A Struggle For Rome Volume I Part 15

She threw a mantle over her shoulders and hurried softly out of the still silent palace, down the marble steps, and into the garden; across which the fresh morning wind from the neighbouring sea blew towards her.

She hastened towards the sun and the sea, for, to the east, the high walls of the palace gardens rose directly out of the blue waves of the Adriatic.

A gilded lattice-gate, and, beyond it, ten broad steps of white Hymettus marble, led to the little garden-harbour, in which rocked the light-oared gondolas with their lateen sails of purple linen-cloth, fastened with silver chains to the ornamental rams'-heads fixed right and left upon the marble quay.

At the side of the lattice-gate towards the garden, the grounds ended in a s.p.a.cious rotunda, which was surrounded with broad and shady pines.

The ground was laid out with carefully-tended gra.s.splots, intersected by neat paths, and diversified by gay beds of sweet-scented flowers. A spring, ornamentally enclosed, ran down the declivity into the sea. In the centre of this place was a small and antique Temple of Venus, overtopped by a single palm-tree, while burning-red saxifrage grew in the now empty niches of its outer walls. At the right of its long-closed door stood a bronze statue of aeneas. The Julius Caesar to the left had fallen centuries ago. Theodoric had placed upon its pedestal a bronze statue of Amala, the mythic forefather of his house.

Between these statues, from the steps of the little fane, was a splendid view through the lattice-gate over the sea, with its woody lagoon-islands, and a group of jagged rocks, called "the Needles of the Amphitrites."

This had been a favourite resort of Camilla's childhood. And it was. .h.i.ther that she now bent her steps, lightly brus.h.i.+ng the plentiful dew from the high gra.s.s as, with slightly-lifted garments, she hastened along the narrow pathway. She wished to behold the sun rise glowing from the sea.

She advanced from behind the temple, pa.s.sed to the estrade on the left, and had just set her foot upon the first step which led from the front of the temple to the lattice-gate, when she caught sight of a white figure reclining on the second step, with the head leaning against the bal.u.s.trade and the face turned towards the sea.

She recognised the black and silky hair; it was the young King.

The meeting was so unexpected that there was no possibility of avoiding it. As if rooted to the ground, she stood still upon the first step.

Athalaric sprang up and quickly turned. His pallid face was illumined by a vivid flush. But he was the first to recover himself, and said:

"Forgive, Camilla. I could not expect you to come here at this hour. I will go; and leave you alone with the rising sun."

And he flung his white mantle over his shoulder.

"Remain, King of the Goths. I have no right to scare you away--and no intention," she added.

Athalaric came a step nearer.

"I thank you. And I beg one favour," he added, smiling. "Do not betray me to my physicians nor to my mother. All day long they shut me up so carefully, that I am obliged to escape before sunrise. For the fresh air, the sea-breeze, does me good; I feel that it cools me. You will not betray me?"

He spoke so quietly. He looked so unembarra.s.sed. This freedom from embarra.s.sment confused Camilla. She would have felt more courageous if he had been more moved. She observed his coolness with pain, but not because she really cared for the Prefect's plans. So, in answer, she only shook her head in silence, and cast down her eyes.

At that moment the rays of the sun reached the spot on which the pair were standing.

The old temple and the bronze of the statues shone in the rosy light; and from the east a broad path of trembling gold was laid upon the smooth flood.

"See, how beautiful!" cried Athalaric, carried away by his admiration.

"Look at that bridge of light and glory!"

She joined in his admiration, and looked out over the sea.

"Do you remember, Camilla," he continued slowly, as if lost in recollection, and not looking at her, "do you remember how we played here when we were children? How we dreamed? We said that the golden path painted on the waters by the sun, led to the Islands of the Blessed."

"To the Islands of the Blessed!" repeated Camilla. In secret she was wondering at the delicacy and ease with which, avoiding every allusion to their last meeting, he conversed with her in a manner, which completely disarmed her.

"And look, how the statues glitter, that wonderful pair, aeneas and--Amala! Listen, Camilla, I have something to beg pardon for."

Her heart beat rapidly. He was going to speak of the rebuilding of the Villa and the fountain. The blood rose to her cheeks. She remained silent in painful expectation.

But the youth continued quietly:

"You know how often--you the Roman, and I the Goth--vied with each other here in praises of the glory and fame and manners of our people.

Then you stood under the statue of aeneas, and told me of Brutus and Camillus, of Marcellus and the Scipios. And I, leaning against the s.h.i.+eld of my ancestor Amala, praised Ermanaric and Alaric and Theodoric. But you spoke more eloquently than I. And often, when the glory of your heroes threatened to outs.h.i.+ne mine, I laughed at your dead greatness, and cried, 'The living present and the glowing future belong to my people!'"

"Well, and now?"

"I speak so no more. You have won, Camilla!"

But even while he spoke thus, he looked prouder than ever.

And this expression of superiority revolted the Roman girl. Besides that, she was irritated by the unapproachable coolness with which the King, upon whose pa.s.sion for her such plans were being founded, stood before her. She did not understand this tranquillity. She had hated him because he had dared to show her his love, and now her hate revived because he was able to conceal it. With the intention to hurt his feelings she slowly said:

"So you acknowledge, King of the Goths, that your barbarians are inferior to the civilised nations?"

"Yes, Camilla," he answered quietly; "but only in one thing: in good luck. In the favours of Fate as well as of Nature. Look at that group of fishermen, who are hanging up their nets on the olive-trees upon the strand. How beautiful are their forms! In motion and repose, in spite of their rags, they are complete statues! Look at that girl with the amphora on her head. And there, at that old woman, who, leaning her head on her arm, lies upon the sand and gazes out dreamily over the sea. Each beggar amongst them looks like a dethroned king. How beautiful they are! At one with themselves and happy! The glory of uninterrupted happiness lies upon them, as it does upon children, or upon n.o.ble animals! This is wanting to us barbarians!"

"Is that alone wanting to you?"

"No, Fate is not gracious to us--my poor, glorious people! We have been carried away into a strange world, in which we do not flourish. We resemble the flower of the high Alps, the Edelweiss, which has been carried by the stormy wind to the hot sands of the low-levels. We cannot take root here. We fade and die." And overcome with n.o.ble sadness, he turned away and looked over the blue waves.

But Camilla was not in the humour to reflect upon these prophetic words spoken by a king of his people.

"Why did you overstep the mountains which G.o.d set as an eternal boundary between your people and ours?" she asked. "Say, why?"

"Do you know," answered Athalaric, without looking at her, almost as if thinking aloud, "do you know why the dark moth flies to the bright flame? Again and again! Warned by no pain, until it is devoured by the beautiful but dangerous element? From what motive? From a sweet madness! And it is just such a sweet madness that has enticed my fellow-Goths away from the fir and the oak to the laurel and the olive.

They will burn their wings, the foolish heroes, and will not cease to do so. Who can blame them for it? Look around you! How deeply blue the sky! How deeply blue the sea! And in it are reflected the summits of the pines and the white glitter of the marble temples! And away in the distance arise blue mountains; and out in the waters swim green islands, where the vine clings to the elm. And, above all, the soft, warm and caressing air that illumines the whole with a magic light.

What wonders of form and colour does the eye drink, and what sweetness do the delighted senses breathe! This is the magic charm which will for ever entice and undo us!"

The deep emotion of the young King did not fail to make an impression upon Camilla. The tragic force of his words affected her; but she _would_ not be moved. She defended herself against the increasing softness of her feelings. She said coldly:

"A whole nation enchanted by this magic, in spite of reason and judgment?" and she looked at him incredulously.

But she was startled; for like lightning flashed the eyes of the youth, and his long-withheld pa.s.sion broke out suddenly without restraint.

"Yes, I tell thee, maiden! a whole people can nourish a foolish pa.s.sion, a sweet destructive madness, a deadly longing, as well as--as well as a single man! Yes, Camilla, there is a power in the heart, which, stronger than reason and will, forcibly draws us with open eyes to destruction. But thou knowest it not, and mayst thou never experience it. Never! Farewell!"

He quickly turned away and entered a bowery walk of climbing vines to the right of the temple, which immediately hid him from Camilla, as well as from the windows of the palace. The girl remained standing in deep reflection. His last words echoed strangely in her ears. For a long time she looked out dreamily over the open sea, and at last returned to the palace, filled with strangely conflicting feelings, and in an altered mood.

CHAPTER XIV.

On the same day Cethegus paid a visit to the two ladies. He had come over from Rome on important business, and had just left the privy-council which had been held in the invalid King's room. His energetic features were full of repressed anger.

"To work, Camilla!" he cried. "You are too long about it. This impertinent boy becomes more and more unmanageable. He defies me and Ca.s.siodorus, and even his mother. He is intimate with dangerous people.

With old Hildebrand and Witichis and their friends. He sends and receives letters behind our backs. He has managed that the Queen may never hold a council of the regency except in his presence. And in the council he crosses all our plans. This must cease. In one way or another."

"I have no more hope of influencing the King," said Camilla gravely.