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The Garden, You, And I Part 13

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FRANKNESS,--GARDENING AND OTHERWISE

(Mary Penrose to Barbara Campbell)

_July 15._--_Midsummer Night._ Since the month came in, vacation time has been suspended, insomuch that Bart goes to the office every day, Sat.u.r.days excepted; but we have not returned to our indoor bedroom. Once it seemed the definition of airy coolness, with its three wide windows, white matting, and muslin draperies, but now--I fully understand the relative feelings of a bird in a cage and a bird in the open. The air blows through the bars and the sun s.h.i.+nes through them, but it is still a cage.

In these warm, still nights we take down the slat screens that hang between the hand-hewn chestnut beams of the old barn, and with the open rafters of what was a hay-loft above us, we look out of the door-frame straight up at the stars and sometimes drag our cots out on the wide bank that tops the wall, overlooking the Opal Farm, and sleep wholly under the sky.



These two weeks past we have had the Infant with us at night, clad in a light woollen monkey-suit nighty with feet, her crib being, however, under cover. Her open-eyed wonder has been a new phase of the vacation.

Knowing no fear, she has begun to develop a feeling of kins.h.i.+p with all the small animals, not only of the barn but dwellers on Opal Farm as well, and when she discovered a nest of small mice in an old tool-box under the eaves and proposed to take them, in their improvised house, to her very own room at the opposite end, this "room" being a square marked around her bed by small flower-pots, set upside down, I protested, as a matter of course, saying that mice were not things to handle, and besides they would die without their mother.

The Infant, still clutching the box, looked at me in round-eyed wonder: "I had Dinah and the kittens to play with in the nursery, didn't I, mother?"

"Certainly!"

"And when Ann-stasia brought them up in her ap'n, Dinah walked behind, didn't she?"

"Yes, I think so!"

"Ver-r-y well, the mouse mother will walk behind too, and I love mice better'n cats, for they have nicer hands; 'sides, mother, don't you know who mice really and truly are, and why they have to hide away? They are the horses that fairlies drive, and I'm going to have these for the fairlies in my village!" making a sweep of her arm toward the encampment of flower-pots; "if you want fairlies to stay close beside your bed, you must give them horses to drive, 'cause when it gets cold weather cobwebs gets too sharp for them to ride on and there isn't always fireflies 'n candle worms to show 'em the way,--'n it's true, 'cause Larry says so!"

she added, probably seeing the look of incredulity on my face.

"Larry knows fairlies and they're really trulies; if you're bad to them, you'll see the road and it won't be there, and so you'll get into Hen'sy's bog! Larry did,--and if you make houses for them like mine (pointing to the flower-pots) and give 'em drinks of milk and flower wine, they'll bring you _lots_ of childrens! They did to Larry, so I'm trying to please 'em wif my houses, so's to have some to play wif!"

Larry's harmless folklore (for when he is quite himself, as he is in these days, he has a certain refinement and an endless fund of marvellous legends and stories), birds and little beasts for friends, dolls cut from paper with pansies fastened on for faces, morning-glories for cups in which to give the fairies drink, what could make a more blissful childhood for our little maid? That is the everlasting pity of a city childhood. Creature comforts may be had and human friends, but where is the vista that reaches under the trees and through the long meadow-gra.s.s where the red-gold lily bells tinkle, up the brook bed to the great flat mossy rock, beneath which is the door to fairyland, the spotted turtle being warder. Fairyland, the country of eternal youth and possibility!

I wouldn't give up the fairies that I once knew and peopled the solemn woods with down in grandfather's Virginia home for a fortune, and even now, any day, I can put my ear to the earth, like Tommy-Anne, and hear the gra.s.s grow. It occurred to me yesterday that the Infant, in age, temperament, and heredity, is suited to be a companion for your Richard.

Could you not bring him down with you before the summer is over? Though, as the unlike sometimes agree best, Ian and she might be more compatible, so bring them both and we will turn the trio loose in the meadows of Opal Farm with a mite of a Shetland pony that _The Man from Everywhere_ has recently bestowed upon the Infant--crazy, extravagant man! What we shall do with it in winter I do not know, as we cannot yet run into the expense of keeping such live stock. But why bother? it is only midsummer now, grazing is plentiful and seems to suit the needs of this s.p.u.n.ky little beast, and the Infant riding him "across country," as Bart calls her wanderings about Opal Farm, is a spectacle too pretty to be denied us. Yes, I know I'm silly, and that you have the twins to rhapsodize about, but girls are so much more picturesque in the clothes!

What! thought she wore gingham bloomers! Yes, but not all the time, for Maria will frill her up and run her with ribbons of afternoons!

Back to the house and garden! I'm wandering, but then I'm Lady Lazy this summer, as _The Man from Everywhere_ calls me, and naturally a bit inconsequent! As I said, Bart is at the office daily, and will be for another week, but Lady Lazy has not returned to what Maria Maxwell calls "The Tyranny of the Three M's,"--the mending basket, the market book, and the money-box! I was willing, quite willing; in fact it is only fair that Maria should have her time of irresponsibility, for I know that she has half a dozen invitations to go to pleasant places and meet people, one being from Lavinia Cortright to visit her sh.o.r.e cottage. I'm always hoping that Maria may meet the "right man" some summer day, but that she surely will never do if she stays here.

"I've everything systematized, and it's easier for me to go on than drop the needles for a fortnight or so and then find, on coming back, that you have been knitting a mitten when I had started the frame of a sock," Maria said, laughing; "make flower hay while the crop is to be had for the gathering, my lady! Another year you may not have such free hands!"

Then my protests grew weaker and weaker, for the establishment had thriven marvellously well without my daily interference. The jam closet shows rows of everything that might be made of strawberries, cherries, currants, and raspberries, and it suddenly struck me that possibly if domestic machinery is set going on a consistent basis, whether it is not a mistake to do too much oiling and tightening of a screw here and there, unless distinct symptoms of a halt render it absolutely necessary.

"Very well," I said, with a show of s.p.u.n.k, "give me one single task, that I may not feel as if I had no part in the homemaking. Something as ornamental and frivolous as you choose, but that shall occupy me at least two hours a day!"

Maria paused a moment; we were then standing in front of the fireplace, where a jar of bayberry filled the place of logs between the andirons.

First, casting her eyes through the doors of dining room, living room, and den, she fixed them on me with rather a mischievous twinkle, as she said, "You shall gather and arrange the flowers for the house; and always have plenty of them, but never a withered or dropsical blossom among them all. You shall also invent new ways for arranging them, new combinations, new effects, the only restriction being that you shall not put vases where the water will drip on books, or make the house look like the show window of a wholesale florist. I will give you a fresh mop, and you can have the back porch and table for your workshop, and if I'm not mistaken, you will find two hours a day little enough for the work!" she added with very much the air of some one engaging a new housemaid and presenting her with a broom!

It has never taken me two hours to gather and arrange the flowers, and though of course we are only beginning to have much of a garden, we've always had flowers in the house,--quant.i.ties of sweet peas and such things, besides wild flowers. I began to protest, an injured feeling rising in my throat, that she, Maria Maxwell, music teacher, city bound for ten years, should think to instruct _me_ of recent outdoor experience.

"Yes, you've always had flowers, but did you pick the sweet peas or did Barney? Did you cram them haphazard into the first thing that came handy (probably that awful bowl decorated in ten discordant colours and evidently a wedding present, for such atrocities never find any other medium of circulation)? Or did you separate them nicely, and arrange the pink and salmon peas with the lavender in that plain-coloured Sevres vase that is unusually accommodating in the matter of water, then putting the gay colours in the blue-and-white Delft bowl and the duller ones in cut gla.s.s to give them life? Having plenty, did you change them every other day, or the moment the water began to look milky, or did you leave them until the flowers clung together in the first stages of mould? Meanwhile, the ungathered flowers on the vines were seriously developing peas and shortening their stems to be better able to bear their weight. And, Mary Penrose,"--here Maria positively glared at me as if I had been a primary pupil in the most undesirable school of her route who was both stone deaf and afflicted with catarrh, "did you wash out your jars and vases with a mop every time you changed the flowers, and wipe them on a towel separate from the ones used for the pantry gla.s.s? No, you never did! You tipped the water out over there at the end of the piazza by the honeysuckles, because you couldn't quite bring yourself to pouring it down the pantry sink, refilled the vases, and that was all!"

In spite of a certain sense of annoyance that I felt at the way in which Maria was giving me a lecture, and somehow when a person has taught for ten years she (particularly _she_) inevitably acquires a rather unpleasant way of imparting the truth that makes one wish to deny it, I stood convicted in my own eyes as well as in Maria's. It had so often happened that when either Barney had brought in the sweet peas and left them on the porch table, or Bart had gathered a particularly beautiful wild bouquet in one of his tramps, I had lingered over a book or some bit of work upstairs until almost the time for the next meal, and then, seeing the half-withered look of reproach that flowers wear when they have been long out of water, I have jammed them helter-skelter into the first receptacle at hand.

Sometimes a little rough verbal handling stirs up the blood under a too-complacent cuticle. Maria's preachment did me good, the more probably because the time was ripe for it, and therefore the past two weeks have been filled with new pleasures, for another thing that the month spent in the open has shown me is the wonderful setting the natural environment and foliage gives to a flower. At first the completeness appeals insensibly, and unless one is of the temperament that seeks the cause behind the effect, it might never be realized.

The j.a.panese have long since arrived at a method of arranging flowers which is quality and intrinsic value as opposed to miscellaneous quant.i.ty. The way of nature, however, it seems to me, is twofold, for there are flowers that depend for beauty, and this with nature that seems only another word for perpetuity, upon the strength of numbers, as well as those that make a more individual appeal. The composite flowers--daisies, asters, goldenrod--belong to the cla.s.s that take naturally to ma.s.sing, while the blue flag, meadow and wood lilies, together with the spiked orchises, are typical of the second.

By the same process of comparison I have decided that jars and vases having floral decorations themselves are wholly unsuitable for holding flowers. They should be cherished as bric-a-brac, when they are worthy specimens of the art of potter and painter, but as receptacles for flowers they have no use beyond holding sprays of beautiful foliage or silver-green ma.s.ses of ferns.

Porcelain, plain in tint and of carefully chosen colours, such as beef-blood, the old rose, and peach-blow hues, in which so many simple forms and inexpensive bits of j.a.panese pottery may be bought, a peculiar creamy yellow, a dull green, gobelin, and Delft blue and white, sacred to the jugs and bowls of our grandmothers, all do well. Cut gla.s.s is a fine setting for flowers of strong colour, but kills the paler hues, and above and beyond all is the dark moss-green gla.s.s of substantial texture that is fas.h.i.+oned in an endless variety of shapes. By chance, gift, and purchase we have gathered about a dozen pieces of this, ranging from a cylinder almost the size of an umbrella-stand down through fluted, hat-shaped dishes, for roses or sweet peas, to some little troughs of conventional shapes in which pansies or other short-stemmed flowers may be arranged so as to give the look of an old-fas.h.i.+oned parterre to the dining table.

I had always found these useful, but never quite realized to the full that green or brown is the only consistent undercolour for all field and gra.s.s-growing flowers until this summer. But during days that I have spent browsing in the river woods, while Bart and Barney, and more recently Larry, have been digging the herbs that we have marked, I have realized the necessity of a certain combination of earth, bark, and dead-leaf browns in the receptacles for holding wood flowers and the vines that in their natural ascent clasp and cling to the trunks and limbs of trees.

Several years ago mother sent me some pretty flower-holders made of bamboos of different lengths, intended evidently to hang against door-jambs or in hallways. The pith was hollowed out here and there, and the hole plugged from beneath to make little water pockets. These did admirably for a season, but when the wood dried, it invariably split, and treacherous dripping followed, most ruinous to furniture.

A few weeks back, when looking at some mossed and gnarled branches in the woods, an idea occurred to Bart and me at the same moment. Why could we not use such pieces as these, together with some trunks of your beloved white birch, to which I, _via_ the screen at Opal Farm, was becoming insensibly devoted at the very time that you wrote me?

Augur holes could be bored in them at various distances and angles, if not too acute; the thing was to find gla.s.s, in bottle or other forms, to fit in the openings. This difficulty was solved by _The Man from Everywhere_ on his reappearance the night before the Fourth, after an absence of a whole week, laden with every manner of noise and fire making arrangement for the Infant, though I presently found that Bart had partly instigated the outfit, and the two overgrown boys revelled in fire-balloons and rockets under cover of the Infant's enthusiasm, much as the grandpa goes to the circus as an apparent martyr to little Tommy's desire! A large package that, from the extreme care of its handling, I judged must hold something highly explosive, on being opened divulged many dozens of the slender gla.s.s tubes, with a slight lip for holding cord or wire, such as, filled with roses or orchids, are hung in the garlands of asparagus vines and smilax in floral decorations of either houses or florists' windows. These tubes varied in length from four to six inches, the larger being three inches in diameter.

"Behold your leak-proof interiors!" he cried, holding one up. "Now set your wits and Bart's tool-box to work and we shall have some speedy results!"

Dear _Man from Everywhere_, he had bought a gross of the gla.s.ses, thereby reminding me of a generous but eccentric great-uncle of ours who had a pa.s.sion for attending auctions, and once, by error, in buying, as he supposed, twelve yellow earthenware bowls, found himself confronted by twelve _dozen_. Thus grandmother's storeroom literally had a golden lining, and my entire childhood was pervaded with these bowls, several finally falling into my possession for the mixing of mud pies! But between the durability of yellow bowls and blown-gla.s.s tubes there is little parallel, and already I have found the advantage of having a good supply in stock.

Our first natural flower-holder is a great success. Having found a four-p.r.o.nged silver birch, with a broken top, over in the abandoned gravel-pit (where, by the way, are a score of others to be had for the digging, and such easy digging too), Larry sawed it off a bit below the ground, so as to give it an even base. The diameter of the four uprights was not quite a foot, all told, and these were sawn of unequal lengths of four, six, seven, and nine inches, care being taken not to "haggle,"

as Larry calls it, the clean white bark in the process.

Then Bart went to work with augur and round chisel, and bored and chipped out the holes for the gla.s.s tubes, incidentally breaking two gla.s.ses before we had comfortably settled the four, for they must fit snugly enough not to wiggle and tip, and yet not so tight as to bind and prevent removal for cleaning purposes. This little stand of natural wood was no sooner finished and mounted on the camp table than its possibilities began to crowd around it. Ferns being the nearest at hand, I crawled over the crumbling bank wall into the Opal Farm meadow and gathered hay-scented, wood, and lady ferns from along the fence line and grouped them loosely in the stand. The effect was magical, a bit of its haunt following the fern indoors.

Next day I gathered in the hemlock woods a basket of the waxy, spotted-leaved pipsissewa, together with spikes and garlands of club moss. I had thought these perfect when steadied by bog moss in a flat, cut-gla.s.s dish, but in the birch stump they were entirely at home. If these midsummer wood flowers harmonize so well, how much more charming will be the blossoms of early spring, a season when the white birch is quite the most conspicuous tree in the landscape! Picture dog-tooth violets, spring beauties, bellwort, Quaker-ladies, and great tufts of violets, shading from white to deepest blue, in such a setting! Or, of garden things, poets' narcissus and lilies-of-the-valley!

Other receptacles of a like kind we have in different stages of progress, made of the wood of sa.s.safras, oak, beech, and hackberry, together with several irregular stumps of lichen-covered cedar. Two long limbs with several short side branches Bart has flattened on the back and arranged with picture-hooks, so that they can be bracketed against the frame of the living-room door, opposite the flower-greeting table that I have fas.h.i.+oned after yours. These are to be used for vines, and I shall try to keep this wide, open portal cheerfully garlanded.

The first week of my flower wardens.h.i.+p was a most strenuous one. I use the word reluctantly, but having tried half a dozen others, no equivalent seemed to fit. I had flowers in every room in the house, bedchambers included, using in this connection the cleanest-breathed and longest-lived blossoms possible.

Late as was the sowing, the annuals remaining in the seed bed have begun to yield a glorious crop. The fireplaces were filled with black-eyed Susans from the fields and hollyhocks from an old self-seeded colony at Opal Farm, and every available vase, bowl, and pitcher had something in it. How I laboured! I washed jars, sorted colours, and freshened still pa.s.sable arrangements of the day before, and all the while I felt sure that Maria was watching me, with an amused twinkle in the tail of her eye!

One day, the middle of last week, the temperature dropped suddenly, and we fled from camp to the house for twenty-four hours, lighted the logs in the hall, and actually settled down to a serious game of whist in the evening, Maria Maxwell, _The Man_, Bart, and I. Yes, I know how you detest the game, but I--though I am not exactly amused by it--rather like it, for it gives occupation at once for the hands and thoughts and a cover for studying the faces and moods of friends without the reproach of staring.

By the way, _The Man_ has hired half the house from Amos Opie--it was divided several years ago--and established helter-skelter bachelor quarters at Opal Farm. Bart has told him, over and over again, how welcome he is to stay here, under any and all conditions, while he works in the vicinity, but he says that he needs a lot of room for his traps, muddy boots, etc., while Opie, a curious Jack-at-all-trades, gives him his breakfast. I'm wondering if _The Man_ felt that he was intruding upon Maria by staying here, or if she has any Mrs. Grundy ideas and was humpy to him, or even suggested that he would better move up the road.

She is quite capable of it!

However, he seems glad enough to drop in to dinner of an evening now, and the two are so delightfully cordial and unembarra.s.sed in their talk, neither yielding a jot to the other, in the resolute spinster and bachelor fas.h.i.+on, that I must conclude that his going was probably a natural happening.

This evening, while Maria and I were waiting together for the men to finish toying with their coffee cups and match-boxes and emerge refreshed from the delightful indolence of the after-dinner smoke, the odour of the flowers--intensified both by dampness and the woodsmoke--was very manifest.

"How do you like your employment?" asked Maria.

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The Garden, You, And I Part 13 summary

You're reading The Garden, You, And I. This manga has been translated by Updating. Author(s): Mabel Osgood Wright. Already has 610 views.

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