We Can't Have Everything Part 27

At length he would hurl his pen across the room, pull at his hair, and light another cigarette. Cigarette always rhymed with cigarette.

After a day or two of this drivel he produced a brief lyric with a certain fleetness of movement; it had small freight to carry. He took it to a number of editors he knew, and one of them accepted it as a kindness.

Kedzie was delighted till she heard that it would bring into the exchequer about seven dollars when the check came, which would be in two weeks.

When Gilfoyle was not fighting at composition he was calling the editors hard names and deploring the small remuneration given to poets by a pork-packing nation. Or he would be hooting ridicule at the successful poets and growing almost as furious against the persons addicted to the fas.h.i.+onable _vers libre_ as he was against the wealthy cla.s.ses.

It seemed to Kedzie that nothing on earth was less important than prosody, and that however badly poets were paid, they were paid more than they earned. She grew so lonely for some one to talk to that she decided to call on old Mrs. Jambers at the boarding-house. She planned to stop in at dinner-time, in the hope of being asked to sit in at a real meal. The task of cooking what she could afford to buy robbed her of all appet.i.te, and she was living mainly on fumes of food and gas.

She was growing thinner and shabbier of soul, and she knew it. She put off the call till she could endure her solitude no longer; then she visited Mrs. Jambers. A new maid met her at the door and barred her entrance suspiciously. Mrs. Jambers was out. So was Mrs. Bottger. So were the old boarders that Kedzie knew. New boarders had their rooms, Kedzie was exiled indeed.

She turned away, saying: "Tell Mrs. Jambers that Anita Adair stopped to say h.e.l.lo. I was just pa.s.sing."

"Anita Adair?" said the maid. "You was Anita Adair, yes? Wait once. It is a letter for you by downstairs."

She closed the door in Kedzie's face. Some time later she came back and gave Anita the letter from Charity. It was several days old. She read it with amazement. The impulse to tear it up as she had torn up Charity's card in Newport did not last long. She went at once to a drugstore and looked up the telephone number and the address of the Hyperfilm Company.

She repaid the druggist with a smile and a word of thanks; then she took a street-car to the office.

Miss Havender, who was also a scenario-writer and editor, was very busy.

She had an executive manner that strangely contradicted her abilities to suffer under the pangs of love and unrequited idolatry. But then, business men are no more immune to the foolish venom on Cupid's arrows than poets--perhaps less, since they have no outlet of rhapsody. That was one of the troubles with Kedzie's poet. By the time Gilfoyle had finished a poem of love he was so exhausted that any other emotion was welcome, best of all a good quarrel and the healthful exercise of his poetic gifts for hate. He could hate at the drop of a hat.

When the office-boy brought Charity's letter of introduction to Miss Havender with the verbal message that Miss Adair was waiting outside Miss Havender nodded. She decided to procure this Miss Adair a good job in order to curry favor with Mrs. Cheever. She would advise Mr. Ferriday to pay her marked attention, too.

But when she caught sight of Kedzie running the gantlet of the battery of authors and typists, and noted how pretty she was, Miss Havender decided that it would not be good for Mr. Ferriday to pay marked attention to this minx. He had a habit of falling in love with women more ardently than with scenarios. He was a despot with a scenario, and he could quickly make a famous novel unrecognizable by its own father or mother. But a pretty woman could rule him ludicrously while her charm lasted.

Miss Havender would gladly have turned Kedzie from the door, but she did not dare. She had promised Mrs. Cheever to give the girl a job. But she had not promised what kind of job it should be.

She received Kedzie with such brusqueness that the frightened girl almost fell off the small rim of chair she dared to occupy. She offered Kedzie a post as a typist, but Kedzie could not type; as a film-cutter's a.s.sistant, but Kedzie had never seen a film; as a printing-machine engineer or a bookkeeper's clerk, but Kedzie had no ability to do things. She could merely look things.

Finally Miss Havender said: "I'm awfully sorry, Miss Adair, but the only position open is a place as extra woman. There is a big ballroom scene to be staged tomorrow, and a low dance-hall the next day, and on Monday a crowd of starving Belgian peasants. We could use you in those, but of course you wouldn't care to accept the pay."

She said this hopefully. Kedzie answered, hopelessly:

"What's the pay?"

"Three dollars."

"I'll take it."

Miss Havender accepted the inevitable, gave her the address of the studio--far up-town in the Bronx--and told her to report at eight the next morning.

Kedzie went back to her home in a new mood. She was the breadwinner now, if not a cake-earner. Gilfoyle was depressed by her good news, and she was indignant because he was not happy. The poor fellow was simply ashamed of his own inability to support her in the style she had been accustomed to dreaming about.

Kedzie was sullen at having to get the dinner that night. The hot water would not help to give her hands the ballroom texture. The next morning she had to leave early. Gilfoyle was too tired of doing nothing to get up, and she resolved to buy her breakfast ready-made outside. Her last glance at her husband with his frowsy hair on his frowsy pillow infuriated her.

The experience at the big studio a.s.suaged her wrath against life. It was something new, and there was a thrill in the concerted action of the crowds. She wore a rented ball-gown which did not fit her. Seeing how her very shoulders winced at their exposure, one would not have believed that she was a graduate of the Silsby school of near to nature in next to nothing.

She danced with an extra man, Mr. Clarence Yoder, a portly actor out of work. He was a costume-play gentleman, and Kedzie thought him something grand. He found her an entrancing armload. He was rather aggressive and held her somewhat straitly to his exuberant form, but he gave her so much information that she did not snub him. She did not even tell him that she was married. Indeed, when at the close of a busy day he hinted at a willingness to take her out to see a picture that evening, she made other excuses than those that actually prevented her accepting. She spent a doleful evening at home with her dour husband and resented him more than ever.

On the second day Kedzie was a slum waif and did not like it. She pouted with a sincerity that was irresistible.

Mr. Ferriday did not direct the crowd scenes in these pictures. His a.s.sistant, Mr. Garfinkel, was the slave-driver. Mr. Yoder cleverly called him "Simon Legree." Kedzie did not know who Mr. Legree was, but she laughed because Mr. Yoder looked as if he wanted her to laugh, and she had decided that he was worth cultivating.

During the course of the day, however, Mr. Garfinkel fell afoul of Mr.

Yoder because of the way he danced with Kedzie. It was a rough dance prettily ent.i.tled "Walking the Dog." Mr. Yoder, who did a minuet in satin breeches to his own satisfaction, pleased neither himself nor Mr.

Garfinkel in the more modern expression of the dancer's art.

Mr. Garfinkel called him a number of names which Mr. Yoder would never have tolerated if he had not needed the money. He quivered with humiliation and struggled to conform, but he could not please the sneering overseer. He sought the last resort of those persecuted by critics:

"Maybe you can do better yourself!"

"Well, I hope I choke if I can't," Garfinkel said as he pa.s.sed the ma.n.u.script to the camera-man and summoned Kedzie to his embrace. "Here, Miss What's-your-name, git to me."

Kedzie slipped into his clutch, and he took her as if she were a sheaf of wheat. His arms loved her lithe elasticities. He dragged her through the steps with a wondering increase of interest. "Well, say!" he muttered for her private consumption, "you're a little bit of all right.

I'm not so worse myself when I have such help."

He danced with her longer than was necessary for the demonstration. Then he reluctantly turned her over to Mr. Yoder. Kedzie did not like Mr.

Yoder any more. She found him fat and clumsy, and his hands were fat and clammy.

Mr. Garfinkel had to show him again.

Kedzie could not help murmuring up toward his chin, "I wish I could dance with you instead of him."

Garfinkel muttered down into her topknot: "You can, girlie, but not before the camera. There's a reason. How about a little roof garden this evening, huh?"

Kedzie sighed, "I'm sorry--I can't."

Garfinkel realized that the crowd was sitting up and taking notice, and so he flung Kedzie back to Yoder and proceeded with the picture. He was angry at himself and at Kedzie, but Kedzie was angered at her husband, who was keeping her from every opportunity of advancement. Even as he loafed at home he prevented her ambitions. "The dog in the manger!" she called him.

Garfinkel paid her no further attention except to take a close-up of her standing at a soppy table and drinking a gla.s.s of stale beer with a look of desperate pathos. She was supposed to be a slum waif who had never had a mother's care. Kedzie had had too much of the same.

The next day was a Sat.u.r.day. Kedzie did not work. She was lonely for toil, and she abhorred the flat and the neighbors. The expressive parrot was growing tautological. Kedzie went out shopping to be rid of Gilfoyle's nerves. He was in travail of another love-jingle, and his tantrums were odious. He kept repeating _love_ and _dove_ and _above_, and _tender, slender, offend her, defender_, and _kiss_ and _bliss_ till the very words grew gibberish, detestable nonsense.

Kedzie wandered the shops in a famine of desire for some of the new styles. Her pretty body cried out for appropriate adornment as its birthright. She was ashamed to go to the studio a third time in the same old suit. She ordered one little slip of a dress sent home "collect."

She had h.o.a.rded the remnant of her Silsby dollars. When she reached home the delivery-wagon was at the curb and the man was up-stairs. Gilfoyle greeted Kedzie with resentment.

"What's this thing? I've got no money to pay it. You know that."

"Oh, I know that well," said Kedzie, and she went to the kitchen, where she surrept.i.tiously extracted the money from the depths of the coffee-canister.

She paid for the dress and put it on. But she would not let Gilfoyle see her in it. She did not mind buying his cigarettes half so much as she minded paying for her own clothes. It outraged the very foundation principles of matrimony to have to pay for her own clothes.

Sunday was an appallingly long day to get through. She was so frantic for diversion that she would have gone to church if she had had anything fas.h.i.+onable enough to wors.h.i.+p in. In the afternoon she went out alone and sat on a bench in upper Riverside Drive. A number of pa.s.sers-by tried to flirt with her, but it was rather her bitterness against men than any scruple that kept her eyes lowered.

She would have been excited enough if she had known that the pictures in which she played a small part were being run off in the projection-room at the studio for Mr. Ferriday's benefit.

Everybody was afraid of him. The heads of the firm were hoping that he would approve the reels and not order them thrown out. They were convinced that they would have to break with him before he broke them.

Mr. Garfinkel was hoping for a word of approval from the artistic tyrant.