received me in a very easy and friendly manner.

As the stay of the young princes in Frankfort was necessarily short, they made me promise to follow them to Mayence. I gave this promise gladly enough, and visited them. The few days of my stay pa.s.sed very pleasantly, for when my new patrons, with whom I enjoyed delightful conversations on literature, were abroad on visits and banquets, I remained with their attendants, drew portraits, or went skating. I returned home full of the kindness I had met with.

Conversations with Eckermann

The outstanding feature of the remarkable "Conversations with Eckermann" is this, that the compilation furnishes an altogether unique record of the working of Goethe's mature mind. For Goethe's age at the period when the "Conversations"

begin is seventy-three, and eighty-two when they end. John Peter Eckermann published his work in 1836. In 1848 appeared an additional portion. Eckermann, born at Winsen, in Hanover, was the son of a woollen draper. He received an excellent education, and studied art, under Ramber, in Hanover, but soon became enamoured of poetry through the influence of Korner and of Goethe. He became the intimate friend of Goethe, and lived with him for several years. In describing the friends.h.i.+p, Eckermann says, "My relation to him was peculiar, and of a very intimate kind. It was that of the scholar to the master, of the son to the father, of the poor in culture to the rich in culture. His conversation was as varied as his works.

Winter and summer, age and youth, seemed with him to be engaged in a perpetual strife and change." Goethe was one of the world's most brilliant conversationalists, ranking in this respect with Coleridge.

_I.--On Poets and Poetry_

_Weimar, June_ 10, 1823. I reached here a few days ago, but have not seen Goethe until to-day. He gave me a most cordial reception. I esteem this the most fortunate day of my life. Goethe was dressed in a blue frock-coat. He is a sublime figure. His first words were concerning my ma.n.u.script. "I have just come from _you_" said he. He meant that he had been reading it all the morning. He commented it enthusiastically. We talked long together. But I could say little for I could not look at him enough, with his strong, brown face, full of wrinkles, each wrinkle being full of expression. He spoke like some old monarch. We parted affectionately, for every word of his breathed kindness.

_Jena, September_ 8, 1823. Yesterday morning I had the happiness of another interview with Goethe. What he said to me was quite important, and will have a beneficial influence on all my life. All the young poets of Germany should have the benefit of it. "Do not," said he, "attempt to produce a great work. It is just this mistake which has done harm to our best minds. I have myself suffered from this error. What have I not dropped into the well! The present must a.s.sert its rights, and so the poet will and should give out what presses on him. But if one has a great work in his head, it expels everything else and deprives life for the time of all comfort. If as to the whole you err, all time and trouble are lost. But if the poet daily grasps the present, treating with fresh sentiment what it offers, he always makes sure of something good. If sometimes he does not succeed, at any rate he has lost nothing.

The world is so great and rich, and life is so manifold, that occasions for poems are never lacking. But they must all be poems for special occasions (_Gelegenheitsgedichte_). All my poems are thus suggested by incidents in real life. I attach no value to poems s.n.a.t.c.hed out of the air. You know Furnstein, the so-called poet of nature? He has written the most fascinating poem possible on hop-culture. I have suggested to him that he should write songs on handicrafts, especially a weaver's song, for he has spent his life from youth amongst such folk, and he understands the subject through and through."

_February_ 24, 1824. At one to-day I went to Goethe's. He showed me a short critique he had written on Byron's "Cain," which I read with much interest. "We see," said he, "how the defectiveness of ecclesiastical dogmas affects such a mind as Byron's, and how by such a piece he seeks to emanc.i.p.ate himself from doctrine which has been thrust on him. Truly the English clergy will not thank him, but I shall wonder whether he will not proceed to treat Bible subjects, not letting slip such topics as the destruction of Sodom and Gomorrah."

_II.--Philosophical Discussions_

_February_ 25, 1824. Goethe was in high spirits at table. He showed me Frau von Spiegel's alb.u.m, in which he had written some very beautiful verses. For two years a place had been left open for him, and he was delighted that at length he had been able to fulfil an old promise.

Noticing on another page of the alb.u.m a poem by Tiedge in the style of his "Urania," Goethe observed that he had suffered considerably from Tiedge's "Urania," for at one time nothing else was sung and recited.

Said he, "Wherever you went, you found 'Urania' on the table, and that poem and immortality were the subjects of every conversation. By no means would I lose the happiness of believing in a future existence, and indeed I would say with Lorenzo de Medici that all they are dead, even for this life, who believe in no other.

"But such incomprehensible matters lie too far off to be a theme of daily meditation and thought-distracting speculation. And further, let him who believes in immortality be happy in silence; he has no reason to hold his head high because of his conviction. Silly women, priding themselves on believing with Tiedge in immortality, have been offended at my declaring that in the future state I hoped I should meet none of those who had believed in it here. For how I should be tormented! The pious would crowd about me, saying, 'Were we not right? Did we not predict it? Has it not turned out exactly so?' And thus even up yonder there would be everlasting ennui."

_April_ 14, 1824. I went, about one, for a walk with Goethe. We conversed on the style of different authors. Said he, "Philosophical speculation is, on the whole, a hindrance to the Germans, for it tends to induce a tendency to obscurantism. The nearer they approach to certain philosophical schools, the worse they write. Those Germans write best who, as business men, and men of real life, confine themselves to the practical. Thus, Schiller's style is the n.o.blest and most impressive, as soon as he ceases to philosophise, as I see from his highly interesting letters, on which I am now busy. Many of our genial German women in their style excel even many of our famous male writers.

"The French, in their style, are consistent with their general character. They are sociable by nature and as such never forget the public whom they address. They take the trouble to be clear in order to convince, and agreeable in order to please. The English, as a rule, write well, as born orators and as practical and realistic men.

Altogether, the style of a writer is a true reflection of his mind. If anyone would acquire a lucid style, let him first be clear in his thoughts; if he would command a n.o.ble style, he must first possess a n.o.ble character."