Funeral In Blue Part 2

"Good afternoon, Sergeant," Monk replied. He had been thinking how to phrase his request so as to achieve what he wanted without having to beg. "I may possibly have some information about a crime which occurred late yesterday, in Acton Street. May I speak with whoever is in charge of the investigation?" If he were fortunate it would be John Evan, one man of whose friends.h.i.+p he was certain.

"You mean the murders, o' course." The sergeant nodded sagely. "That'd be Mr. Runcorn is self sir. Very serious, this is. Yer lucky as 'e's in. I'll tell 'im yer 'ere." Monk was surprised that Runcorn, the man in command of the station and who had not worked cases personally in several years, should concern himself with what seemed to be an ordinary domestic tragedy. Was he ambitious to solve something simple, and so be seen to succeed and take the credit? Or could it be important in some way Monk could not foresee, and Runcorn dare not appear to be indifferent?

Monk sat down on the wooden bench, prepared for a long wait. Runcorn would do that simply to make very sure that Monk never forgot that he no longer had any status here.

However, it was less than five minutes before a constable came and took him up to Runcorn's room, and that was disconcerting because it was not what he expected.

The room was exactly as it had always been tidy, unimaginative, designed to impress with the importance of its occupant and yet failing, simply because it tried too hard. A man at ease with himself would have cared so much less.

Runcorn himself also was the same tall with a long, narrow face, a little less florid than before, his hair grizzled and not quite so thick, but still handsome. He regarded Monk cautiously. It was as if they were catapulted back in time. All the old rivalries were just as sharp, the knowledge of precisely where and how to hurt, the embarra.s.sments, the doubts, the failures each wished forgotten and always saw reflected in the other's eyes.

Runcorn looked up and regarded Monk steadily, his face very nearly devoid of expression. "Baker says you know something about the murders in Acton Street," he said. "Is that right?" Now was the time to avoid telling the slightest lie, even by implication. It would come back in enmity later on, and do irreparable damage. And yet the whole truth was no use in gaining any co-operation from Runcorn. He was already tense, preparing to defend himself against the slightest insult or erosion of his authority. The years when Monk had mocked him with quicker thought and more agile tongue, an easier manner, lay an uncross able gulf between.

Monk had racked his mind all the way here for something clever and true to say, and had arrived still without it. Now he was standing in the familiar surroundings of Runcorn's office, and the silence was already too long. In truth he knew no information about the murders in Acton Street, and anything he knew about Kristian Beck and the relations.h.i.+p between Beck and his wife was likely to do more harm than good.

"I'm a friend of the family in Mrs. Beck's case," he said, and even as the words were on his tongue he realised how ridiculous and inadequate they were.

Runcorn stared at him and for a moment his eyes were almost blank. He was weighing up what Monk had said, considering something. Monk expected a withering reply and braced himself for it.

"That.. . could be helpful," Runcorn said slowly. The words seemed forced from him.

"Of course, it may be a simple case," Monk went on. "I believe there was another woman killed as well..." He was undecided whether to make that a question or a statement and it hung in the air unfinished.

"Yes," Runcorn agreed, then rushed on. "Sarah Mackeson, artist's model." He said the words with distaste. "Looks as if they were killed pretty well at the same time." Monk s.h.i.+fted his weight a little from one foot to the other. "You're handling the case yourself."

"Short of men," Runcorn said drily. "Lot of illness, and unfortunately Evan is away."

"I see. I Monk changed his mind. It was too abrupt to offer help.

"What?" Runcorn looked up at him. His face was almost expressionless, his eyes only faintly belligerent.

Monk was annoyed with himself for having got into such a position. Now he did not know what to say, but he was not prepared to retreat.

Runcorn stared down at the desk with its clean surface, uncluttered by papers, reports, or books of reference. "Actually Mrs. Beck's father is a prominent lawyer," he said quietly. "Likely to run for Parliament soon, so I hear." Monk was startled. He masked it quickly, before Runcorn looked up again. So the case had a different kind of importance. If Kristian's wife had social connections, her murder would be reported in all the newspapers. An arrest would be expected soon. Whoever was in charge of the investigation would not escape the public eye, and the praise or blame that fear whipped up. No wonder Runcorn was unhappy.

Monk put his hands in his pockets and relaxed. However, he did not yet take the liberty of sitting down uninvited, which irked him. He would once have sat as a matter of course. "That's unfortunate," he observed mildly.

Runcorn looked at him with suspicion. "What do you mean?"

"Be easier to conduct an investigation without newspaper writers trampling all over the place, or the Commissioner expecting results before you begin," Monk replied.

Runcorn paled. "I know that, Monk! I don't need you to tell me! Either say something helpful, or go back to finding lost dogs, or whatever it is you do these days!" Then instantly his eyes were hot with regret, but he could not take back the words, and Monk was the last man to whom he would admit error, let alone ask for help.

At another time Monk might have relished Runcorn's discomfort, but now he needed his co-operation. However much they both disliked it, neither could see how to achieve what he wished without the other.

Runcorn was the first to yield. He picked up a pen, although he had no paper in front of him. His fingers gripped it hard. "Well, do you know anything useful, or not?" he demanded.

Monk was caught out by the directness of the question. He saw the recognition of it in Runcorn's eyes. He had to allow him to taste the small victory. It was the only way he could take the next step. "Not yet," he admitted. "Tell me what you have so far, and if I can help then I will." Now he sat down, crossing his legs comfortably and waiting.

Runcorn swallowed his temper and began. "Number twelve Acton Street.

Cleaning woman found two bodies this morning when she went in around half-past eight. Both roughly in their late thirties, the sergeant guessed, and both killed by having their necks broken. Looks like there was a struggle. Carpet rumpled up, chair on its side."

"Do you know which woman was killed first?" Monk cut in.

"No way to tell." There was resentment in Runcorn's voice but none in his face. He wanted Monk's help whatever the emotions between them, he knew he needed it and at the moment that overrode all past history.

"The other woman was apparently Allardyce's model, and she sort of half lived there." He let the sentence hang with all its ugly judgements.

Monk did not skirt around it. "So it's going to look like jealousy of some sort." Runcorn pulled the corners of his mouth down. "The model was half undressed," he conceded. "And Allardyce was nowhere to be found this morning. He turned up about ten, and said he'd been out all night.

Haven't had time yet to check if that's true." He put the pen down again.

"Doesn't make sense," Monk observed. "If he wasn't there, why did Mrs.

Beck go for a sitting? If she arrived and found him gone, is she the sort of woman to have sat around talking to the model?"

"Not if that's all she went for." Runcorn bit his lip, his face full of misery. He did not need to explain the pitfalls for a policeman, faced with proving that the daughter of an eminent figure was having an affair with an artist, one so sordid in its nature that it had ended in a double murder.

There would also be no way whatever of avoiding dragging Kristian into it. No man would take lightly his wife betraying him in such a way. In spite of himself Monk felt a twinge of pity for Runcorn, the more so knowing his pretensions to social acceptability and the long, hard journey he had made towards being respected by those he admired rather than merely tolerated. He would never achieve what he wished, and it would continue to hurt him. Monk had the polish to his manner, the elegance of dress to pa.s.s for a gentleman, partly because he did not care if he succeeded or not. Runcorn cared intensely, and it betrayed him every time.

"Would it help if I were to see what I can learn in a roundabout way?" Monk offered casually. "Through friends, rather than by direct questioning?" He watched Runcorn struggle with his pride, his dislike of Monk, and his appreciation of just how awkward the situation could become, and his own inadequacy to deal with it. He was trying to gauge what help Monk would be, and how willing he was to try. What did he want out of it, and how far could he be trusted?

Monk waited.

"I suppose if you know the family it might avoid embarra.s.sment," Runcorn said at last. His voice was matter-of-fact, but his hands on the desk were clenched. "Be careful," he added warningly, looking up at Monk directly at last. "It may not be anything like it seems, and we don't want to make fools of ourselves. And you're not official!"

"Of course not," Monk agreed, keeping the amus.e.m.e.nt out of his expression, bitteras it was. He knew why Runcorn did not trust him.

Given the circ.u.mstances, he would have despised him if he had. It was a large enough admission of his vulnerability that he confided in Monk at all. "I suppose you're looking for witnesses? Anyone seen near the place? Where does Allardyce claim to have been?" Runcorn's face reflected his contempt for the unorthodox and bohemian life. "He says he was out drinking in Southwark all night with friends, looking for some kind of ... of new light, he said! Whatever that may mean. Bit odd, in the middle of the night, if you ask me."

"And do these friends agree?" Monk enquired.

"Too busy looking for new light themselves to know!" Runcorn replied with a twist of his mouth. "But I've got men following it up, and we'll find something sooner or later. Acton Street's busy enough evenings, anyway." He cleared his throat. "I suppose you'd like to see the bodies? Not that the surgeon has much yet."

"Yes," Monk agreed, not sounding at all eager. His affection for Callandra and his regard for Kristian made it imperative he do what he could to help, but it also made it a personal tragedy too close to his own emotions.

Runcorn stood up, hesitated a moment as if still undecided exactly how to proceed, then went to the door. Monk followed him down the stairs and out past the desk. It was less than half a mile to the morgue, and in the density of traffic, easier to walk than try to find a hansom.

The pavements were crowded, and the noise of hoofs and wheels, shouts of drivers and street hawkers, the creak and rattle of harnesses filled the air. Sweat and horse manure were sharp in the nostrils, and the two men could go only a few yards before having to alter course to avoid b.u.mping into people.

They walked in silence, excused from trying to converse by the conditions, and both glad of it. On the first corner, beside a seller of peppermint water, they had to wait several moments for a lull in traffic before they could cross, dodging between carts, carriages and drays, and a costermonger's barrow being pushed, oblivious of pedestrians. Runcorn swore under his breath and leaped for the kerb.

A newsboy was shouting the headlines about Garibaldi's campaign in Naples. There had been no major battles in America since the b.l.o.o.d.y encounterat Bull Run, two and a half months ago, and America was not the current headline. No one was paying the lad the slightest attention. The few bystanders who had no urgent business were listening to the running patterer whose entertainment value was far higher.

"Double murder in Acton Street!" he called in his singsong voice. "Two 'alf-naked women found broken-necked in artist's rooms! Stop a few minutes an' I'll tell yer all abaht it!" Half a dozen people accepted his invitation and coins c.h.i.n.ked in his cup.

Runcorn swore again and plunged on, pus.h.i.+ng his way between a large city gentleman in pinstriped trousers, who blushed at being caught listening to the gossip, and a thin clerk clutching a briefcase, who only wanted to attract the attention of the ham sandwich seller.

"See what I mean?" Runcorn said furiously as they reached the morgue and went up the steps. "Story's got arms and legs even before we've said a word to anyone! I don't know who tells them these things! Seem to breathe it in the air." He pushed the door open and Monk followed behind him, tasting the sweet and sour odour of death which was always made worse by carbolic and wet stone. He saw from the tightness in Runcorn's face that it affected him the same way.

The police surgeon was a dark, stocky man with a voice like velvet. He shook his head as soon as he saw Runcorn.

"Too soon," he said, waving a hand. "Can't tell you any more than I did this morning. Think I'm a magician?"

"Just want to look," Runcorn replied, walking past him towards the door at the other end of the room.

The surgeon regarded Monk curiously, raising one eyebrow so high it made his face lop-sided.

Runcorn ignored him. He chose not to explain himself. "Come on," he said to Monk abruptly.

Monk caught up with him and went into the room where bodies were kept until they could be released to the undertaker. He must have been in places like this all his professional life, although he could remember only the last five years of it. It always knotted his stomach. He would not like to think he could ever have come here with indifference.

Runcorn moved over to one of the tables and pulled the sheet off the face of the figure, holding it carefully to show only as far as the neck and shoulders. She was a tall woman, her flesh smooth and blemish less Her features were handsome rather than beautiful, and the bones of her cheek and brow suggested her eyes had been remarkable, and now her lashes stood out against the pallor of her skin. Her thick hair was tawny red-brown and lay about her like a russet pillow.

"Sarah Mackeson," Runcorn said quietly, keeping his face averted, his voice catching a little as he tried to keep emotion out of it.

Monk looked up at him.

Runcorn cleared his throat. He was embarra.s.sed. Monk wondered what thoughts were going through his mind, what imagination as to this woman's life, the pa.s.sions that had moved her and made her whatever she was. Artists' models were by definition disreputable to him, and yet whatever he meant to feel, he was moved by her death. There was no spirit, no consciousness in what was left of her, but Runcorn seemed discomforted by her closeness, the reality of her body.

A few years ago Monk might have mocked him for that. Now he was annoyed because it made Runcorn also more human, and he wanted to retain his dislike for him. It was what he was used to.

"Well?" Runcorn demanded. "Seen enough? Her neck was broken. Want to look at the bruises on her arms?"

"Of course," Monk replied curtly.

Runcorn moved the sheet so her arms were shown, but very carefully held it not to reveal her b.r.e.a.s.t.s. Without wis.h.i.+ng to, Monk liked him the better for that too. It didn't occur to him that it could be prudery rather than respect. There was something in the way he held the cloth, the touch of his fingers on it, that belied the idea.

He bent and looked at the very slight indentations on the smooth flesh, barely discoloured.

"Dead too quickly for it to mark much," Runcorn explained unnecessarily.

"I know that!" Monk snapped. "Looks as if she fought a bit." He picked up one of the limp hands and looked to see if she might have scratched her killer, but none of the nails was broken, nor was there any skin or blood underneath them. He put it down and looked at the other, finding nothing there either.

Runcorn watched him silently, and when he had finished, pulled up the sheet again, and walked over to the next table. He lifted the sheet from the face and shoulders of the woman there.

Monk's first reaction was to be angry that Runcorn had made such a disturbing mistake. Why couldn't he have been careful enough to have got the right body? This could not be Kristian Beck's wife. She was very slender, and must have been almost as tall as Kristian. Her cloud of dark hair was untouched by grey and her face, even without the spark of life in it, was beautiful. Her features were delicate, almost ethereal, and yet haunted by an element of pa.s.sion that remained even now in this soulless place with its damp air and smell of carbolic and death.

He did not care in the slightest what Runcorn thought of her, yet he had to look up at him to see.

Runcorn was watching him. Through the trouble and the uncertainty in his eyes there was a sudden spark of triumph. "You didn't know her, did you? You were expecting someone else. Don't lie to me, Monk!"

"I didn't say I knew her," Monk replied. "I know her husband." The momentary satisfaction died from Runcorn's face. "He's still too shocked to make any sense, but we'll have to question him again. You know that?"

"Of course!"

"That's why you're really here, isn't it? You're afraid he did it! Found her with Allardyce and killed her." His voice was harsh, as if he were angry with his own vulnerability, and deliberately hurting himself by saying something before anyone else could.

But she had the kind of face that affected people in such a way. It was that of a dreamer, an idealist, someone intensely alive, and it twisted some secret place inside to see her broken. Monk looked up and met Runcorn's angry gaze with an equal anger of his own. "Yes, of course I'm afraid he did it! Are you saying you've only just realised that?" Now Runcorn had to say yes, and look stupid, or no, and leave himself no reason to change his mind about seeking Monk's help. He chose the latter, and without a struggle, betraying just how worried he was, how far beyond his depth. "She died of a broken neck also," he said flatly. "And two of her fingernails are torn. She put up more of a fight. I'll bet someone has a few bruises and maybe a scratch or two... and' he indicated her right ear and pulled back the hair to show the torn flesh where an earring must have been ripped from her 'and this."

"Did you find it?" Monk asked.

"No. Searched the place, even the cracks between the floorboards, but no sign of it."

"And you've searched Allardyce?" Monk said quickly. He found himself shaking with anger that this woman had been destroyed, and confused by how different she was from anything he had imagined.

"Of course we have!" Runcorn said waspishly. "Nothing! At least nothing that counts. He's got the odd cut and scratch on his hands, but he says he has them all the time, from palette knives, blades to cut canvas, nails and things to stretch them, that kind of thing. He said to ask any artist and they'd say the same. He swears he never even saw her that night, much less killed her. He looks shattered by it, and if he's acting that then he should be on the stage." The chill of the morgue began to eat into Monk and the smell of it churned his stomach. He reminded himself he had known men before who had killed in rage, jealousy or wounded pride and then been as horrified as anyone else afterwards. And a woman as hauntingly beautiful as Kristian's wife might have woken all kinds of pa.s.sions in Allardyce, or anyone else, especially Kristian himself.

"Seen enough now?" Runcorn's voice cut across his thoughts.

"Clothes' Monk said almost absently 'how were they dressed?"

"The model had on a loose kind of gown, a sort of ... s.h.i.+ft, I suppose you'd call it," Runcorn said awkwardly. His embarra.s.sment and contempt for her style of life and all he imagined of it was sharp in his voice.

His lips tightened and a faint colour washed up his cheeks. "And Mrs.

Beck wore an ordinary sort of dress, high neck, dark, b.u.t.toned down the front. It fitted her very well, but it's not new."

"Boots?" Monk asked curiously.

"Of course! She didn't go there barefoot!" Then understanding flashed in his face. "Oh you mean had she them on? Yes!"

"Actually I meant were they old or new?" Monk replied. "I a.s.sumed that if she had taken them off you'd have mentioned it." The colour deepened in Runcorn's face, but this time it was irritation.

"Oldish why? Doesn't Beck make a decent living? Her father's Fuller Pendreigh. Very important man, and bound to have money."

"Doesn't mean he gave any of it to his daughter," Monk pointed out, 'now that she's a married woman, and has been for ... do you know how long?" Runcorn raised his eyebrows. "Don't you know?"

"No idea," Monk admitted testily. Except that it had to be longer than he had known Callandra, but he would not say that to Runcorn.

"I suppose you want to see the clothes. They won't tell you much. I've already looked." Runcorn covered the white face again, tucking in the corner of the sheet as if it mattered, then he led the way across the floor, his footsteps echoing, to the small room where property of the dead was kept. It was locked away. He had to get a clerk to open up the drawers for him.

Monk picked up Sarah Mackeson's s.h.i.+ft. There was still a faint aroma of her clinging to it, almost like a warmth. The sense of her reality came over him like a wave, more powerful than actually seeing her body.

His hands were shaking as he put it down. There was no underwear. Had she been so confident in her beauty she was happy to dispense with the privacy more conventional dress would have given her? Or had she been sitting for Allardyce, and simply slipped these things on while he took a break, expecting him to resume? Why hadn't he?

Or had she gone to bed for the night, either alone or with someone, when Mrs. Beck had arrived? For that matter, did she often spend the night at Allardyce's studio? There were a lot of questions to be answered about her. The most important in Monk's mind, and becoming more and more insistent with every moment, was: had she been the intended victim, and Kristian's wife only an unwilling witness who had been silenced in the most terrible way?

"Is there really nothing to tell which one died first?" he said, putting the clothes back and beginning to go through the next box, which was Mrs. Beck's. He found it difficult to think of her by that name, she was so different from anything he had envisioned, and yet he knew no other.

"Nothing so far." Runcorn was watching him as if every move he made, every shadow across his face might have meaning. He was desperate.

"Surgeon can't tell me anything, but we know from the tenant on the floor below that he heard women's voices at about half-past nine in the evening."

"Presumably Mrs. Beck arriving?" Monk observed. "Or whoever killed her? At least one or both of them were alive then."

"Presumably," Runcorn agreed. "Maybe you'll make something more of it if you speak to the man." Monk hid a very slight smile. Runcorn still had that inner belief that there was always something hidden that Monk would find and he would not. It had happened so many times in the past it was the pattern of their lives.