Jean of the Lazy A Part 8

Three years on this ranch, seeing her uncle every day almost, living under the same roof with him, talking with him upon the everyday business of life,--and to-night, for the first time, the forbidden subject had been opened. She had said things that until lately she had not realized were in her mind. She had never liked her uncle, who was so different from her father, but she had never accused him in her mind of unfairness until she had written something of the sort in her ledger. She had never thought of quarrelling,--and yet one could scarcely call this encounter less than a quarrel. And the strange part of it was that she still believed what she had said; she still intended to do the things she declared she would do. Just how she would do them she did not know, but her purpose was hardening and coming clean-cut out of the vague background of her mind.

After awhile the dim outline of the high-shouldered hills glowed under a yellowing patch of light. Jean sat with her chin in her palms and watched the glow brighten swiftly. Then some unseen force seemed to be pus.h.i.+ng a bright yellow disk up through a gap in the hills, and the gap was almost too narrow, so that the disk touched either side as it slid slowly upward. At last it was up, launched fairly upon its leisurely, drifting journey across to the farther hills behind her. It was not quite round. That was because one edge had sc.r.a.ped too hard against the side of the hill, perhaps. But warped though it was, its light fell softly upon Jean's face, and showed it set and still and stern-eyed and somber.

She sat there awhile longer, until the slopes lay softly revealed to her, their hollows filled with inky shadows. She drew a long breath then, and looked around her at the familiar details of the Bar Nothing dwelling-place, softened a little by the moonlight, but harsh with her memories of unhappy days spent there. She rose and went into the house and to her room, and changed the hated striped percale for her riding-clothes.

A tall, lank form detached itself from the black shade of the bunk-house as she went by, hesitated perceptibly, and then followed her down to the corral. When she had gone in with a rope and later led out Pard, the form stood forth in the white light of the moon.

"Where are you going, Jean?" Lite asked her in a tone that was soothing in its friendliness.

"That you, Lite? I'm going--well, just going. I've got to ride." She pulled Pard's bridle off the peg where she always hung it, and laid an arm over his neck while she held the bit against his clinched teeth.

Pard never did take kindly to the feel of the cold steel in his mouth, and she spoke to him sharply before his jaws slackened.

"Want me to go along with you?" Lite asked, and reached for his saddle and blanket.

"No, I want you to go to bed." Jean's tone was softer than it had been for that whole day. "You've had all the riding you need. I've been shut up with Aunt Ella and her favorite form of torture."

"Got your gun?" Lite gave the latigo a final pull which made Pard grunt.

"Of course. Why?"

"Nothing,--only it's a good night for coyotes, and you might get a shot at one. Another thing, a gun's no good on earth when you haven't got it with you."

"Yes, and you've told me so about once a week ever since I was big enough to pull a trigger," Jean retorted, with something approaching her natural tone. "Maybe I won't come back, Lite. Maybe I'll camp over home till morning."

Lite did not say anything in reply to that. He leaned his long person against a corral post and watched her out of sight on the trail up the hill. Then he caught his own horse, saddled it leisurely, and rode away.

Jean rode slowly, leaving the trail and striking out across the open country straight for the Lazy A. She had no direct purpose in riding this way; she had not intended to ride to the Lazy A until she named the place to Lite as her destination, but since she had told him so, she knew that was where she was going. The picture-people would not be there at night, and she felt the need of coming as close as possible to her father; at the Lazy A, where his thoughts would cling, she felt near to him,--much nearer than when she was at the Bar Nothing. And that the gruesome memory of what had happened there did not make the place seem utterly horrible merely proves how unshakable was her faith in him.

A coyote trotted up out of a hollow facing her, stiffened with astonishment, dropped nose and tail, and slid away in the shadow of the hill. A couple of minutes later Jean saw him sitting alert upon his haunches on a moon-bathed slope, watching to see what she would do.

She did nothing; and the coyote pointed his nose to the moon, yap-yap-yapped a quavering defiance, and slunk out of sight over the hill crest.

Her mind now was more at ease than it had been since the day of horror when she had first stared black tragedy in the face. She was pa.s.sing through that phase of calm elation which follows close upon the heels of a great resolve. She had not yet come to the actual surmounting of the obstacles that would squeeze hope from the heart of her; she had not yet looked upon the possibility of absolute failure.

She was going to buy back the Lazy A from her Uncle Carl, and she was going to tear away that atmosphere of emptiness and desolation which it had worn so long. She was going to prove to all men that her father never had killed Johnny Croft. She was going to do it! Then life would begin where it had left off three years ago. And when this deadening load of trouble was lifted, then perhaps she could do some of the glorious, great things she had all of her life dreamed of doing.

Or, if she never did the glorious, great things, she would at least have done something to justify her existence. She would be content in her cage if she could go round and round doing things for dad.

A level stretch of country lay at the foot of the long bluff, which farther along held the Lazy A coulee close against its rocky side. The high ridges stood out boldly in the moonlight, so that she could see every rock and the shadow that it cast upon the ground. Little, soothing night noises fitted themselves into her thoughts and changed them to waking dreams. Crickets that hushed while she pa.s.sed them by; the faint hissing of a half-wakened breeze that straightway slept upon the gra.s.ses it had stirred; the sleepy protest of some bird which Pard's footsteps had startled.

She came into Lazy A coulee, half fancying that it was a real home-coming. But when she reached the gate and found it lying flat upon the ground away from the broad tread of the picture-people's machine, her mind jarred from dreams back to reality. From sheer habit she dismounted, picked up the spineless thing of stakes and barbed wire, dragged it into place across the trail, and fastened it securely to the post. She remounted and went on, and a little of the hopefulness was gone from her face.

"I'll just about have to rob a bank, I guess," she told herself with a grim humor at the tremendous undertaking to which she had so calmly committed herself. "This is what dad would call a man-sized job, I reckon." She pulled up in the white-lighted trail and stared along the empty, sagging-roofed sheds and stables, and at the corral with its open gate and warped rails and leaning posts. "I'll just about have to rob a bank,--or write a book that will make me famous."

She touched Pard with a rein end and went on slowly. "Robbing a bank would be the quickest and easiest," she decided whimsically, as she neared the place where she always sheltered Pard. "But not so ladylike. I guess I'll write a book. It should be something real thrilly, so the people will rush madly to all the bookstores to buy it.

It should have a beautiful girl, and at least two handsome men,--one with all the human virtues, and the other with all the arts of the devil and the cruel strength of the savage. And--I think some Indians and outlaws would add several dollars' worth of thrills; or else a ghost and a haunted house. I wonder which would sell the best?

Indians could steal the girl and give her two handsome men a chance to do chapters of stunts, and the wicked one could find her first and carry her away in front of him on a horse (they do those things in books!) and the hero could follow in a mad chase for miles and miles--

"But then, ghosts can be made very creepy, with tantalizing glimpses of them now and then in about every other chapter, and mysterious hints here and there, and characters coming down to breakfast with white, drawn faces and haggard eyes. And the wicked one would look over his shoulder and then utter a sardonic laugh. Sardonic is such an effective word; I don't believe Indians would give him any excuse for sardonic laughter."

She swung down from the saddle and led Pard into his stall, that was very black next the manger and very light where the moon shone in at the door. "I must have lots of moonlight and several stormy sunsets, and the wind soughing in the branches. I shall have to buy a new dictionary,--a big, fat, heavy one with the flags of all nations and how to measure the contents of an empty hogshead, and the deaf and dumb alphabet, and everything but the word you want to know the meaning of and whether it begins with ph or an f."

She took the saddle off Pard and hung it up by a stirrup on the rusty spike where she kept it, with the bridle hung over the stirrup, and the saddle blanket folded over the horn. She groped in the manger and decided that there was hay enough to last him till morning, and went out and closed the door. Her shadow fell clean cut upon the rough planks, and she stood for a minute looking at it as if it were a person. Her Stetson hat tilted a little to one side, her hair fluffed loosely at the sides, leaving her neck daintily slender where it showed above the turned-back collar of her gray sweater; her shoulders square and capable and yet not too heavy, and the slim contour of her figure reaching down to the ground. She studied it abstractedly, as she would study herself in her mirror, conscious of the individuality, its likeness to herself.

"I don't know what kind of a mess you'll make of it," she said to her shadow, "but you're going to tackle it, just the same. You can't do a thing till you get some money."

She turned then and went thoughtfully up to the house and into her room, which had as yet been left undisturbed behind the bars she had placed against idle invasion.

The moon shone full into the window that faced the coulee, and she sat down in the old, black wooden rocker and gazed out upon the familiar, open stretch of sand and scant gra.s.s-growth that lay between the house and the corrals. She turned her eyes to the familiar bold outline of the bluff that swung round in a crude oval to the point where the trail turned into the coulee from the southwest. Half-way between the base and the ragged skyline, the boulder that looked like an elephant's head stood out, white of profile, hooded with black shade. Beyond was the fat shelf of ledge that had a small cave beneath, where she had once found a nest full of little, hungry birds and upon the slope beneath the telltale, scattered wing-feathers, to show what fate had fallen upon the mother. Those birds had died also, and she had wept and given them Christian burial, and had afterwards spent hours every day with her little rifle hunting the destroyer of that small home. She remembered the incident now as a small thread in the memory-pattern she was weaving.

While the shadows shortened as the moon swung high, she sat and looked out upon the coulee and the bluff that sheltered it, and she saw the things that were blended cunningly with the things that were not.

After a long while her hands unclasped themselves from behind her head and dropped numbly to her lap. She sighed and moved stiffly, and knew that she was tired and that she must get some sleep, because she could not sit down in one spot and think her way through the problems she had taken it upon herself to solve. So she got up and crept under the Navajo blanket upon the couch, tucked it close about her shoulders, and shut her eyes deliberately. Presently she fell asleep.

CHAPTER X

JEAN LEARNS WHAT FEAR IS LIKE

Sometime in the still part of the night which comes after midnight, Jean woke slowly from dreaming of the old days that had been so vivid in her mind when she went to sleep. Just at first she did not know what it was that awakened her, though her eyes were open and fixed upon the lighted square of the window. She knew that she was in her room at the Lazy A, but just at first it seemed to her that she was there because she had always been sleeping in that room. She sighed and turned her face away from the moonlight, and closed her eyes again contentedly.

Half dreaming she opened them again and stared up at the low ceiling.

Somewhere in the house she heard footsteps. Very slowly she wakened enough to listen. They were footsteps,--the heavy, measured tread of some man. They were in the room that had been her father's bedroom, and at first they seemed perfectly natural and right; they seemed to be her dad's footsteps, and she wondered mildly what he was doing, up at that time of night.

The footsteps pa.s.sed from there into the kitchen and stopped in the corner where stood the old-fas.h.i.+oned cupboard with perforated tin panels in the doors and at the sides, and the little drawers at the top,--the kind that old people call a "safe." She heard a drawer pulled out. Without giving any conscious thought to it, she knew which drawer it was; it was the one next the wall,--the one that did not pull out straight, and so had to be jerked out. What was her dad...?

Jean thrilled then with a tremor of fear. She had wakened fully enough to remember. That was not her dad, out there in the kitchen. She did not know who it was; it was some strange man prowling through the house, hunting for something. She felt again the tremor of fear that is the heritage of womanhood alone in the dark. She pulled the Navajo blanket up to her ears with the instinct of the woman to hide, because she is not strong enough to face and fight the danger that comes in the dark. She listened to the sound of that drawer being pushed back, and the other drawer being pulled out, and she s.h.i.+vered under the blanket.

Then she reached out her hand and got hold of her six-shooter which she had laid down unthinkingly upon a chair near the couch. She wondered if she had locked the outside door when she came in. She could not remember having done so; probably she had not, since it is not the habit of honest ranch-dwellers to lock their doors at night. She wanted to get up and see, and fasten it somehow; but she was afraid the man out there might hear her. As it was, she reasoned nervously with herself, he probably did not suspect that there was any one in the house. It was an empty house. And unless he had seen Pard in the closed stall.... She wondered if he had heard Pard there, and had investigated and found him. She wondered if he would come into this room. She remembered how securely she had nailed up the door from the kitchen, and she breathed freer. She remembered also that she had her gun, there under her hand. She closed her trembling fingers on the familiar grip of it, and the feel of it comforted her and steadied her.

Yet she had no desire, no slightest impulse to get up and see who was there. She was careful not to move, except to cover the doorway to the kitchen with her gun.

After a few minutes the man came and tried the door, and Jean lifted herself cautiously upon her elbow and waited in grim desperation. If he forced that door open, if he came in, she certainly would shoot; and if she shot,--well, you remember the fate of that hawk on the wing.

The man did not force the door open, which was perhaps the luckiest thing that ever happened to him. He fussed there until he must have made sure that it was fastened firmly upon the inside, and then he left it and went into what had been the living-room. Jean did not move from her half-sitting position, nor did she change the aim of her gun. He might come back and try again.

She heard him moving about in the living-room. Surely he did not expect to find money in an empty house, or anything else of any commercial value. What was he after? Finally he came back to the kitchen, crossed it, and stood before the barred door. He pushed against it tentatively, then stood still for a minute and finally went out. Jean heard him step upon the porch and pull the kitchen door shut behind him. She knew that squeal of the bottom hinge, and she knew the final gasp and click that proved the latch was fastened. She heard him step off the porch to the path, she heard the soft crunch of his feet in the sandy gravel as he went away toward the stable. Very cautiously she got off the couch and crept to the window; and with her gun gripped tight in her hand, she looked out. But he had moved into a deep shadow of the bluff, and she could see nothing of him save the deeper shadow of his swift-moving body as he went down to the corral. Jean gave a long sigh of nervous relaxation, and crept s.h.i.+vering under the Navajo blanket. The gun she slid under the pillow, and her fingers rested still upon the cool comfort of the b.u.t.t.

Soon she heard a horse galloping, and she went to the window again and looked out. The moon hung low over the bluff, so that the trail lay mostly in the shadow. But down by the gate it swung out in a wide curve to the rocky knoll, and there it lay moon-lighted and empty. She fixed her eyes upon that curve and waited. In a moment the horseman galloped out upon the curve, rounded it, and disappeared in the shadows beyond.

At that distance and in that deceptive light, she could not tell who it was; but it was a horseman, a man riding at night in haste, and with some purpose in mind.

Jean had thought that the prowler might be some tramp who had wandered far off the beaten path of migratory humans, and who, stumbling upon the coulee and its empty dwellings, was searching at random for whatever might be worth carrying off. A horseman did not fit that theory anywhere. That particular horseman had come there deliberately, had given the house a deliberate search, and had left in haste when he had finished. Whether he had failed or succeeded in finding what he wanted, he had left. He had not searched the stables, unless he had done that before coming into the house. He had not forced his way into her room, probably because he did not want to leave behind him the evidence of his visit which the door would have given, or because he feared to disturb the contents of Jean's room.

Jean stared up in the dark and puzzled long over the ident.i.ty of that man, and his errand. And the longer she thought about it, the more completely she was at sea. All the men that she knew were aware that she kept this room habitable, and visited the ranch often. That was no secret; it never had been a secret. No one save Lite Avery had ever been in it, so far as she knew,--unless she counted those chance trespa.s.sers who had prowled boldly through her most sacred belongings.

So that almost any one in the country, had he any object in searching the house, would know that this room was hers, and would act in that knowledge.

As to his errand. There could be no errand, so far as she knew. There were no missing papers such as plays and novels are accustomed to have cunningly hidden in empty houses. There was no stolen will, no hidden treasure, no money, no Rajah's ruby, no ransom of a king; these things Jean named over mentally, and chuckled at the idea of treasure-hunting at the Lazy A. It vas very romantic, very mysterious, she told herself. And she a.n.a.lyzed the sensation of little wet alligators creeping up her spine (that was her own simile), and decided that her book should certainly have a ghost in it; she was sure that she could describe with extreme vividness the effect of a ghost upon her various characters.

In this wise she recovered her composure and laughed at her fear, and planned new and thrilly incidents for her novel.

She would not tell Lite anything about it, she decided. He would try to keep her from coming over here by herself, and that would precipitate one of those arguments between them that never seemed to get them anywhere, because Lite never would yield gracefully, and Jean never would yield at all,--which does not make for peace.