One-Act Plays Part 31

PIERROT. Wouldn't I? Give me all the money in the world and I'll risk it. To start with, I'd build schools to educate the people up to high-cla.s.s things.

MANUFACTURER. You dream of fame and wealth and empty ideals, and you miss all the best things there are. You are discontented. Why? Because you don't know how to be happy.

PIERROT [_reciting_]:

"Life's a running brooklet, Catch the fishes there, You who wrote a booklet On a woman's hair."

[_Explaining._] That's another song I'm writing. It's the second verse. Things come to me all of a sudden like that. I must run out a third verse, just to wind it up.

MANUFACTURER. Why don't you write a song without any end, one that goes on for ever?

PIERROT. I say, that's rather silly, isn't it?

MANUFACTURER. It all depends. For a song of that sort the singer must be always happy.

PIERROT. That wants a bit of doing in my line.

MANUFACTURER. Shall you and I transact a little business?

PIERROT. By all means. What seats would you like? There are the front rows covered in velvet, one s.h.i.+lling; wooden benches behind, sixpence; and, right at the back, the twopenny part. But, of course, you'll have s.h.i.+lling ones. How many shall we say?

MANUFACTURER. You don't know who I am.

PIERROT. That makes no difference. All are welcome, and we thank you for your courteous attention.

MANUFACTURER. Pierrot, I am a maker of dreams.

PIERROT. A what?

MANUFACTURER. I make all the dreams that float about this musty world.

PIERROT. I say, you'd better have a rest for a bit. I expect you're a trifle done up.

MANUFACTURER. Pierrot, Pierrot, your superior mind can't tumble to my calling. A child or one of the "people" would in a moment. I am a maker of dreams, little things that glide about into people's hearts and make them glad. Haven't you often wondered where the swallows go to in the autumn? They come to my workshop, and tell me who wants a dream, and what happened to the dreams they took with them in the spring.

PIERROT. Oh, I say, you can't expect me to believe that.

MANUFACTURER. When flowers fade, have you never wondered where their colors go to, or what becomes of all the b.u.t.terflies in the winter?

There isn't much winter about my workshop.

PIERROT. I had never thought of it before.

MANUFACTURER. It's a kind of lost property office, where every beautiful thing that the world has neglected finds its way. And there I make my celebrated dream, the dream that is called "love."

PIERROT. Ho! ho! Now we're talking.

MANUFACTURER. You don't believe in it?

PIERROT. Yes, in a way. But it doesn't last. It doesn't last. If there is form, there isn't soul, and, if there is soul, there isn't form.

Oh, I've tried hard enough to believe it, but, after the first wash, the colors run.

MANUFACTURER. You only got hold of a subst.i.tute. Wait until you see the genuine article.

PIERROT. But how is one to tell it?

MANUFACTURER. There are heaps of signs. As soon as you get the real thing, your shoulder-blades begin to tingle. That's love's wings sprouting. And, next, you want to soar up among the stars and sit on the roof of heaven and sing to the moon. Of course, that's because I put such a lot of the moon into my dreams. I break bits off until it's nearly all gone, and then I let it grow big again. It grows very quickly, as I dare say you've noticed. After a fortnight it is ready for use once more.

PIERROT. This is most awfully fascinating. And do the swallows bring all the dreams?

MANUFACTURER. Not always; I have other messengers. Every night when the big clock strikes twelve, a day slips down from the calendar, and runs away to my workshop in the Land of Long Ago. I give him a touch of scarlet and a gleam of gold, and say, "Go back, little Yesterday, and be a memory in the world." But my best dreams I keep for to-day. I buy babies, and fit them up with a dream, and then send them complete and carriage paid ... in the usual manner.

PIERROT. I've been dreaming all my life, but they've always been dreams I made myself. I suppose I don't mix 'em properly.

MANUFACTURER. You leave out the very essence of them. You must put in a little sorrow, just to take away the over-sweetness. I found that out very soon, so I took a little of the fresh dew that made pearls in the early morning, and I sprinkled my dreams with the gift of tears.

PIERROT [_ecstatically_]. The gift of tears! How beautiful! You know, I should rather like to try a real one. Not one of my own making.

MANUFACTURER. Well, there are plenty about, if you only look for them.

PIERROT. That is all very well, but who's going to look about for stray dreams?

MANUFACTURER. I once made a dream that would just suit you. I slipped it inside a baby. That was twenty years ago, and the baby is now a full-grown woman, with great blue eyes and fair hair.

PIERROT. It's a lot of use merely telling me about her.

MANUFACTURER. I'll do more. When I s.h.i.+pped her to the world, I kept the bill of lading. Here it is. You shall have it.

PIERROT. Thanks, but what's the good of it?

MANUFACTURER. Why, the holder of that is able to claim the goods; you will notice it contains a complete description, too. I promise you, you're in luck.

PIERROT. Has she red cheeks and a string of great beads?

MANUFACTURER. No.

PIERROT. Ah, then it is not she. Where shall I find her?

MANUFACTURER. That's for you to discover. All you have to do is to search.

PIERROT. I'll start at once. [_He moves as if to go._]

MANUFACTURER. I shouldn't start out to-night.

PIERROT. But I want to find her soon. Somebody else may find her before me.

MANUFACTURER. Pierrot, there was once a man who wanted to gather mushrooms.

PIERROT [_annoyed at the commonplace_]. Mushrooms!