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Gerfaut Part 1

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Gerfaut.

by Charles de Bernard.

CHARLES DE BERNARD

PIERRE-MARIE-CHARLES DE BERNARD DU GRAIL DE LA VILLETTE, better known by the name of Charles de Bernard, was born in Besancon, February 24, 1804.

He came from a very ancient family of the Vivarais, was educated at the college of his native city, and studied for the law in Dijon and at Paris. He was awarded a prize by the 'Jeux floraux' for his dithyrambics, 'Une fete de Neron' in 1829. This first success in literature did not prevent him aspiring to the Magistrature, when the Revolution of 1830 broke out and induced him to enter politics. He became one of the founders of the 'Gazette de Franche-Comte' and an article in the pages of this journal about 'Peau de chagrin' earned him the thanks and the friends.h.i.+p of Balzac.

The latter induced him to take up his domicile in Paris and initiated him into the art of novel-writing. Bernard had published a volume of odes: 'Plus Deuil que Joie' (1838), which was not much noticed, but a series of stories in the same year gained him the reputation of a genial 'conteur'. They were collected under the t.i.tle 'Le Noeud Gordien', and one of the tales, 'Une Aventure du Magistrat, was adapted by Sardou for his comedy 'Pommes du voisin'. 'Gerfaut', his greatest work, crowned by the Academy, appeared also in 1838, then followed 'Le Paravent', another collection of novels (1839); 'Les Ailes d'Icare (1840); La Peau du Lion and La Cha.s.se aux Amants (1841); L'Ecueil (1842); Un Beau-pere (1845); and finally Le Gentilhomme campagnard,' in 1847. Bernard died, only forty-eight years old, March 6, 1850.

Charles de Bernard was a realist, a pupil of Balzac. He surpa.s.ses his master, nevertheless, in energy and limpidity of composition. His style is elegant and cultured. His genius is most fully represented in a score or so of delightful tales rarely exceeding some sixty or seventy pages in length, but perfect in proportion, full of invention and originality, and saturated with the purest and pleasantest essence of the spirit which for six centuries in tableaux, farces, tales in prose and verse, comedies and correspondence, made French literature the delight and recreation of Europe. 'Gerfaut' is considered De Bernard's greatest work. The plot turns on an attachment between a married woman and the hero of the story. The book has nothing that can justly offend, the incomparable sketches of Marillac and Mademoiselle de Corandeuil are admirable; Gerfaut and Bergenheim possess p.r.o.nounced originality, and the author is, so to speak, incarnated with the hero of his romance.

The most uncritical reader can not fail to notice the success with which Charles de Bernard introduces people of rank and breeding into his stories. Whether or not he drew from nature, his portraits of this kind are exquisitely natural and easy. It is sufficient to say that he is the literary Sir Joshua Reynolds of the post-revolution vicomtes and marquises. We can see that his portraits are faithful; we must feel that they are at the same time charming. Bernard is an amiable and spirited 'conteur' who excels in producing an animated spectacle for a refined and selected public, whether he paints the ridiculousness or the misery of humanity.

The works of Charles de Bernard in wit and urbanity, and in the peculiar charm that wit and urbanity give, are of the best French type. To any elevation save a lofty place in fiction they have no claim; but in that phase of literature their worth is undisputed, and from many testimonies it would seem that those whom they most amuse are those who are best worth amusing.

These novels, well enough as they are known to professed students of French literature, have, by the mere fact of their age, rather slipped out of the list of books known to the general reader. The general reader who reads for amus.e.m.e.nt can not possibly do better than proceed to transform his ignorance of them into knowledge.

JULES CLARETIE de l'Academie Francaise.

GERFAUT

BOOK 1.

CHAPTER I. THE TRAVELLER

During the first days of the month of September, 1832, a young man about thirty years of age was walking through one of the valleys in Lorraine originating in the Vosges mountains. A little river which, after a few leagues of its course, flows into the Moselle, watered this wild basin shut in between two parallel lines of mountains. The hills in the south became gradually lower and finally dwindled away into the plain.

Alongside the plateau, arranged in amphitheatres, large square fields stripped of their harvest lay here and there in the primitive forest; in other places, innumerable oaks and elms had been dethroned to give place to plantations of cherry-trees, whose symmetrical rows promised an abundant harvest.

This contest of nature with industry is everywhere, but is more p.r.o.nounced in hilly countries. The scene changed, however, as one penetrated farther, and little by little the influence of the soil gained ascendancy. As the hills grew nearer together, enclosing the valley in a closer embrace, the clearings gave way to the natural obduracy of the soil. A little farther on they disappeared entirely. At the foot of one of the bluffs which bordered with its granite bands the highest plateau of the mountain, the forest rolled victoriously down to the banks of the river.

Now came patches of forest, like solid battalions of infantry; sometimes solitary trees appeared, as if distributed by chance upon the gra.s.sy slopes, or scaling the summit of the steepest rocks like a body of bold sharpshooters. A little, unfrequented road, if one can judge from the scarcity of tracks, ran alongside the banks of the stream, climbing up and down hills; overcoming every obstacle, it stretched out in almost a straight line. One might compare it to those strong characters who mark out a course in life and imperturbably follow it. The river, on the contrary, like those docile and compliant minds that bend to agreeable emergencies, described graceful curves, obeying thus the caprices of the soil which served as its bed.

At a first glance, the young man who was walking alone in the midst of this picturesque country seemed to have nothing remarkable in his dress; a straw hat, a blue blouse and linen trousers composed his costume.

It would have been very natural to take him for an Alsatian peasant returning to his village through the Vosges's rough pathways; but a more attentive glance quickly dispelled this conjecture. There is something in the way in which a person wears the plainest costume which betrays the real man, no matter how he may be clothed. Thus, nothing could be more modest than this traveller's blouse, but the absence on collar and sleeves of the arabesques in white or red thread, the pride of all village dandies, was sufficient for one to realize that this was not a fancy costume.

His expressive, but not handsome face was dark, it is true, but it did not look as if wind or sun had contributed to its complexion; it seemed rather to have lost by a sedentary life something of the southern carnation, which had ended by blending these warmer tints into a dead uniform pallor. Finally, if, as one may suppose after different diagnoses, this person had the slightest desire to play the role of Tyrcis or Amintas, his white hand, as carefully cared for as a pretty woman's, would have been sufficient to betray him. It was evident that the man was above his costume; a rare thing! The lion's ears pierced the a.s.s's skin this time.

It was three o'clock in the afternoon; the sky, which had been overcast all the morning, had a.s.sumed, within a few moments, a more sombre aspect; large clouds were rapidly moving from south to north, rolled one over another by an ominous wind. So the traveller, who had just entered the wildest part of the valley, seemed very little disposed to admire its fine vegetation and romantic sites. Impatient to reach the end of his journey, or fearing the approaching storm, he quickened his steps; but this pace was not kept long. At the end of a few moments, having crossed a small clearing, he found himself at the entrance of a lawn where the road divided in two directions, one continuing to skirt the river banks, the other, broader and better built, turning to the left into a winding ravine.

Which of these two roads should he follow? He did not know. The profound solitude of the place made him fear that he might not meet any one who could direct him, when the sound of a psalm vigorously chanted reached his ears from the distance. Soon it became more distinct, and he recognized the words, 'In exitu Israel de Egypto', sung at the top of the lungs by a voice so shrill that it would have irritated the larynx of any of the sopranos at the Opera. Its vibrating but sharp tones resounded so clearly in the dead silence of the forest that a number of stanzas were finished before the pious musician came in sight. At last a drove of cattle appeared through the trees which bordered the road on the left, walking with a slow, grave step; they were driven by a little shepherd about nine or ten years of age, who interrupted his song from time to time to rea.s.semble the members of his flock with heavy blows from his whip, thus uniting temporal cares with those of a spiritual nature with a coolness which the most important personages might have envied him.

"Which of these roads leads to Bergenheim?" called out the traveller when they were near enough to speak to each other.

"Bergenheim!" repeated the child, taking off his cotton cap, which was striped like a rainbow, and adding a few words in an unintelligible Gallo-Germanic patois.

"You are not French, then?" asked the stranger, in a disappointed tone.

The shepherd raised his head proudly and replied:

"I am Alsatian, not French!"

The young man smiled at this trait of local patriotism so common then in the beautiful province by the Rhine; then he thought that pantomime might be necessary, so he pointed with his finger first at one road, then at the other:

"There or there, Bergenheim?" asked he.

The child, in his turn, pointed silently with the tip of his whip to the banks of the river, designating, at some distance on the other side, a thicket of woods behind which a slight column of smoke was rising.

"The deuce!" murmured the stranger, "it seems that I have gone astray; if the chateau is on the other side, where can I establish my ambuscade?"

The shepherd seemed to understand the traveller's embarra.s.sment. Gazing at him with his intelligent blue eyes, he traced, with the tip of his toe in the middle of the road, a furrow across which he rounded his whip like the arch of a bridge; then he pointed a second time up the river.

"You are an honor to your country, young fellow," exclaimed the stranger; "there is the material in you to make one of Cooper's redskins." As he said these words he threw a piece of money into the child's cap and walked rapidly away in the direction indicated.

The Alsatian stood motionless for a few moments with one hand in his blond hair and his eyes fastened upon the piece of silver which shone like a star in the bottom of his cap; when the one whom he considered as a model of extraordinary generosity had disappeared behind the trees, he gave vent to his joy by heavy blows from his whip upon the backs of the cattle, then he resumed his way, singing in a still more triumphant tone: 'Mantes exultaverunt ut arites', and jumping higher himself than all the hills and rams in the Bible.

The young man had not walked more than five minutes before he recognized the correctness of the directions he had received. The ground which he had pa.s.sed over was a field covered with clumps of low trees; it was easy to see by its disc-like shape that it had been formed by successive alluvia, at the expense of the other sh.o.r.e, which had been incessantly worn away by the stream. This sort of flat, level peninsula was crossed in a straight line by the road, which deviated from the river at the point where the two roads came together again, like the cross and string of a bow at its extremity. The trees, becoming thinner, revealed a perspective all the more wonderful as it was unexpected. While the eye followed the widening stream, which disappeared in the depths of a mountainous gorge, a new prospect suddenly presented itself on the right upon the other sh.o.r.e.

A second valley, smaller than the first and in measure its va.s.sal, formed an amphitheatre the crest of which was bordered by a fringe of perpendicular rocks as white as dried bones. Under this crown, which rendered it almost inaccessible, the little valley was resplendent in its wealth of evergreen trees, oaks with their knotty branches, and its fresh green turf.

Taken as a whole, it was a foundation worthy of the picturesque edifice which met one's eye in the foreground, and at which the traveller gazed with extreme interest.

At the junction of the two valleys stood an enormous building, half manorial, half monastic in appearance. The sh.o.r.e formed, at this point, for an extent of several hundred feet, a bluff whose edge plunged vertically into the river. The chateau and its outbuildings rested upon this solid base. The princ.i.p.al house was a large parallelogram of very old construction, but which had evidently been almost entirely rebuilt at the beginning of the sixteenth century. The stones, of grayish granite which abounds in the Vosges, were streaked with blue and violet veins, and gave the facade a sombre aspect, increased by the scarcity of windows, some of which were 'a la Palladio', others almost as narrow as loop-holes. An immense roof of red tile, darkened by rain, projected several feet over the whole front, as is still to be seen in old cities in the North. Thanks to this projecting weather-board, the apartments upon the upper floor were shaded from the sun's rays, like those persons who have weak eyes and who protect them from a strong light by wearing a green shade.

The view which this melancholy dwelling presented from the place where the traveller had first seen it, was one which made it appear to the best advantage; it seemed, from this point, to come immediately out of the river, built as it was upon the very curb of the bluffs, at this place at least thirty feet high. This elevation, added to that of the building, effaced the lack of proportion of the roof and gave to the whole a most imposing appearance; it seemed as if the rocks were a part of the building to which it served as foundation, for the stones had ended by a.s.suming the same color, and it would have been difficult to discover the junction of man's work and that of nature, had it not been outlined by a ma.s.sive iron balcony running across the entire length of the first story, whence one could enjoy the pleasure of line-fis.h.i.+ng.

Two round towers with pointed roofs stood at each corner of the facade and seemed to gaze with proud satisfaction at their own reflection in the water.

A long line of sycamore-trees skirted the banks of the river, beginning from the foot of the chateau, and forming the edge of a park which extended to the back of the double valley. A little wooden bridge connected this sort of avenue with the road the traveller had just pa.s.sed over; but the latter did not seem disposed to profit by this silent invitation to which large raindrops gave more emphasis. He was so absorbed in his meditation that, to arouse him, it needed the sound of a gruff voice behind him uttering these words:

"That is what I call an ugly castle! It is hardly as good as our common country houses around Ma.r.s.eilles."

The stranger turned quickly around and found himself face to face with a man wearing a gray cap and carrying his coat upon his shoulder, as workmen do in the South. He held in his hand a knotty stick which had been recently cut. The newcomer had a swarthy complexion, harsh features, and deep-set eyes which gave his face an ugly, false expression.

"I said an ugly castle," continued he. "However, the cage is made for the bird."

"It seems, then, that you do not like its master?" said the traveller.

"The master!" repeated the workman, seizing hold of his stick with a threatening air, "Monsieur le Baron de Bergenheim, as they say! He is rich and a n.o.bleman, and I am only a poor carpenter. Well, then, if you stay here a few days, you will witness a comical ceremony; I shall make this brigand repent."

"Brigand!" exclaimed the stranger, in a surprised tone. "What has he done to you?"

"Yes, brigand! you may tell him so from me. But, by the way," continued the workman, surveying his companion from head to foot with a searching, defiant air, "do you happen to be the carpenter who is coming from Strasbourg? In that case, I have a few words to say to you. Lambernier does not allow any one to take the bread out of his mouth in that way; do you understand?"

The young man seemed very little moved by this declaration.

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Gerfaut Part 1 summary

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