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Vagabondia Part 5

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"You did not tell _me_ that much," said Griffith, dryly.

It would scarcely have been human nature for Dolly not to have fired a little then, in spite of herself. She was const.i.tutionally good-natured, but she was not seraphic, and her lover's rather excusable jealousy was specially hard to bear, when, as upon this occasion, it had no real foundation.

"I did not think it necessary," she said; "and, besides, I forgot; but if you wish to know the particulars," with a stiff little air of dignity, "I can give them you. Mr. Gowan was there, and found the evening stupid, as every one else did. There was no one else to talk to, so he talked to me, and when I came home he put me into the cab. And, the fact is, he is a good-natured Philistine enough. That is all, I believe, unless you would like me to try to record all he said."

"No, thank you," answered Griffith, and instantly began to torture himself with imagining what he really had said, making the very natural mistake of imagining what he would have said himself, and then giving Ralph Gowan credit for having perpetrated like tender gallantries. He never could divest himself of the idea that every living man found Dolly as entrancing as he found her himself. It could only be one man's bitter-sweet portion to be as desperately and inconsolably in love with her as he was himself, and no other than himself, or a man who might be his exact prototype, could have cherished a love at once so strong and so weak. There had been other men who had loved Dolly Crewe,---adored her for a while, in fact, and imagined themselves wretches because they had been unsuccessful; but they had generally outlived their despair, and their adoration, cooling for want of sustenance, had usually settled down into a comfortable admiring liking for the cause of their misery, but it would never have been so with Griffith. This ordinary, hard-working, ill-paid young man had pa.s.sionate impulse and hidden power of suffering enough in his restive nature to make a broken hope a broken life to him. His long-cherished love for the shabbily attired, often-snubbed, dauntless young person yclept Dorothea Crewe was the mainspring of his existence. He would have done daring deeds of valor for her sake, if circ.u.mstances had called upon him to comfort himself in such tragic manner; had he been a knight of olden time, he would just have been the chivalrous, hotheaded, but affectionate young man to have entered the lists in his love's behalf, and tilted against tremendous odds, and died unvanquished; but living in the nineteenth century, his impetuosity, being necessarily restrained, became concentrated upon one point, and chafed him terribly at times. Without Dolly, he would have been without an object in life; with Dolly, he was willing to face any amount of discouragement and misfortune; and at this stage of his affection--after years of belief in that far-off blissful future--to lose her would have brought him wreck and ruin.

So when Dolly, in the full consciousness of present freedom from iniquity, withdrew herself from his encircling arm and turned her attention to Tod and Mollie, he was far more wretched than he had any right to be, and stood watching them, and gnawing his slender mustache, gloomy and distrustful.

But this could not last long, of course. They might quarrel, but they always made friends; and when in a short time Mollie, doubtless feeling herself a trifle in the way, left the room with the child, Dolly's impulsive warm-heartedness got the better of her upon this occasion as upon all others.

She came back to her lover's side and laid her hand on his arm.

"Don't let us quarrel about Ralph Gowan, Griffith," she said. "It was my fault; I ought to have told you."

He fairly crushed her in his remorseful embrace almost before she had finished her appeal. His distrust of her was as easily overcome as it was roused; one touch of her hand, one suspicion of a tremor in her voice, always conquered him and reduced him to penitent submission.

"You are an angel," he said, "and I am an unfeeling clod. No other woman would bear with me as you do. G.o.d bless you, Dolly."

She nestled within his arms and took his caresses almost gratefully.

Perhaps it would have been wiser to have shown him how deep a sting his want of faith gave her sometimes, but she was always so glad when their misunderstandings were at an end, that she would not have so revenged herself upon him for the world. The cool, audacious self she exhibited in the camps of the Philistines was never shown to Griffith; in her intercourse with him she was only a slightly intensified edition of the child he had fallen in love with years before,--a bright, quick-witted child, with a deep nature and an immense faculty for loving and clinging to people. Dolly at twenty-two was pretty much what she had been at fifteen, when they had quarrelled and made up again, loved each other and romanced over the future brilliancy of prospect which now seemed just as far off as ever.

In five minutes after the clearing away of the temporary cloud, they were in a seventh heaven of bliss, as usual. In some of his wanderings about town, Griffith had met with a modest house, which would have been the very thing for them if they had possessed about double the income of which they were at present in receipt. He often met with houses of this kind; they seemed, in fact, to present themselves to his longing vision every week of his life; and I think it rather to his credit to mention that he never failed to describe them to Dolly, and enlarge upon their merits with much eloquence. Furniture warehouses also were a source of some simple pleasure to them. _If_ they possessed the income (not that they had the remotest prospect of possessing it), and rented the house, naturally they would require furniture, and it was encouraging to know that the necessary articles might be bought _if_ the money was forthcoming. Consequently a low-priced table or a cheap sofa was a consolation, if not a source of rejoicing, and their happiest hours were spent in counting the cost of parlor carpets never to be purchased, and window curtains of thin air. They even economized sternly in minor matters, and debated the expenditure of an extra s.h.i.+lling as closely as if it had been a matter entailing the deepest anxiety; and on the whole, perhaps, practical persons might have condemned their affectionate, hopeful weakness as childish and nonsensical, but they were happy in the indulgence of it, at all events, and surely they might have been engaged in a less tender and more worldly pastime. There were other people, perhaps, weak and imprudent themselves it may be, who would have seen a touch of simple pathos in this unconsciously shown faith in Fortune and her not too kindly moods.

"Old Flynn ought to raise my salary, you know, Dolly," said Griffith. "I work hard enough for him, confound him!" somewhat irrelevantly, but with laudable and not unamiable vigor. He meant no harm to "Old Flynn;" he would have done a good-natured thing for him at any moment, the mild expletive was simply the result of adopted custom. "There is n't a fellow in the place who does as much as I do. I worked from seven in the morning till midnight every day last week, and I wrote half his editorials for him, and n.o.body knows he does n't get them up himself. If he would only give me two hundred instead of one, just see how we could live."

"We could live on a hundred and fifty," put in Dolly, with an air of practical speculation which did her credit, "if we were economical."

"Well, say a hundred and fifty, then," returned Griffith, quite as seriously, "for we should be economical. Say a hundred and fifty. It would be nothing to him,--confound him!--but it would be everything in the world to us. That house in the suburbs was only thirty pounds, taxes and all, and it was just the very thing we should want if we were married."

"How many rooms?" asked Dolly.

"Six, and kitchen and cupboards and all that sort of contrivances. I asked particularly--went to see the landlord to inquire and see what repairing he would do if we wanted the place. There is a garden of a few yards in the front, too, and one or two rose-bushes. I don't know whether they ever bloom, but if they do, you could wear them in your hair. I thought of that the minute I saw them. The first time I saw you, Dolly, you had a rose in your hair, and I remember thinking I had never seen a flower worn in the same way. Other girls do n't wear things as you wear them somehow or other."

Dolly acknowledged the compliment with a laugh and a coaxing, patronizing little squeeze of his arm. .

"You think they don't," she said, "you affectionate old fellow, that is it. Well, and what did the landlord say? Would he beautify?"

"Well, yes, I think he would if the matter was pressed," said Griffith, returning to the subject with a vigor of enjoyment inspiriting to behold. "And, by the way, Dolly, I saw a small sofa at a place in town which was just the right size to fit into a sort of alcove there is in the front parlor."

"Did you inquire the price?" said Dolly.

"Well--no," cheerfully; "but I can, if you would like to know it. You see, I had n't any money, and did n't know when I should have any, and I felt rather discouraged at the time, and I had an idea the price would make me feel worse, so I did not go in. But it was a comfortable, plump little affair, covered with green,--the sort of thing I should like to have in our house, when we have one. It would be so comfortable to throw one's self down on to after a hard day's work, particularly if one had a headache."

"Yes," said Dolly; and then, half unconsciously and quite in spite of herself, the ghost of a sigh escaped her. She could not help wis.h.i.+ng things were a trifle more real sometimes, bright and whimsically unworldly as she was.

"What did that mean?" Griffith asked her.

She wakened up, as it were, and looked as happy as ever in an instant, creeping a trifle closer to him in her loving anxiety to blind him to the presence of the little pain in her heart.

"Nothing," she said, briskly. And then--"We don't want much, do we, Griffith?"

"No," said Griffith, a certain grim sense of humor getting the better of him. "And we have n't got it."

She laughed outright at the joke quite enjoyably. Even the grimmest of jocosities wins its measure of respect in Vagabondia, and besides, her laugh removed the impression her sigh might have created. She was herself again at once.

"Never mind," she said. (It was always "never mind.") "Never mind, it will all come right in the end. Humble merit _must_ be rewarded, and if humble merit isn't, we can only console ourselves with the reasonable reflection that there must be something radically wrong with the state of society. Who knows whether you may not 'get into something,' as Phil says, which may be twenty times better than anything Old Flynn can give you!" with characteristic Vagabondian hopefulness.

Just at this juncture Phil himself entered, or, rather, half entered, for he only put his head--a comely, curled head surmounted by a disreputable velvet cap--half into the room.

"Oh, you are here, are you?" he said. "You are the fellow I want. I am just touching up something I want to show you. Come into the studio for a minute or so, Grif."

"It is that picture Mollie sat for," he explained, as they followed him into the big, barren room, dignified by the name of studio. "I have just finished it."

Mollie was standing before the picture herself when they went in to look at it, but she did not turn round on hearing them. She had Tod in her arms yet, but she seemed to have forgotten his very existence in her preoccupation. And it was scarcely to be wondered at. The picture was only a head,--Mollie's own fresh, drowsy-eyed face standing out in contrast under some folds of dark drapery thrown over the brown hair like a monk's cowl, two or three autumn-tinted oak leaves clinging to a straying tress,--but it was effective and novel enough to be a trifle startling. And Mollie was looking at it with a growing shadow of pleasure in her expression. She was slowly awakening to a sense of its beauty, and she was by no means dissatisfied.

"It is lovely!" Dolly cried out, enthusiastically.

"So it is," said Griffith. "And as like her as art can make it. It's a success, Phil."

Phil stepped back with a critical air to give it a new inspection.

"Yes, it is a success," he said. "Just give me a chance to get it hung well, and it will draw a crowd next season. You shall have a new dress if it does, Mollie, and you shall choose it yourself."

Mollie roused herself for a moment, and lighted up.

"Shall I?" she said; and then all at once she blushed in a way that made Dolly stare at her in some wonder. It seemed queer to think that Mollie--careless child Mollie--was woman enough to blush over anything.

And then Aimee and 'Toinette came in, and looked on and admired just as openly and heartily as the rest, only Aimee was rather the more reticent of the two, and cast furtive glances at Mollie now and then. But Mollie was in a new mood, and had very little to say; and half an hour after, when her elder sister went into the family sitting-room, she found her curled up in an easy-chair by the fire, looking reflective. Dolly went to the hearth and stood near her.

"What are you thinking about?" she asked.

Mollie stirred uneasily, and half blushed again.

"I don't know," she answered.

"Yes, you do," contradicted Dolly, good-naturedly. "Are you thinking that it is a pleasant sort of a thing to be handsome enough to be made a picture of, Mollie?"

The brown eyes met hers with an innocent sort of deprecating consciousness. "I--I never thought about myself in that way before,"

admitted Mollie, naively.

"Why," returned Dolly, quite sincerely, "you must have looked in the gla.s.s."

"Ye-es," with a slow shake of the head; "but it did n't look the same way in the gla.s.s,--it did n't look as nice."

Dolly regarded her with a surprise which was not unmingled with affectionate pity. She was not as unsophisticated as Mollie, and never had been. As the feminine head of the family, she had acquired a certain shrewdness early in life, and had taken a place in the household the rest were hardly equal to. There had been no such awakening as this for her. At fourteen, she had been fully and complacently conscious of the exact status of her charms and abilities, physical and mental. She had neither under-nor over-rated them. She had smiled back at her reflection in her mirror, showing two rows of little milk-white teeth, and being well enough satisfied with being a charming young person with a secure complexion and enviable self-poise. She understood herself, and attained perfection in the art of understanding others. Her rather sharp experience had not allowed _her_ to look in the gla.s.s in guileless ignorance of what she saw there, and perhaps this made her all the fonder of Mollie.

"What kind of a dress are you going to choose if Phil buys you one?" she asked.

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Vagabondia Part 5 summary

You're reading Vagabondia. This manga has been translated by Updating. Author(s): Frances Hodgson Burnett. Already has 293 views.

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