War and Peace Part 102

CHAPTER XV.

When Natasha opened Prince Andrew's door with a familiar movement and let Princess Mary pa.s.s into the room before her, the princess felt the sobs in her throat. Hard as she had tried to prepare herself, and now tried to remain tranquil, she knew that she would be unable to look at him without tears.

The princess understood what Natasha had meant by the words: "two days ago this suddenly happened." She understood those words to mean that he had suddenly softened and that this softening and gentleness were signs of approaching death. As she stepped to the door she already saw in imagination Andrew's face as she remembered it in childhood, a gentle, mild, sympathetic face which he had rarely shown, and which therefore affected her very strongly. She was sure he would speak soft, tender words to her such as her father had uttered before his death, and that she would not be able to bear it and would burst into sobs in his presence. Yet sooner or later it had to be, and she went in. The sobs rose higher and higher in her throat as she more and more clearly distinguished his form and her shortsighted eyes tried to make out his features, and then she saw his face and met his gaze.

He was lying in a squirrel-fur dressing gown on a divan, surrounded by pillows. He was thin and pale. In one thin, translucently white hand he held a handkerchief, while with the other he stroked the delicate mustache he had grown, moving his fingers slowly. His eyes gazed at them as they entered.

On seeing his face and meeting his eyes Princess Mary's pace suddenly slackened, she felt her tears dry up and her sobs ceased. She suddenly felt guilty and grew timid on catching the expression of his face and eyes.

"But in what am I to blame?" she asked herself. And his cold, stern look replied: "Because you are alive and thinking of the living, while I..."

In the deep gaze that seemed to look not outwards but inwards there was an almost hostile expression as he slowly regarded his sister and Natasha.

He kissed his sister, holding her hand in his as was their wont.

"How are you, Mary? How did you manage to get here?" said he in a voice as calm and aloof as his look.

Had he screamed in agony, that scream would not have struck such horror into Princess Mary's heart as the tone of his voice.

"And have you brought little Nicholas?" he asked in the same slow, quiet manner and with an obvious effort to remember.

"How are you now?" said Princess Mary, herself surprised at what she was saying.

"That, my dear, you must ask the doctor," he replied, and again making an evident effort to be affectionate, he said with his lips only (his words clearly did not correspond to his thoughts): "Merci, chere amie, d'etre venue."*

*"Thank you for coming, my dear."

Princess Mary pressed his hand. The pressure made him wince just perceptibly. He was silent, and she did not know what to say. She now understood what had happened to him two days before. In his words, his tone, and especially in that calm, almost antagonistic look could be felt an estrangement from everything belonging to this world, terrible in one who is alive. Evidently only with an effort did he understand anything living; but it was obvious that he failed to understand, not because he lacked the power to do so but because he understood something else--something the living did not and could not understand--and which wholly occupied his mind.

"There, you see how strangely fate has brought us together," said he, breaking the silence and pointing to Natasha. "She looks after me all the time."

Princess Mary heard him and did not understand how he could say such a thing. He, the sensitive, tender Prince Andrew, how could he say that, before her whom he loved and who loved him? Had he expected to live he could not have said those words in that offensively cold tone. If he had not known that he was dying, how could he have failed to pity her and how could he speak like that in her presence? The only explanation was that he was indifferent, because something else, much more important, had been revealed to him.

The conversation was cold and disconnected and continually broke off.

"Mary came by way of Ryazan," said Natasha.

Prince Andrew did not notice that she called his sister Mary, and only after calling her so in his presence did Natasha notice it herself.

"Really?" he asked.

"They told her that all Moscow has been burned down, and that..."

Natasha stopped. It was impossible to talk. It was plain that he was making an effort to listen, but could not do so.

"Yes, they say it's burned," he said. "It's a great pity," and he gazed straight before him, absently stroking his mustache with his fingers.

"And so you have met Count Nicholas, Mary?" Prince Andrew suddenly said, evidently wis.h.i.+ng to speak pleasantly to them. "He wrote here that he took a great liking to you," he went on simply and calmly, evidently unable to understand all the complex significance his words had for living people. "If you liked him too, it would be a good thing for you to get married," he added rather more quickly, as if pleased at having found words he had long been seeking.

Princess Mary heard his words but they had no meaning for her, except as a proof of how far away he now was from everything living.

"Why talk of me?" she said quietly and glanced at Natasha.

Natasha, who felt her glance, did not look at her. All three were again silent.

"Andrew, would you like..." Princess Mary suddenly said in a trembling voice, "would you like to see little Nicholas? He is always talking about you!"

Prince Andrew smiled just perceptibly and for the first time, but Princess Mary, who knew his face so well, saw with horror that he did not smile with pleasure or affection for his son, but with quiet, gentle irony because he thought she was trying what she believed to be the last means of arousing him.

"Yes, I shall be very glad to see him. Is he quite well?"

When little Nicholas was brought into Prince Andrew's room he looked at his father with frightened eyes, but did not cry, because no one else was crying. Prince Andrew kissed him and evidently did not know what to say to him.

When Nicholas had been led away, Princess Mary again went up to her brother, kissed him, and unable to restrain her tears any longer began to cry.

He looked at her attentively.

"Is it about Nicholas?" he asked.

Princess Mary nodded her head, weeping.

"Mary, you know the Gosp..." but he broke off.

"What did you say?"

"Nothing. You mustn't cry here," he said, looking at her with the same cold expression.

When Princess Mary began to cry, he understood that she was crying at the thought that little Nicholas would be left without a father. With a great effort he tried to return to life and to see things from their point of view.

"Yes, to them it must seem sad!" he thought. "But how simple it is.

"The fowls of the air sow not, neither do they reap, yet your Father feedeth them," he said to himself and wished to say to Princess Mary; "but no, they will take it their own way, they won't understand! They can't understand that all those feelings they prize so--all our feelings, all those ideas that seem so important to us, are unnecessary. We cannot understand one another," and he remained silent.

Prince Andrew's little son was seven. He could scarcely read, and knew nothing. After that day he lived through many things, gaining knowledge, observation, and experience, but had he possessed all the faculties he afterwards acquired, he could not have had a better or more profound understanding of the meaning of the scene he had witnessed between his father, Mary, and Natasha, than he had then. He understood it completely, and, leaving the room without crying, went silently up to Natasha who had come out with him and looked shyly at her with his beautiful, thoughtful eyes, then his uplifted, rosy upper lip trembled and leaning his head against her he began to cry.

After that he avoided Dessalles and the countess who caressed him and either sat alone or came timidly to Princess Mary, or to Natasha of whom he seemed even fonder than of his aunt, and clung to them quietly and shyly.

When Princess Mary had left Prince Andrew she fully understood what Natasha's face had told her. She did not speak any more to Natasha of hopes of saving his life. She took turns with her beside his sofa, and did not cry any more, but prayed continually, turning in soul to that Eternal and Unfathomable, whose presence above the dying man was now so evident.

CHAPTER XVI.

Not only did Prince Andrew know he would die, but he felt that he was dying and was already half dead. He was conscious of an aloofness from everything earthly and a strange and joyous lightness of existence. Without haste or agitation he awaited what was coming. That inexorable, eternal, distant, and unknown the presence of which he had felt continually all his life--was now near to him and, by the strange lightness he experienced, almost comprehensible and palpable...

Formerly he had feared the end. He had twice experienced that terribly tormenting fear of death--the end--but now he no longer understood that fear.

He had felt it for the first time when the sh.e.l.l spun like a top before him, and he looked at the fallow field, the bushes, and the sky, and knew that he was face to face with death. When he came to himself after being wounded and the flower of eternal, unfettered love had instantly unfolded itself in his soul as if freed from the bondage of life that had restrained it, he no longer feared death and ceased to think about it.

During the hours of solitude, suffering, and partial delirium he spent after he was wounded, the more deeply he penetrated into the new principle of eternal love revealed to him, the more he unconsciously detached himself from earthly life. To love everything and everybody and always to sacrifice oneself for love meant not to love anyone, not to live this earthly life. And the more imbued he became with that principle of love, the more he renounced life and the more completely he destroyed that dreadful barrier which--in the absence of such love--stands between life and death. When during those first days he remembered that he would have to die, he said to himself: "Well, what of it? So much the better!"

But after the night in Mytishchi when, half delirious, he had seen her for whom he longed appear before him and, having pressed her hand to his lips, had shed gentle, happy tears, love for a particular woman again crept un.o.bserved into his heart and once more bound him to life. And joyful and agitating thoughts began to occupy his mind. Recalling the moment at the ambulance station when he had seen Kuragin, he could not now regain the feeling he then had, but was tormented by the question whether Kuragin was alive. And he dared not inquire.

His illness pursued its normal physical course, but what Natasha referred to when she said: "This suddenly happened," had occurred two days before Princess Mary arrived. It was the last spiritual struggle between life and death, in which death gained the victory. It was the unexpected realization of the fact that he still valued life as presented to him in the form of his love for Natasha, and a last, though ultimately vanquished, attack of terror before the unknown.

It was evening. As usual after dinner he was slightly feverish, and his thoughts were preternaturally clear. Sonya was sitting by the table. He began to doze. Suddenly a feeling of happiness seized him.

"Ah, she has come!" thought he.

And so it was: in Sonya's place sat Natasha who had just come in noiselessly.

Since she had begun looking after him, he had always experienced this physical consciousness of her nearness. She was sitting in an armchair placed sideways, screening the light of the candle from him, and was knitting a stocking. She had learned to knit stockings since Prince Andrew had casually mentioned that no one nursed the sick so well as old nurses who knit stockings, and that there is something soothing in the knitting of stockings. The needles clicked lightly in her slender, rapidly moving hands, and he could clearly see the thoughtful profile of her drooping face. She moved, and the ball rolled off her knees. She started, glanced round at him, and screening the candle with her hand stooped carefully with a supple and exact movement, picked up the ball, and regained her former position.

He looked at her without moving and saw that she wanted to draw a deep breath after stooping, but refrained from doing so and breathed cautiously.

At the Troitsa monastery they had spoken of the past, and he had told her that if he lived he would always thank G.o.d for his wound which had brought them together again, but after that they never spoke of the future.

"Can it or can it not be?" he now thought as he looked at her and listened to the light click of the steel needles. "Can fate have brought me to her so strangely only for me to die?... Is it possible that the truth of life has been revealed to me only to show me that I have spent my life in falsity? I love her more than anything in the world! But what am I to do if I love her?" he thought, and he involuntarily groaned, from a habit acquired during his sufferings.

On hearing that sound Natasha put down the stocking, leaned nearer to him, and suddenly, noticing his s.h.i.+ning eyes, stepped lightly up to him and bent over him.

"You are not asleep?"

"No, I have been looking at you a long time. I felt you come in. No one else gives me that sense of soft tranquillity that you do... that light. I want to weep for joy."

Natasha drew closer to him. Her face shone with rapturous joy.

"Natasha, I love you too much! More than anything in the world."

"And I!"--She turned away for an instant. "Why too much?" she asked.

"Why too much?... Well, what do you, what do you feel in your soul, your whole soul--shall I live? What do you think?"

"I am sure of it, sure!" Natasha almost shouted, taking hold of both his hands with a pa.s.sionate movement.

He remained silent awhile.

"How good it would be!" and taking her hand he kissed it.

Natasha felt happy and agitated, but at once remembered that this would not do and that he had to be quiet.

"But you have not slept," she said, repressing her joy. "Try to sleep... please!"

He pressed her hand and released it, and she went back to the candle and sat down again in her former position. Twice she turned and looked at him, and her eyes met his beaming at her. She set herself a task on her stocking and resolved not to turn round till it was finished.

Soon he really shut his eyes and fell asleep. He did not sleep long and suddenly awoke with a start and in a cold perspiration.

As he fell asleep he had still been thinking of the subject that now always occupied his mind--about life and death, and chiefly about death. He felt himself nearer to it.

"Love? What is love?" he thought.

"Love hinders death. Love is life. All, everything that I understand, I understand only because I love. Everything is, everything exists, only because I love. Everything is united by it alone. Love is G.o.d, and to die means that I, a particle of love, shall return to the general and eternal source." These thoughts seemed to him comforting. But they were only thoughts. Something was lacking in them, they were not clear, they were too one-sidedly personal and brain-spun. And there was the former agitation and obscurity. He fell asleep.

He dreamed that he was lying in the room he really was in, but that he was quite well and unwounded. Many various, indifferent, and insignificant people appeared before him. He talked to them and discussed something trivial. They were preparing to go away somewhere. Prince Andrew dimly realized that all this was trivial and that he had more important cares, but he continued to speak, surprising them by empty witticisms. Gradually, unnoticed, all these persons began to disappear and a single question, that of the closed door, superseded all else. He rose and went to the door to bolt and lock it. Everything depended on whether he was, or was not, in time to lock it. He went, and tried to hurry, but his legs refused to move and he knew he would not be in time to lock the door though he painfully strained all his powers. He was seized by an agonizing fear. And that fear was the fear of death. It stood behind the door. But just when he was clumsily creeping toward the door, that dreadful something on the other side was already pressing against it and forcing its way in. Something not human--death--was breaking in through that door, and had to be kept out. He seized the door, making a final effort to hold it back--to lock it was no longer possible--but his efforts were weak and clumsy and the door, pushed from behind by that terror, opened and closed again.

Once again it pushed from outside. His last superhuman efforts were vain and both halves of the door noiselessly opened. It entered, and it was death, and Prince Andrew died.

But at the instant he died, Prince Andrew remembered that he was asleep, and at the very instant he died, having made an effort, he awoke.

"Yes, it was death! I died--and woke up. Yes, death is an awakening!" And all at once it grew light in his soul and the veil that had till then concealed the unknown was lifted from his spiritual vision. He felt as if powers till then confined within him had been liberated, and that strange lightness did not again leave him.

When, waking in a cold perspiration, he moved on the divan, Natasha went up and asked him what was the matter. He did not answer and looked at her strangely, not understanding.

That was what had happened to him two days before Princess Mary's arrival. From that day, as the doctor expressed it, the wasting fever a.s.sumed a malignant character, but what the doctor said did not interest Natasha, she saw the terrible moral symptoms which to her were more convincing.

From that day an awakening from life came to Prince Andrew together with his awakening from sleep. And compared to the duration of life it did not seem to him slower than an awakening from sleep compared to the duration of a dream.

There was nothing terrible or violent in this comparatively slow awakening.

His last days and hours pa.s.sed in an ordinary and simple way. Both Princess Mary and Natasha, who did not leave him, felt this. They did not weep or shudder and during these last days they themselves felt that they were not attending on him (he was no longer there, he had left them) but on what reminded them most closely of him--his body. Both felt this so strongly that the outward and terrible side of death did not affect them and they did not feel it necessary to foment their grief. Neither in his presence nor out of it did they weep, nor did they ever talk to one another about him. They felt that they could not express in words what they understood.

They both saw that he was sinking slowly and quietly, deeper and deeper, away from them, and they both knew that this had to be so and that it was right.

He confessed, and received communion: everyone came to take leave of him. When they brought his son to him, he pressed his lips to the boy's and turned away, not because he felt it hard and sad (Princess Mary and Natasha understood that) but simply because he thought it was all that was required of him, but when they told him to bless the boy, he did what was demanded and looked round as if asking whether there was anything else he should do.

When the last convulsions of the body, which the spirit was leaving, occurred, Princess Mary and Natasha were present.

"Is it over?" said Princess Mary when his body had for a few minutes lain motionless, growing cold before them. Natasha went up, looked at the dead eyes, and hastened to close them. She closed them but did not kiss them, but clung to that which reminded her most nearly of him--his body.

"Where has he gone? Where is he now?..."

When the body, washed and dressed, lay in the coffin on a table, everyone came to take leave of him and they all wept.

Little Nicholas cried because his heart was rent by painful perplexity. The countess and Sonya cried from pity for Natasha and because he was no more. The old count cried because he felt that before long, he, too, must take the same terrible step.

Natasha and Princess Mary also wept now, but not because of their own personal grief; they wept with a reverent and softening emotion which had taken possession of their souls at the consciousness of the simple and solemn mystery of death that had been accomplished in their presence.