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Trevior's 'er name, Hedith Trevior.'
"'Miss Trevior!' I cried, 'a tall, dark girl, with untidy hair and rather weak eyes?'
"'Tall and dark,' he replied 'with 'air that seems tryin' to reach 'er lips to kiss 'em, and heyes, light blue, like a Cambridge necktie. A 'undred and seventy-three was the number.'
"'That's right,' I said; 'my dear Smith, this is becoming complicated.
You've met the lady and talked to her for half an hour--as Smythe, don't you remember?'
"'No,' he said, after cogitating for a minute, 'carn't say I do; I never can remember much about Smythe. He allers seems to me like a bad dream.'
"'Well, you met her,' I said; 'I'm positive. I introduced you to her myself, and she confided to me afterwards that she thought you a most charming man.'
"'No--did she?' he remarked, evidently softening in his feelings towards Smythe; 'and did _I_ like '_er_?'
"'Well, to tell the truth,' I answered, 'I don't think you did. You looked intensely bored.'
"'The Juggins,' I heard him mutter to himself, and then he said aloud: 'D'yer think I shall get a chance o' seein' 'er agen, when I'm--when I'm Smythe?'
"'Of course,' I said, 'I'll take you round myself. By the bye,' I added, jumping up and looking on the mantelpiece, 'I've got a card for a Cinderella at their place--something to do with a birthday. Will you be Smythe on November the twentieth?'
"'Ye--as,' he replied; 'oh, yas--bound to be by then.'
"'Very well, then,' I said, 'I'll call round for you at the Albany, and we'll go together.'
"He rose and stood smoothing his hat with his sleeve. 'Fust time I've ever looked for'ard to bein' that hanimated corpse, Smythe,' he said slowly. 'Blowed if I don't try to 'urry it up--'pon my sivey I will.'
"'He'll be no good to you till the twentieth,' I reminded him. 'And,' I added, as I stood up to ring the bell, 'you're sure it's a genuine case this time. You won't be going back to 'Liza?'
"'Oh, don't talk 'bout 'Liza in the same breath with Hedith,' he replied, 'it sounds like sacrilege.'
"He stood hesitating with the handle of the door in his hand. At last, opening it and looking very hard at his hat, he said, 'I'm goin' to 'Arley Street now. I walk up and down outside the 'ouse every evening, and sometimes, when there ain't no one lookin', I get a chance to kiss the doorstep.'
"He disappeared, and I returned to my chair.
"On November twentieth, I called for him according to promise. I found him on the point of starting for the club: he had forgotten all about our appointment. I reminded him of it, and he with difficulty recalled it, and consented, without any enthusiasm, to accompany me. By a few artful hints to her mother (including a casual mention of his income), I manoeuvred matters so that he had Edith almost entirely to himself for the whole evening. I was proud of what I had done, and as we were walking home together I waited to receive his grat.i.tude.
"As it seemed slow in coming, I hinted my expectations.
"'Well,' I said, 'I think I managed that very cleverly for you.'
"'Managed what very cleverly?' said he.
"'Why, getting you and Miss Trevior left together for such a long time in the conservatory,' I answered, somewhat hurt; '_I_ fixed that for you.'
"'Oh, it was _you_, was it,' he replied; 'I've been cursing Providence.'
"I stopped dead in the middle of the pavement, and faced him. 'Don't you love her?' I said.
"'Love her!' he repeated, in the utmost astonishment; 'what on earth is there in her to love? She's nothing but a bad translation of a modern French comedy, with the interest omitted.'
"This 'tired' me--to use an Americanism. 'You came to me a month ago,' I said, 'raving over her, and talking about being the dirt under her feet and kissing her doorstep.'
"He turned very red. 'I wish, my dear Mac,' he said, 'you would pay me the compliment of not mistaking me for that detestable little cad with whom I have the misfortune to be connected. You would greatly oblige me if next time he attempts to inflict upon you his vulgar drivel you would kindly kick him downstairs.'
"'No doubt,' he added, with a sneer, as we walked on, 'Miss Trevior would be his ideal. She is exactly the type of woman, I should say, to charm that type of man. For myself, I do not appreciate the artistic and literary female.'
"'Besides,' he continued, in a deeper tone, 'you know my feelings. I shall never care for any other woman but Elizabeth.'
"'And she?' I said
"'She,' he sighed, 'is breaking her heart for Smith.'
"'Why don't you tell her you are Smith?' I asked.
"'I cannot,' he replied, 'not even to win her. Besides, she would not believe me.'
"We said good-night at the corner of Bond Street, and I did not see him again till one afternoon late in the following March, when I ran against him in Ludgate Circus. He was wearing his transition blue suit and bowler hat. I went up to him and took his arm.
"'Which are you?' I said.
"'Neither, for the moment,' he replied, 'thank G.o.d. Half an hour ago I was Smythe, half an hour hence I shall be Smith. For the present half- hour I am a man.'
"There was a pleasant, hearty ring in his voice, and a genial, kindly light in his eyes, and he held himself like a frank gentleman.
"'You are certainly an improvement upon both of them,' I said.
"He laughed a sunny laugh, with just the shadow of sadness dashed across it. 'Do you know my idea of Heaven?' he said.
"'No,' I replied, somewhat surprised at the question.
"'Ludgate Circus,' was the answer. 'The only really satisfying moments of my life,' he said, 'have been pa.s.sed in the neighbourhood of Ludgate Circus. I leave Piccadilly an unhealthy, unwholesome prig. At Charing Cross I begin to feel my blood stir in my veins. From Ludgate Circus to Cheapside I am a human thing with human feeling throbbing in my heart, and human thought throbbing in my brain--with fancies, sympathies, and hopes. At the Bank my mind becomes a blank. As I walk on, my senses grow coa.r.s.e and blunted; and by the time I reach Whitechapel I am a poor little uncivilised cad. On the return journey it is the same thing reversed.'
"'Why not live in Ludgate Circus,' I said, 'and be always as you are now?'
"'Because,' he answered, 'man is a pendulum, and must travel his arc.'
"'My dear Mac,' said he, laying his hand upon my shoulder, 'there is only one good thing about me, and that is a moral. Man is as G.o.d made him: don't be so sure that you can take him to pieces and improve him. All my life I have sought to make myself an unnaturally superior person. Nature has retaliated by making me also an unnaturally inferior person. Nature abhors lopsidedness. She turns out man as a whole, to be developed as a whole. I always wonder, whenever I come across a supernaturally pious, a supernaturally moral, a supernaturally cultured person, if they also have a reverse self.'
"I was shocked at his suggested argument, and walked by his side for a while without speaking. At last, feeling curious on the subject, I asked him how his various love affairs were progressing.
"'Oh, as usual,' he replied; 'in and out of a _cul de sac_. When I am Smythe I love Eliza, and Eliza loathes me. When I am Smith I love Edith, and the mere sight of me makes her shudder. It is as unfortunate for them as for me. I am not saying it boastfully. Heaven knows it is an added draught of misery in my cup; but it is a fact that Eliza is literally pining away for me as Smith, and--as Smith I find it impossible to be even civil to her; while Edith, poor girl, has been foolish enough to set her heart on me as Smythe, and as Smythe she seems to me but the skin of a woman stuffed with the husks of learning, and rags torn from the corpse of wit.'
"I remained absorbed in my own thoughts for some time, and did not come out of them till we were crossing the Minories. Then, the idea suddenly occurring to me, I said:
"'Why don't you get a new girl altogether? There must be medium girls that both Smith and Smythe could like, and that would put up with both of you.'
"'No more girls for this child,' he answered 'they're more trouble than they're worth. Those yer want yer carn't get, and those yer can 'ave, yer don't want.'
"I started, and looked up at him. He was slouching along with his hands in his pockets, and a vacuous look in his face.