We Can't Have Everything Part 18

Miss Adair, Hear my prayer Do I dare Call my love when I meet her "Anita"? Anita! Anita!!

In the silence that followed she whisked out a box of shrimp-pink letter-paper she had bought at a drugstore. It was daintily ruled in violet lines and had a mauve "A" at the top. It was called "The n.o.bby Note," and so she knew that it was all right.

She wrote on it the simple but thrilling answer:

DEAR TOMMIE,--You bet your boots!

ANITA.

By the time she had sealed and addressed the shrimpy envelope and begun feverishly to make up for lost time in changing her costume, the other girls had recovered a little from the suffocation of her glory. One of them murmured:

"Say, Aneet, what is your first name? Your really truly one."

Another snarled, "What's your really truly last name?"

A third dryad whooped, "I bet it's Lizzie Smoots or Mag Wimpfhauser."

The others had other suggestions to howl, and Anita cowered in silence, wondering if one of the fiends would not at any moment guess "Kedzie Thropp."

The call to arms and legs cut short her torment, and for once the music seemed appropriate. Never had she danced with such lyricism.

Gilfoyle had the presence of mind to be waiting in the alley after the matinee, and took from her hand the note she was carrying to the mail-box. When he read it he almost embraced her right there.

They took a street-car to Mrs. Jambers's boarding-house, but cruel disappointment waited for them. Another boarder was entertaining her gentleman friend in the parlor. Kedzie was furious. So was the other boarder.

That night Gilfoyle met Kedzie again at the stage door, but they could not go to the boarding-house, for Mrs. Jambers occupied at that time a kind of false mantelpiece that turned out to be a bed in disguise. So they went to the Park.

Young Gilfoyle treated Kedzie with almost more respect than she might have desired. He was one of those self-chaperoning young men who spout anarchy and practise asceticism. Even in his poetry it was the necessitous limitations of rhyme-words that dragged him into his boldest thoughts.

Sitting on a dark Park bench with Kedzie, he could not have been more circ.u.mspect if there had been sixteen duennas gathered around. The first time he hugged her was a rainy night when Kedzie had to snuggle close and haul his arm around her, and then his heart beat so fast against her shoulder that she was afraid he would die of it.

Cool, wet, windy nights in late summer feel very cold, and a damp bench under dripping trees was a nuisance to a tired dancing-girl. Love was so inconvenient that when Kedzie bewailed the restrictions imposed on unmarried people Gilfoyle proposed marriage. It popped out of him so suddenly that Kedzie felt his heart stop and listen. Then it began to race, and hers ran away, too.

"Why, Mr. Gilfoyle! Why, Tommie!" she gurgled. It was her first proposal of marriage, and she lost her head. "And you a socialist and telling me you didn't believe in marriages!"

"I don't," said Gilfoyle, with lovely sublimity above petty consistencies, "except with you, Anita. I don't believe in anything exclusive for anybody except you for me and me for you. We've just got to be each other's own, haven't we?"

Kedzie could think of nothing to add except a little emphasis; so she cried, "Each other's very ownest own!"

Thus they became engaged. That made it possible for her to have him in her own room at the boarding-house. Also it enabled him to borrow money from her with propriety when they were hungry for supper. Fortunately, he did not mind her going on working. Not at all.

Gilfoyle was a fiend of jealousy concerning individuals, but he was not jealous of the public. It did not hurt him at all to have Kedzie publis.h.i.+ng her structural design to the public, because he loved the public, and the public paid indirectly. He wanted the ma.s.ses to have what the cla.s.ses have. That delighted Kedzie, at first.

What she thought she understood of his socialistic scheme was that every poor girl like herself was going to have her limousine and her maid and a couple of footmen. She did not pause to figure out how complicated that would be, since the maid would have to have her maid, and that maid hers, and so on, _ad infinitum, ad absurdum._

Later Kedzie found that Gilfoyle's first intention was to impoverish the rich, elimousinate their wives, and put an end to luxury. It astonished her how furious he got when he read of a ball given by people of wealth, though a Bohemian dance at Webster Hall pleased him very much, even though some of the costumes made Kedzie's Greek vest look prudish.

But all this Kedzie was to find out after she had married the wretch.

One finds out so many things when one marries one. It is like going behind the scenes at a performance of "Romeo and Juliet," seeing the stage-braces that prop the canvas palaces, and hearing Juliet bawl out Romeo for crabbing her big scene. The shock is apt to be fatal to romance unless one is prepared for it in advance as an inevitable and natural conflict.

CHAPTER XVII

Kedzie and Tommie enjoyed a cozy betrothal. He was busy at his shop, and she was busy at hers. They did not see much of each other, and that made for the prosperity of their love. They talked a great deal of marriage, but it seemed expedient to wait till one or the other acquired a raise of wage. The Silsby dancers were playing at cut salaries in accord with the summer schedules, and business was very light at the advertising agency.

The last week the troupe was playing at the Bronx Opera House, and there Skip Magruder chanced to see her--to see more of her than he had ever expected to on the hither side of matrimony.

His old love came back with a tidal rush, and he sent her a note written with care in a barroom--or so Kedzie judged from the beery fragrance of it. It said:

DEAR ANITA,--Was considerable supprise to see you to-night as didn't know you was working in vawdvul and as I have been very loansome for you thought would ask you would you care to take supper after show with your loveing admirror and friend will wait for anser at stage door hopping to see you for Old Lang's Sign.

PATRICK X. MAGRUDER--"SKIP."

Kedzie did not read this letter to the gang of nymphs. She blushed bitterly and mumbled, "Well, of all the nerve!" After some hesitation she wrote on Skip's note the "scatting" words, _"Nothing doing"_ and sent it back by the dismal stage doorkeeper.

She had hoped Skip would have the decency to go away and die quietly and not hang round to see her leave with Mr. Gilfoyle. Skip had a hitch in one leg, but Mr. Gilfoyle had a touch of writer's cramp, and Kedzie had no desire to see the result of a conflict between two such victims of unpreparedness.

She forgot both rivals in the excitement of a sudden incursion of Miss Silsby, who came crying:

"Oh, girls, girls, what Do you sup-Pose has Happened? I have been en-Gaged to give my dances at Noxon's--old Mrs. Noxon's, in Newport."

Miss Silsby always used the first person singular, though she never danced; and if she had, in the costume of her charges, the effect would have been a fatal satire.

By now Kedzie was familiar enough with names of great places to realize the accolade. To be recognized by the Noxons was to be patented by royalty. And Newport was Mecca.

The pilgrimage thither was a voyage of discovery with all an explorer's zest. Her first view of the city disappointed her, but her education had progressed so far that she was able to call the pleasant, crooked streets of the older towns "picturesque." A person who is able to murmur "How picturesque!" has made progress in sn.o.bbical education. Kedzie murmured, "How picturesque!" when she saw the humbler portions of Newport.

But there was a poignant sincerity in her admiration of the homes of the rich. Bad taste with ostentation moved her as deeply as true stateliness. Her heart made outcry for experience of opulence. She now despised the palaces of New York because they had no yards. Newport houses had parks. Newport was the next candy-shop she wanted to work in.

The splendor of the visit was dimmed for her, however, when she learned that she would not be permitted to swim at Bailey's Beach. Immediately she felt that swimming anywhere else was contemptible.

Still, she was seeing Newport, and she could not tell what swagger fate might now be within reach of her hands--or her feet, rather--for Kedzie was gaining her golden apples not by clutching at them, but by kicking them off the tree of opportunity with her carefully manicured little toes.

Also she said "swagger" now instead of "cla.s.sy" or "swell." Also she forgot to telegraph Tommie Gilfoyle, as she promised, of her safe arrival. Also she was too busy to write to him that first night.

CHAPTER XVIII

When Prissy Atterbury started the gossip rolling that he had seen Jim Dyckman enter the Grand Central Terminal alone and wait for Charity Coe Cheever to come from the same train it did not take long for the story to roll on to Newport. By then it was a pretty definite testimony of guilt in a vile intrigue. When Mrs. Noxon announced her charity circus people wondered if even she would dare include Mrs. Cheever on her bead-roll. The afternoon was for guests; the evening was for the public at five dollars a head.

One old crony of Charity's, a Mrs. Platen, revived the story for Mrs.

Noxon at the time when she was editing the list of invitations for the afternoon. Mrs. Noxon seemed to be properly shocked.

"Of course, you'll not invite her now," said Mrs. Platen.