Memoirs of the Courts of Louis XV and XVI Part 10

The deposed Court oracle, the Comtesse de Noailles, had been succeeded as literary leader by the Comtesse Diane de Polignac. She was a favourite of the Comte d'Artois, and was the first lady in attendance upon the Countess, his wife.

(The Comtesse Diane de Polignac had a much better education, and considerably more natural capacity, than her sister-in-law, the d.u.c.h.ess, and the Queen merely disliked her for her prudish affectation. The Comtesse d'Artois grew jealous of the Count's intimacy with the Comtesse Diane. While she considered herself as the only one of the Royal Family likely to be mother of a future sovereign, she was silent, or perhaps too much engrossed by her castles in the air to think of anything but diadems; but when she saw the Queen producing heirs, she grew out of humour at her lost popularity, and began to turn her attention to her husband's Endymions.h.i.+p to this now Diana! When she had made up her mind to get her rival out of her house, she consulted one of the family; but being told that the best means for a wife to keep her husband out of harm's way was to provide him with a domestic occupation for his leisure hours at home, than which nothing could be better than a handmaid under the same roof, she made a merit of necessity and submitted ever after to retain the Comtesse Diane, as she had been prudently advised. The Comtesse Diane, in consequence, remained in the family even up to the 17th October, 1789, when she left Versailles in company with the De Polignacs and the D'Artois, who all emigrated together from France to Italy and lived at Stria on the Brenta, near Venice, for some time, till the Comtesse d'Artois went to Turin.)

The Queen's conduct had always been very cool to her. She deemed her a self-sufficient coquette. However, the Comtesse Diane was a constant attendant at the gay parties which were then the fas.h.i.+on of the Court, though not greatly admired.

The reader will scarcely need to be informed that the event to which I have just alluded is the introduction by the Comtesse Diane of her sister-in-law, the Comtesse Julie de Polignac, to the Queen; and having brought the record up to this point I here once more dismiss my own pen for that of the Princesse de Lamballe.

It will be obvious to every one that I must have been indebted to the conversations of my beloved patroness for most of the sentiments and nearly all the facts I have just been stating; and had the period on which she has written so little as to drive me to the necessity of writing for her been less pregnant with circ.u.mstances almost entirely personal to herself, no doubt I should have found more upon that period in her ma.n.u.script. But the year of which Her Highness says so little was the year of happiness and exclusive favour; and the Princess was above the vanity of boasting, even privately in the self-confessional of her diary. She resumes her records with her apprehensions; and thus proceeds, describing the introduction of the Comtesse Julie de Polignac, regretting her ascendency over the Queen, and foreseeing its fatal effects.]

"I had been only a twelvemonth in Her Majesty's service, which I believe was the happiest period of both our lives, when, at one of the Court a.s.semblies, the Comtesse Julie de Polignac was first introduced by her sister-in-law, the Comtesse Diane de Polignac, to the Queen.

"She had lived in the country, quite a retired life, and appeared to be more the motherly woman, and the domestic wife, than the ambitious Court lady, or royal sycophant. She was easy of access, and elegantly plain in her dress and deportment.

"Her appearance at Court was as fatal to the Queen as it was propitious to herself!

"She seemed formed by nature to become a royal favourite, una.s.suming, remarkably complaisant, possessing a refined taste, with a good-natured disposition, not handsome, but well formed, and untainted by haughtiness or pomposity.

"It would appear, from the effect her introduction had on the Queen, that her domestic virtues were written in her countenance; for she became a royal favourite before she had time to become a candidate for royal favour.

"The Queen's sudden attachment to the Comtesse Julie produced no alteration in my conduct, while I saw nothing extraordinary to alarm me for the consequences of any particular marked partiality, by which the character and popularity of Her Majesty might be endangered.

"But, seeing the progress this lady made in the feelings of the Queen's enemies, it became my duty, from the situation I held, to caution Her Majesty against the risks she ran in making her favourites friends; for it was very soon apparent how highly the Court disapproved of this intimacy and partiality: and the same feeling soon found its way to the many-headed monster, the people, who only saw the favourite without considering the charge she held. Scarcely had she felt the warm rays of royal favour, when the chilling blasts of envy and malice began to nip it in the bud of all its promised bliss. Even long before she touched the pinnacle of her grandeur as governess of the royal children the blackest calumny began to show itself in prints, caricatures, songs, and pamphlets of every description.

"A reciprocity of friends.h.i.+p between a Queen and a subject, by those who never felt the existence of such a feeling as friends.h.i.+p, could only be considered in a criminal point of view. But by what perversion could suspicion frown upon the ties between two married women, both living in the greatest harmony with their respective husbands, especially when both became mothers and were so devoted to their offspring? This boundless friends.h.i.+p did glow between this calumniated pair calumniated because the sacredness and peculiarity of the sentiment which united them was too pure to be understood by the grovelling minds who made themselves their sentencers. The friend is the friend's shadow. The real sentiment of friends.h.i.+p, of which disinterested sympathy is the sign, cannot exist unless between two of the same s.e.x, because a physical difference involuntarily modifies the complexion of the intimacy where the s.e.xes are opposite, even though there be no physical relations. The Queen of France had love in her eyes and Heaven in her soul. The d.u.c.h.esse de Polignac, whose person beamed with every charm, could never have been condemned, like the Friars of La Trappe, to the mere memento mori.

"When I had made the representations to Her Majesty which duty exacted from me on perceiving her ungovernable partiality for her new favourite, that I might not importune her by the awkwardness naturally arising from my constant exposure to the necessity of witnessing an intimacy she knew I did not sanction, I obtained permission from my royal mistress to visit my father-in-law, the Duc de Penthievre, at Rambouillet, his country-seat.

"Soon after I arrived there, I was taken suddenly ill after dinner with the most excruciating pains in my stomach. I thought myself dying.

Indeed, I should have been so but for the fortunate and timely discovery that I was poisoned certainly, not intentionally, by any one belonging to my dear father's household; but by some execrable hand which had an interest in my death.

"The affair was hushed up with a vague report that some of the made dishes had been prepared in a stew-pan long out of use, which the clerk of the Duke's kitchen had forgotten to get properly tinned.

"This was a doubtful story for many reasons. Indeed, I firmly believe that the poison given me had been prepared in the salt, for every one at table had eaten of the same dish without suffering the smallest inconvenience.

"The news of this accident had scarcely arrived at Versailles, when the Queen, astounded, and, in excessive anxiety, instantly sent off her physician, and her private secretary, the Abbe Vermond, to bring me back to my apartments at Versailles, with strict orders not to leave me a moment at the Duke's, for fear of a second attempt of the same nature.

Her Majesty had imputed the first to the earnestness I had always shown in support of her interests, and she seemed now more ardent in her kindness towards me from the idea of my being exposed through her means to the treachery of a.s.sa.s.sins in the dark. The Queen awaited our coming impatiently, and, not seeing the carriages return so quickly as she fancied they ought to arrive, she herself set off for Rambouillet, and did not leave me till she had prevailed on me to quit my father-in-law's, and we both returned together the same night to Versailles, where the Queen in person dedicated all her attention to the restoration of my health.

"As yet, however, nothing in particular had discovered that splendour for which the De Polignacs were afterwards so conspicuous.

"Indeed, so little were their circ.u.mstances calculated for a Court life, that when the friends of Madame de Polignac perceived the growing attachment of the young Queen to the palladium of their hopes, in order to impel Her Majesty's friends.h.i.+p to repair the deficiencies of fortune, they advised the magnet to quit the Court abruptly, a.s.signing the want of means as the motive of her retreat. The story got wind, and proved propitious.

"The Queen, to secure the society of her friend, soon supplied the resources she required and took away the necessity for her retirement.

But the die was cast. In gaining one friend she sacrificed a host. By this act of imprudent preference she lost forever the affections of the old n.o.bility. This was the gale which drove her back among the breakers.

"I saw the coming storm, and endeavoured to make my Sovereign feel its danger. Presuming that my example would be followed, I withdrew from the De Polignac society, and vainly flattered myself that prudence would impel others not to encourage Her Majesty's amiable infatuation till the consequences should be irretrievable. But Sovereigns are always surrounded by those who make it a point to reconcile them to their follies, however flagrant, and keep them on good terms with themselves, however severely they may be censured by the world.

"If I had read the book of fate I could not have seen more distinctly the fatal results which actually took place from this unfortunate connexion.

The d.u.c.h.ess and myself always lived in the greatest harmony, and equally shared the confidence of the Queen; but it was my duty not to sanction Her Majesty's marked favouritism by my presence. The Queen often expressed her discontent to me upon the subject. She used to tell me how much it grieved her to be denied success in her darling desire of uniting her friends with each other, as they were already united in her own heart. Finding my resolution unalterable, she was mortified, but gave up her pursuit. When she became a.s.sured that all importunity was useless, she ever after avoided wounding my feelings by remonstrance, and allowed me to pursue the system I had adopted, rather than deprive herself of my society, which would have been the consequence had I not been left at liberty to follow the dictates of my own sense of propriety in a course from which I was resolved that even Her Majesty's displeasure should not make me swerve.

"Once in particular, at an entertainment given to the Emperor Joseph at Trianon, I remember the Queen took the opportunity to repeat how much she felt herself mortified at the course in which I persisted of never making my appearance at the d.u.c.h.esse de Polignac's parties.

"I replied, 'I believe, Madame, we are both of us disappointed; but Your Majesty has your remedy, by replacing me by a lady less scrupulous.'

"'I was too sanguine,' said the Queen, 'in having flattered myself that I had chosen two friends who would form, from their sympathising and uniting their sentiments with each other, a society which would embellish my private life as much as they adorn their public stations.'

"I said it was by my unalterable friends.h.i.+p and my loyal and dutiful attachment to the sacred person of Her Majesty that I had been prompted to a line of conduct in which the motives whence it arose would impel me to persist while I had the honour to hold a situation under Her Majesty's roof.

"The Queen, embracing me, exclaimed, 'That will be for life, for death alone can separate us!'

"This is the last conversation I recollect to have had with the Queen upon this distressing subject.

"The Abbe Vermond, who had been Her Majesty's tutor, but who was now her private secretary, began to dread that his influence over her, from having been her confidential adviser from her youth upwards, would suffer from the rising authority of the all-predominant new favourite.

Consequently, he thought proper to remonstrate, not with Her Majesty, but with those about her royal person. The Queen took no notice of these side-wind complaints, not wis.h.i.+ng to enter into any explanation of her conduct. On this the Abbe withdrew from Court. But he only retired for a short time, and that to make better terms for the future. Here was a new spring for those who were supplying the army of calumniators with poison. Happy had it been, perhaps, for France and the Queen if Vermond had never returned. But the Abbe was something like a distant country cousin of an English Minister, a man of no talents, but who hoped for employment through the power of his kinsman. 'There is nothing on hand now,' answered the Minister, 'but a Bishop's mitre or a Field-marshal's staff.'--'Oh, very well,' replied the countryman; 'either will do for me till something better turns up.' The Abbe, in his retirement finding leisure to reflect that there was no probability of anything 'better turning up' than his post of private secretary, tutor, confidant, and counsellor (and that not always the most correct) of a young and amiable Queen of France, soon made his reappearance and kept his jealousy of the De Polignacs ever after to himself.

"The Abbe Vermond enjoyed much influence with regard to ecclesiastical preferments. He was too fond of his situation ever to contradict or thwart Her Majesty in any of her plans; too much of a courtier to a.s.sail her ears with the language of truth; and by far too much a clergyman to interest himself but for Mother Church.

"In short, he was more culpable in not doing his duty than in the mischief he occasioned, for he certainly oftener misled the Queen by his silence than by his advice."

SECTION VIII.

"I have already mentioned that Marie Antoinette had no decided taste for literature. Her mind rather sought its amus.e.m.e.nts in the ball-room, the promenade, the theatre, especially when she herself was a performer, and the concert-room, than in her library and among her books. Her coldness towards literary men may in, some degree be accounted for by the disgust which she took at the calumnies and caricatures resulting from her mother's partiality for her own revered teacher, the great Metastasio.

The resemblance of most of Maria Theresa's children to that poet was coupled with the great patronage he received from the Empress; and much less than these circ.u.mstances would have been quite enough to furnish a tale for the slanderer, injurious to the reputation of any exalted personage.

"The taste of Marie Antoinette for private theatricals was kept up till the clouds of the Revolution darkened over all her enjoyments.

"These innocent amus.e.m.e.nts were made subjects of censure against her by the many courtiers who were denied access to them; while some, who were permitted to be present, were too well pleased with the opportunity of sneering at her mediocrity in the art, which those, who could not see her, were ready to criticise with the utmost severity. It is believed that Madame de Genlis found this too favourable an opportunity to be slighted. Anonymous satires upon the Queen's performances, which were attributed to the malice of that auth.o.r.ess, were frequently shown to Her Majesty by good-natured friends. The Duc de Fronsac also, from some situation he held at Court, though not included in the private household of Her Majesty at Trianon, conceiving himself highly injured by not being suffered to interfere, was much exasperated, and took no pains to prevent others from receiving the infection of his resentment.

"Of all the arts, music was the only one which Her Majesty ever warmly patronised. For music she was an enthusiast. Had her talents in this art been cultivated, it is certain from her judgment in it that she would have made very considerable progress. She sang little French airs with great taste and feeling. She improved much under the tuition of the great composer, her master, the celebrated Sacchini. After his death, Sapio was named his successor; but, between the death of one master and the appointment of another, the revolutionary horrors so increased that her mind was no longer in a state to listen to anything but the howlings of the tempest.

"In her happier days of power, the great Gluck was brought at her request from Germany to Paris. He cost nothing to the public Treasury, for Her Majesty paid all his expenses out of her own purse, leaving him the profits of his operas, which attracted immense sums to the theatre.

"Marie Antoinette paid for the musical education of the French singer, Garat, and pensioned him for her private concerts.

"Her Majesty was the great patroness of the celebrated Viotti, who was also attached to her private musical parties. Before Viotti began to perform his concertos, Her Majesty, with the most amiable condescension, would go round the music saloon, and say, 'Ladies and gentlemen, I request you will be silent, and very attentive, and not enter into conversation, while Mr. Viotti is playing, for it interrupts him in the execution of his fine performance.

"Gluck composed his Armida in compliment to the personal charms of Marie Antoinette. I never saw Her Majesty more interested about anything than she was for its success. She became a perfect slave to it. She had the gracious condescension to hear all the pieces through, at Gluck's request, before they were submitted to the stage for rehearsal. Gluck said he always improved his music after he saw the effect it had upon Her Majesty.

"He was coming out of the Queen's apartment one day, after he had been performing one of these pieces for Her Majesty's approbation, when I followed and congratulated him on the increased success he had met with from the whole band of the opera at every rehearsal. 'O my dear Princess!' cried he, 'it wants nothing to make it be applauded up to the seven skies but two such delightful heads as Her Majesty's and your own.'--'Oh, if that be all,' answered I, 'we'll have them painted for you, Mr. Gluck!'--'No, no, no! you do not understand me,' replied Gluck, 'I mean real, real heads. My actresses are very ugly, and Armida and her confidential lady ought to be very handsome:

"However great the success of the opera of Armida, and certainly it was one of the best productions ever exhibited on the French stage, no one had a better opinion of its composition than Gluck himself. He was quite mad about it. He told the Queen that the air of France had invigorated his musical genius, and that, after having had the honour of seeing Her Majesty, his ideas were so much inspired that his compositions resembled her, and became alike angelic and sublime!

"The first artist who undertook the part of Armida was Madame Saint Huberti. The Queen was very partial to her. She was princ.i.p.al female singer at the French opera, was a German by birth, and strongly recommended by Gluck for her good natural voice. At Her Majesty's request, Gluck himself taught Madame Saint Huberti the part of Armida.

Sacchini, also, at the command of Marie Antoinette, instructed her in the style and sublimity of the Italian school, and Mdlle. Benin, the Queen's dressmaker and milliner, was ordered to furnish the complete dress for the character.

"The Queen, perhaps, was more liberal to this lady than to any other actress upon the stage. She had frequently paid her debts, which were very considerable, for she dressed like a Queen whenever she represented one.