The Sins of the Children Part 20

They played until a little short of twelve o'clock. By this time, having been additionally primed up with one or two Scotch whiskeys, Graham was ready for anything, and it was then that Kenyon suggested that he should take them to the famous studio. Graham jumped at the idea, falling, as Kenyon knew that he would, into the little trap set for him. "We're children in your hands, Graham," he said, with a subtle touch of flattery. "Lead us into the vortex of art with the lid off. I'm most frightfully keen to see this place and it'll be great fun for you, duly protected, to find out whether the Papowsky has discovered whether you were the Knight Errant who rescued one of her victims. Romance, old boy--romance with a big R." And so Graham, more than a little unsteady and with uproarious laughter, led the way.

When they arrived at the studio-apartment in Fortieth Street they found the hall filled with people. It happened that Papowsky was giving an Egyptian night and nearly all of the habitues were in appropriate costumes. With the cunning of her species this woman knew very well that few things appeal so strongly to a certain type of men and women as dressing up,--which generally means undressing. The j.a.panese servant who took their hats and coats welcomed Graham with oily and deferential cordiality. "We are having a big night, sir," he said, with the peculiar sibilation of his kind and with his broad, flat hands clasped together.

"It is Madame's birthday, sir. Yes, sir. You and the gentlemen will enjoy it very much."

Peter and Kenyon followed Graham into the studio. Their curiosity, already stirred by the sight of the men and women in the hall, was added to by the Rembrandt effect of the high, wide room, whose darkness was only touched here and there by curious faint lights. The buzz of voices everywhere and little bursts of laughter proved that there were many people present. As they went in, a powerful lime-light was suddenly focused on the centre of the room and into this slid a string of young, small-breasted, round-limbed girls. Led by one who contorted herself in what was supposedly the Egyptian manner, they moved to and fro with bent knees and angular gestures, and rigid profiles. Music came out of the darkness,--the music of a string band with cymbals.

"Good Lord!" said Kenyon. "What an amazing mixture of exotic stinks!"

"Look out for your money," said Peter, with a touch of blunt materialism.

Graham made for an unoccupied alcove, in which there was a flabby divan. On this they all three sat down and began to peer about. A few yards away from them they presently made out an astonis.h.i.+ng group of young men dressed as Egyptians. They were sitting in affectionate closeness, simpering and t.i.ttering together. On the other side they gradually discerned an overwhelmingly fat, elderly woman holding a kind of Court. She was almost enveloped in pearls. Otherwise she was scantily hidden. Her feet were in sandals. Several mere boys had arranged themselves in picturesque att.i.tudes about her and half a dozen maidens were grouped round her chair. One was fanning her with a large yellow leaf. The blue light under which Graham had sat listening to the whispered appeal of Ita Strabosck fell softly and erotically upon them.

"Circe come to life," said Kenyon.

"Ugh! I don't quite know how I'm going to prevent myself from being sick," said Peter.

"Ah! but wait a bit," said Graham. "The show hasn't begun yet."

It made a fairly good beginning as he spoke. The girls in the circle of light brought their att.i.tudinizing to an end and their places were instantly taken by two painted men in coloured loin-cloths. To a screaming outburst of wild and incoherent music they gave what seemed to Kenyon to be a perfect imitation of civet-cats at play. They crawled along on all-fours, sprang high into the air, crouched, bounded, whirled round each other and finally, amid a roar of applause, rolled out of view wrapped in each other's arms.

"Um!" said Kenyon. "After just such an exhibition as that Rome burst into flames."

There was insistent demand for an encore. The performance was repeated with the same gusto and relish. The three men saw nothing of it. Just as the band burst forth again, Kenyon made a long arm, caught the skimpy covering of a girl who was pa.s.sing and drew her into the alcove.

"Come and cheer us up, Minutia," he said. "We feel like lost souls here."

The girl was willing enough. It was her business to cheer. She stood in front of them for a moment so that the blue light should show her charms. She looked very young and tiny. Fair hair was twisted round her head. She wore nothing but a thin, loose Egyptian smock, but her small snub nose and impudent mouth placed her, whatever might be her costume, on Broadway. "Say! Why are you muts dressed like men?" she asked with eager interest.

"Oh, well," said Kenyon, "we happen to be men; but I swear that we won't advertise the fact."

The girl greatly enjoyed the remark, but her scream of laughter was drowned by the band. Then she caught sight of Graham. "Oh, h.e.l.lo, Kid!

So you've come back."

Graham made room for her. He rather liked being recognized. Kenyon would see that he knew his way about. "Yes, here I am again. It's difficult to get the Papowsky dope out of the system."

"Don't see why you should try. It's pretty good dope, I guess." She snuggled herself in between Graham and Kenyon, putting an arm round each. She bent across Kenyon to examine Peter and gave an exaggeratedly dramatic cry of surprise and admiration. "My G.o.d! It's a giant! Say, dearie, you'd be the King of all the p.u.s.s.ies, in a skin. All them d.i.n.ky little love-birds would hop round your feet and chirp. Oh, gosh, you'd make some hit among the artists, sure!"

"Think so?" said Peter. He would have given a great deal for a pipe at that moment, so that he could puff out great clouds of smoke as a disinfectant.

"A gala night," said Graham.

"Sure. If the police were to make a raid to-night,--gee, there'd be a fine list of names in to-morrer's papers!"

"Think they will?" asked Kenyon. "By Jove! I wish they would. Think of seeing these people scuffling like frightened rabbits. It would be epoch-making."

The girl turned a keenly interested eye on Kenyon and looked him over with unabashable deliberation. "You've got a funny kind of accent," she said. "What is it? English?"

It was the first time that Kenyon had ever been accused of speaking with an accent. He was delighted. It appealed to his alert sense of humour.

He laughed and nodded.

"The giant ain't English, is he? Are you, dearie?"

"No," said Peter.

"That's fine. I guess I don't like the English much. They always strike me as being like Americans, trying hard to be different."

"You don't dislike me, I hope? That would be a very bitter blow," said Kenyon, tweeking her ear.

"Oh, you're a comic," she said. "You're all right. Is this your first visit?"

"Yes. Have you been here long?" Kenyon asked the question carelessly, as though to keep the ball moving. It was, as a matter of fact, the beginning of his plan to disillusion Graham.

"Oh, I've been in the business ever since it started. Ask the kid, he knows. Don't you, kid?"

"Rather," said Graham.

"I used to be in the chorus, but this is ther life."

"I suppose so," said Kenyon. "Variety, gaiety, art,--what more can any girl desire?"

"Dollars," she said dryly. "And I make more here, by a long way."

"That's good. But,--but don't you get a little fed up? I mean it must be hopelessly monotonous to be shut up in one place all the time."

"Don't know whatcher mean. Translate that, won't you?"

"He means never getting out," said Graham.

"Never getting out! I don't get you, Steve. Me and my sister get away after the show, same as any other."

"What!" Graham was incredulous. It struck him that the girl was lying for reasons of loyalty to her employer. He knew better.

"Oh, I see!" said Kenyon, leading her on carefully. "You don't live here, then?"

"Live here? Of course I don't. I come about ten o'clock every night and leave anywhere between three and four in the morning. Earlier if there's nothing doing."

"Oh, I thought that the girls here are,--well, held up, kept here all the time,--prisoners, so to speak."

A shrill amused laugh rang out. "Oh, cut it out! What's all this dope?

Say! you've been reading White Slave books. You're bug-house--dippy.

Why, this is a respectable place, this is. This is the house of Art.

We're models, that's what we are. We're only here for local colour. If we choose to make a bit extra on our own, we can." She laughed again. It was a good joke. The best that she had heard for years.

Kenyon threw a quick glance at Graham's face. He could just see it in the dim light. The boy was listening intently--incredulously. So also was Peter, who had drawn himself into a corner and was hunched up uncomfortably.

Kenyon began to feel excited. Everything was going almost unbelievably well. The girl was so frank, so open and obviously spontaneous. It was excellent. "Of course you tell us these things," he said, voicing what he knew was going silently through Graham's mind. "But we know better.

We know that you, like that poor little girl, Ita Strabosck, are watched and not allowed to get away under any circ.u.mstances. Now, why not tell us the truth? We may be able to help you escape, too."