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Four Short Stories By Emile Zola Part 21

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"Good heavens, how hot it is here!" he said. "How do you manage to live in such a temperature, madame?"

And conversation was about to ensue on this topic when noisy voices were heard at the dressing-room door. Bordenave drew back the slide over a grated peephole of the kind used in convents. Fontan was outside with Prulliere and Bosc, and all three had bottles under their arms and their hands full of gla.s.ses. He began knocking and shouting out that it was his patron saint's day and that he was standing champagne round. Nana consulted the prince with a glance. Eh! Oh dear, yes! His Highness did not want to be in anyone's way; he would be only too happy! But without waiting for permission Fontan came in, repeating in baby accents:

"Me not a cad, me pay for champagne!"

Then all of a sudden he became aware of the prince's presence of which he had been totally ignorant. He stopped short and, a.s.suming an air of farcical solemnity, announced:

"King Dagobert is in the corridor and is desirous of drinking the health of His Royal Highness."

The prince having made answer with a smile, Fontan's sally was voted charming. But the dressing room was too small to accommodate everybody, and it became necessary to crowd up anyhow, Satin and Mme Jules standing back against the curtain at the end and the men cl.u.s.tering closely round the half-naked Nana. The three actors still had on the costumes they had been wearing in the second act, and while Prulliere took off his Alpine admiral's c.o.c.ked hat, the huge plume of which would have knocked the ceiling, Bosc, in his purple cloak and tinware crown, steadied himself on his tipsy old legs and greeted the prince as became a monarch receiving the son of a powerful neighbor. The gla.s.ses were filled, and the company began clinking them together.

"I drink to Your Highness!" said ancient Bosc royally.

"To the army!" added Prulliere.

"To Venus!" cried Fontan.

The prince complaisantly poised his gla.s.s, waited quietly, bowed thrice and murmured:

"Madame! Admiral! Your Majesty!"

Then he drank it off. Count m.u.f.fat and the Marquis de Chouard had followed his example. There was no more jesting now--the company were at court. Actual life was prolonged in the life of the theater, and a sort of solemn farce was enacted under the hot flare of the gas. Nana, quite forgetting that she was in her drawers and that a corner of her s.h.i.+ft stuck out behind, became the great lady, the queen of love, in act to open her most private palace chambers to state dignitaries. In every sentence she used the words "Royal Highness" and, bowing with the utmost conviction, treated the masqueraders, Bosc and Prulliere, as if the one were a sovereign and the other his attendant minister. And no one dreamed of smiling at this strange contrast, this real prince, this heir to a throne, drinking a petty actor's champagne and taking his ease amid a carnival of G.o.ds, a masquerade of royalty, in the society of dressers and courtesans, shabby players and showmen of venal beauty. Bordenave was simply ravished by the dramatic aspects of the scene and began dreaming of the receipts which would have accrued had His Highness only consented thus to appear in the second act of the Blonde Venus.

"I say, shall we have our little women down?" he cried, becoming familiar.

Nana would not hear of it. But notwithstanding this, she was giving way herself. Fontan attracted her with his comic make-up. She brushed against him and, eying him as a woman in the family way might do when she fancies some unpleasant kind of food, she suddenly became extremely familiar:

"Now then, fill up again, ye great brute!"

Fontan charged the gla.s.ses afresh, and the company drank, repeating the same toasts.

"To His Highness!"

"To the army!"

"To Venus!"

But with that Nana made a sign and obtained silence. She raised her gla.s.s and cried:

"No, no! To Fontan! It's Fontan's day; to Fontan! To Fontan!"

Then they clinked gla.s.ses a third time and drank Fontan with all the honors. The prince, who had noticed the young woman devouring the actor with her eyes, saluted him with a "Monsieur Fontan, I drink to your success!" This he said with his customary courtesy.

But meanwhile the tail of his highness's frock coat was sweeping the marble of the dressing table. The place, indeed, was like an alcove or narrow bathroom, full as it was of the steam of hot water and sponges and of the strong scent of essences which mingled with the tartish, intoxicating fumes of the champagne. The prince and Count m.u.f.fat, between whom Nana was wedged, had to lift up their hands so as not to brush against her hips or her breast with every little movement. And there stood Mme Jules, waiting, cool and rigid as ever, while Satin, marveling in the depths of her vicious soul to see a prince and two gentlemen in black coats going after a naked woman in the society of dressed-up actors, secretly concluded that fas.h.i.+onable people were not so very particular after all.

But Father Barillot's tinkling bell approached along the pa.s.sage. At the door of the dressing room he stood amazed when he caught sight of the three actors still clad in the costumes which they had worn in the second act.

"Gentlemen, gentlemen," he stammered, "do please make haste. They've just rung the bell in the public foyer."

"Bah, the public will have to wait!" said Bordenave placidly.

However, as the bottles were now empty, the comedians went upstairs to dress after yet another interchange of civilities. Bosc, having dipped his beard in the champagne, had taken it off, and under his venerable disguise the drunkard had suddenly reappeared. His was the haggard, empurpled face of the old actor who has taken to drink. At the foot of the stairs he was heard remarking to Fontan in his boozy voice:

"I pulverized him, eh?"

He was alluding to the prince.

In Nana's dressing room none now remained save His Highness, the count and the marquis. Bordenave had withdrawn with Barillot, whom he advised not to knock without first letting Madame know.

"You will excuse me, gentlemen?" asked Nana, again setting to work to make up her arms and face, of which she was now particularly careful, owing to her nude appearance in the third act.

The prince seated himself by the Marquis de Chouard on the divan, and Count m.u.f.fat alone remained standing. In that suffocating heat the two gla.s.ses of champagne they had drunk had increased their intoxication.

Satin, when she saw the gentlemen thus closeting themselves with her friend, had deemed it discreet to vanish behind the curtain, where she sat waiting on a trunk, much annoyed at being compelled to remain motionless, while Mme Jules came and went quietly without word or look.

"You sang your numbers marvelously," said the prince.

And with that they began a conversation, but their sentences were short and their pauses frequent. Nana, indeed, was not always able to reply.

After rubbing cold cream over her arms and face with the palm of her hand she laid on the grease paint with the corner of a towel. For one second only she ceased looking in the gla.s.s and smilingly stole a glance at the prince.

"His Highness is spoiling me," she murmured without putting down the grease paint.

Her task was a complicated one, and the Marquis de Chouard followed it with an expression of devout enjoyment. He spoke in his turn.

"Could not the band accompany you more softly?" he said. "It drowns your voice, and that's an unpardonable crime."

This time Nana did not turn round. She had taken up the hare's-foot and was lightly manipulating it. All her attention was concentrated on this action, and she bent forward over her toilet table so very far that the white round contour of her drawers and the little patch of chemise stood out with the unwonted tension. But she was anxious to prove that she appreciated the old man's compliment and therefore made a little swinging movement with her hips.

Silence reigned. Mme Jules had noticed a tear in the right leg of her drawers. She took a pin from over her heart and for a second or so knelt on the ground, busily at work about Nana's leg, while the young woman, without seeming to notice her presence, applied the rice powder, taking extreme pains as she did so, to avoid putting any on the upper part of her cheeks. But when the prince remarked that if she were to come and sing in London all England would want to applaud her, she laughed amiably and turned round for a moment with her left cheek looking very white amid a perfect cloud of powder. Then she became suddenly serious, for she had come to the operation of rouging. And with her face once more close to the mirror, she dipped her finger in a jar and began applying the rouge below her eyes and gently spreading it back toward her temples. The gentlemen maintained a respectful silence.

Count m.u.f.fat, indeed, had not yet opened his lips. He was thinking perforce of his own youth. The bedroom of his childish days had been quite cold, and later, when he had reached the age of sixteen and would give his mother a good-night kiss every evening, he used to carry the icy feeling of the embrace into the world of dreams. One day in pa.s.sing a half-open door he had caught sight of a maidservant was.h.i.+ng herself, and that was the solitary recollection which had in any way troubled his peace of mind from the days of p.u.b.erty till the time of marriage.

Afterward he had found his wife strictly obedient to her conjugal duties but had himself felt a species of religious dislike to them. He had grown to man's estate and was now aging, in ignorance of the flesh, in the humble observance of rigid devotional practices and in obedience to a rule of life full of precepts and moral laws. And now suddenly he was dropped down in this actress's dressing room in the presence of this undraped courtesan.

He, who had never seen the Countess m.u.f.fat putting on her garters, was witnessing, amid that wild disarray of jars and basins and that strong, sweet perfume, the intimate details of a woman's toilet. His whole being was in turmoil; he was terrified by the stealthy, all-pervading influence which for some time past Nana's presence had been exercising over him, and he recalled to mind the pious accounts of diabolic possession which had amused his early years. He was a believer in the devil, and, in a confused kind of way, Nana was he, with her laughter and her bosom and her hips, which seemed swollen with many vices. But he promised himself that he would be strong--nay, he would know how to defend himself.

"Well then, it's agreed," said the prince, lounging quite comfortably on the divan. "You will come to London next year, and we shall receive you so cordially that you will never return to France again. Ah, my dear Count, you don't value your pretty women enough. We shall take them all from you!"

"That won't make much odds to him," murmured the Marquis de Chouard wickedly, for he occasionally said a risky thing among friends. "The count is virtue itself."

Hearing his virtue mentioned, Nana looked at him so comically that m.u.f.fat felt a keen twinge of annoyance. But directly afterward he was surprised and angry with himself. Why, in the presence of this courtesan, should the idea of being virtuous embarra.s.s him? He could have struck her. But in attempting to take up a brush Nana had just let it drop on the ground, and as she stooped to pick it up he rushed forward. Their breath mingled for one moment, and the loosened tresses of Venus flowed over his hands. But remorse mingled with his enjoyment, a kind of enjoyment, moreover, peculiar to good Catholics, whom the fear of h.e.l.l torments in the midst of their sin.

At this moment Father Barillot's voice was heard outside the door.

"May I give the knocks, madame? The house is growing impatient."

"All in good time," answered Nana quietly.

She had dipped her paint brush in a pot of kohl, and with the point of her nose close to the gla.s.s and her left eye closed she pa.s.sed it delicately along between her eyelashes. m.u.f.fat stood behind her, looking on. He saw her reflection in the mirror, with her rounded shoulders and her bosom half hidden by a rosy shadow. And despite all his endeavors he could not turn away his gaze from that face so merry with dimples and so worn with desire, which the closed eye rendered more seductive. When she shut her right eye and pa.s.sed the brush along it he understood that he belonged to her.

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Four Short Stories By Emile Zola Part 21 summary

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