The Ambassadors Part 12

"Of the sort I came out about?" Strether took a moment. "How do I know? And what do I care?"

"Oh oh!"--and her laughter spread. He was struck in fact by the effect on her of his joke. He saw now how he meant it as a joke. SHE saw, however, still other things, though in an instant she had hidden them.

"You've got at no facts at all?"

He tried to muster them. "Well, he has a lovely home."

"Ah that, in Paris," she quickly returned, "proves nothing. That is rather it DISproves nothing. They may very well, you see, the people your mission is concerned with, have done it FOR him."

"Exactly. And it was on the scene of their doings then that Waymarsh and I sat guzzling."

"Oh if you forbore to guzzle here on scenes of doings," she replied, "you might easily die of starvation." With which she smiled at him.

"You've worse before you."

"Ah I've EVERYTHING before me. But on our hypothesis, you know, they must be wonderful."

"They ARE!" said Miss Gostrey. "You're not therefore, you see," she added, "wholly without facts. They've BEEN, in effect, wonderful."

To have got at something comparatively definite appeared at last a little to help--a wave by which moreover, the next moment, recollection was washed. "My young man does admit furthermore that they're our friend's great interest."

"Is that the expression he uses?"

Strether more exactly recalled. "No--not quite."

"Something more vivid? Less?"

He had bent, with neared gla.s.ses, over a group of articles on a small stand; and at this he came up. "It was a mere allusion, but, on the lookout as I was, it struck me. 'Awful, you know, as Chad is'--those were Bilham's words."

"'Awful, you know'--? Oh!"--and Miss Gostrey turned them over. She seemed, however, satisfied. "Well, what more do you want?"

He glanced once more at a bibelot or two, and everything sent him back.

"But it is all the same as if they wished to let me have it between the eyes."

She wondered. "Quoi donc?"

"Why what I speak of. The amenity. They can stun you with that as well as with anything else."

"Oh," she answered, "you'll come round! I must see them each," she went on, "for myself. I mean Mr. Bilham and Mr. Newsome--Mr. Bilham naturally first. Once only--once for each; that will do. But face to face--for half an hour. What's Mr. Chad," she immediately pursued, "doing at Cannes? Decent men don't go to Cannes with the--well, with the kind of ladies you mean."

"Don't they?" Strether asked with an interest in decent men that amused her.

"No, elsewhere, but not to Cannes. Cannes is different. Cannes is better. Cannes is best. I mean it's all people you know--when you do know them. And if HE does, why that's different too. He must have gone alone. She can't be with him."

"I haven't," Strether confessed in his weakness, "the least idea."

There seemed much in what she said, but he was able after a little to help her to a nearer impression. The meeting with little Bilham took place, by easy arrangement, in the great gallery of the Louvre; and when, standing with his fellow visitor before one of the splendid t.i.tians--the overwhelming portrait of the young man with the strangely-shaped glove and the blue-grey eyes--he turned to see the third member of their party advance from the end of the waxed and gilded vista, he had a sense of having at last taken hold. He had agreed with Miss Gostrey--it dated even from Chester--for a morning at the Louvre, and he had embraced independently the same idea as thrown out by little Bilham, whom he had already accompanied to the museum of the Luxembourg. The fusion of these schemes presented no difficulty, and it was to strike him again that in little Bilham's company contrarieties in general dropped.

"Oh he's all right--he's one of US!" Miss Gostrey, after the first exchange, soon found a chance to murmur to her companion; and Strether, as they proceeded and paused and while a quick unanimity between the two appeared to have phrased itself in half a dozen remarks--Strether knew that he knew almost immediately what she meant, and took it as still another sign that he had got his job in hand. This was the more grateful to him that he could think of the intelligence now serving him as an acquisition positively new. He wouldn't have known even the day before what she meant--that is if she meant, what he a.s.sumed, that they were intense Americans together. He had just worked round--and with a sharper turn of the screw than any yet--to the conception of an American intense as little Bilham was intense. The young man was his first specimen; the specimen had profoundly perplexed him; at present however there was light. It was by little Bilham's amazing serenity that he had at first been affected, but he had inevitably, in his circ.u.mspection, felt it as the trail of the serpent, the corruption, as he might conveniently have said, of Europe; whereas the promptness with which it came up for Miss Gostrey but as a special little form of the oldest thing they knew justified it at once to his own vision as well.

He wanted to be able to like his specimen with a clear good conscience, and this fully permitted it. What had muddled him was precisely the small artist-man's way--it was so complete--of being more American than anybody. But it now for the time put Strether vastly at his ease to have this view of a new way.

The amiable youth then looked out, as it had first struck Strether, at a world in respect to which he hadn't a prejudice. The one our friend most instantly missed was the usual one in favour of an occupation accepted. Little Bilham had an occupation, but it was only an occupation declined; and it was by his general exemption from alarm, anxiety or remorse on this score that the impression of his serenity was made. He had come out to Paris to paint--to fathom, that is, at large, that mystery; but study had been fatal to him so far as anything COULD be fatal, and his productive power faltered in proportion as his knowledge grew. Strether had gathered from him that at the moment of his finding him in Chad's rooms he hadn't saved from his s.h.i.+pwreck a sc.r.a.p of anything but his beautiful intelligence and his confirmed habit of Paris. He referred to these things with an equal fond familiarity, and it was sufficiently clear that, as an outfit, they still served him. They were charming to Strether through the hour spent at the Louvre, where indeed they figured for him as an unseparated part of the charged iridescent air, the glamour of the name, the splendour of the s.p.a.ce, the colour of the masters. Yet they were present too wherever the young man led, and the day after the visit to the Louvre they hung, in a different walk, about the steps of our party. He had invited his companions to cross the river with him, offering to show them his own poor place; and his own poor place, which was very poor, gave to his idiosyncrasies, for Strether--the small sublime indifference and independences that had struck the latter as fresh--an odd and engaging dignity. He lived at the end of an alley that went out of an old short cobbled street, a street that went in turn out of a new long smooth avenue--street and avenue and alley having, however, in common a sort of social shabbiness; and he introduced them to the rather cold and blank little studio which he had lent to a comrade for the term of his elegant absence. The comrade was another ingenuous compatriot, to whom he had wired that tea was to await them "regardless," and this reckless repast, and the second ingenuous compatriot, and the faraway makes.h.i.+ft life, with its jokes and its gaps, its delicate daubs and its three or four chairs, its overflow of taste and conviction and its lack of nearly all else--these things wove round the occasion a spell to which our hero unreservedly surrendered.

He liked the ingenuous compatriots--for two or three others soon gathered; he liked the delicate daubs and the free discriminations--involving references indeed, involving enthusiasms and execrations that made him, as they said, sit up; he liked above all the legend of good-humoured poverty, of mutual accommodation fairly raised to the romantic, that he soon read into the scene. The ingenuous compatriots showed a candour, he thought, surpa.s.sing even the candour of Woollett; they were red-haired and long-legged, they were quaint and queer and dear and droll; they made the place resound with the vernacular, which he had never known so marked as when figuring for the chosen language, he must suppose, of contemporary art. They tw.a.n.ged with a vengeance the aesthetic lyre--they drew from it wonderful airs.

This aspect of their life had an admirable innocence; and he looked on occasion at Maria Gostrey to see to what extent that element reached her. She gave him however for the hour, as she had given him the previous day, no further sign than to show how she dealt with boys; meeting them with the air of old Parisian practice that she had for every one, for everything, in turn. Wonderful about the delicate daubs, masterful about the way to make tea, trustful about the legs of chairs and familiarly reminiscent of those, in the other time, the named, the numbered or the caricatured, who had flourished or failed, disappeared or arrived, she had accepted with the best grace her second course of little Bilham, and had said to Strether, the previous afternoon on his leaving them, that, since her impression was to be renewed, she would reserve judgement till after the new evidence.

The new evidence was to come, as it proved, in a day or two. He soon had from Maria a message to the effect that an excellent box at the Francais had been lent her for the following night; it seeming on such occasions not the least of her merits that she was subject to such approaches. The sense of how she was always paying for something in advance was equalled on Strether's part only by the sense of how she was always being paid; all of which made for his consciousness, in the larger air, of a lively bustling traffic, the exchange of such values as were not for him to handle. She hated, he knew, at the French play, anything but a box--just as she hated at the English anything but a stall; and a box was what he was already in this phase girding himself to press upon her. But she had for that matter her community with little Bilham: she too always, on the great issues, showed as having known in time. It made her constantly beforehand with him and gave him mainly the chance to ask himself how on the day of their settlement their account would stand. He endeavoured even now to keep it a little straight by arranging that if he accepted her invitation she should dine with him first; but the upshot of this scruple was that at eight o'clock on the morrow he awaited her with Waymarsh under the pillared portico. She hadn't dined with him, and it was characteristic of their relation that she had made him embrace her refusal without in the least understanding it. She ever caused her rearrangements to affect him as her tenderest touches. It was on that principle for instance that, giving him the opportunity to be amiable again to little Bilham, she had suggested his offering the young man a seat in their box. Strether had dispatched for this purpose a small blue missive to the Boulevard Malesherbes, but up to the moment of their pa.s.sing into the theatre he had received no response to his message. He held, however, even after they had been for some time conveniently seated, that their friend, who knew his way about, would come in at his own right moment. His temporary absence moreover seemed, as never yet, to make the right moment for Miss Gostrey. Strether had been waiting till tonight to get back from her in some mirrored form her impressions and conclusions.

She had elected, as they said, to see little Bilham once; but now she had seen him twice and had nevertheless not said more than a word.

Waymarsh meanwhile sat opposite him with their hostess between; and Miss Gostrey spoke of herself as an instructor of youth introducing her little charges to a work that was one of the glories of literature. The glory was happily un.o.bjectionable, and the little charges were candid; for herself she had travelled that road and she merely waited on their innocence. But she referred in due time to their absent friend, whom it was clear they should have to give up. "He either won't have got your note," she said, "or you won't have got his: he has had some kind of hindrance, and, of course, for that matter, you know, a man never writes about coming to a box." She spoke as if, with her look, it might have been Waymarsh who had written to the youth, and the latter's face showed a mixture of austerity and anguish. She went on however as if to meet this. "He's far and away, you know, the best of them."

"The best of whom, ma'am?"

"Why of all the long procession--the boys, the girls, or the old men and old women as they sometimes really are; the hope, as one may say, of our country. They've all pa.s.sed, year after year; but there has been no one in particular I've ever wanted to stop. I feel--don't YOU?--that I want to stop little Bilham; he's so exactly right as he is." She continued to talk to Waymarsh. "He's too delightful. If he'll only not spoil it! But they always WILL; they always do; they always have."

"I don't think Waymarsh knows," Strether said after a moment, "quite what it's open to Bilham to spoil."

"It can't be a good American," Waymarsh lucidly enough replied; "for it didn't strike me the young man had developed much in THAT shape."

"Ah," Miss Gostrey sighed, "the name of the good American is as easily given as taken away! What IS it, to begin with, to BE one, and what's the extraordinary hurry? Surely nothing that's so pressing was ever so little defined. It's such an order, really, that before we cook you the dish we must at least have your receipt. Besides the poor chicks have time! What I've seen so often spoiled," she pursued, "is the happy att.i.tude itself, the state of faith and--what shall I call it?--the sense of beauty. You're right about him"--she now took in Strether; "little Bilham has them to a charm, we must keep little Bilham along."

Then she was all again for Waymarsh. "The others have all wanted so dreadfully to do something, and they've gone and done it in too many cases indeed. It leaves them never the same afterwards; the charm's always somehow broken. Now HE, I think, you know, really won't. He won't do the least dreadful little thing. We shall continue to enjoy him just as he is. No--he's quite beautiful. He sees everything. He isn't a bit ashamed. He has every sc.r.a.p of the courage of it that one could ask. Only think what he MIGHT do. One wants really--for fear of some accident--to keep him in view. At this very moment perhaps what mayn't he be up to? I've had my disappointments--the poor things are never really safe; or only at least when you have them under your eye.

One can never completely trust them. One's uneasy, and I think that's why I most miss him now."

She had wound up with a laugh of enjoyment over her embroidery of her idea--an enjoyment that her face communicated to Strether, who almost wished none the less at this moment that she would let poor Waymarsh alone. HE knew more or less what she meant; but the fact wasn't a reason for her not pretending to Waymarsh that he didn't. It was craven of him perhaps, but he would, for the high amenity of the occasion, have liked Waymarsh not to be so sure of his wit. Her recognition of it gave him away and, before she had done with him or with that article, would give him worse. What was he, all the same, to do? He looked across the box at his friend; their eyes met; something queer and stiff, something that bore on the situation but that it was better not to touch, pa.s.sed in silence between them. Well, the effect of it for Strether was an abrupt reaction, a final impatience of his own tendency to temporise. Where was that taking him anyway? It was one of the quiet instants that sometimes settle more matters than the outbreaks dear to the historic muse. The only qualification of the quietness was the synthetic "Oh hang it!" into which Strether's share of the silence soundlessly flowered. It represented, this mute e.j.a.c.u.l.a.t.i.o.n, a final impulse to burn his s.h.i.+ps. These s.h.i.+ps, to the historic muse, may seem of course mere c.o.c.kles, but when he presently spoke to Miss Gostrey it was with the sense at least of applying the torch. "Is it then a conspiracy?"

"Between the two young men? Well, I don't pretend to be a seer or a prophetess," she presently replied; "but if I'm simply a woman of sense he's working for you to-night. I don't quite know how--but it's in my bones." And she looked at him at last as if, little material as she yet gave him, he'd really understand. "For an opinion THAT'S my opinion. He makes you out too well not to."

"Not to work for me to-night?" Strether wondered. "Then I hope he isn't doing anything very bad."

"They've got you," she portentously answered.

"Do you mean he IS--?"

"They've got you," she merely repeated. Though she disclaimed the prophetic vision she was at this instant the nearest approach he had ever met to the priestess of the oracle. The light was in her eyes.

"You must face it now."

He faced it on the spot. "They HAD arranged--?"

"Every move in the game. And they've been arranging ever since. He has had every day his little telegram from Cannes."

It made Strether open his eyes. "Do you KNOW that?"

"I do better. I see it. This was, before I met him, what I wondered whether I WAS to see. But as soon as I met him I ceased to wonder, and our second meeting made me sure. I took him all in. He was acting--he is still--on his daily instructions."

"So that Chad has done the whole thing?"

"Oh no--not the whole. WE'VE done some of it. You and I and 'Europe.'"

"Europe--yes," Strether mused.

"Dear old Paris," she seemed to explain. But there was more, and, with one of her turns, she risked it. "And dear old Waymarsh. You," she declared, "have been a good bit of it."