Funeral In Blue Part 19

"What?"

"How do you know they were Jews?" Ferdi was perplexed. "Well, people do know, don't they?"

"I don't." Ferdi blushed. "Don't you? My parents do. I mean, you have to be polite, but there are certain things you don't do."

"For example?"

"Well..." Ferdi was a little unhappy and he looked down at the remains of his coffee. "You'd do business, of course lots of bankers are Jews but you wouldn't have them in your house, or at your club, or anything like that."

"Why not?"

"Why not? Well.. . we're Christians! They don't believe in Christ.

They crucified Him."

"Eighteen hundred years ago," Monk pointed out. "n.o.body who's alive today, Jew or otherwise." He knew he was being unkind as he said it.

Ferdi was only repeating what he had been taught. He was not equipped to find reasons for it, even to know where to look in the history of society, or the need for belief and justification to rationalise such a thing. He felt a stab of shame, and yet he continued: "Do a lot of people feel like that?"

"Everybody does that I know," Ferdi replied, s.c.r.e.w.i.n.g up his face. "Or they say they do. I suppose it's the same thing... isn't it?" Monk had no answer, and it probably had nothing to do with Elissa Beck's death anyway. This att.i.tude of society was just another facet of Kristian's past he had not expected, and could not fit in with the man he had known, or thought he had. Maybe Kristian didn't share Josef's viewpoint, anyway.

Monk ordered coffee for himself and Ferdi, forgetting it was chocolate they had had before.

Ferdi smiled, but said nothing.

Chapter Eleven.

The trial of Kristian Beck began amid a certain amount of public interest. It was not exactly a cause celebre. He was not famous, and certainly far from the first man to have been accused of killing his wife. That was a charge with which everyone was familiar, and not a few felt a certain sympathy. At least they withheld their judgement until they should hear what she had done to prompt such an act. The charge of killing Sarah Mackeson as well was another matter. Opinion as to her style of life, her values or morality varied. There were those who considered she might have been little better than a prost.i.tute, but even so, the brutality of her death filled them with revulsion.

The first picture of Elissa that was published in the newspapers, taken from one of Allardyce's best sketches, changed almost everyone's view, and any tolerance or compa.s.sion towards the accused vanished. The beauty of her face with its ethereal sense of tragedy, moved men and women alike. Anyone who killed such a creature must be a monster.

Hester was with Charles when she saw the newspaper. She had heard Monk's description of Elissa, but she was still unprepared for the reality.

They were standing in her front room, which was robbed of its life for her because Monk was in Vienna, and not returning tonight, or tomorrow, or any date that had been set. She was disconcerted by how profoundly she missed him. There was no point to the small ch.o.r.es she daily had to perform, no one with whom to share her thoughts, good and bad.

Charles had come because he was still desperately worried about Imogen, but he was also concerned for Kristian, and for Hester too.

"I was uncertain whether to bring the newspaper," he said, glancing at it where it lay open on the table. "But I felt sure you would see it some time... and I thought it might be easier if it were here..." he still looked uncomfortable at his a.s.sumption, 'and you had someone with you."

"Thank you," Hester said sincerely. She found she was quite suddenly moved by his care. He was trying so hard to reach across the gulf they had allowed to grow between them. "Yes, I am glad you are here." Her eyes moved to the picture of Elissa again. "William tried to describe her to me, but I was still unprepared for a face that would touch me so closely." She looked across as him. "I never met her, and I suppose I imagined someone I would dislike, because in my mind she..." She stopped. She should not expose Callandra's vulnerability to anyone at all. She ignored his look of confusion. "But when I see her, I feel as if I have lost someone I knew." She went on as if no explanation were necessary. "I wonder if other people feel like that. It's going to make it far worse for Kristian, isn't it?" Charles's face pinched a little. "I think so. I'm sorry. I know you admire Beck a great deal, but..." He hesitated, obviously uncertain how to say what he was thinking, perhaps even if he should say it at all. And yet it was equally plainly something he believed to be true.

She helped him. "You are trying to tell me he might be guilty, and I must be prepared for that."

"No, actually I was thinking that one can never know another person as well as one thinks one does," he replied gently. "Perhaps one cannot even know oneself."

"Are you being kind to me?" she asked. "Or are you equivocating the way you always do?" He looked a little taken aback. "I was saying what I thought. Do you think I always equivocate?" There was a thread of hurt in the question.

"I'm sorry," she answered quickly, ashamed of herself. "No, you are just careful not to overstate things."

"You mean I am unemotional?" he pressed.

She could hear Imogen's accusation in that, and unreasonably it angered her. She would not have been happy married to a man as careful and as guarded of his inner life as Charles was, but he was her brother, and to defend him was as instinctive as recoiling when you are struck. If she sensed capacity to be hurt, she tried to s.h.i.+eld it. If she sensed failure, and she hardly admitted even the word, then she lashed out to deny it, and to cover it from anyone else's sight.

"Being self-controlled is not the same thing as having no emotions!" she said with something approaching anger, as if she were speaking through him to Imogen.

"No... no," he was watching her closely. "Hester... don't..."

"What?"

"I don't know. I wish I could help, but..." She smiled at him. "I know. There is nothing. But thank you for coming." He leaned forward and gave her a quick peck on the cheek, then suddenly put his arms around her and hugged her properly, holding her closely for a moment before letting her go, coughing to clear his throat, and muttering goodbye before he turned to leave.

Sitting alone at the breakfast table Callandra also was deeply shaken by the picture of Elissa in the newspaper. Her first thought was not how it might affect the jury in the court, but her own amazement that Elissa should look so vulnerable. She had found it difficult enough when Hester had told her that Elissa was beautiful, and then that her actions in Vienna had been pa.s.sionate and brave. Callandra had created in her mind the picture of a hard and brittle loveliness, something dazzling, but a matter of perfect bones and skin, dramatic colouring, perhaps handsome eyes. She was not prepared for a face where the heart showed through, where the dreams were naked and the pain of disillusion clear for anyone to see. How could Kristian have stopped loving her?

Why do people stop loving? Could it be anything but a weakness within themselves, an incapacity to give and go on giving, somewhere a selfishness? Her mind raced back over all she could remember of Kristian, every time they had met in the hospital, and before that the long hours they had spent during the typhoid outbreak in Limehouse.

Every picture, every conversation seemed to her tirelessly generous.

She could see, as if it were now, his face in the flickering lights of the makes.h.i.+ft ward, exhausted, lined with anxiety, his eyes dark-shadowed around the sockets, but he had never lost his temper or his hope. He had tried to ease the distress of the dying, not only their physical pain but their fear and grief.

Or was she recalling it as she wished it to have been? It was so easy to do. She thought she was clear-sighted, a realist, but then perhaps everyone thought they were!

And even if Kristian were all she believed in his work with the sick, that did not mean he was capable of the kind of love that binds individuals. Sometimes it is easier to love a cause than a person. The demands are different. With a blinding clarity like the clean cut of a razor, so sharp at first you barely feel it, she saw the inner vanity of the uncritical dependence of someone profoundly ill who needs your help, whose very survival depends upon you. You have the power to ease immediate, and terrible pain.

The needs of a wife are nothing like that. A close human bond demands a tolerance, an ability to adjust, to moderate one's own actions and to accept criticism, unreasonable behaviour at times, to listen to all kinds of chatter and hear the real message behind the words. Above all, it needs the sharing of self, the dreams and the fears, the laughter and the pain. It means taking down the de fences knowing that sooner or later you will be hurt. It means tempering the ideals and acknowledging the vulnerable and flawed reality.

Perhaps after all Kristian was not capable of that, or simply not willing. Callandra thought back to earlier in the year, to the men from America who had come to buy guns for the civil war which was even now tearing that country apart. They had been idealists, and one at least had permitted the general pa.s.sion to exclude the particular.

Hester had told her of it in one of their many long hours together, of the slow realisation, and the grief. It was a consuming thing, and allowed room for nothing and no one else. It sprang not from the justice of the cause, but from the nature of the man. Was Kristian like that too a man who could love an idea, but not a woman? It was possible.

And perhaps she herself had been guilty of falling in love with an ideal, and not a real man, with his pa.s.sions that were less bright, and his weaknesses?

Then it would not matter what Elissa was like, how brave and beautiful, how generous or how kind, or funny, or anything else. It could have been she who was trapped in the marriage, and sought her way out through the lunacy of gambling.

And all the thoughts filling her mind did not succeed in driving out the image of the other murdered woman, the artist's model whose only sin had been seeing who had killed Elissa. No rationalisation could excuse her death. The thought that Kristian had killed her was intolerable and she thrust it away, refusing even to allow the words into her mind.

There were things to be done. Callandra closed the newspaper, ate the last of her toast and ignored the cold tea in her cup. Before the trial opened she had one visit to make which was going to require all her concentration and the self-control. She had no status whatever in the matter. She was not a relative, employer or representative of anyone. To attend every day with no duty, no reason beyond friends.h.i.+p, and to be obliged to be nothing but a helpless onlooker would be excruciating. If she were there representing the hospital governors, who very naturally had a concern for Kristian as his employer, and for their own reputation because of that, then her presence was explained, even her intervention, if any opportunity presented itself.

To do this she must go and see Fermin Thorpe, and persuade him of the necessity. It was an interview she dreaded. She loathed the man, and now she had not her usual armour of a.s.surance, nor the indifference to what he thought which her social position normally provided. She needed something only he could grant her. How could she ask him for it, while hiding her vulnerability so he did not sense it and take his one chance to be revenged for years of imagined affront?

The longer she thought about the interview the more daunting it became.

She had no time to waste; the trial began tomorrow. Better she go now, before too much imagination robbed her of what courage she had left.

She walked out of the dining room, across the hall and went upstairs to prepare herself, collect her costume jacket and the right hat.

The journey out to Hampstead took her over an hour. Progress was sporadic because of the traffic and the drifting fog, and she had far too much time to think and play the scene in her mind a dozen times, none of them less than painful.

When she arrived at the hospital she told her coachman to wait for her as she did not intend to remain, then was obliged to sit for nearly an hour while Fermin Thorpe interviewed a new young doctor with, apparently, a view to employing him. She kept her temper because she needed to. On another occasion, as a governor herself, she could simply have interrupted. Today she could not afford to antagonise Thorpe.

When he finally showed the young doctor out, smiling and sharing a joke, Thorpe turned to Callandra with satisfaction s.h.i.+ning in his face.

He hated Kristian, because Kristian was a better doctor than he, and they both knew it! Kristian did not defer to him. If he thought differently which he often did in moral and social matters he said so, and Thorpe lost the issue, for which in his stiff, frightened mind, there was no forgiveness. Now he was on the brink of getting rid of Kristian for ever, and the taste of victory was sweet on his lips. He was going to be proved right before the world in every bitter or critical thing he had ever said about Kristian, beyond even his most far-fetched dreams.

"Good morning, Lady Callandra," he said cheerfully. He was almost friendly; he could afford to be. "A bit chilly this morning, but I hope you are well?" She must play-act as never before. "Very," she said, forcing herself to smile. "The cold does not trouble me. I hope you are well also, Mr. Thorpe, in spite of the burden of responsibility upon you?"

"Oh, very well," he said forcefully, opening his office door for her and standing aside for her to enter. "I believe we will rise above our temporary difficulties. Young Doctor Larkmont looks very promising.

Good surgical experience, nice manner, keen." He met her eyes boldly.

"Good," she responded. "I am sure your judgement is excellent. It always has been. You have never allowed an incompetent man to practise here."

"Ah... well..." He was not sure whether to mention Kristian or not, to argue with her and let himself down, or agree with her and box himself into a corner of approving Kristian, even implicitly. "Yes," he finished. "My task... my..."

"Responsibility," she finished for him. "The reputation of the Hampstead Hospital rests largely upon the excellence of our doctors."

"Of course," he agreed, moving around behind his desk and waiting until she had taken the seat opposite, then he sat down also. "And, of course, discipline and organisation, and the highest moral standards." He emphasised the word 'moral' with a very slight smile.

She inclined her head, too angry for a moment to control her voice. She breathed in and out, telling herself that Kristian's life might depend upon this. What was her pride worth? Nothing! Nothing at all. "Yes," she agreed. "That is one of our highest a.s.sets. We must do everything we can to see that it is not taken from us. The damage that could do would be tragic, and perhaps irretrievable." She saw the shadow in his eyes and felt a tiny lift of confidence. "It is our duty... well, yours. I do not wish to presume, but I would offer all the a.s.sistance I can." Now he was confused, uncertain what she meant. "Thank you, but I am not at all sure what you could do. We are about to suffer a very serious blow, if Dr. Beck is found guilty, and it looks as if that is now inevitable." He ironed out the satisfaction from his face and composed it into lines of suitable gravity. "Of course we must hope it is not so. But if it is, Lady Callandra, for the sake of the hospital, which is our princ.i.p.al responsibility, regardless of our personal distress, or the loyalties we would wish to honour, we must act wisely."

"That is exactly my point, Mr. Thorpe." The words nearly choked her, but she said them steadily, as if she meant it. "We must do all we can to preserve the reputation of the hospital, which, as you say, is more important than any of our individual likes or affections." She did not say 'dislikes', still less 'jealousies'. "We must be aware hour by hour of exactly what the evidence is, and do all we can to make sure we respond the best way possible for our reputation's sake." It was clear in his face that he did not know what she meant, and the possibility that he might make a wrong judgement made him distinctly uneasy. "Yes... yes, of course we must be ... right," he said awkwardly. "We would not wish to be misunderstood." She smiled at his puzzled expression as if he had been totally lucid.

"I know how extremely busy you must be, in these appalling circ.u.mstances, with decisions to make, more doctors to interview. Would you like me to attend the court on behalf of the hospital governors, and keep you informed?" She could feel her heart beating as the seconds pa.s.sed while he weighed the repercussion of his answer. What did she want? What was safe?

Could he trust her? The hospital's reputation was inextricably bound with his own.

She dared not prompt him.

"Well..." He breathed out slowly, staring at her, trying to gauge her hidden agenda.

"I would not speak on the hospital's behalf, of course," she said, hoping her words were not too subservient. Would he suspect her meekness? "Except as you directed me. I think extreme discretion is the best role at the moment." It was a promise she had no intention of keeping if Kristian's freedom or his life hung in the balance. She gave it no thought now.

"Yes, I... I think it would be wise for me to be as fully informed as possible," he agreed cautiously. "If you would report to me, that would save me a great deal of time. Forewarned is forearmed. Thank you, Lady Callandra. Most dutiful of you." He made as if to rise, in order to signify to her that the interview was over.

She stood up, taking the cue so that he did not appear to have hurried her, and she saw the flash of satisfaction in his face. In every other circ.u.mstance she would have sat down again simply to annoy him. Now she was eager to escape while she still had what she wanted. "Then I shall not take up more of your time, Mr. Thorpe," she said. "Good day." She went out without looking back. If she were too civil it would cause him to think the matter over, and perhaps change his mind.

Callandra was not certain whether she wished to go to the trial with Hester, or alone. She did not consider her emotions to be transparent generally, but she did not delude herself that Hester would be unaware of the turmoil inside her. But it would be too hard to find an excuse not to go together. And whether she wished it or not, they might need each other deeply before it was over.

Callandra and Hester were in court side by side when the trial opened and the two protagonists faced each other. Pendreigh was magnificent merely in his presence, even before he needed to speak. He was a most striking figure with his height and his elegance of movement. His mane of s.h.i.+ning hair was largely concealed by his wig, but the light still caught the golden edges of it. To those who knew he was the victim's father, and thus the father-in-law of the accused, his presence was like the charge of electricity in the air before a storm.

Up in the dock, which was set at a height and quite separate from the body of the court, Kristian was white-faced, his eyes hollow, dark and very un-English. Would that tell against him? Callandra looked again at the jury. To a man they were concentrating on the counsel for the prosecution, a diminutive man with a quite ordinary face of intense sincerity. When he spoke briefly his voice was gentle, well-modulated, the kind that almost immediately sounds familiar, as if you must know him but simply have forgotten where and how.

The indictment was read. Callandra had been to trials before, but there was a reality about this that was almost physical in its impact.

When she heard the word 'murder', not once but twice, she could feel the sweat break out on her body and the packed room seemed to swim in her vision as if she were going to faint. Dimly she felt Hester's fingers grasp her arm and the strength of it steadied her.

The witnesses were brought on one by one, starting with the police constable who had arrived first on the scene when the bodies were found. The shock and sense of tragedy was still clear in him and Callandra could feel the response to it in the room.

There was nothing Pendreigh or anyone else could have done to alter either the facts or the compa.s.sion. At least he was wise enough not to try.

The constable was followed by Runcorn, looking unhappy but perfectly certain of himself, and suitably respectful both of the court and of the subjects of pa.s.sion and death. Callandra was startled at the anger in him when he spoke of Sarah Mackeson, as if in some way he did not understand himself and it outraged him. There was a gulf of every kind of difference between her and this relatively uneducated, certainly unpolished, policeman with his prejudices and ambitions. He had been an enemy to Monk all the time she had known him, and long before that, and she thought him pompous, self-absorbed and thoroughly tiresome.

And yet looking at him now, she saw his anger was honest, and cleaner than any of the ritual words of the legal procedure being played out.

He would have hated anyone to know it, but he cared.

The jury heard it, and Callandra saw with cold fear how an answering anger was born in them. Because Sarah was real to Runcorn, with a life that mattered, she became more real to them also, and their determination to punish someone for her death the greater.

Callandra knew it would go on like this, day after day. For all his sharpness of intellect, the legion of words at his command, and his understanding of the law, there was nothing Fuller Pendreigh could do against the facts which would be displayed one by one. Where was Monk?

What had he learned in Vienna? There must be some other explanation, and please heaven he would find it! Please heaven it would be soon enough!

She sat sick and s.h.i.+vering as it went on around her as relentlessly as if it were a play being acted from a script already written and there was no avoiding the climax at the end, or the tragedy.

Monk went to see Father Geissner in his home as Magda Beck had suggested. The first time the housekeeper told him that the father was occupied, but he made an appointment for the following day. Fretting at the time lost, he spent the remaining hours of daylight wandering around the city looking at the areas which had featured most heavily in the uprising, trying to picture it in his mind, event by event, as he had been told it.

Nothing in the calm, prosperous streets told him that the cafes and shops, the comfortable houses had witnessed desperation and violence, nor was there anything reflected in the faces of people hurrying about their business, buying and selling, gossiping, calling out greetings in the sharp, cold air.

In the evening Monk did as everyone had been so keen to suggest to him, and went to hear the young Johann Strauss conduct his orchestra. The gay, lyrical music had caught Europe by storm, delighting even the rather staid and unimaginative Queen Victoria, and set all London dancing the waltz.

Here in its own city it had a magic, a laughter and a speed that forgot politics, the cold wind from across Hungary in the east, or the losses and mistakes of the past. For three hours Monk saw the heart of Vienna, and past and future were of no importance, swallowed in the delight of the moment. He would never again hear three-four time without a lurch of memory and a sweetness.

He returned to his hotel long after midnight, and at ten o'clock the next morning, after an excellent cup of coffee, he set out to keep his appointment with Father Geissner.

This time he was shown in immediately, and the housekeeper left them alone.

Father Geissner was a quiet, elderly man with an ascetic face, which was almost beautiful in its achievement of inner peace.

"What can I do for you, Herr Monk?" he asked in excellent English, inviting him to be seated with a wave of his hand.

Monk had already considered any possible advantage it might give him to approach the subject obliquely, and discarded it as more likely to lose him the priest's trust if he were discovered. This man spent his professional life listening to people's secrets. Like Monk, he must have learned to tell truth from lies and to understand the reasons why people concealed their acts and often their motives.

"You were recommended to me by Frau Magda Beck," Monk answered, barely glancing around the comfortable, book-lined office where he had been received. "She told me that you knew her brother-in-law, Kristian Beck, when he lived here, especially during the uprising in '48."

"I did," Geissner agreed, but his expression was guarded, even though he looked directly at Monk and his blue eyes were candid. "Why is that of interest to you?"

"Because Elissa Beck has been murdered in London, where they lived, and Kristian has been charged with the crime." Monk ignored the startled look in Geissner's face. "He is a friend both of my wife, who is a nurse." Then he added quickly, "She was in the Crimea with Miss Nightingale," in case Geissner's opinion of nurses was founded upon the general perception of them as servants whose moral character precluded their obtaining an ordinary domestic position. "And also of Lady Callandra Daviot, whom I have known for many years. We all feel that there is another explanation for what happened, and I have come to Vienna to see if it may lie in the past." A brief flash of pity crossed Geissner's face, but there was no way to tell whether it was for Elissa because she was dead, Kristian for his present situation, or even for Monk because he had set out on a task in which he could not succeed.

"I used to be in the police force," Monk explained, then realised instantly that that also might be little recommendation. "Now I investigate matters privately, for people who have problems beyond the police's interest, or on which they have given up." Geissner raised white eyebrows. "Or have an answer which they find unacceptable?"