Mystic London Part 7

In most cases the Penny Readings are organized by the parochial clergy.

We will be orthodox, and consider them so to be on the present occasion.

In that case, the series would probably be opened by the inc.u.mbent in person. Some ecclesiastical ladies, young and middle-aged, who, rightly or wrongly, believe their mission is music, and to whom the curate is very probably an attraction, aid his efforts. Serious young men read, and others of a more mundane turn of mind sing doleful "comic" songs, culled from the more presentable of the music-hall repertoire. In many cases skilled amateurs or professionals lend their valuable a.s.sistance; and it is not too much to say that many a programme is presented to the audience--ay, and faithfully carried out too--which would do credit to a high-priced concert-room. But, then, who make up the audience? Gradually the "penny" people have been retiring into the background, as slowly but as surely as the old-fas.h.i.+oned pits at our theatres are coyly withdrawing under the boxes to make way for the stalls. The Penny Readings have been found to "draw" a higher cla.s.s of audience than those for whom they were originally intended. The curate himself, if unmarried, secures the whole spinsterhood of the parish. His rendering of the lines, "On the receipt of my mother's picture out of Norfolk," is universally acknowledged to be "delightful;" and so, in course of time, the Penny Readings have been found to supply a good parochial income; and the inc.u.mbent, applying the proceeds to some local charity, naturally wishes to augment that income as much as possible. The consequence is that the penny people are as completely nowhere at the Penny Readings as they are in the free seats at their parish church. The whole of the body of the room is "stalled off," so to say, for sixpenny people, and the penny folk are stowed away anywhere. Then, again, in several programmes I have been at the pains to a.n.a.lyse, it is palpable that, whilst the bulk of the extracts fire over the heads of the poor people, one or two are inserted which are as studiously aimed at them as the parson's remarks in last Sunday's sermon against public-house loafing. Still "naming no names," I attended some readings where one of the clergy read a long extract from Bailey's "Festus," whilst he was succeeded by a vulgar fellow, evidently put in for "the G.o.ds," who delivered himself of a parody on Ingoldsby, full of the coa.r.s.est slang--nay, worse than that, abounding in immoralities which, I hope, made the parochial clergy sit on thorns, and place the reader on their "Index Expurgatorius" from henceforth.

Excellent in its original design, the movement is obviously degenerating into something widely different. First, I would say, Let your Penny Readings be really Penny Readings, and not the egregious _lucus a non_ they now are. If there is any distinction, the penny people should have the stalls, and then, _if there were room_, the "swells" (I must use an offensive term) could come in for sixpence, and stand at the back. But there should be no difference at all. Dives and Lazarus should sit together, or Dives stop away if he were afraid his fine linen may get soiled. Lazarus, at all events, must not be lost sight of, or treated to second best. The experiment of thus mingling them has been tried, I know, and succeeds admirably. Dives and Lazarus _do_ hobn.o.b; and though the former occasionally tenders a silver coin for his entree, he does not feel that he is thereby ent.i.tled to a better seat. The committee gets the benefit of his liberality; and when the accounts are audited in the spring, Lazarus is immensely pleased at the figure his pence make.

Then, again, as to the quality of the entertainment. Let us remember Lazarus comes there to be elevated. That was the theory we set out with--that we, by our reading, or our singing, or fiddling, or tootle-tooing on the cornet, could civilize our friend in fustian. Do not let us fall into the mistake, then, of descending to his standard.

We want to level him up to ours. Give him the music we play in our own drawing-rooms; read the choice bits of fiction or poetry to his wife and daughters which we should select for our own. Amuse his poor little children with the same innocent nonsense with which we treat our young people. Above all, don't bore him. I do not say, never be serious, because it is a great mistake to think Lazarus can only guffaw. Read "The Death of Little Nell" or of Paul Dombey, and look at Mrs. Lazarus's eyes. Read Tom Hood's "Song of the s.h.i.+rt," and see whether the poor seamstress out in the draughty penny seats at the back appreciates it or not. I did hear of one parish at the West End--the very same, by the way, I just now commended for sticking to the "penny" system--where Hood's "Nelly Gray," proposed to be read by the son of one of our best known actors, was tabooed as "unedifying." Lazarus does not come to be "edified," but to be amused. If he can be at the same time instructed, so much the better; but the bitter pill must be highly gilded, or he will pocket his penny and spend it in muddy beer at the public-house.

If the Penny Reading can prevent this--and we see no reason why it should not--it will have had a mission indeed. Finally, I feel sure that there is in this movement, and lying only a very little way from the surface, a wholesome lesson for Dives too; and that is, how little difference there is, after all, between himself and Lazarus. I have been surprised to see how some of the more recherche "bits" of our genuine humorists have told upon the penny people, and won applause which the stalest burlesque pun or the nastiest music-hall inanity would have failed to elicit. Lazarus must be represented on the platform then, as well as comfortably located in the audience. He must be asked to read, or sing, or fiddle, or do whatever he can. If not, he will feel he is being read at, or sung to, or fiddled for, and will go off to the Magpie and Stump, instead of bringing missus and the little ones to the "pa'son's readings." Let the Penny Reading teach us the truth--and how true it is--that we are all "working men." What matters it whether we work with head or with hand--with brain or muscle?

CHAPTER XXIII.

DARWINISM ON THE DEVIL.

It has been said--perhaps more satirically than seriously--that theology could not get on without its devil. Certain it is that wherever there has been a vivid realization of the Spirit of Light, there, as if by way of ant.i.thesis, there has been an equally clear recognition of the Power of Darkness. Ormuzd--under whatever name recognised--generally supposes his opponent Ahriman; and there have even been times, as in the prevalence of the Manichean heresy, when the Evil Spirit has been affected in preference to the good--probably only another way of saying that morals have been held subordinate to intellect. But I am growing at once prosy and digressive.

The announcement that the "Liberal Social Union" would devote one of their sweetly heretical evenings at the Beethoven Rooms, Harley Street, to an examination of the Darwinian development of the Evil Spirit, was one not to be scorned by an inquirer into the more eccentric and erratic phases of theology. Literary engagements stood in the way--for the social heretics gather on a Friday--but come what might, I would hear them discuss diabolism. Leaving my printer's devil to indulge in typographical errors according to his own sweet will (and I must confess he _did_ wander), I presented myself, as I thought in good time, at the portals of the Harley Street room, where his Satanic Majesty was to be heretically anatomized. But, alas! I had not calculated aright the power of that particular potentate to "draw." No sooner had I arrived at the cloak-room than the very hats and umbrellas warned me of the number of his votaries. Evening Dress was "optional;" and I frankly confess, at whatever risk of his displeasure, that I had not deemed Mephistopheles worthy of a swallow-tailed coat. I came in the garb of ordinary life; and at once felt uncomfortable when, mounting the stairs, I was received by a portly gentleman and an affable lady in violent tenue de soir. The room was full to the very doors; and as soon as I squeezed into earshot of the lecturer (who had already commenced his discourse) I was greeted by a heterodox acquaintance in elaborate dress-coat and rose-pink gloves. Experience in such matters had already told me--and thereupon I proved it by renewed personal agony--that an Englishman never feels so uncomfortable as when dressed differently from his compeers at any kind of social gathering. Mrs. T---- asks you to dinner, and you go clad in the correct costume in deference to the prandial meal, but find all the rest in morning dress. Mrs. G----, on the contrary, sends you a rollicking note to feed with a few friends--no party; and you go straight from office to find a dozen heavily-got-up people sn.i.g.g.e.ring at your frock coat and black tie. However, as I said, on this occasion the lecturer, Dr. Zerffi, was in the thick of what proved to be a very attractive lecture; so I was not the observed of all observers for more than two or three minutes, and was able to give him my whole attention as soon as I had recovered from my confusion. Dr. Zerffi said:--

Dr. Darwin's theory of evolution and selection has changed our modern mode of studying the inorganic and organic phenomena of nature, and investigating the realities of truth. His theory is not altogether new, having been first proclaimed by Leibnitz, and followed up with regard to history by Giovanni Battista Vico. Oken and Goethe amplified it towards the end of the last, and at the beginning of the present century.

Darwin, however, has systematized the theory of evolution, and now the branches of human knowledge can only be advantageously pursued if we trace in all phenomena, whether material or spiritual, a beginning and a gradual development. One fact has prominently been established, that there is order in the eternal change, that this order is engendered by law, and that law and order are the criterions of an all-wise ruling Spirit pervading the Universe. To this positive spirit of law a spirit of negation, an element of rebellion and mischief, of mockery and selfishness, commonly called the Devil, has been opposed from the beginning.

It appeared, till very lately, as though G.o.d had created the world only for the purpose of amusing the Devil, and giving him an abundance of work, all directed to destroying the happiness of G.o.d's finest creation--man. Treating the Devil from a Darwinian point of view, we may a.s.sert that he developed himself from the protoplasm of ignorance, and in the gloomy fog of fear and superst.i.tion grew by degrees into a formidable monster, being changed by the overheated imaginations of dogmatists into a reptile, an owl, a raven, a dog, a wolf, a lion, a centaur, a being half monkey, half man, till, finally, he became a polite and refined human being.

Man once having attained a certain state of consciousness, saw sickness, evil, and death around him, and as it was usual to a.s.sign to every effect some tangible cause, man developed the abstract notion of evil into a concrete form, which changed with the varying impressions of climate, food, and the state of intellectual progress. To the white man the Devil was black, and to the black man white. Originally, then, the Devil was merely a personification of the apparently destructive forces of nature. Fire was his element. The Indians had their Rakshas and Uragas, the Egyptians their Typhon, and the Persians their Devas. The Israelites may claim the honour of having brought the theory of evil into a coa.r.s.e and sensual form, and the Christians took up this conception, and developed it with the help of the Gnostics, Plato, and the Fathers dogmatically into an ent.i.ty.

I shall not enter on a minute inquiry into the origin of this formidable antagonist of common sense and real piety; I intend to take up the three princ.i.p.al phases of the Devil's development, at a period when he already appears to us as a good Christian Devil, and always bearing in mind Mr.

Darwin's theory of evolution, I shall endeavour to trace spiritually the changes in the conceptions of evil from the Devil of Luther to that of Milton, and at last to that of Goethe.

The old Jewish Rabbis and theological doctors were undoubtedly the first to trace, genealogically, the pedigree of the Christian Devil in its since general form. If we take the trouble to compare chap. i. v. 27 of Genesis with chap. ii. v. 21, we will find that two distinct creations of man are given. The one is different from the other. In the first instance we have the clear, indisputable statement, "So G.o.d created man in his own image:" and to give greater force to this statement the text goes on, "in the image of G.o.d created he him; male and female created he them." Both man and woman were then created. Nothing could be plainer.

But as though no creation of man had taken place at all, we find, chap.

ii. v. 7: "And the Lord formed man of the dust of the ground, and breathed into his nostrils the breath of life." This was evidently a second man, differently created from the first, who is stated to have been made "in the image of G.o.d himself." This second creature was entrusted with the nomination and cla.s.sification of all created things; that is, with the formation of language, and the laying down of the first principles of botany and zoology. After he had performed this arduous task it happened that "for Adam there was not found an help meet for him" (verse 20), and chap. ii. v. 21 tells us, "The Lord G.o.d caused a deep sleep to fall upon Adam, and he slept; and He took one of his ribs and closed up the flesh instead thereof;" and verse 22, "And of the rib which the Lord G.o.d had taken from man made He a woman, and brought her unto man." Adam then joyfully exclaims (verse 23), "This _is_ now bone of my bones, and flesh of my flesh." This cannot but lead to the conclusion that this woman was an altogether different creature from the first. The contradiction was most ingeniously explained by the learned Jewish Rabbis, who considered the first woman the organic germ from which the special Hebrew-Christian devils were evolved. The Rabbis discovered that the name of the first woman was "Lilith"[1] (the nightly); they knew positively--and who can disprove their a.s.sertion?--that she was the most perfect beauty, more beautiful than Eve; she had long waving hair, bright eyes, red lips and cheeks, and a charmingly finished form and complexion; but having been created at the same moment as the first man, and like him, in the image of G.o.d, she refused to become man's wife; she objected to being subordinate to the male part of creation--she was, in fact, the first strong-minded woman, claiming the same rights as man, though a woman in body and form. Under these circ.u.mstances the existence of the human race was deemed to be an impossibility, and therefore the Lord had to make good his error, and He created Eve as the completing part of man. The first woman left her co-equally created male, and was changed into an enormous, most beautiful, and seducing "She Devil," and her very thoughts brought forth daily a legion of devils--incarnations of pride, vanity, conceit, and unnaturalness. Happily these devils were so const.i.tuted that they devoured one another. But in their rage they could take possession of others, and more especially entered little children--boys under three days old, girls under twenty days--and devoured them. This myth, by means of evolution and the law of action and re-action, engendered the further legend about the existence of three special angels who acted as powerful antidotes to these devils, and whose names, "Senoi, Sansenoi, and Sanmangeloph," if written on a piece of parchment suspended round the neck of children afforded certain protection against them.

The origin of the Devil may thus be traced to the first vain contempt for the eternal laws of nature. The woman, refusing to be a woman, engenders devils; the man, trying to be a G.o.d, loses paradise and his innocence, for the element of the supernatural intruded upon him and abstracted his thoughts from this earth. These were the half idealistic and half realistic elements from which the three greatest spiritual incarnations of the Evil Spirit sprung up. Luther took the Evil Spirit as a bodily ent.i.ty, with big horns, fiery eyes, a reddish, protruding tongue, a long tail, and the hoof of a horse. In this latter attribute we trace at once the Kentaur element of ancient times. Through nearly one thousand three hundred years from Tertullian and Thaumaturgus down to Luther, every one was accustomed to look upon life as one great battle with tens of thousands of devils, a.s.saulting, hara.s.sing, annoying, and seducing humanity. All fought, quarrelled, talked, and wrestled with the Devil. He was more spoken of in the pulpits of the Christian Churches, written about in theological and scientific books, than G.o.d or Christ. All misfortunes were attributed to him. Thunder and lightning, hailstorms and the rinderpest, the hooping cough and epileptic fits were all the Devil's work. A man who suffered from madness was said to be possessed by a legion of Evil Spirits. The Devil settled himself in the gentle dimples of a pretty girl with the same ease and comfort as in the wrinkles of an old woman. Everything that was inexplicable was evil. Throughout the Middle Ages the ma.s.ses and the majority of their learned theological teachers believed the Greek and Latin cla.s.sics were inspired by Evil Spirits; that sculptures or paintings, if beautiful, were of evil; that all cleverness in Mathematics, Chemistry, or Medicine proved the presence of the corrupting Evil Spirit working in man. Any bridge over a chasm or a rapid river was the work of the Devil; even the most beautiful Gothic cathedrals, like those of Cologne and St. Stephen at Vienna were constructed by architects who served their apprentices.h.i.+p in the infernal regions. The Devil sat grinning on the inkstands of poets and learned men, dictating to the poor deluded mortals, as the price for their souls, charming love-songs or deep theological and philosophical essays. It was extremely dangerous during this period of man's historical evolution to be better or wiser than the ignorant ma.s.ses.

Learning, talent, a superior power of reasoning, love for truth, a spirit of inquiry, the capacity of making money by clever trading, an artistic turn of mind, success in life, even in the Church, were only so many proofs that the soul had been sold to some dwarfish or giant messenger from Lucifer, who could appear in a thousand different forms.

Man was, since his a.s.sumed Fall, the exclusive property of the coa.r.s.e and vulgar conception of the Evil Spirit. Luther was full of these ideas, he was brought up in this belief, and though he unconsciously felt that the Devil ought to be expelled from our creed, he did not dare to attempt the reform of humanity by annihilating the mischief-maker: he could not rob man of his dearest spiritual possession; had he thought of consigning the Devil to the antediluvian period of our moral and social formation, he never could have succeeded in his reform. The Devil, in fact, was his strongest helpmate; he could describe the ritual of the Romish Church as the work of the Evil Spirit, produced to delude mankind. The Devil had his Romish prayers, his processions, his wors.h.i.+p of relics, his remission of sins, his confessional, his infernal synods; he was to Luther an active, rough, and material incarnation of the roaring lion of the Scriptures in the shape of the Romish Church, walking about visibly, tangibly, bodily amongst men, devouring all who believed in the Pope, and who disbelieved in this stupid phantom of a dogmatically blinded imagination.

The Evolution-theory may be clearly traced in the two next conceptions: Milton's Satan and Goethe's Mephistopheles. They differ as strongly as the periods and the poems in which they appear. Milton's Satan loses the vulgar flesh and bone, horn and hoof nature--he is an epic character; whilst Goethe's Devil is an active dramatic ent.i.ty of modern times.

Milton's representative of evil is a very powerful conception--it is evil in abstracto; whilst Mephistopheles is evil in concreto--the intelligible, tangible Devil, evolved by the power of selection from an antediluvian monster, and transformed through a civilizing process of at least six thousand years into its present form. Milton's Satan is a debased intellect who in his boundless ambition is still a supernatural being. Mephistopheles is the incarnation of our complicated modern social evils, full of petty tricks and learned quotations; he piously turns up his eyes, he lies, doubts, calumniates, seduces, philosophizes, sneers, but all in a polite and highly educated way; he is a scholar, a divine, a politician, a diplomatist. Satan is capable of wild enthusiasm, he sometimes remembers his bright sinless past; "from the lowest deep," he yearns, "once more to lift himself up, in spite of fate, nearer to his ancient seat;"--he hopes to re-enter heaven, "to purge off his gloom;" some remnant of heavenly innocence still clings to him, for, though _fallen_, he is still an _angel_! Mephistopheles in his real nature is without any higher aspirations, he argues with a sarcastic smile on his lips, he is ironical with sophisticated sharpness. Satan has unconsciously gigantic ideas, he is ready to wrestle with G.o.d for the dominion of heaven. Mephistopheles is perfectly conscious of his littleness as opposed to our better intellectual nature, and does evil for evil's sake. Satan is sublime through the grandeur of his primitive elements, pride and ambition. Mephistopheles is only grave in his pettiness; he does not refuse an orgie with drunken students, indulges in jokes with monkeys, works miracles in the witch's kitchen, delights in the witch's "one-time-one;" distributes little tracts "to stir up the witch's heart with special fire." Satan has nothing vulgar in him: he is capable of melancholy feelings, he can be pathetic and eloquent. Mephistopheles laughs at the stupidity of the world, and at his own. Satan believes in G.o.d and in himself, whilst Mephistopheles is the "Spirit that denies;" he believes neither in G.o.d nor in heaven nor in h.e.l.l; he does not believe in his own ent.i.ty--he is no supernatural, fantastic being, but man incarnate: he is the evil part of a good whole, which loses its ent.i.ty when once seen and recognised in its real nature; for Mephistopheles in reality is our own ignorant, besotted, animal nature, cultivated and developed at the expense of our intellectual part.

Luther's devil is the outgrowth of humanity in long-clothes. Man, ignorant of the forces of the Cosmos, blinded by theological dialectics and metaphysical subtleties, incapable of understanding the real essence of our moral and intellectual nature, philosophically untrained to observe that evil is but a sequence of the disturbed balance between our double nature--spirit and matter--attributed all mischief in the intellectual as well as in our social spheres to an absolute powerful being who continually tormented him.

Milton's Satan is the poetical conception of man developed from an infant in long-clothes into a boisterous but dreamy youth, ascribing to every incomprehensible effect an arbitrary, poetical cause. Goethe's Mephistopheles, lastly is the truthful conception of evil as it really exists in a thousand forms, evolved from our own misunderstood and artificially and dogmatically distorted nature.

Goethe in destroying the Devil as such, consigned him to the primeval myths and legends of ignorance and fear, and has shown us the real nature of the evil.

What then is the Devil?

The Devil took, as I said in the beginning, his origin in our blinded senses, in an undue preponderance of that which is material in us over that which is intellectual. The moment we look the Evil Spirit in the face, he vanishes as an _absolute_ being and becomes--

A portion of that power Which wills the bad and works the good at every hour.

After having been exposed during several periods of generations to new conditions, thus rendering a great amount of variation possible, the Devil has developed from a monster into a monkey, and from a monkey into a man endowed with the nature of a monkey and the propensities of a monster. In the State and in the Church, in Arts and Sciences, the Devil is the principle of injustice, hypocrisy, ugliness, and ignorance.

Goethe has annihilated the ideal poetical grandeur of Milton's Satan; he has stripped Luther's Devil of his vulgar realism; Goethe has driven Satan from an imaginary h.e.l.l, where he preferred to rule instead of wors.h.i.+pping and serving in heaven, and with the sponge of common sense he wiped the horned monster, drawn by the imagination of dogmatists, from the black board of ignorance. In banis.h.i.+ng the Evil Spirit into the dominion of myths, Goethe showed him in his real nature. Darwin displaced man from the exalted pedestal of a special creation, and endeavoured to trace him as the development of cosmical elements. Darwin enabled us to look upon man as the completing link in the great chain of the gradual evolution of the life-giving forces of the Universe, and he rendered thus our position more comprehensible and natural. Goethe, in proving that the Evil Spirit of ancient and Hebrew-Christian times was a mere phantom of an ill-regulated fantasy, taught us to look for the real origin of evil. What was a metaphysical incomprehensibility became an intelligible reality. The Demon can be seen in "Faust" as in a mirror, and in glancing into it we behold our Darwinian progenitor, the animal, face to face. Before the times of Goethe, with very few exceptions, the Evil Spirit was an ent.i.ty with whom any one might become familiar--in fact, the "spiritus familiaris" of old. The Devil spoke, roared, whispered, could sign contracts. We were able to yield our soul to him; and he could bodily enter our body. The Devil was a corporeal ent.i.ty.

The rack, water, and fire were used to expel him from sorcerers and witches, and to send him into all sorts of unclean animals. Goethe, in unmasking this phantom, introduced him not as something _without_, but as an element _within_ us. The service rendered to humanity in showing us the true nature of evil is as grand as the service rendered by Mr.

Darwin in a.s.signing to man his place _in_ nature, and not _above_ nature. It is curious that those who have most of the incorrigible and immovable animal nature in them should protest with the greatest vehemence and clamour against this theory. They think by a.s.serting their superiority, based on a special creation, to become at once special and superior beings, and prefer this position to trying, through a progressive development in science and knowledge, in virtue and honesty, to prove the existence of the higher faculties with which man has been endowed through his gradual development from the lowest phases of living creatures to the highest. In a.s.suming the Devil to be something absolute and positive, and not something relative and negative, man hoped to be better able to grapple with him. Mephistopheles is nothing personal; he can, like the Creator himself, be only traced in his works. The Devil lurks beneath the venerable broadcloth of an intolerant and ignorant priest; he uses the seducing smiles of a wicked beauty; he stirs the blood of the covetous and grasping; he strides through the gilded halls of ambitious emperors and ministers, who go with "light hearts" to kill thousands of human beings with newly-invented infernal machines; he works havoc in the brains of the vain. The Devil shuffles the cards for the gambler, and destroys our peace whether he makes us win or lose on the turf; he sits joyfully grinning on the tops of bottles and tankards filled with alcoholic drinks; he entices us on Sundays to shut our museums and open our gin-palaces; to neglect the education of the ma.s.ses; and then prompts us to accuse them with hypocritical respectability of drunkenness and stupidity. It is the Devil who turns us into friends of lapdogs and makes us enemies of the homeless. The Devil is the greatest master in dogmatism; he creates sects who, in the name of love and humility, foster hatred and pride; the Devil encloses men in a magic circle on the barren heath of useless speculation; drives them round and round like blinded horses in a mill, starting from one point, and after miles and miles of travel and fatigue, leading us to the point, sadder but not wiser, from which we set out. The Devil makes us quarrel whether we ought to have schools with or without bigoted religious teachings; he burns incense to stupefy our senses, lights candles to obscure our sight, amuses the ma.s.ses with buffooneries to prevent them from thinking, draws us away from common-sense morality, and leads us, under the pretext of a mystic and symbolic religion, to the confessional, the very hothouse of mischief. Satan in all his shapes and forms as he rules the world has been described by Goethe as Egotism. Selfishness is his element and real nature. Selfishness not yet realizing the divine, because so entirely _humane_ command--"Do unto others as you wish that they should do unto you." Selfishness is the only essence of evil. Selfishness has divided men into different nations, and fosters in them pride, envy, jealousy, and hatred. Mr.

Darwin has shown that one animal preys on the other, that the weaker species has to yield to the stronger. Goethe again has shown us how the Evil Spirit drags us through life's wild scenes and its flat unmeaningness, to seek mere sensual pleasures and to neglect altogether our higher and better nature, which is the outgrowth of our more complicated, more highly developed organization. Were we only to recognise this, our real nature, we should leave less to chance and prejudices; were we to study man from a physiological, psychological, and honestly historical point of view, we should soon eliminate selfishness from among us, and be able to appreciate what is really the essence of evil. The more nearly we approach Darwin's primitive man, the ape, the nearer do we draw to the Mephistopheles who shows us his exact nature with impudent sincerity in Goethe's "Faust."

That which changes our Psyche, that is our intellectual faculty with its airy wings of imagination, its yearnings for truth, into an ugly, submissive, crawling worm, is heartless selfishness. Not without reason is poor guileless Margaret horrified at Mephistopheles. She shudders, hides herself on the bosom of Faust, like a dove under the wings of an eagle, and complains that the Evil Spirit--

... Always wears such mocking grin, Half cold, half grim, One sees that nought has interest for him; 'Tis writ on his brow, and can't be mistaken, No soul in him can love awaken.

When all goes wrong, when religious, social, and political animosities and hatred disturb the peace; when unintelligible controversies on the inherited sin, the origin of evil, justification, and transubstantiation, "grace and free will," the creative and the created, mystic incantations, real and unreal presences, the like but not equal, the affirmative and the negative natures of G.o.d and man confuse the finite brains of infinite talkers and repeaters of the same things; when they quarrel about the wickedness of the hen who dared to lay an egg on the Sabbath; when the glaring torch of warfare is kindled by the fire of petty animosities, then the Evil Spirit of egotism celebrates its most glorious festivals.

What can banish this monster, this second and worse part of our nature?

To look upon it from a Darwinian point of view. Goethe saves his fallen Faust through useful "occupation," through honest hard work for the benefit of mankind. The more we make ourselves acquainted with evil, the last remnant of our animal nature, in a rational and not mystic dogmatical sense, the less we exalt ourselves as exceptional creatures above nature, the easier it must be for us to dry up the source of superst.i.tion and ignorance which serves to nourish this social monster.

Let our relations to each other be based on "mutual love," for G.o.d is love, and selfishness as the antagonist of love, and the Devil as the antagonist of G.o.d, will both vanish.

Let us strive to vanquish our unnatural social organization by a natural, social, but at the same time, liberal union of all into one common brotherhood, and the roaring lion will be silenced for ever.

Let us purify society of all its social, or rather unsocial, iniquities and falsehoods, of all ingrat.i.tude and envy, in striving for an honest regeneration of ourselves, and through ourselves of humanity at large, convincing one another that man has developed by degrees into earth's fairest creature, destined for good and happiness, and not for evil and wretchedness, and there will be an end of the _Devil_ and all his _devilries_.

FOOTNOTES:

[1] The word is found in Isaiah x.x.xiv. 14. Translated in the Vulgate as "Lamia;" in Luther's translation as "Kobold;" in the English version as "screech-owl;" and in others as "an ugly night-bird."

CHAPTER XXIV.

PECULIAR PEOPLE.

In this t.i.tle, be it distinctly understood, no reference is intended to those anti-aesculapian persons who, from time to time, sacrifice to Moloch among the Ess.e.x marshes. It is not necessary to journey even as far as Plumstead in search of peculiarity, since the most manifold and ever-varying types of it lie at one's very doors. And here, at the outset, without quite endorsing the maxim that genius is always eccentric, let it be confessed that a slight deviation from the beaten track is generally apt to be interesting. When we see the photograph of some distinguished artist, musician, or poet, and find the features very like those of the pork butcher in the next street, or the footman over the way, we are conscious of a feeling of disappointment almost amounting to a personal grievance. Mr. Carlyle and Algernon Swinburne satisfy us. They look as we feel graphic writers and erotic poets ought to look. Not so the literary females who affect the compartment labelled "For ladies only," in the reading room of the British Museum or on the Metropolitan Railway. They are mostly like one's maiden aunts, and savour far less of the auth.o.r.ess than some of the charming girls who studiously avoid their exclusive locale, and evidently use their reading ticket only to cover with an appearance of propriety a most unmistakable flirtation. This they carry on sotto voce with ardent admirers of the male s.e.x, who, though regular frequenters of the reading room, are no more literary than themselves. One might pick out a good many peculiar people from that learned retreat--that poor scholar's club room; but let us rather avoid any such byways of life, and select our peculiars from the broad highway. Hunting there, Diogenes-wise, with one's modest lantern, in search--not of honest--but eccentric individuals.

And first of all, having duly attended to the ladies at the outset, let there be "Place for the Clergy." There is my dear friend the Rev. Gray Kidds, the best fellow breathing, but, from a Diogenes point of view, decidedly eccentric. Gray Kidds is one of those individuals whose peculiarity it is never to have been a boy. Kidds at fifteen had whiskers as voluminous as he now has at six-and-twenty, and as he gambolled heavily amongst his more puerile schoolfellows, visitors to the playground used to ask the a.s.sistant masters who that man was playing with the boys. They evidently had an uneasy notion that a private lunatic asylum formed a branch of the educational establishment, and that Gray Kidds was a harmless patient allowed to join the boys in their sports. Gray Kidds was and is literally harmless. He grew up through school and college, innocently avoiding all those evils which proved the ruin of many who were deemed far wiser than himself. He warbled feebly on the flute, and was adored as a curate, not only for his tootle-tooings, but for his diligent presence at mothers' meetings, and conscientious labours among the poor. A preacher Kidds never pretended to be; but he had the singular merit of brevity, and crowded more harmless heresies into ten minutes' pulpit oratory than Colenso or Voysey could have done in double the time. The young ladies made a dead set at him, of course, for Kidds was in every respect eligible; and he let them stroke him like a big pet lamb, but there matters ended. Kidds never committed himself. He is now the inc.u.mbent of a pretty church in the suburbs, built for him by his aunt, and, strange to say, the church fills. Whether it is that his brevity is attractive, or his transparent goodness compensates for his other peculiarities, certainly he has a congregation; and if you polled that congregation, the one point on which all would agree, in addition to his eligibility or innocence, would be that the Rev. Gray Kidds was "so funny."

And now, for our second type of peculiarity, let us beat back for one moment to the fair s.e.x again. Mrs. Ghoul is the reverse of spirituelle; but she is something more--she is spiritualistic. She devoutly believes that the spirits of deceased ancestors come at her bidding, and tilt the table, move furniture insanely about, or write idiotic messages automatically. She is perfectly serious. She does "devoutly" believe this. It is her creed. It is a comfort to her. It is extremely difficult to reconcile such a source of comfort with any respect for one's departed relatives, but that is Mrs. Ghoul's peculiarity and qualification for a niche amongst our originals.

Miss Deedy, on the other hand, is ecclesiastical to the backbone. Miss Deedy ruins her already feeble health with early mattins (she insists on the double t) and frequent fasts. Beyond an innocuous flirtation with the curate at decorations, or a choral meeting, Miss Deedy has as few sins as most of us to answer for; but, from her frequent penances, she might be a monster of iniquity. She is known to confess, and is suspected of wearing sackcloth. b.a.l.l.s and theatres she eschews as "worldly," and yet she is only just out of her teens. She would like to be a nun, she says, if the habits were prettier, and they allowed long curls down the back, and Gainsboroughs above the brow. As it is, Miss Deedy occupies a somewhat abnormal position, dangling, like Mahomet's coffin, between the Church and the world. That, again, is Miss Deedy's peculiarity.

Miss Wiggles is a "sensitive." That is a new vocation struck out by the prolific ingenuity of the female mind. Commonplace doctors would simply call her "hysterical;" but she calls herself magnetic. She is stout and inclined to a large appet.i.te, particularly affecting roast pork with plenty of seasoning; but she pa.s.ses readily into "the superior condition" under the manipulations of a male operator. She makes nothing, save notoriety, by her clairvoyance and other peculiarities; but she _is_ very peculiar, though the type of a larger cla.s.s than is perhaps imagined in this highly sensational age of ours.

Peculiar boys, too--what lots of them there are! What is called affectation in a girl prevails to quite as large an extent in the shape of endless peculiarities among boys. A certain d.i.c.k (his name is Adolphus, but he is universally, and for no a.s.signable reason, known as d.i.c.k) rejoices in endorsing Darwinism by looking and acting like a human gorilla. d.i.c.k is no fool, but a.s.sumes that virtue though he has it not.

To see him mumbling his food at meals, or making mops and mows at the wall, you would think him qualified for Earlswood; but if it comes to polis.h.i.+ng off a lesson briskly or being mulct of his pudding or pocket-money, Master d.i.c.k accomplishes the polis.h.i.+ng process with a rapidity that gives the lie to his Darwinian a.s.sumption.