Troublemakers. Part 1

TROUBLEMAKERS.

HARLAN ELLISON.

INTRODUCTION:

"THAT KID'S GONNA WIND.

UP IN JAIL!".

No use pretending: too many of the "young people" (whateverthat means, 46 year olds, 1013, 1520ish?) I'm thrown into contact with these days are, in the words of Daffy Duck, maroons . . .ultra maroons. Dumb, apathetic, surly, dumb, arrogant, semiliterate, dumb, disrespectful, oblivious to what's going on around them, ethically barren, dishonorable, crushed by peer pressure and tv advertising into consumer conformity, crude, dumb, slaves to the lowest manifestations of cheap c.r.a.p popular culture (as, for instance, WWF wrestling; boy bands; idiot Image comics featuring prep.u.b.escent fanboy representations of women with the vacuous stares of cheerleaders, all legs and bare b.u.t.ts, with b.r.e.a.s.t.s like casaba melons grafted to their chests at neck level; horse-trank home-made mosh-pit Xtasy kitty-flippin' dope; and Old Navy rags that make everyone look like a bag lady or wetbrain bindlestiff with a sagging pants-load), inclined to respond to even minor inconveniences with anger or violence because they've been brainwashed into believing everything they want, they ought to have, and everything ought to be given to them free, and oh yeah . . . did I mention they're dumb? Did I mention, also, that they're ignorant as a sack of doork.n.o.bs? Which ain'texactly the same as dumb.

And isn't thatexactly what you needed today, on a day that has already been as friendly as a paper cut?

Smartmouth from some total stranger 'way older than you, some guy you never heard of before, comes on fronting you with his "young people suck" riff, tripping on you before you even know what you did wrong to get this geezer so on a mission. Very nice, very cool. Yeah, you say: I gotcher cool right here.

So okay, I'm not talking aboutall teenaged kids. Just the onesyou have to deal with every day. The pinheads, the bullies, the mean little rats who laugh at you behind your back or right to your face because you're too fat or too scrawny or too tall or too short or you can't control the farts or you b.u.mp into things all the time or you got a h.e.l.luva acne plague this week or your mommy dressed you weird or you speak with an accent, or you're good at sports but the other creeps think you're just a big dumb ox, or you really like to read and you get decent grades but the jocks and sosch s.k.a.n.ks think you're the Prince of the Kingdom of Geek.

Notall "young people," just the lames who bustyour chops. Yeah, all of 'em . . . they should itch forever with no scratch available. They should break a leg or two.

When I was your age, they were on me, too.

That'swho this guy snarling at you claims to be. The kid who was there, same place as you, before you got here. And I've got this book of stories that definitely won't save your life, or get you off crystal-meth, or turn your academic slide into a climb back up, or even clear up your acne.

It's a book about some of the kinds of trouble we all get into. The stuff that seems to be a good idea at the time, but turns out to be six months in rehab or a beef in the juvie hall of your choice. Trouble has been my middle name since I was two - three years old. Yeah, that far back, I was the one they always swore was gonna wind up in jail or lying in a gutter with UPS trucks splas.h.i.+ng garbage and mud on my wretched carca.s.s. Well, it didn't happen. I've got fame and money, and skill, and a great wife, and a boss home now they ask me to put together a book for youse guys.

Well, imagine my surprise. Not to mention my nervousness. I do a lot of high school and college lecturing, and it's not at all like what it was, h.e.l.l, eventen years ago. Today, when I confront an audience of "young people" I get more mood 'n' tude than a serial killer trying to cop a plea. So, like a jerk, I get really honked at them and start insulting the audience.

And here's whatreally fries my frijoles . . .

Theytake it!They don't learn from it, they don't get openly upset by it, they just sit there and pout like babies. And so, I've packed it in, pretty much. Not like it was when I did colleges in the '60s and '70s, when everyone was questioning and smart about what was happening in this country, when "young people"

really had things to rebel against, instead of being upset that they're not allowed to play their Gameboy in cla.s.s.

So here's this book of weird little stories, something like a modern-day version of Aesop's Fables, except not really. A book of warnings, what we call "gardyloos." With lessons to be learned that come out of my own corrupt and devilish adolescence.

Careful, though. Gardyloo! I am n.o.body's here, and I am as fu-- well, you know what I mean, I'm as messed up as you. So read the stories for pleasure, and if they make you grin or scare you a little, and you turn out okay as an adult, and you get rich . . . send me some money.

Because I'm just a poor old guy trying to make a spa.r.s.e living in a world full of "young people" who are smarter than I, cleverer than I, faster than I; and I'm just about on the verge of becoming like y'know a "bag lady" kind of guy, gnawing the heads off rats, peeing in doorways, begging from door to door. So, when these stories make you rich and famous, and they've just completely like y'knowaltered your life, send me a couple of bucks.

Because I love you folks, you know that, doncha?

I just love ya.

(And while we're at it, I'd like to sell you some shares in the Panda Farm I've got growing in my b.u.t.t.

Very reasonable.) Yr. pal, Harlan.

HARLAN ELLISON.

Sherman Oaks, California

ON THE DOWNHILL SIDE.

Here's one of the few Secret Truths I've learned for certain, having been "on the road" since I was thirteen and ran away. (Had nothing to do with my folks; they didn't beat me; I was a restless kid, wanted to see the world.) The Truth is this: most of the reasons we give for having done something or other, usually something that got us yelled at or grounded or busted, most of the reasons we dream up are horse-puckey. (I'd use the B-word, but libraries are going to be stocking this book.) All those reasons and excuses are just lame rationalizations, and they only tick off the people yelling at you. So s.h.i.+ne 'em on. Forget them. The only reason that makes any sense is "Itseemed like a good idea at the time." Lame though it may be, it's the Truth. "Why did you bust that window?" Itseemed like a good idea at the time. "Why did you get hung up on that guy/girl when you knew it was a destructive hookup?"

Itseemed like a good idea at the time. "Why did you do that lump of crack?" Itseemed . . . well, you get it. Too bad the guy in this first story didn't get it, because the True Answer to why you fell in love with someone who ranked & hurt you is . . . itseemed like . . .

In love, there is always one who kisses and one who offers the cheek.

- French proverbIknew she was a virgin because she was able to ruffle the silken mane of my unicorn. Named Lizette, she was a Grecian temple in which no sacrifice had ever been made. Vestal virgin of New Orleans, found walking without shadow in the thankG.o.d coolness of c.o.c.kroach-crawling Louisiana night. My unicorn whinnied, inclined his head, and she stroked the ivory spiral of his horn.

Much of this took place in what is called the Irish Channel, a strip of street in old New Orleans where the lace curtain micks had settled decades before; now the Irish were gone and the Cubans had taken over the Channel. Now the Cubans were sleeping, recovering from the muggy today that held within its hours thedeja vu of muggy yesterday, thedeja reve of intolerable tomorrow. Now the crippled bricks of side streets off Magazine had given up their nightly ghosts, and one such phantom had come to me, calling my unicorn to her - thus, clearly, a virgin - and I stood waiting.

Had it been Sutton Place, had it been a Manhattan evening, and had we met, she would have kneeled to pet my dog. And I would have waited. Had it been Puerto Vallarta, had it been 20 36' N, 105 13' W, and had we met, she would have crouched to run her fingertips over the oil-slick hide of my iguana. And I would have waited. Meeting in streets requires ritual. One must wait and not breathe too loud, if one is to enjoy the congress of the nightly ghosts.

She looked across the fine head of my unicorn and smiled at me. Her eyes were a shade of gray between onyx and miscalculation. "Is it a bit chilly for you?" I asked.

"When I was thirteen," she said, linking my arm, taking a tentative two steps that led me with her, up the street, "or perhaps I was twelve, well no matter, when I was that approximate age, I had a marvelous shawl of Belgian lace. I could look through it and see the mysteries of the sun and the other stars unriddled. I'm sure someone important and very nice has purchased that shawl from an antique dealer, and paid handsomely for it."

It seemed not a terribly responsive reply to a simple question.

"A queen of the Mardi Gras Ball doesn't get chilly," she added, unasked. I walked along beside her, the cool evasiveness of her arm binding us, my mind a welter of answer choices, none satisfactory.

Behind us, my unicorn followed silently. Well, not entirely silently. His platinum hoofs clattered on the bricks. I'm afraid I felt a straight pin of jealousy. Perfection does that to me.

"When were you queen of the Ball?"

The date she gave me was one hundred and thirteen years before.

It must have been brutally cold down there in the stones.

There is a little book they sell, a guide to manners and dining in New Orleans: I've looked: nowhere in the book do they indicate the proper responses to a ghost. But then, it says nothing about the wonderful cemeteries of New Orleans' West Bank, or Metairie. Or the gourmet dining at such locations. One seeks, in vain, through the mutable, mercurial universe, for the compleat guide. To everything. And, failing in the search, one makes do the best one can. And suffers the frustration, suffers the ennui.

Perfection does that to me.

We walked for some time, and grew to know each other, as best we'd allow. These are some of the high points. They lack continuity. I don't apologize, I merely point it out, adding with some truth, I feel, that most liaisons lack continuity. We find ourselves in odd places at various times, and for a brief span we link our lives to others - even as Lizette had linked her arm with mine - and then, our time elapsed, wemove apart. Through a haze of pain occasionally; usually through a veil of memory that clings, then pa.s.ses; sometimes as though we have never touched.

"My name is Paul Ordahl," I told her. "And the most awful thing that ever happened to me was my first wife, Bernice. I don't know how else to put it - even if it sounds melodramatic, it's simply what happened - she went insane, and I divorced her, and her mother had her committed to a private mental home."

"When I was eighteen," Lizette said, "my family gave me my coming-out party. We were living in the Garden District, on Prytania Street. The house was a lovely white Plantation - they call them antebellum now - with Grecian pillars. We had a persimmon-green gazebo in the rear gardens, directly beside a weeping willow. It was six-sided. Octagonal. Or is that hexagonal? It was the loveliest party. And while it was going on, I sneaked away with a boy . . . I don't remember his name . . . and we went into the gazebo, and I let him touch my b.r.e.a.s.t.s. I don't remember his name."

We were on Decatur Street, walking toward the French Quarter; the Mississippi was on our right, dark but making its presence known.

"Her mother was the one had her committed, you see. I only heard from them twice after the divorce. It had been four stinking years and I really didn't want any more of it. Once, after I'd started making some money, the mother called and said Bernice had to be put in the state asylum. There wasn't enough money to pay for the private home any more. I sent a little; not much. I suppose I could have sent more, but I was remarried, there was a child from her previous marriage. I didn't want to send any more. I told the mother not to call me again. There was only once after that . . . it was the most terrible thing that ever happened to me."

We walked around Jackson Square, looking in at the very black gra.s.s, reading the plaques bolted to the spear-topped fence, plaques telling how New Orleans had once belonged to the French. We sat on one of the benches in the street. The street had been closed to traffic, and we sat on one of the benches.

"Our name was Charbonnet. Can you say that?"

I said it, with a good accent.

"I married a very wealthy man. He was in real estate. At one time he owned the entire block where the Vieux Carre now stands, on Bourbon Street. He admired me greatly. He came and sought my hand, and mymaman had to strike the bargain because my father was too weak to do it; he drank. I can admit that now. But it didn't matter, I'd already found out how my suitor was set financially. He wasn't common, but he wasn't quality, either. But he was wealthy and I married him. He gave me presents. I did what I had to do. But I refused to let him make love to me after he became friends with that awful Jew who built the Metairie Cemetery over the race track because they wouldn't let him race his Jew horses.

My husband's name was Dunbar. Claude Dunbar, you may have heard the name? Our parties werede rigueur ."

"Would you like some coffee andbeignets at du Monde?"

She stared at me for a moment, as though she wanted me to say something more, then she nodded and smiled.

We walked around the Square. My unicorn was waiting at the curb. I scratched his rainbow flank and he struck a spark off the cobblestones with his right front hoof. "I know," I said to him, "we'll soon start the downhill side. But not just yet. Be patient. I won't forget you."Lizette and I went inside the Cafe du Monde and I ordered two coffees with warm milk and two orders...o...b..ignets from a waiter who was originally from New Jersey but had lived most of his life only a few miles from College Station, Texas.

There was a coolness coming off the levee.

"I was in New York," I said. "I was receiving an award at an architects' convention - did I mention I was an architect - yes, that's what I was at the time, an architect - and I did a television interview.

The mother saw me on the program, and checked the newspapers to find out what hotel we were using for the convention, and she got my room number and called me. I had been out quite late after the banquet where I'd gotten my award, quite late. I was sitting on the side of the bed, taking off my shoes, my tuxedo tie hanging from my unb.u.t.toned collar, getting ready just to throw clothes on the floor and sink away, when the phone rang. It was the mother. She was a terrible person, one of the worst I ever knew, a shrike, a terrible, just a terrible person. She started telling me about Bernice in the asylum. How they had her in this little room and how she stared out the window most of the time. She'd reverted to childhood, and most of the time she couldn't even recognize the mother; but when she did, she'd say something like, 'Don't let them hurt me, Mommy, don't let them hurt me.' So I asked her what she wanted me to do, did she want money for Bernice or what . . . did she want me to go see her since I was in New York . . . and she said G.o.d no. And then she did an awful thing to me. She said the last time she'd been to see Bernice, my ex-wife had turned around and put her finger to her lips and said, 'Shhh, we have to be very quiet. Paul is working.' And I swear, a snake uncoiled in my stomach. It was the most terrible thing I'd ever heard. No matter how secure you are that you honest to G.o.d hadnot sent someone to a madhouse, there's always that little core of doubt, and saying what she'd said just burned out my head. I couldn't even think about it, couldn't even reallyhear it, or it would have collapsed me.

So down came these iron walls and I just kept on talking, and after a while she hung up.

"It wasn't till two years later that I allowed myself to think about it, and then I cried; it had been a long time since I'd cried. Oh, not because I believed that nonsense about a man isn't supposed to cry, but just because I guess there hadn't been anything that important to cryabout . But when I let myself hear what she'd said, I started crying, and just went on and on till I finally went in and looked into the bathroom mirror and I asked myself, face-to-face, if I'd done that, if I'd ever made her be quiet so I could work on blueprints or drawings . . .

"And after a while I saw myself shaking my head no, and it was easier. That was perhaps three years before I died."

She licked the powdered sugar from thebeignets off her fingers, and launched into a long story about a lover she had taken. She didn't remember his name.

It was sometime after midnight. I'd thought midnight would signal the start of the downhill side, but the hour had pa.s.sed, and we were still together, and she didn't seem ready to vanish. We left the Cafe du Monde and walked into the Quarter.

I despise Bourbon Street. The strip joints, with the pasties over nipples, the smell of need, the dwarfed souls of men attuned only to flesh. The noise.

We walked through it like art connoisseurs at a showing of motel room paintings. She continued to talk about her life, about the men she had known, about the way they had loved her, the ways in which she had spurned them, and about the trivia of her past existence. I continued to talk about my loves, about all the women I had held dear in my heart for however long each had been linked with me. We talked across each other, our conversation at right angles, only meeting in the intersections of silence at story's end.She wanted a julep and I took her to the Royal Orleans Hotel and we sat in silence as she drank. I watched her, studying that phantom face, seeking for even the smallest flicker of light off the ice in her eyes, hoping for an indication that glacial melting could be forthcoming. But there was nothing, and I burned to say correct words that might cause heat. She drank and reminisced about evenings with young men in similar hotels, a hundred years before.

We went to a night club where a flamenco dancer and his two-woman troupe performed on a stage of unpolished woods, their star-s.h.i.+ning black shoes setting up resonances in me that I chose to ignore.

Then I realized there were only three couples in the club, and that the extremely pretty flamenco dancer was playing to Lizette. He gripped the lapels of his bolero jacket and clattered his heels against the stage like a man driving nails. She watched him, and her tongue made a wholly obvious flirtatious trip around the rim of her liquor gla.s.s. There was a two-drink minimum, and as I have never liked the taste of alcohol, she was more than willing to prevent waste by drinking mine as well as her own. Whether she was getting drunk or simply indulging herself, I do not know. It didn't matter. I became blind with jealousy, and dragons took possession of my eyes.

When the dancer was finished, when his half hour show was concluded, he came to our table. His suit was skintight and the color of Arctic lakes. His hair was curly and moist from his exertions, and his prettiness infuriated me. There was a scene. He asked her name, I interposed a comment, he tried to be polite, sensing my ugly mood, she overrode my comment, he tried again in Castilian,th -ing hisesses , she answered, I rose and shoved him, there was a scuffle. We were asked to leave.

Once outside, she walked away from me.

My unicorn was at the curb, eating from a porcelainSevres soup plate filled withflan . I watched her walk unsteadily up the street toward Jackson Square. I scratched my unicorn's neck and he stopped eating the egg custard. He looked at me for a long moment. Ice crystals were sparkling in his mane.

We were on the downhill side.

"Soon, old friend," I said.

He dipped his elegant head toward the plate. "I see you've been to the Las Americas. When you return the plate, give my best toSenor Pena."

I followed her up the street. She was walking rapidly toward the Square. I called to her, but she wouldn't stop. She began dragging her left hand along the steel bars of the fence enclosing the Square. Her fingertips thudded softly from bar to bar, and once I heard the chitinousclak of a manicured nail.

"Lizette!"

She walked faster, dragging her hand across the dark metal bars.

"Lizette! d.a.m.n it!"

I was reluctant to run after her; it was somehow terribly demeaning. But she was getting farther and farther away. There were b.u.ms in the Square, sitting slouched on the benches, their arms out along the backs. Itinerants, kids with beards and knapsacks. I was suddenly frightened for her. Impossible. She had been dead for a hundred years. There was no reason for it . . . I was afraid for her!

I started running, the sound of my footsteps echoing up and around the Square. I caught her at the corner and dragged her around. She tried to slap me, and I caught her hand. She kept trying to hit me, to scratch my face with the manicured nails. I held her and swung her away from me, swung her around,and around, dizzyingly, trying to keep her off-balance. She swung wildly, crying out and saying things inarticulately. Finally, she stumbled and I pulled her in to me and held her tight against my body.

"Stop it! Stop, Lizette! I . . .stop it! " She went limp against me and I felt her crying against my chest. I took her into the shadows and my unicorn came down Decatur Street and stood under a streetlamp, waiting.

The chimera winds rose. I heard them, and knew we were well on the downhill side, that time was growing short. I held her close and smelled the woodsmoke scent of her hair. "Listen to me," I said, softly, close to her. "Listen to me, Lizette. Our time's almost gone. This is our last chance. You've lived in stone for a hundred years; I've heard you cry. I've come there, to that place, night after night, and I've heard you cry. You've paid enough, G.o.d knows. So have I. We cando it. We've got one more chance, and we can make it, if you'll try. That's all I ask. Try."

She pushed away from me, tossing her head so the auburn hair swirled away from her face. Her eyes were dry. Ghosts can do that. Cry without making tears. Tears are denied us. Other things; I won't talk of them here.

"I lied to you," she said.

I touched the side of her face. The high cheekbone just at the hairline. "I know. My unicorn would never have let you touch him if you weren't pure. I'm not, but he has no choice with me. He was a.s.signed to me. He's my familiar and he puts up with me. We're friends."

"No. Other lies. My life was a lie. I've told them all to you. We can't make it. You have to let me go."

I didn't know exactly where, but I knew how it would happen. I argued with her, trying to convince her there was a way for us. But she couldn't believe it, hadn't the strength or the will or the faith. Finally, I let her go.

She put her arms around my neck, and drew my face down to hers, and she held me that way for a few moments. Then the winds rose, and there were sounds in the night, the sounds of calling, and she left me there, in the shadows.

I sat down on the curb and thought about the years since I'd died. Years without much music. Light leached out. Wandering. Nothing to pace me but memories and the unicorn. How sad I was forhim ; a.s.signed to me till I got my chance. And now it had come and I'd taken my best go, and failed.

Lizette and I were the two sides of the same coin; devalued and impossible to spend. Legal tender of nations long since vanished, no longer even names on the cracked papyrus of cartographers' maps. We had been s.n.a.t.c.hed away from final rest, had been set adrift to roam for our crimes, and only once between death and eternity would we receive a chance. This night . . . this nothing-special night . . . this was our chance.

My unicorn came to me, then, and brushed his muzzle against my shoulder. I reached up and scratched around the base of his spiral horn, his favorite place. He gave a long, silvery sigh, and in that sound I heard the sentence I was serving on him, as well as myself. We had been linked, too. a.s.signed to one another by the One who had ordained this night's chance. But if I lost out, so did my unicorn; he who had wandered with me through all the soundless, lightless years.

I stood up. I was by no means ready to do battle, but at least I could stay in for the full ride . . . all the way on the downhill side. "Do you know where they are?"My unicorn started off down the street.

I followed, hopelessness warring with frustration. Dusk to dawn is the full ride, the final chance. After midnight is the downhill side. Time was short, and when time ran out there would be nothing for Lizette or me or my unicornbut time. Forever.

When we pa.s.sed the Royal Orleans Hotel I knew where we were going. The sound of the Quarter had already faded. It was getting on toward dawn. The human lice had finally crawled into their flesh-mounds to sleep off the night of revelry. Though I had never experienced directly the New Orleans in which Lizette had grown up, I longed for the power to blot out the cancerous blight that Bourbon Street and the Quarter had become, with its tourist filth and screaming neon, to restore it to the colorful yet healthy state in which it had thrived a hundred years before. But I was only a ghost, not one of the G.o.ds with such powers, and at that moment I was almost at the end of the line held by one of those G.o.ds.

My unicorn turned down dark streets, heading always in the same general direction, and when I saw the first black shapes of the tombstones against the night sky, thelightening night sky, I knew I'd been correct in my a.s.sumption of destination.