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The tremendous trifles began their running fire.
Her mother pulling her corsets in so that they bottled her up more and more into the shape of an hourgla.s.s. That caster for the bra.s.s bed.
Those interminable discussions over that caster for the bra.s.s bed!
She boarded an Amsterdam Avenue car.
CHAPTER XIX
The following months of her life always seemed to Lilly to have hung suspended without any forward march to them, and entirely surrounded with a colorless fluid which distorted reality, as a hand seen through a fish bowl of water is distorted. There descended upon her whole rows of days that were swollen with inertia. Her little window looked out upon an ocean of roofs, and across her distant horizon was a strident picture in electricity of an old woman in a Dutch cap beating a tub of proclaimed soap flakes into an incandescent froth.
She would sit with her cheek crumpled against her hand, looking out over this, her mind hardly stirring. There still lay three one-hundred-dollar bills, crisply warm, against her bosom, and during the long arid spell that followed her first stroke of good fortune they were to her like a sedative touch, pressing down a more and more frequently recurring rise of fear.
Two or three mornings a week she ventured in among the agencies, occasionally an address handed out to her which she followed up, always vainly.
There was something gone from Lilly, these months, as if a line of resiliency within her had snapped like a rubber band. It showed most in her slowed step and her head not quite so flung up.
One Sat.u.r.day night she did earn twenty dollars, singing, a red-white-and-blue paper cap on her head, the "Star-spangled Banner" and the "Ma.r.s.ellaise" on the up-and-down-stream excursion of the Annual Convention of Commercial Photographers.
During their clambake and dance at Grody's Grove, just beyond Coney Island, she remained on the boat, lying back in a deck chair, facing a night brilliantly pointed with stars. The machinery of her mind might have ceased with the chugging of the boat. She lay the five hours of her wait, floating in a state of the complete disembodiment of which she was peculiarly capable.
At one o'clock the convention, highly inflamed, came trooping back on board, the boat nosing downstream, brilliant and terrible with orgy.
Twice she was grasped by revelers who were little more than bas.h.i.+ng bulls, and before she could fight them off, her face and neck, through the sheerness of her blouse, were covered with hot, wet, and beery kisses. The third time she fought off with her hatpin, inflicting a deep red scratch across a too loose jowl. She took refuge, finally, finding out by desperate instinct the only other woman on board. A cook down in the reeking kitchen of the one-screw steamer, who had grown old so horribly that her only remaining tooth was a tusk that hung deeply beneath her lower lip. But she found out a bench rug for Lilly, so that the trip home she lay there in the stench of strong foods and hot machinery, stupefied with misery.
And yet, withal, a certain exultation had hold of her these strangely unreal weeks, her terror of the life about to be subdued somewhere underneath her consciousness, and each to-morrow rea.s.suringly remote.
The long unfettered days. Her own latchkey to come and go at will. The lay of those three crisp bills against her heart. Her little economies, however, grew against a day which she hardly contemplated and for which she certainly did not plan. Very often she ate in her own room, a sandwich and a bottle of milk from a corner delicatessen. She had already learned those small private economies of the petty and penny wise. The mirror-pasted handkerchief. The gas-jet-brewed egg. The hand-fluted ruching. Once, in her absence, Mrs. Neuga.s.s had pressed out her dark-brown-cloth coat suit, wrinkled from weeks in her suitcase, and which she had left hanging before the open window.
The print of these kindly people was like an indelible rubber stamp into the premises. Mr. Neuga.s.s had already presented her with a jar of Millie face cream and a preparation for cleaning kid gloves. Sundays she was invariably importuned to dine with the family, and of occasional evenings, Alma Neuga.s.s, angular and full of the k.n.o.bs of protruding neckbones, elbows, and shoulder blades, and with little sacs under her eyes as if she had wept down into them that life could be so tasteless, would knock at her door, and for an hour or two, and sometimes up to midnight, sit on the edge of Lilly's bed, the drone of their conversation surviving repeated rappings from the parental bedroom, adjoining.
There was something about Alma of an old glove just about ready to breathe out and flatten from the print of a recent hand. Fifteen years of debit and credit and days which swung with pendulum fidelity within the arc of routine had creased and dried her of sap.
The whiteness of Lilly and the swift, s.h.i.+ning, backward rush of her hair were a source of wistful and vicarious delight to her. "Whoever named you Lilly was right," she said upon one of these midnight confabs so immemoriably dear to women, when hairpins can be removed and the dig of skirt bands unhooked. "You're so snowy, and soft, too; you feel like a kitten's ear. And that s.h.i.+ning head of yours!"
"But all my life I've wanted to be blond. Sun people I call them."
"Millie is a blonde," said Miss Neuga.s.s, glancing toward one of the photographs that graced even Lilly's wall. "There's a girl was born in the sun!"
"You've been part of her sun, Miss Neuga.s.s. Your parents have told me how for eight years half of your earnings went toward her education."
"Life is a beehive, Miss Parlow," said Alma, her rather grandiloquent and apiarian simile highly inaccurate, "some of us are the drones, some the workers, and some the queens. Millie happened to be a queen."
"How can you say that? Happened! What if Napoleon had never left Corsica, or Lincoln the backwoods, or Jeanne d'Arc her village, just because they decided environment had placed them there."
"Quite right, but it is their being queens, drones, or workers determines their action."
"Well, whether or not I was born for it, I aspire to be a queen."
"Fine. Only be sure your arm is long enough to reach what you want."
"But how can I tell if I don't stretch and stretch?"
"You can't. Most of us never know when we've used up the last inch of reach, and keep on straining to touch what G.o.d or circ.u.mstance, or call it what you will, has placed beyond us."
"Yes, but it is not knowing makes us capable of hoping and striving."
"To me that is one of the tragedies of living. The hearts that pa.s.s by the jobs they are fitted for, to eat themselves out struggling to do what they think they're fitted for."
"You're a fatalist."
"Not at all. The way to know the reach of your arm is to sprain it. I sprained mine, and it wasn't until the ligaments began to pull that I had the courage to face the fact that I was made out of bookkeeper instead of concert-pianist stuff."
"You, Miss Neuga.s.s, a pianist!"
"Sounds queer to you, doesn't it?"
"What--interfered?"
"My own realization. One night before he moved from the neighborhood Doctor Feldman sent pa a pair of seats for De Pachman. I was seventeen then, and Millie seven. Ma stayed in the store and pa and I went. I remember as if it were yesterday. The concert was at Beethoven Hall and it snowed so that when we arrived I made pa slip off his shoes under the chair, for his socks to dry. I had been studying for eight years then and my teacher was arranging a recital. Strangest thing, but De Pachman played every single thing of Chopin's that I had on my own little repertoire, only under his touch it was real lace played into perfect design. I think pa must have lived through everything with me that night. He's got the finest musical instinct in the family, Millie included. We didn't say a word all the way home, but next day when I told him that I was going to business college on the money we were going to put into the recital, he didn't say a word, either. Just patted my hand. He knew! It wasn't so much a matter of technique, only when I played Nocturne in D flat a hammer inside the piano case hit a wire; when De Pachman touched those same keys a nerve kissed a heartbeat."
"Alma--Neuga.s.s! You poor--you splendid girl!"
Curled up there on the narrow bed, her bony profile against the wall and her knees hugged up to her after the manner of the excessively thin, a smile had come out on Miss Neuga.s.s's face as if the taste of renunciation were anything but bitter.
"I don't know what kind of a pianist I might have made, but I do know I've made a good bookkeeper and that a little talent took a chance on stepping aside for a bigger."
"You mean your sister?"
"There's a talent for you! Millie has a voice like one of those revolving barber poles, as round at the bottom as it is at the top, and it goes up and up seemingly without end. There never was any doubt about Millie."
"Oh, Miss Neuga.s.s, you frighten me! What if my arm is too short? Your sister's teacher, Ballman, to whom your mother sent me, says so little."
"Ballman is a great voice builder, but he doesn't concern himself with the future of his pupils. He's a dear old fogy with a single-track mind."
"What did he used to say of your sister?"
"Nothing much except that he used to call her his wonder-child and shut up like a clam when we tried to discuss her future with him. What you need now, if you're ever really going to get anywhere, is an audition."
"Audition?"
"One of the big opera directors to hear you. It's not easy to arrange at the Metropolitan. Ballman has no pull. It takes a man like Auchinloss or Trieste or one of the big guns."
"If only I could get started, Miss Neuga.s.s, on the right track!"
"I'll tell you what I'll do. When Auchinloss comes this winter I'll have him hear you. That may pave the way to something. He's the prince of them all. His judgment never fails. He's only stamped his approval on five or six, but he's never missed. They say he heard Paula Anchutz singing her baby to sleep one night as he happened to pa.s.s her cottage, and he rang her door bell."