English Costume Part 13

For riding and sport the ladies wore the hood, and sometimes a broad round hat over it, or the peaked hat. The countrywoman wore an ill-fitting gown with tight sleeves, an ap.r.o.n, and an open hood.

[Ill.u.s.tration: A WOMAN OF THE TIME OF EDWARD III. (1327-1377)

You will notice that the woman also wears the tippet on her arm. The gorget is high about her neck, and is held up by pins to her plaited hair.]

Imagine London in the year of the third great pestilence, 1369. It is October, and the worst of the pestilence is over; John Chichester, the Mayor, is riding through the streets about some great affairs; many knights and ladies pa.s.s by. It is raining hard after the long drought of the summer, but, despite the rain, many citizens are abroad to see the doings in the City, and one may see the bright parti-coloured clothes of the lords and ladies, and here and there, as a cloak is blown back, a glimpse of rich-patterned cloth of gold.

Perhaps Will Langland--Long Will--a gaunt man of thirty-seven, is brus.h.i.+ng past a young man of twenty-nine, Chaucer, going to his work.

Silk dresses and frieze gowns, velvet and homespun, hurry along as the rain falls more heavily, and after a while the street becomes quite deserted. Then nothing but the dreary monotony of the rain falling from the gables will come to the room of the knight's lady as she lies sick of small-pox. John de Gaddesden, the King's doctor, has prescribed for her that she must lie clothed in scarlet red in a room of that colour, with bed-hangings of that same colour, and so she must lie, without much comfort, while the raindrops, falling down the wide chimney, drip on the logs in the fire and make them hiss.

RICHARD THE SECOND

Reigned twenty-two years: 1377-1399.

Born 1366. Married, 1381, Anne of Bohemia; 1395, Isabella of France.

THE MEN

The King himself was a leader of fas.h.i.+on; he had by grace of Nature the form, face, and manner which go to make a dandy. The n.o.bles followed the King; the merchants followed the n.o.bles after their kind; the peasants were still clothed in the simplest of garments, having retained the Norman tunic with the sleeves pushed back over the wrist, kept the loose boots and straw gaiters, and showed the improvement in their cla.s.s by the innovation of gloves made as a thumb with a pouch for the fingers, and pouches for money of cloth and leather hung on a leather belt. This proved the peasant to be a man of some substance by need of his wallet. Everyone wore the chaperon--a cap and cape combined.

We have now arrived at the reign which made such a difference to the labourer and workman--such as the blacksmith and miller--and in consequence altered and improved the character of his clothes. The poll-tax of 1380 brought the labourer into individual notice for the first time, and thus arose the free labourer in England and the first labour pamphlets.

We have two word-pictures of the times of the greatest value, for they show both sides of the coin: the one by the courtly and comfortable Chaucer, the other by Long Will--William Langland, or Piers the Plowman. Picture the two along the Strand--Long Will singing his dirges for hire, and Chaucer, his hand full of parchments, bustling past.

One must remember that, as always, many people dressed out of the fas.h.i.+on; that many men still wore the cotehardie, a well-fitting garment reaching half-way down the thigh, with tight sleeves coming over the hand, decorated with b.u.t.tons under the sleeve from the elbow to the little finger. This garment had a belt, which was placed round the hips; and this was adorned in many ways: princ.i.p.ally it was composed of square pieces of metal joined together, either of silver, or enamel in copper, or of gold set with precious stones.

[Ill.u.s.tration: {A cotehardie; hose}]

[Ill.u.s.tration: {Three types of footwear; a coat}]

The cotehardie was generally made of a pied cloth in horizontal or diagonal bars, in silk or other rich fabric. With this garment the chaperon (to be more fully described) was worn as a hood; the legs were in tights, and the feet in pointed shoes a little longer than the foot. A pouch or wallet depended from the belt, and a sheath containing two daggers, an anelace, and a misericorde. The pouch was a very rich affair, often of stamped gilded leather or sewn velvet--ornamented, in fact, according to the purse of the wearer. In winter such a man as he of the cotehardie would wear an overcoat with an attached hood. This coat was made in various forms: one form with wide sleeves the same width all the way down, under which were slits in the coat to enable the wearer to place his hands inside, as in the modern Raglan coat-pocket. Another form was made very loose and without sleeves, but with the same slits at the side; it was buckled round the waist on occasion by a broad leather belt, very plain. The common heavy travelling-coat was made in this way, and it was only the very fas.h.i.+onable who wore the houppelande for riding or travelling.

Sometimes such a man would wear in winter about the town a cloak fastened over the right shoulder with three or four b.u.t.tons, leaving the right arm free; such a cloak is seen in the bra.s.s of Robert Attelathe, Mayor of Lynn.

[Ill.u.s.tration: {A draped cloak and simple pattern for it}]

In travelling, our gentleman would wear, often in addition to his chaperon, a peaked hat of cloth, high in the crown, with a brim turned up all round, ending in a long peak in front--the same hat that we always a.s.sociate with d.i.c.k Whittington.

His gloves would be of leather, often ornamented with designs on the back, or, if he were a knight, with his badge.

On this occasion he would wear his sword in a baldric, a long belt over his right shoulder and under his left arm, from which hung also his daggers. Although I am not dealing even with personal arms, one must remember, in representing these people, that daggers were almost as necessary a part of dress as boots or shoes, and that personal comfort often depended upon a skilful use of that natty weapon; the misericorde was used to give the _coup de grace_.

The farmer in harvest-time wore, if he did not wear a hood, a peaked hat or a round, large-brimmed straw hat.

[Ill.u.s.tration: The Houppelande or Pelicon.]

We may now arrive at the fas.h.i.+onable man, whose eccentricities in clothes were the object of much comment. How the houppelande or pelicon actually was originated I do not know, but it came about that men suddenly began to clothe themselves in this voluminous and awkward garment. It was a long loose-fitting robe, made to fit on the shoulders only, having very long loose sleeves, varying according to the whim of the owner. These sleeves were cut at the edges into the forms of leaves or other designs, and were lined, as the houppelande, with fur or silk. It will be seen that such a garment to suit all weathers and temperatures must be made of various materials and lined accordingly. These materials were almost invariably powdered with badges or some other device, sometimes with a flowing pattern embracing an heraldic design or motto. The sleeves turned back disclosed the sleeve of a cotehardie underneath, with the little b.u.t.tons running from the elbow to the first knuckle of the little finger. The houppelande had a very high collar, coming well up to the middle of the back of the head; it was b.u.t.toned up to the chin in front, and the collar was often turned down half-way, the two top b.u.t.tons being left undone. It was fastened about the middle by a thin leather belt, very long; this was buckled, and the long end turned under and brought over to hang down; the end was ornamented with many devices--figures of saints, heraldic figures, or other ornaments.

Sometimes the entire belt was sewn with small devices in precious metal or enamels.

Now, to be in the height of fas.h.i.+on, one either wore the houppelande extremely long in the skirt or extremely short--so short, in fact, as to leave but a frill of it remaining below the waist--leaving the sleeves still their abnormal length. Pretty fads, as tying a dagger round the neck, or allowing it to hang low between the legs, or placing it in the small of the back, were much in vogue.

[Ill.u.s.tration: {Two types of long shoe}]

Every form of beard or moustache was used, and the hair was worn long to the nape of the neck. By the dandy it was elaborately pressed and curled at the ends. Bands of real or artificial flowers encircled the heads of the dandies, the artificial flowers made in enamels or gold.

Rings were worn of great size on thumb and finger; long staffs with elaborate heads were carried.

Under the houppelande was the skirt and the cotehardie of thin material, and on the legs hose, pied or powdered, made of silk or cloth cut to the form and sewn.

[Ill.u.s.tration: A MAN OF THE TIME OF RICHARD II. (1377-1399)

His chaperon, or hood, is twisted and tied about his head with the liripipe, the elongated peak of his hood, thrown over his shoulders.]

The shoes were of great length, with long points; rarely we find examples of the absurd fas.h.i.+on of wearing the points so long that they were tied back to the knees, but often they were so long that the points came out 6 inches beyond the toe. They were made of every material, sewn with pearls on cloth or velvet, stamped with gold on leather, or the leather raised. The toes were sometimes stuffed hard, sometimes allowed to hang limp.

For walking in the streets high clogs of wood were used, made with long pointed ends to support the shoes.

I may add that the hose were gartered below the knee to hold them taut with rich garters, but if a man were a Garter Knight he wore but the garter of his Order.

[Ill.u.s.tration: {Evolution of the hood to the chaperon}]

Much in favour with this court of gallants were rich chains about the neck, having for pendant their badge or some saint's figure in gold or silver.

[Ill.u.s.tration: {Five types of head-wear}]

Now we come to the most interesting and universal fas.h.i.+on of wearing the chaperon, which I am anxious to show in its various stages. It began with a cape and a hood worn separately; these were joined for convenience so that a man might put on both at once. This fas.h.i.+on held for many years, and then the fas.h.i.+onable man in search of novelty caused the peak of the hood to be lengthened until it grew to reach to his feet. Then he cast about for a fresh mode for his head-wear, and so he twisted the whole affair about his head, leaving the end of the cape, which was jagged at the edge, protruding like a c.o.c.ks...o...b.. Time went on, and he avoided the trouble of tying this himself, so he had the hat made up all ready tied, much in the manner of a turban.

Finally, the chaperon grew into disuse, and it remains to-day a curious reminder in the c.o.c.kade worn by coachmen (it is almost a replica in miniature, with the round twist and the jagged edge sticking up above the hat) and on the cloaks of the Knights of the Garter, where it is carefully made, and forms a cape on the right shoulder, and in the present head-dress of the French lawyer, a relic of the Middle Ages.

The chains worn about the neck remain as badges of office in Mayors and Judges and in various Orders.

The b.u.t.ton worn by the members of the Legion of Honour and other foreign Orders is, I believe, an idea resulting from the c.o.c.kade, which, of course, was at the beginning the chaperon in the colours of the servant's lord.

[Ill.u.s.tration: {A houppelande showing the leg opening}]

When one knows a custom so well, one is apt to leave out many things in describing it. For example, the houppelande was open from the bottom of the skirt to the knee in front or at the side, and this opening was often cut or jagged into shapes; also it was open all the way up the side of the leg, and from the neck to the breast, and b.u.t.toned over.

I have not remarked on the jester, a member of many households, who wore an exaggeration of the prevalent costume, to which bells were attached at all points.

So was much good cloth wasted in vanity, and much excellent time spent upon superfluities, to the harm of the people; perhaps useful enough to please the eye, which must have been regaled with all these men in wonderful colours, strutting peac.o.c.kwise.

[Ill.u.s.tration: {Simpler clothing, hat and hood, and bags of peasants}]

The poor peasant, who found cloth becoming very dear, cared not one jot or t.i.ttle for the feast of the eye, feeling a certain unreasonable hunger elsewhere.

And so over the wardrobe of Dandy Richard stepped Henry, backed by the people.