Native Son Part 53

Slowly, Bigger turned and came back to the cot. He stood before Max again, about to speak, his right hand raised. Then he sat down and bowed his head.

"What is it, Bigger? Is there anything you want me to do on the outside? Any message you want to send?"

"Naw," he breathed.

"What's on your mind?"

"I don't know."

He could not talk. Max reached over and placed a hand on his shoulder, and Bigger could tell by its touch that Max did not know had no suspicion of what he wanted, of what he was trying to say Max was upon another planet, far off in s.p.a.ce. Was there any way to break down this wall of isolation? Distractedly, he gazed about the cell, trying to remember where he had heard words that would help him. He could recall none. He had lived outside of the lives of men Their modes of communication, their symbols and images, had been denied him. Yet Max had given him the faith that at bottom all men lived as he lived and felt as he felt. And of all the men he had met, surely Max knew what he was trying to say. Had Max left him? Had Max, knowing that he was to die, thrust him from his thoughts and feelings, a.s.signed him to the grave? Was he already numbered among the dead? His lips quivered and his eyes grew misty. Yes; Max had left him. Max was not a friend. Anger welled in him. But he knew that anger was useless.

Max rose and went to a small window; a pale bar of suns.h.i.+ne fell across his white head. And Bigger, looking at him, saw that suns.h.i.+ne for the first time in many days; and as he saw it, the entire cell, with its four close walls, became crus.h.i.+ngly real. He glanced down at himself; the shaft of yellow sun cut across his chest with as much weight as a beam forged of lead. With a convulsive gasp, he bent forward and shut his eyes. It was not a white mountain looming over him now; Gus was not whistling "The Merry-Go-Round Broke Down" as he came into Doc's poolroom to make him go and rob Blum's; he was not standing over Mary's bed with the white blur hovering near;-this new adversary did not make him taut; it sapped strength and left him weak. He summoned his energies and lifted his head and struck out desperately, determined to rise from the grave, resolved to force upon Max the reality of his living.

"I'm glad I got to know you before I go!" he said with almost a shout; then was silent, for that was not what he had wanted to say.

Max turned and looked at him; it was a casual look, devoid of the deeper awareness that Bigger sought so hungrily.

"I'm glad I got to know you, too, Bigger. I'm sorry we have to part this way. But I'm old, son. I'll be going soon myself...."

"I remembered all them questions you asked me...."

"What questions?" Max asked, coming and sitting again on the cot.

"That night...."

"What night, son?"

Max did not even know know! Bigger felt that he had been slapped. Oh, what a fool he had been to build hope upon such s.h.i.+fting sand! But he had to make make him know! him know!

"That night you asked me to tell all about myself," he whimpered despairingly.

"Oh."

He saw Max look at the floor and frown. He knew that Max was puzzled.

"You asked me questions n.o.body ever asked me before. You knew that I was a murderer two times over, but you treated me like a man...."

Max looked at him sharply and rose from his cot. He stood in front of Bigger for a moment and Bigger was on the verge of believing that Max knew, understood; but Max's next words showed him that the white man was still trying to comfort him in the face of death.

"You're human, Bigger," Max said wearily. "It's h.e.l.l to talk about things like this to one about to die...." Max paused; Bigger knew that he was searching for words that would soothe him, and he did not want them. "Bigger," Max said, "in the work I'm doing, I look at the world in a way that shows no whites and no blacks, no civilized and no savages.... When men are trying to change human life on earth, those little things don't matter. You don't notice 'em. They're just not there. You forget them. The reason I spoke to you as I did, Bigger, is because you made me feel how badly men want to live...."

"But sometimes I wish you hadn't asked me them questions," Bigger said in a voice that had as much reproach in it for Max as it had for himself.

"What do you mean, Bigger?"

"They made me think and thinking's made me scared a little...."

Max caught Bigger's shoulders in a tight grip; then his fingers loosened and he sank back to the cot; but his eyes were still fastened upon Bigger's face. Yes; Max knew now. Under the shadow of death, he wanted Max to tell him about life.

"Mr. Max, how can I die!" Bigger asked; knowing as the words boomed from his lips that a knowledge of how to live was a knowledge of how to die.

Max turned his face from him, and mumbled, "Men die alone, Bigger."

But Bigger had not heard him. In him again, imperiously, was the desire to talk, to tell; his hands were lifted in mid-air and when he spoke he tried to charge into the tone of his words what he himself himself wanted to hear, what wanted to hear, what he he needed. needed.

"Mr. Max, I sort of saw myself after that night. And I sort of saw other people, too." Bigger's voice died; he was listening to the echoes of his words in his own mind. He saw amazement and horror on Max's face. Bigger knew that Max would rather not have him talk like this; but he could not help it. He had to die and he had to talk. "Well, it's sort of funny, Mr. Max. I ain't trying to dodge what's coming to me." Bigger was growing hysterical. "I know I'm going to get it. I'm going to die. Well, that's all right now. But really I never wanted to hurt n.o.body. That's the truth, Mr. Max. I hurt folks 'cause I felt I had to; that's all. They was crowding me too close; they wouldn't give me no room. Lots of times I tried to forget 'em, but I couldn't. They wouldn't let me...." Bigger's eyes were wide and unseeing; his voice rushed on: "Mr. Max, I didn't mean to do what I did. I was trying to do something else. But it seems like I never could. I was always wanting something and I was feeling that n.o.body would let me have it. So I fought 'em. I thought they was hard and I acted hard." He paused, then whimpered in confession, "But I ain't hard, Mr. Max. I ain't hard even a little bit...." He rose to his feet. "But.... I-I won't be crying none when they take me to that chair. But I'll b-b-be feeling inside of me like I was crying.... I'll be feeling and thinking that they didn't see me and I didn't see them...." He ran to the steel door and caught the bars in his hands and shook them, as though trying to tear the steel from its concrete moorings. Max went to him and grabbed his shoulders.

"Bigger," Max said helplessly.

Bigger grew still and leaned weakly against the door.

"Mr. Max, I know the folks who sent me here to die hated me; I know that. B-b-but you reckon th-they was like m-me, trying to g-get something like I was, and when I'm dead and gone they'll be saying like I'm saying now that they didn't mean to hurt n.o.body...th-that they was t-trying to get something, too....?"

Max did not answer. Bigger saw a look of indecision and wonder come into the old man's eyes.

"Tell me, Mr. Max. You think they was?"

"Bigger," Max pleaded.

"Tell me, Mr. Max!" me, Mr. Max!"

Max shook his head and mumbled, "You're asking me to say things I don't want to say...."

"But I want to know know!"

"You're going to die, Bigger...."

Max's voice faded. Bigger knew that the old man had not wanted to say that; he had said it because he had pushed him, had made him say it. They were silent for a moment longer, then Bigger whispered, "That's why I want to know.... I reckon it's 'cause I know I'm going to die that makes me want to know...."

Max's face was ashy. Bigger feared that he was going to leave. Across a gulf of silence, they looked at each other. Max sighed.

"Come here, Bigger," he said.

He followed Max to the window and saw in the distance the tips of sun-drenched buildings in the Loop.

"See all those buildings, Bigger?" Max asked, placing an arm about Bigger's shoulders. He spoke hurriedly, as though trying to mold a substance which was warm and pliable, but which might soon cool.

"Yeah. I see 'em...."

"You lived in one of them once, Bigger. They're made out of steel and stone. But the steel and stone don't hold 'em together. You know what holds those buildings up, Bigger? You know what keeps them in their place, keeps them from tumbling down?"

Bigger looked at him, bewildered.

"It's the belief of men. If men stopped believing, stopped having faith, they'd come tumbling down. Those buildings sprang up out of the hearts of men, Bigger. Men like you. Men kept hungry, kept needing, and those buildings kept growing and unfolding. You once told me you wanted to do a lot of things. Well, that's the feeling that keeps those buildings in their places...."

"You mean.... You talking about what I said that night, when I said I wanted to do a lot of things?" Bigger's voice came quiet, childlike in its tone of hungry wonder.

"Yes. What you felt, what you wanted, is what keeps those buildings standing there. When millions of men are desiring and longing, those buildings grow and unfold. But, Bigger, those buildings aren't growing any more. A few men are squeezing those buildings tightly in their hands. The buildings can't unfold, can't feed the dreams men have, men like you.... The men on the inside of those buildings have begun to doubt, just as you did. They don't believe any more. They don't feel it's their world. They're restless, like you, Bigger. They have nothing. There's nothing through which they can grow and unfold. They go in the streets and they stand outside of those buildings and look and wonder...."

"B-b-but what they hate me for?" Bigger asked.

"The men who own those buildings are afraid. They want to keep what they own, even if it makes others suffer. In order to keep it, they push men down in the mud and tell them that they are beasts. But men, men like you, get angry and fight to re-enter those buildings, to live again. Bigger, you killed. That was wrong. That was not the way to do it. It's too late now for you to...work with...others who are t-trying to...believe and make the world live again.... But it's not too late to believe what you felt, to understand what you felt...."

Bigger was gazing in the direction of the buildings; but he did not see them. He was trying to react to the picture Max was drawing, trying to compare that picture with what he had felt all his life.

"I always wanted to do something," he mumbled.

They were silent and Max did not speak again until Bigger looked at him. Max closed his eyes.

"Bigger, you're going to die. And if you die, die free. You're trying to believe in yourself. And every time you try to find a way to live, your own mind stands in the way. You know why that is? It's because others have said you were bad and they made you live in bad conditions. When a man hears that over and over and looks about him and sees that his life is is bad, he begins to doubt his own mind. His feelings drag him forward and his mind, full of what others say about him, tells him to go back. The job in getting people to fight and have faith is in making them believe in what life has made them feel, making them feel that their feelings are as good as those of others. bad, he begins to doubt his own mind. His feelings drag him forward and his mind, full of what others say about him, tells him to go back. The job in getting people to fight and have faith is in making them believe in what life has made them feel, making them feel that their feelings are as good as those of others.

"Bigger, the people who hate you feel just as you feel, only they're on the other side of the fence. You're black, but that's only a part of it. Your being black, as I told you before, makes it easy for them to single you out. Why do they do that? They want the things of life, just as you did, and they're not particular about how they get them. They hire people and they don't pay them enough; they take what people own and build up power. They rule and regulate life. They have things arranged so that they can do those things and the people can't fight back. They do that to black people more than others because they say that black people are inferior. But, Bigger, they say that all all people who work are inferior. And the rich people don't want to change things; they'll lose too much. But deep down in them they feel like you feel, Bigger, and in order to keep what they've got, they make themselves believe that men who work are not quite human. They do like you did, Bigger, when you refused to feel sorry for Mary. But on both sides men want to live; men are fighting for life. Who will win? Well, the side that feels life most, the side with the most humanity and the most men. That's why...y-you've got to b-believe in yourself, Bigger...." people who work are inferior. And the rich people don't want to change things; they'll lose too much. But deep down in them they feel like you feel, Bigger, and in order to keep what they've got, they make themselves believe that men who work are not quite human. They do like you did, Bigger, when you refused to feel sorry for Mary. But on both sides men want to live; men are fighting for life. Who will win? Well, the side that feels life most, the side with the most humanity and the most men. That's why...y-you've got to b-believe in yourself, Bigger...."

Max's head jerked up in surprise when Bigger laughed.

"Aw, I reckon I believe in myself.... I ain't got nothing else.... I got to die...."

He stepped over to Max. Max was leaning against the window "Mr. Max, you go home. I'm all right.... Sounds funny, Mr. Max, but when I think about what you say I kind of feel what I wanted. It makes me feel I was kind of right...." Max opened his mouth to say something and Bigger drowned out his voice. "I ain't trying to forgive n.o.body and I ain't asking for n.o.body to forgive me. I ain't going to cry. They wouldn't let me live and I killed. Maybe it ain't fair to kill, and I reckon I really didn't want to kill. But when I think of why all the killing was, I begin to feel what I wanted, what I am...."

Bigger saw Max back away from him with compressed lips. But he felt he had to make Max understand how he saw things now.

"I didn't want to kill!" Bigger shouted. "But what I killed for, I am am! It must've been pretty deep in me to make me kill! I must have felt it awful hard to murder...."

Max lifted his hand to touch Bigger, but did not.

"No; no; no.... Bigger, not that...." Max pleaded despairingly.

"What I killed for must've been good!" Bigger's voice was full of frenzied anguish. "It must have been good! When a man kills, it's for something.... I didn't know I was really alive in this world until I felt things hard enough to kill for 'em.... It's the truth, Mr. Max. I can say it now, 'cause I'm going to die. I know what I'm saying real good and I know how it sounds. But I'm all right. I feel all right when I look at it that way...."

Max's eyes were full of terror. Several times his body moved nervously, as though he were about to go to Bigger; but he stood still.

"I'm all right, Mr. Max. Just go and tell Ma I was all right and not to worry none, see? Tell her I was all right and wasn't crying none...."

Max's eyes were wet. Slowly, he extended his hand. Bigger shook it.

"Good-bye, Bigger," he said quietly.

"Good-bye, Mr. Max."

Max groped for his hat like a blind man; he found it and jammed it on his head. He felt for the door, keeping his face averted. He poked his arm through and signaled for the guard. When he was let out he stood for a moment, his back to the steel door. Bigger grasped the bars with both hands.

"Mr. Max...."

"Yes, Bigger." He did not turn around.

"I'm all right. For real, I am."

"Good-bye, Bigger."

"Good-bye, Mr. Max."

Max walked down the corridor.

"Mr. Max!"

Max paused, but did not look.

"Tell.... Tell Mister.... Tell Jan h.e.l.lo...."

"All right, Bigger."

"Good-bye!"

"Good-bye!"

He still held on to the bars. Then he smiled a faint, wry, bitter smile. He heard the ring of steel against steel as a far door clanged shut.

HOW "BIGGER" WAS BORN

To ABE, BELLE, MANNIE AND L LORA.

I am not so pretentious as to imagine that it is possible for me to account completely for my own book, account completely for my own book, Native Son Native Son. But I am going to try to account for as much of it as I can, the sources of it, the material that went into it, and my own years' long changing att.i.tude toward that material.

In a fundamental sense, an imaginative novel represents the merging of two extremes; it is an intensely intimate expression on the part of a consciousness couched in terms of the most objective and commonly known events. It is at once something private and public by its very nature and texture. Confounding the author who is trying to lay his cards on the table is the d.o.g.g.i.ng knowledge that his imagination is a kind of community medium of exchange: what he has read, felt, thought, seen, and remembered is translated into extensions as impersonal as a worn dollar bill.

The more closely the author thinks of why he wrote, the more he comes to regard his imagination as a kind of self-generating cement which glued his facts together, and his emotions as a kind of dark and obscure designer of those facts. Always there is something that is just beyond the tip of the tongue that could explain it all. Usually, he ends up by discussing something far afield, an act which incites skepticism and suspicion in those anxious for a straight-out explanation.

Yet the author is eager to explain. But the moment he makes the attempt his words falter, for he is confronted and defied by the inexplicable array of his own emotions. Emotions are subjective and he can communicate them only when he clothes them in objective guise; and how can he ever be so arrogant as to know when he is dressing up the right emotion in the right Sunday suit? He is always left with the uneasy notion that maybe any any objective drapery is as good as objective drapery is as good as any any other for any emotion. other for any emotion.

And the moment he does dress up an emotion, his mind is confronted with the riddle of that "dressed up" emotion, and he is left peering with eager dismay back into the dim reaches of his own incommunicable life. Reluctantly, he comes to the conclusion that to account for his book is to account for his life, and he knows that that is impossible. Yet, some curious, wayward motive urges him to supply the answer, for there is the feeling that his dignity as a living being is challenged by something within him that is not understood.

So, at the outset, I say frankly that there are phases of Native Son Native Son which I shall make no attempt to account for. There are meanings in my book of which I was not aware until they literally spilled out upon the paper. I shall sketch the outline of how I which I shall make no attempt to account for. There are meanings in my book of which I was not aware until they literally spilled out upon the paper. I shall sketch the outline of how I consciously consciously came into possession of the materials that went into came into possession of the materials that went into Native Son Native Son, but there will be many things I shall omit, not because I want to, but simply because I don't know them.

The birth of Bigger Thomas goes back to my childhood, and there was not just one Bigger, but many of them, more than I could count and more than you suspect. But let me start with the first Bigger, whom I shall call Bigger No. 1.

When I was a bareheaded, barefoot kid in Jackson, Mississippi, there was a boy who terrorized me and all of the boys I played with. If we were playing games, he would saunter up and s.n.a.t.c.h from us our b.a.l.l.s, bats, spinning tops, and marbles. We would stand around pouting, sniffling, trying to keep back our tears, begging for our playthings. But Bigger would refuse. We never demanded that he give them back; we were afraid, and Bigger was bad. We had seen him clout boys when he was angry and we did not want to run that risk. We never recovered our toys unless we flattered him and made him feel that he was superior to us. Then, perhaps, if he felt like it, he condescended, threw them at us and then gave each of us a swift kick in the bargain, just to make us feel his utter contempt.

That was the way Bigger No. 1 lived. His life was a continuous challenge to others. At all times he took took his way, right or wrong, and those who contradicted him had him to fight. And never was he happier than when he had someone cornered and at his mercy; it seemed that the deepest meaning of his squalid life was in him at such times. his way, right or wrong, and those who contradicted him had him to fight. And never was he happier than when he had someone cornered and at his mercy; it seemed that the deepest meaning of his squalid life was in him at such times.