The Descent of Man and Other Stories Part 31

Mrs. Quentin shook her head sadly, and the girl, gaining courage from this mute negation, cried with an uncontrollable escape of feeling:

"It's because you thought me hard, obstinate narrow-minded? Oh, I understand that so well! My self-righteousness must have seemed so petty! A girl who could sacrifice a man's future to her own moral vanity--for it _was_ a form of vanity; you showed me that plainly enough--how you must have despised me! But I am not that girl now--indeed I'm not. I'm not impulsive--I think things out. I've thought this out. I know Alan loves me--I know _how_ he loves me--and I believe I can help him--oh, not in the ways I had fancied before--but just merely by loving him." She paused, but Mrs. Quentin made no sign.

"I see it all so differently now. I see what an influence love itself may be--how my believing in him, loving him, accepting him just as he is, might help him more than any theories, any arguments. I might have seen this long ago in looking at _you_--as he often told me--in seeing how you'd kept yourself apart from--from--Mr. Quentin's work and his--been always the beautiful side of life to them--kept their faith alive in spite of themselves--not by interfering, preaching, reforming, but by--just loving them and being there--" She looked at Mrs. Quentin with a simple n.o.bleness. "It isn't as if I cared for the money, you know; if I cared for that, I should be afraid--"

"You will care for it in time," Mrs. Quentin said suddenly.

Miss Fenno drew back, releasing her hand. "In time?"

"Yes; when there's nothing else left." She stared a moment at the pictures. "My poor child," she broke out, "I've heard all you say so often before!"

"You've heard it?"

"Yes--from myself. I felt as you do, I argued as you do, I acted as I mean to prevent your doing, when I married Alan's father."

The long empty gallery seemed to reverberate with the girl's startled exclamation--"Oh, Mrs. Quentin--"

"Hush; let me speak. Do you suppose I'd do this if you were the kind of pink-and-white idiot he ought to have married? It's because I see you're alive, as I was, tingling with beliefs, ambitions, energies, as I was--that I can't see you walled up alive, as I was, without stretching out a hand to save you!" She sat gazing rigidly forward, her eyes on the pictures, speaking in the low precipitate tone of one who tries to press the meaning of a lifetime into a few breathless sentences.

"When I met Alan's father," she went on, "I knew nothing of his--his work. We met abroad, where I had been living with my mother. That was twenty-six years ago, when the _Radiator_ was less--less notorious than it is now. I knew my husband owned a newspaper--a great newspaper--and nothing more. I had never seen a copy of the _Radiator_; I had no notion what it stood for, in politics--or in other ways. We were married in Europe, and a few months afterward we came to live here.

People were already beginning to talk about the _Radiator_. My husband, on leaving college, had bought it with some money an old uncle had left him, and the public at first was merely curious to see what an ambitious, stirring young man without any experience of journalism was going to make out of his experiment. They found first of all that he was going to make a great deal of money out of it. I found that out too. I was so happy in other ways that it didn't make much difference at first; though it was pleasant to be able to help my mother, to be generous and charitable, to live in a nice house, and wear the handsome gowns he liked to see me in. But still it didn't really count--it counted so little that when, one day, I learned what the _Radiator_ was, I would have gone out into the streets barefooted rather than live another hour on the money it brought in...." Her voice sank, and she paused to steady it. The girl at her side did not speak or move. "I shall never forget that day," she began again. "The paper had stripped bare some family scandal--some miserable bleeding secret that a dozen unhappy people had been struggling to keep out of print--that _would_ have been kept out if my husband had not--Oh, you must guess the rest!

I can't go on!"

She felt a hand on hers. "You mustn't go on, Mrs. Quentin," the girl whispered.

"Yes, I must--I must! You must be made to understand." She drew a deep breath. "My husband was not like Alan. When he found out how I felt about it he was surprised at first--but gradually he began to see--or at least I fancied he saw--the hatefulness of it. At any rate he saw how I suffered, and he offered to give up the whole thing--to sell the paper. It couldn't be done all of a sudden, of course--he made me see that--for he had put all his money in it, and he had no special apt.i.tude for any other kind of work. He was a born journalist--like Alan. It was a great sacrifice for him to give up the paper, but he promised to do it--in time--when a good opportunity offered. Meanwhile, of course, he wanted to build it up, to increase the circulation--and to do that he had to keep on in the same way--he made that clear to me.

I saw that we were in a vicious circle. The paper, to sell well, had to be made more and more detestable and disgraceful. At first I rebelled--but somehow--I can't tell you how it was--after that first concession the ground seemed to give under me: with every struggle I sank deeper. And then--then Alan was born. He was such a delicate baby that there was very little hope of saving him. But money did it--the money from the paper. I took him abroad to see the best physicians--I took him to a warm climate every winter. In hot weather the doctors recommended sea air, and we had a yacht and cruised every summer. I owed his life to the _Radiator_. And when he began to grow stronger the habit was formed--the habit of luxury. He could not get on without the things he had always been used to. He pined in bad air; he drooped under monotony and discomfort; he throve on variety, amus.e.m.e.nt, travel, every kind of novelty and excitement. And all I wanted for him his inexhaustible foster-mother was there to give!

"My husband said nothing, but he must have seen how things were going.

There was no more talk of giving up the _Radiator_. He never reproached me with my inconsistency, but I thought he must despise me, and the thought made me reckless. I determined to ignore the paper altogether--to take what it gave as though I didn't know where it came from. And to excuse this I invented the theory that one may, so to speak, purify money by putting it to good uses. I gave away a great deal in charity--I indulged myself very little at first. All the money that was not spent on Alan I tried to do good with. But gradually, as my boy grew up, the problem became more complicated. How was I to protect Alan from the contamination I had let him live in? I couldn't preach by example--couldn't hold up his father as a warning, or denounce the money we were living on. All I could do was to disguise the inner ugliness of life by making it beautiful outside--to build a wall of beauty between him and the facts of life, turn his tastes and interests another way, hide the _Radiator_ from him as a smiling woman at a ball may hide a cancer in her breast! Just as Alan was entering college his father died. Then I saw my way clear. I had loved my husband--and yet I drew my first free breath in years. For the _Radiator_ had been left to Alan outright--there was nothing on earth to prevent his selling it when he came of age. And there was no excuse for his not selling it. I had brought him up to depend on money, but the paper had given us enough money to gratify all his tastes. At last we could turn on the monster that had nourished us. I felt a savage joy in the thought--I could hardly bear to wait till Alan came of age. But I had never spoken to him of the paper, and I didn't dare speak of it now. Some false shame kept me back, some vague belief in his ignorance.

I would wait till he was twenty-one, and then we should be free.

"I waited--the day came, and I spoke. You can guess his answer, I suppose. He had no idea of selling the _Radiator_. It wasn't the money he cared for--it was the career that tempted him. He was a born journalist, and his ambition, ever since he could remember, had been to carry on his father's work, to develop, to surpa.s.s it. There was nothing in the world as interesting as modern journalism. He couldn't imagine any other kind of life that wouldn't bore him to death. A newspaper like the _Radiator_ might be made one of the biggest powers on earth, and he loved power, and meant to have all he could get. I listened to him in a kind of trance. I couldn't find a word to say. His father had had scruples--he had none. I seemed to realize at once that argument would be useless. I don't know that I even tried to plead with him--he was so bright and hard and inaccessible! Then I saw that he was, after all, what I had made him--the creature of my concessions, my connivances, my evasions. That was the price I had paid for him--I had kept him at that cost!

"Well--I _had_ kept him, at any rate. That was the feeling that survived. He was my boy, my son, my very own--till some other woman took him. Meanwhile the old life must go on as it could. I gave up the struggle. If at that point he was inaccessible, at others he was close to me. He has always been a perfect son. Our tastes grew together--we enjoyed the same books, the same pictures, the same people. All I had to do was to look at him in profile to see the side of him that was really mine. At first I kept thinking of the dreadful other side--but gradually the impression faded, and I kept my mind turned from it, as one does from a deformity in a face one loves. I thought I had made my last compromise with life--had hit on a _modus vivendi_ that would last my time.

"And then he met you. I had always been prepared for his marrying, but not a girl like you. I thought he would choose a sweet thing who would never pry into his closets--he hated women with ideas! But as soon as I saw you I knew the struggle would have to begin again. He is so much stronger than his father--he is full of the most monstrous convictions.

And he has the courage of them, too--you saw last year that his love for you never made him waver. He believes in his work; he adores it--it is a kind of hideous idol to which he would make human sacrifices! He loves you still--I've been honest with you--but his love wouldn't change him. It is you who would have to change--to die gradually, as I have died, till there is only one live point left in me. Ah, if one died completely--that's simple enough! But something persists--remember that--a single point, an aching nerve of truth. Now and then you may drug it--but a touch wakes it again, as your face has waked it in me.

There's always enough of one's old self left to suffer with...."

She stood up and faced the girl abruptly. "What shall I tell Alan?" she said.

Miss Fenno sat motionless, her eyes on the ground. Twilight was falling on the gallery--a twilight which seemed to emanate not so much from the gla.s.s dome overhead as from the crepuscular depths into which the faces of the pictures were receding. The custodian's step sounded warningly down the corridor. When the girl looked up she was alone.

A VENETIAN NIGHT'S ENTERTAINMENT

I

THIS is the story that, in the dining-room of the old Beacon Street house (now the Aldebaran Club), Judge Anthony Bracknell, of the famous East India firm of Bracknell & Saulsbee, when the ladies had withdrawn to the oval parlour (and Maria's harp was throwing its gauzy web of sound across the Common), used to relate to his grandsons, about the year that Buonaparte marched upon Moscow.

I

"Him Venice!" said the Lascar with the big earrings; and Tony Bracknell, leaning on the high gunwale of his father's East Indiaman, the Hepzibah B., saw far off, across the morning sea, a faint vision of towers and domes dissolved in golden air.

It was a rare February day of the year 1760, and a young Tony, newly of age, and bound on the grand tour aboard the crack merchantman of old Bracknell's fleet, felt his heart leap up as the distant city trembled into shape. _Venice!_ The name, since childhood, had been a magician's wand to him. In the hall of the old Bracknell house at Salem there hung a series of yellowing prints which Uncle Richard Saulsbee had brought home from one of his long voyages: views of heathen mosques and palaces, of the Grand Turk's Seraglio, of St. Peter's Church in Rome; and, in a corner--the corner nearest the rack where the old flintlocks hung--a busy merry populous scene, ent.i.tled: _St. Mark's Square in Venice_. This picture, from the first, had singularly taken little Tony's fancy. His unformulated criticism on the others was that they lacked action. True, in the view of St. Peter's an experienced-looking gentleman in a full-bottomed wig was pointing out the fairly obvious monument to a bashful companion, who had presumably not ventured to raise his eyes to it; while, at the doors of the Seraglio, a group of turbaned infidels observed with less hesitancy the approach of a veiled lady on a camel. But in Venice so many things were happening at once--more, Tony was sure, than had ever happened in Boston in a twelve-month or in Salem in a long lifetime. For here, by their garb, were people of every nation on earth, Chinamen, Turks, Spaniards, and many more, mixed with a parti-coloured throng of gentry, lacqueys, chapmen, hucksters, and tall personages in parsons' gowns who stalked through the crowd with an air of mastery, a string of parasites at their heels. And all these people seemed to be diverting themselves hugely, chaffering with the hucksters, watching the antics of trained dogs and monkeys, distributing doles to maimed beggars or having their pockets picked by slippery-looking fellows in black--the whole with such an air of ease and good-humour that one felt the cut-purses to be as much a part of the show as the tumbling acrobats and animals.

As Tony advanced in years and experience this childish mumming lost its magic; but not so the early imaginings it had excited. For the old picture had been but the spring-board of fancy, the first step of a cloud-ladder leading to a land of dreams. With these dreams the name of Venice remained a.s.sociated; and all that observation or report subsequently brought him concerning the place seemed, on a sober warranty of fact, to confirm its claim to stand midway between reality and illusion. There was, for instance, a slender Venice gla.s.s, gold-powdered as with lily-pollen or the dust of sunbeams, that, standing in the corner cabinet betwixt two Lowestoft caddies, seemed, among its lifeless neighbours, to palpitate like an impaled b.u.t.terfly.

There was, farther, a gold chain of his mother's, spun of that same sun-pollen, so thread-like, impalpable, that it slipped through the fingers like light, yet so strong that it carried a heavy pendant which seemed held in air as if by magic. _Magic!_ That was the word which the thought of Venice evoked. It was the kind of place, Tony felt, in which things elsewhere impossible might naturally happen, in which two and two might make five, a paradox elope with a syllogism, and a conclusion give the lie to its own premiss. Was there ever a young heart that did not, once and again, long to get away into such a world as that? Tony, at least, had felt the longing from the first hour when the axioms in his horn-book had brought home to him his heavy responsibilities as a Christian and a sinner. And now here was his wish taking shape before him, as the distant haze of gold shaped itself into towers and domes across the morning sea!

The Reverend Ozias Mounce, Tony's governor and bear-leader, was just putting a hand to the third clause of the fourth part of a sermon on Free-Will and Predestination as the Hepzibah B.'s anchor rattled overboard. Tony, in his haste to be ash.o.r.e, would have made one plunge with the anchor; but the Reverend Ozias, on being roused from his lucubrations, earnestly protested against leaving his argument in suspense. What was the trifle of an arrival at some Papistical foreign city, where the very churches wore turbans like so many Moslem idolators, to the important fact of Mr. Mounce's summing up his conclusions before the Muse of Theology took flight? He should be happy, he said, if the tide served, to visit Venice with Mr. Bracknell the next morning.

The next morning, ha!--Tony murmured a submissive "Yes, sir," winked at the subjugated captain, buckled on his sword, pressed his hat down with a flourish, and before the Reverend Ozias had arrived at his next deduction, was skimming merrily sh.o.r.eward in the Hepzibah's gig.

A moment more and he was in the thick of it! Here was the very world of the old print, only suffused with sunlight and colour, and bubbling with merry noises. What a scene it was! A square enclosed in fantastic painted buildings, and peopled with a throng as fantastic: a bawling, laughing, jostling, sweating mob, parti-coloured, parti-speeched, crackling and sputtering under the hot sun like a dish of fritters over a kitchen fire. Tony, agape, shouldered his way through the press, aware at once that, spite of the tumult, the shrillness, the gesticulation, there was no undercurrent of clownishness, no tendency to horse-play, as in such crowds on market-day at home, but a kind of facetious suavity which seemed to include everybody in the circ.u.mference of one huge joke. In such an air the sense of strangeness soon wore off, and Tony was beginning to feel himself vastly at home, when a lift of the tide bore him against a droll-looking bell-ringing fellow who carried above his head a tall metal tree hung with sherbet-gla.s.ses.

The encounter set the gla.s.ses spinning and three or four spun off and clattered to the stones. The sherbet-seller called on all the saints, and Tony, clapping a lordly hand to his pocket, tossed him a ducat by mistake for a sequin. The fellow's eyes shot out of their orbits, and just then a personable-looking young man who had observed the transaction stepped up to Tony and said pleasantly, in English:

"I perceive, sir, that you are not familiar with our currency."

"Does he want more?" says Tony, very lordly; whereat the other laughed and replied: "You have given him enough to retire from his business and open a gaming-house over the arcade."

Tony joined in the laugh, and this incident bridging the preliminaries, the two young men were presently hobn.o.bbing over a gla.s.s of Canary in front of one of the coffee-houses about the square. Tony counted himself lucky to have run across an English-speaking companion who was good-natured enough to give him a clue to the labyrinth; and when he had paid for the Canary (in the coin his friend selected) they set out again to view the town. The Italian gentleman, who called himself Count Rialto, appeared to have a very numerous acquaintance, and was able to point out to Tony all the chief dignitaries of the state, the men of ton and ladies of fas.h.i.+on, as well as a number of other characters of a kind not openly mentioned in taking a census of Salem.

Tony, who was not averse from reading when nothing better offered, had perused the "Merchant of Venice" and Mr. Otway's fine tragedy; but though these pieces had given him a notion that the social usages of Venice differed from those at home, he was unprepared for the surprising appearance and manners of the great people his friend named to him. The gravest Senators of the Republic went in prodigious striped trousers, short cloaks and feathered hats. One n.o.bleman wore a ruff and doctor's gown, another a black velvet tunic slashed with rose-colour; while the President of the dreaded Council of Ten was a terrible strutting fellow with a rapier-like nose, a buff leather jerkin and a trailing scarlet cloak that the crowd was careful not to step on.

It was all vastly diverting, and Tony would gladly have gone on forever; but he had given his word to the captain to be at the landing-place at sunset, and here was dusk already creeping over the skies! Tony was a man of honour; and having pressed on the Count a handsome damascened dagger selected from one of the goldsmiths' shops in a narrow street lined with such wares, he insisted on turning his face toward the Hepzibah's gig. The Count yielded reluctantly; but as they came out again on the square they were caught in a great throng pouring toward the doors of the cathedral.

"They go to Benediction," said the Count. "A beautiful sight, with many lights and flowers. It is a pity you cannot take a peep at it."

Tony thought so too, and in another minute a legless beggar had pulled back the leathern flap of the cathedral door, and they stood in a haze of gold and perfume that seemed to rise and fall on the mighty undulations of the organ. Here the press was as thick as without; and as Tony flattened himself against a pillar, he heard a pretty voice at his elbow:--"Oh, sir, oh, sir, your sword!"

He turned at sound of the broken English, and saw a girl who matched the voice trying to disengage her dress from the tip of his scabbard.

She wore one of the voluminous black hoods which the Venetian ladies affected, and under its projecting eaves her face spied out at him as sweet as a nesting bird.

In the dusk their hands met over the scabbard, and as she freed herself a shred of her lace flounce clung to Tony's enchanted fingers. Looking after her, he saw she was on the arm of a pompous-looking graybeard in a long black gown and scarlet stockings, who, on perceiving the exchange of glances between the young people, drew the lady away with a threatening look.

The Count met Tony's eye with a smile. "One of our Venetian beauties,"

said he; "the lovely Polixena Cador. She is thought to have the finest eyes in Venice."

"She spoke English," stammered Tony.

"Oh--ah--precisely: she learned the language at the Court of Saint James's, where her father, the Senator, was formerly accredited as Amba.s.sador. She played as an infant with the royal princes of England."

"And that was her father?"