War and Peace Part 59

"You are always charming and melancholy, my dear Julie," she said to the daughter. "Boris says his soul finds repose at your house. He has suffered so many disappointments and is so sensitive," said she to the mother. "Ah, my dear, I can't tell you how fond I have grown of Julie latterly," she said to her son. "But who could help loving her? She is an angelic being! Ah, Boris, Boris!"--she paused. "And how I pity her mother," she went on; "today she showed me her accounts and letters from Penza (they have enormous estates there), and she, poor thing, has no one to help her, and they do cheat her so!"

Boris smiled almost imperceptibly while listening to his mother. He laughed blandly at her naive diplomacy but listened to what she had to say, and sometimes questioned her carefully about the Penza and Nizhegorod estates.

Julie had long been expecting a proposal from her melancholy adorer and was ready to accept it; but some secret feeling of repulsion for her, for her pa.s.sionate desire to get married, for her artificiality, and a feeling of horror at renouncing the possibility of real love still restrained Boris. His leave was expiring. He spent every day and whole days at the Karagins', and every day on thinking the matter over told himself that he would propose tomorrow. But in Julie's presence, looking at her red face and chin (nearly always powdered), her moist eyes, and her expression of continual readiness to pa.s.s at once from melancholy to an unnatural rapture of married bliss, Boris could not utter the decisive words, though in imagination he had long regarded himself as the possessor of those Penza and Nizhegorod estates and had apportioned the use of the income from them. Julie saw Boris' indecision, and sometimes the thought occurred to her that she was repulsive to him, but her feminine self-deception immediately supplied her with consolation, and she told herself that he was only shy from love. Her melancholy, however, began to turn to irritability, and not long before Boris' departure she formed a definite plan of action. Just as Boris' leave of absence was expiring, Anatole Kuragin made his appearance in Moscow, and of course in the Karagins' drawing room, and Julie, suddenly abandoning her melancholy, became cheerful and very attentive to Kuragin.

"My dear," said Anna Mikhaylovna to her son, "I know from a reliable source that Prince Vasili has sent his son to Moscow to get him married to Julie. I am so fond of Julie that I should be sorry for her. What do you think of it, my dear?"

The idea of being made a fool of and of having thrown away that whole month of arduous melancholy service to Julie, and of seeing all the revenue from the Penza estates which he had already mentally apportioned and put to proper use fall into the hands of another, and especially into the hands of that idiot Anatole, pained Boris. He drove to the Karagins' with the firm intention of proposing. Julie met him in a gay, careless manner, spoke casually of how she had enjoyed yesterday's ball, and asked when he was leaving. Though Boris had come intentionally to speak of his love and therefore meant to be tender, he began speaking irritably of feminine inconstancy, of how easily women can turn from sadness to joy, and how their moods depend solely on who happens to be paying court to them. Julie was offended and replied that it was true that a woman needs variety, and the same thing over and over again would weary anyone.

"Then I should advise you..." Boris began, wis.h.i.+ng to sting her; but at that instant the galling thought occurred to him that he might have to leave Moscow without having accomplished his aim, and have vainly wasted his efforts--which was a thing he never allowed to happen.

He checked himself in the middle of the sentence, lowered his eyes to avoid seeing her unpleasantly irritated and irresolute face, and said: "I did not come here at all to quarrel with you. On the contrary..."

He glanced at her to make sure that he might go on. Her irritability had suddenly quite vanished, and her anxious, imploring eyes were fixed on him with greedy expectation. "I can always arrange so as not to see her often," thought Boris. "The affair has been begun and must be finished!" He blushed hotly, raised his eyes to hers, and said: "You know my feelings for you!"

There was no need to say more: Julie's face shone with triumph and self-satisfaction; but she forced Boris to say all that is said on such occasions--that he loved her and had never loved any other woman more than her. She knew that for the Penza estates and Nizhegorod forests she could demand this, and she received what she demanded.

The affianced couple, no longer alluding to trees that shed gloom and melancholy upon them, planned the arrangements of a splendid house in Petersburg, paid calls, and prepared everything for a brilliant wedding.

CHAPTER VI.

At the end of January old Count Rostov went to Moscow with Natasha and Sonya. The countess was still unwell and unable to travel but it was impossible to wait for her recovery. Prince Andrew was expected in Moscow any day, the trousseau had to be ordered and the estate near Moscow had to be sold, besides which the opportunity of presenting his future daughter-in-law to old Prince Bolkonski while he was in Moscow could not be missed. The Rostovs' Moscow house had not been heated that winter and, as they had come only for a short time and the countess was not with them, the count decided to stay with Marya Dmitrievna Akhrosimova, who had long been pressing her hospitality on them.

Late one evening the Rostovs' four sleighs drove into Marya Dmitrievna's courtyard in the old Konyusheny street. Marya Dmitrievna lived alone. She had already married off her daughter, and her sons were all in the service.

She held herself as erect, told everyone her opinion as candidly, loudly, and bluntly as ever, and her whole bearing seemed a reproach to others for any weakness, pa.s.sion, or temptation--the possibility of which she did not admit. From early in the morning, wearing a dressing jacket, she attended to her household affairs, and then she drove out: on holy days to church and after the service to jails and prisons on affairs of which she never spoke to anyone. On ordinary days, after dressing, she received pet.i.tioners of various cla.s.ses, of whom there were always some. Then she had dinner, a substantial and appetizing meal at which there were always three or four guests; after dinner she played a game of boston, and at night she had the newspapers or a new book read to her while she knitted. She rarely made an exception and went out to pay visits, and then only to the most important persons in the town.

She had not yet gone to bed when the Rostovs arrived and the pulley of the hall door squeaked from the cold as it let in the Rostovs and their servants. Marya Dmitrievna, with her spectacles hanging down on her nose and her head flung back, stood in the hall doorway looking with a stern, grim face at the new arrivals. One might have thought she was angry with the travelers and would immediately turn them out, had she not at the same time been giving careful instructions to the servants for the accommodation of the visitors and their belongings.

"The count's things? Bring them here," she said, pointing to the portmanteaus and not greeting anyone. "The young ladies'? There to the left. Now what are you dawdling for?" she cried to the maids. "Get the samovar ready!... You've grown plumper and prettier," she remarked, drawing Natasha (whose cheeks were glowing from the cold) to her by the hood. "Foo! You are cold! Now take off your things, quick!" she shouted to the count who was going to kiss her hand. "You're half frozen, I'm sure! Bring some rum for tea!... Bonjour, Sonya dear!" she added, turning to Sonya and indicating by this French greeting her slightly contemptuous though affectionate att.i.tude toward her.

When they came in to tea, having taken off their outdoor things and tidied themselves up after their journey, Marya Dmitrievna kissed them all in due order.

"I'm heartily glad you have come and are staying with me. It was high time," she said, giving Natasha a significant look. "The old man is here and his son's expected any day. You'll have to make his acquaintance. But we'll speak of that later on," she added, glancing at Sonya with a look that showed she did not want to speak of it in her presence. "Now listen," she said to the count. "What do you want tomorrow? Whom will you send for? s.h.i.+ns.h.i.+n?" she crooked one of her fingers. "The sniveling Anna Mikhaylovna? That's two. She's here with her son. The son is getting married! Then Bezukhov, eh? He is here too, with his wife. He ran away from her and she came galloping after him. He dined with me on Wednesday. As for them"--and she pointed to the girls--"tomorrow I'll take them first to the Iberian shrine of the Mother of G.o.d, and then we'll drive to the Super-Rogue's. I suppose you'll have everything new. Don't judge by me: sleeves nowadays are this size! The other day young Princess Irina Vasilevna came to see me; she was an awful sight--looked as if she had put two barrels on her arms. You know not a day pa.s.ses now without some new fas.h.i.+on.... And what have you to do yourself?" she asked the count sternly.

"One thing has come on top of another: her rags to buy, and now a purchaser has turned up for the Moscow estate and for the house. If you will be so kind, I'll fix a time and go down to the estate just for a day, and leave my la.s.sies with you."

"All right. All right. They'll be safe with me, as safe as in Chancery! I'll take them where they must go, scold them a bit, and pet them a bit," said Marya Dmitrievna, touching her G.o.ddaughter and favorite, Natasha, on the cheek with her large hand.

Next morning Marya Dmitrievna took the young ladies to the Iberian shrine of the Mother of G.o.d and to Madame Suppert-Roguet, who was so afraid of Marya Dmitrievna that she always let her have costumes at a loss merely to get rid of her. Marya Dmitrievna ordered almost the whole trousseau. When they got home she turned everybody out of the room except Nataisha, and then called her pet to her armchair.

"Well, now we'll talk. I congratulate you on your betrothed. You've hooked a fine fellow! I am glad for your sake and I've known him since he was so high." She held her hand a couple of feet from the ground. Natasha blushed happily. "I like him and all his family. Now listen! You know that old Prince Nicholas much dislikes his son's marrying. The old fellow's crotchety! Of course Prince Andrew is not a child and can s.h.i.+ft without him, but it's not nice to enter a family against a father's will. One wants to do it peacefully and lovingly. You're a clever girl and you'll know how to manage. Be kind, and use your wits. Then all will be well."

Natasha remained silent, from shyness Marya Dmitrievna supposed, but really because she disliked anyone interfering in what touched her love of Prince Andrew, which seemed to her so apart from all human affairs that no one could understand it. She loved and knew Prince Andrew, he loved her only, and was to come one of these days and take her. She wanted nothing more.

"You see I have known him a long time and am also fond of Mary, your future sister-in-law. 'Husbands' sisters bring up blisters,' but this one wouldn't hurt a fly. She has asked me to bring you two together. Tomorrow you'll go with your father to see her. Be very nice and affectionate to her: you're younger than she. When he comes, he'll find you already know his sister and father and are liked by them. Am I right or not? Won't that be best?"

"Yes, it will," Natasha answered reluctantly.

CHAPTER VII.

Next day, by Marya Dmitrievna's advice, Count Rostov took Natasha to call on Prince Nicholas Bolkonski. The count did not set out cheerfully on this visit, at heart he felt afraid. He well remembered the last interview he had had with the old prince at the time of the enrollment, when in reply to an invitation to dinner he had had to listen to an angry reprimand for not having provided his full quota of men. Natasha, on the other hand, having put on her best gown, was in the highest spirits. "They can't help liking me," she thought. "Everybody always has liked me, and I am so willing to do anything they wish, so ready to be fond of him--for being his father--and of her--for being his sister--that there is no reason for them not to like me..."

They drove up to the gloomy old house on the Vozdvizhenka and entered the vestibule.

"Well, the Lord have mercy on us!" said the count, half in jest, half in earnest; but Natasha noticed that her father was flurried on entering the anteroom and inquired timidly and softly whether the prince and princess were at home.

When they had been announced a perturbation was noticeable among the servants. The footman who had gone to announce them was stopped by another in the large hall and they whispered to one another. Then a maidservant ran into the hall and hurriedly said something, mentioning the princess. At last an old, cross looking footman came and announced to the Rostovs that the prince was not receiving, but that the princess begged them to walk up. The first person who came to meet the visitors was Mademoiselle Bourienne. She greeted the father and daughter with special politeness and showed them to the princess' room. The princess, looking excited and nervous, her face flushed in patches, ran in to meet the visitors, treading heavily, and vainly trying to appear cordial and at ease. From the first glance Princess Mary did not like Natasha. She thought her too fas.h.i.+onably dressed, frivolously gay and vain. She did not at all realize that before having seen her future sister-in-law she was prejudiced against her by involuntary envy of her beauty, youth, and happiness, as well as by jealousy of her brother's love for her. Apart from this insuperable antipathy to her, Princess Mary was agitated just then because on the Rostovs' being announced, the old prince had shouted that he did not wish to see them, that Princess Mary might do so if she chose, but they were not to be admitted to him. She had decided to receive them, but feared lest the prince might at any moment indulge in some freak, as he seemed much upset by the Rostovs' visit.

"There, my dear princess, I've brought you my songstress," said the count, bowing and looking round uneasily as if afraid the old prince might appear. "I am so glad you should get to know one another... very sorry the prince is still ailing," and after a few more commonplace remarks he rose. "If you'll allow me to leave my Natasha in your hands for a quarter of an hour, Princess, I'll drive round to see Anna s.e.m.e.novna, it's quite near in the Dogs' Square, and then I'll come back for her."

The count had devised this diplomatic ruse (as he afterwards told his daughter) to give the future sisters-in-law an opportunity to talk to one another freely, but another motive was to avoid the danger of encountering the old prince, of whom he was afraid. He did not mention this to his daughter, but Natasha noticed her father's nervousness and anxiety and felt mortified by it. She blushed for him, grew still angrier at having blushed, and looked at the princess with a bold and defiant expression which said that she was not afraid of anybody. The princess told the count that she would be delighted, and only begged him to stay longer at Anna s.e.m.e.novna's, and he departed.

Despite the uneasy glances thrown at her by Princess Mary--who wished to have a tete-a-tete with Natasha--Mademoiselle Bourienne remained in the room and persistently talked about Moscow amus.e.m.e.nts and theaters. Natasha felt offended by the hesitation she had noticed in the anteroom, by her father's nervousness, and by the unnatural manner of the princess who--she thought--was making a favor of receiving her, and so everything displeased her. She did not like Princess Mary, whom she thought very plain, affected, and dry. Natasha suddenly shrank into herself and involuntarily a.s.sumed an offhand air which alienated Princess Mary still more. After five minutes of irksome, constrained conversation, they heard the sound of slippered feet rapidly approaching. Princess Mary looked frightened.

The door opened and the old prince, in a dress, ing gown and a white nightcap, came in.

"Ah, madam!" he began. "Madam, Countess... Countess Rostova, if I am not mistaken... I beg you to excuse me, to excuse me... I did not know, madam. G.o.d is my witness, I did not know you had honored us with a visit, and I came in such a costume only to see my daughter. I beg you to excuse me... G.o.d is my witness, I didn't know-" he repeated, stressing the word "G.o.d" so unnaturally and so unpleasantly that Princess Mary stood with downcast eyes not daring to look either at her father or at Natasha.

Nor did the latter, having risen and curtsied, know what to do. Mademoiselle Bourienne alone smiled agreeably.

"I beg you to excuse me, excuse me! G.o.d is my witness, I did not know," muttered the old man, and after looking Natasha over from head to foot he went out.

Mademoiselle Bourienne was the first to recover herself after this apparition and began speaking about the prince's indisposition. Natasha and Princess Mary looked at one another in silence, and the longer they did so without saying what they wanted to say, the greater grew their antipathy to one another.

When the count returned, Natasha was impolitely pleased and hastened to get away: at that moment she hated the stiff, elderly princess, who could place her in such an embarra.s.sing position and had spent half an hour with her without once mentioning Prince Andrew. "I couldn't begin talking about him in the presence of that Frenchwoman," thought Natasha. The same thought was meanwhile tormenting Princess Mary. She knew what she ought to have said to Natasha, but she had been unable to say it because Mademoiselle Bourienne was in the way, and because, without knowing why, she felt it very difficult to speak of the marriage. When the count was already leaving the room, Princess Mary went up hurriedly to Natasha, took her by the hand, and said with a deep sigh: "Wait, I must..."

Natasha glanced at her ironically without knowing why.

"Dear Natalie," said Princess Mary, "I want you to know that I am glad my brother has found happiness...."

She paused, feeling that she was not telling the truth. Natasha noticed this and guessed its reason.

"I think, Princess, it is not convenient to speak of that now," she said with external dignity and coldness, though she felt the tears choking her.

"What have I said and what have I done?" thought she, as soon as she was out of the room.

They waited a long time for Natasha to come to dinner that day. She sat in her room crying like a child, blowing her nose and sobbing. Sonya stood beside her, kissing her hair.

"Natasha, what is it about?" she asked. "What do they matter to you? It will all pa.s.s, Natasha."

"But if you only knew how offensive it was... as if I..."

"Don't talk about it, Natasha. It wasn't your fault so why should you mind? Kiss me," said Sonya.

Natasha raised her head and, kissing her friend on the lips, pressed her wet face against her.

"I can't tell you, I don't know. No one's to blame," said Natasha- "It's my fault. But it all hurts terribly. Oh, why doesn't he come?..."

She came in to dinner with red eyes. Marya Dmitrievna, who knew how the prince had received the Rostovs, pretended not to notice how upset Natasha was and jested resolutely and loudly at table with the count and the other guests.

CHAPTER VIII.

That evening the Rostovs went to the Opera, for which Marya Dmitrievna had taken a box.

Natasha did not want to go, but could not refuse Marya Dmitrievna's kind offer which was intended expressly for her. When she came ready dressed into the ballroom to await her father, and looking in the large mirror there saw that she was pretty, very pretty, she felt even more sad, but it was a sweet, tender sadness.

"O G.o.d, if he were here now I would not behave as I did then, but differently. I would not be silly and afraid of things, I would simply embrace him, cling to him, and make him look at me with those searching inquiring eyes with which he has so often looked at me, and then I would make him laugh as he used to laugh. And his eyes--how I see those eyes!" thought Natasha. "And what do his father and sister matter to me? I love him alone, him, him, with that face and those eyes, with his smile, manly and yet childlike.... No, I had better not think of him; not think of him but forget him, quite forget him for the present. I can't bear this waiting and I shall cry in a minute!" and she turned away from the gla.s.s, making an effort not to cry. "And how can Sonya love Nicholas so calmly and quietly and wait so long and so patiently?" thought she, looking at Sonya, who also came in quite ready, with a fan in her hand. "No, she's altogether different. I can't!"

Natasha at that moment felt so softened and tender that it was not enough for her to love and know she was beloved, she wanted now, at once, to embrace the man she loved, to speak and hear from him words of love such as filled her heart. While she sat in the carriage beside her father, pensively watching the lights of the street lamps flickering on the frozen window, she felt still sadder and more in love, and forgot where she was going and with whom. Having fallen into the line of carriages, the Rostovs' carriage drove up to the theater, its wheels squeaking over the snow. Natasha and Sonya, holding up their dresses, jumped out quickly. The count got out helped by the footmen, and, pa.s.sing among men and women who were entering and the program sellers, they all three went along the corridor to the first row of boxes. Through the closed doors the music was already audible.

"Natasha, your hair!..." whispered Sonya.

An attendant deferentially and quickly slipped before the ladies and opened the door of their box. The music sounded louder and through the door rows of brightly lit boxes in which ladies sat with bare arms and shoulders, and noisy stalls brilliant with uniforms, glittered before their eyes. A lady entering the next box shot a glance of feminine envy at Natasha. The curtain had not yet risen and the overture was being played. Natasha, smoothing her gown, went in with Sonya and sat down, scanning the brilliant tiers of boxes opposite. A sensation she had not experienced for a long time--that of hundreds of eyes looking at her bare arms and neck--suddenly affected her both agreeably and disagreeably and called up a whole crowd of memories, desires and emotions a.s.sociated with that feeling.

The two remarkably pretty girls, Natasha and Sonya, with Count Rostov who had not been seen in Moscow for a long time, attracted general attention. Moreover, everybody knew vaguely of Natasha's engagement to Prince Andrew, and knew that the Rostovs had lived in the country ever since, and all looked with curiosity at a fiancee who was making one of the best matches in Russia.

Natasha's looks, as everyone told her, had improved in the country, and that evening thanks to her agitation she was particularly pretty. She struck those who saw her by her fullness of life and beauty, combined with her indifference to everything about her. Her black eyes looked at the crowd without seeking anyone, and her delicate arm, bare to above the elbow, lay on the velvet edge of the box, while, evidently unconsciously, she opened and closed her hand in time to the music, crumpling her program. "Look, there's Alenina," said Sonya, "with her mother, isn't it?"

"Dear me, Michael Kirilovich has grown still stouter!" remarked the count.

"Look at our Anna Mikhaylovna--what a headdress she has on!"

"The Karagins, Julie--and Boris with them. One can see at once that they're engaged...."

"Drubetskoy has proposed?"

"Oh yes, I heard it today," said s.h.i.+ns.h.i.+n, coming into the Rostovs' box.

Natasha looked in the direction in which her father's eyes were turned and saw Julie sitting beside her mother with a happy look on her face and a string of pearls round her thick red neck--which Natasha knew was covered with powder. Behind them, wearing a smile and leaning over with an ear to Julie's mouth, was Boris' handsome smoothly brushed head. He looked the Rostovs from under his brows and said something, smiling, to his betrothed.

"They are talking about us, about me and him!" thought Natasha. "And he no doubt is calming her jealousy of me. They needn't trouble themselves! If only they knew how little I am concerned about any of them."

Behind them sat Anna Mikhaylovna wearing a green headdress and with a happy look of resignation to the will of G.o.d on her face. Their box was pervaded by that atmosphere of an affianced couple which Natasha knew so well and liked so much. She turned away and suddenly remembered all that had been so humiliating in her morning's visit.

"What right has he not to wish to receive me into his family? Oh, better not think of it--not till he comes back!" she told herself, and began looking at the faces, some strange and some familiar, in the stalls. In the front, in the very center, leaning back against the orchestra rail, stood Dolokhov in a Persian dress, his curly hair brushed up into a huge shock. He stood in full view of the audience, well aware that he was attracting everyone's attention, yet as much at ease as though he were in his own room. Around him thronged Moscow's most brilliant young men, whom he evidently dominated.

The count, laughing, nudged the blus.h.i.+ng Sonya and pointed to her former adorer.

"Do you recognize him?" said he. "And where has he sprung from?" he asked, turning to s.h.i.+ns.h.i.+n. "Didn't he vanish somewhere?"

"He did," replied s.h.i.+ns.h.i.+n. "He was in the Caucasus and ran away from there. They say he has been acting as minister to some ruling prince in Persia, where he killed the Shah's brother. Now all the Moscow ladies are mad about him! It's 'Dolokhov the Persian' that does it! We never hear a word but Dolokhov is mentioned. They swear by him, they offer him to you as they would a dish of choice sterlet. Dolokhov and Anatole Kuragin have turned all our ladies' heads."

A tall, beautiful woman with a ma.s.s of plaited hair and much exposed plump white shoulders and neck, round which she wore a double string of large pearls, entered the adjoining box rustling her heavy silk dress and took a long time settling into her place.

Natasha involuntarily gazed at that neck, those shoulders, and pearls and coiffure, and admired the beauty of the shoulders and the pearls. While Natasha was fixing her gaze on her for the second time the lady looked round and, meeting the count's eyes, nodded to him and smiled. She was the Countess Bezukhova, Pierre's wife, and the count, who knew everyone in society, leaned over and spoke to her.

"Have you been here long, Countess?" he inquired. "I'll call, I'll call to kiss your hand. I'm here on business and have brought my girls with me. They say s.e.m.e.nova acts marvelously. Count Pierre never used to forget us. Is he here?"

"Yes, he meant to look in," answered Helene, and glanced attentively at Natasha.

Count Rostov resumed his seat.

"Handsome, isn't she?" he whispered to Natasha.

"Wonderful!" answered Natasha. "She's a woman one could easily fall in love with."

Just then the last chords of the overture were heard and the conductor tapped with his stick. Some latecomers took their seats in the stalls, and the curtain rose.

As soon as it rose everyone in the boxes and stalls became silent, and all the men, old and young, in uniform and evening dress, and all the women with gems on their bare flesh, turned their whole attention with eager curiosity to the stage. Natasha too began to look at it.

CHAPTER IX.

The floor of the stage consisted of smooth boards, at the sides was some painted cardboard representing trees, and at the back was a cloth stretched over boards. In the center of the stage sat some girls in red bodices and white skirts. One very fat girl in a white silk dress sat apart on a low bench, to the back of which a piece of green cardboard was glued. They all sang something. When they had finished their song the girl in white went up to the prompter's box and a man with tight silk trousers over his stout legs, and holding a plume and a dagger, went up to her and began singing, waving his arms about.

First the man in the tight trousers sang alone, then she sang, then they both paused while the orchestra played and the man fingered the hand of the girl in white, obviously awaiting the beat to start singing with her. They sang together and everyone in the theater began clapping and shouting, while the man and woman on the stage--who represented lovers--began smiling, spreading out their arms, and bowing.

After her life in the country, and in her present serious mood, all this seemed grotesque and amazing to Natasha. She could not follow the opera nor even listen to the music; she saw only the painted cardboard and the queerly dressed men and women who moved, spoke, and sang so strangely in that brilliant light. She knew what it was all meant to represent, but it was so pretentiously false and unnatural that she first felt ashamed for the actors and then amused at them. She looked at the faces of the audience, seeking in them the same sense of ridicule and perplexity she herself experienced, but they all seemed attentive to what was happening on the stage, and expressed delight which to Natasha seemed feigned. "I suppose it has to be like this!" she thought. She kept looking round in turn at the rows of pomaded heads in the stalls and then at the seminude women in the boxes, especially at Helene in the next box, who--apparently quite unclothed--sat with a quiet tranquil smile, not taking her eyes off the stage. And feeling the bright light that flooded the whole place and the warm air heated by the crowd, Natasha little by little began to pa.s.s into a state of intoxication she had not experienced for a long while. She did not realize who and where she was, nor what was going on before her. As she looked and thought, the strangest fancies unexpectedly and disconnectedly pa.s.sed through her mind: the idea occurred to her of jumping onto the edge of the box and singing the air the actress was singing, then she wished to touch with her fan an old gentleman sitting not far from her, then to lean over to Helene and tickle her.

At a moment when all was quiet before the commencement of a song, a door leading to the stalls on the side nearest the Rostovs' box creaked, and the steps of a belated arrival were heard. "There's Kuragin!" whispered s.h.i.+ns.h.i.+n. Countess Bezukhova turned smiling to the newcomer, and Natasha, following the direction of that look, saw an exceptionally handsome adjutant approaching their box with a self-a.s.sured yet courteous bearing. This was Anatole Kuragin whom she had seen and noticed long ago at the ball in Petersburg. He was now in an adjutant's uniform with one epaulet and a shoulder knot. He moved with a restrained swagger which would have been ridiculous had he not been so good-looking and had his handsome face not worn such an expression of good-humored complacency and gaiety. Though the performance was proceeding, he walked deliberately down the carpeted gangway, his sword and spurs slightly jingling and his handsome perfumed head held high. Having looked at Natasha he approached his sister, laid his well gloved hand on the edge of her box, nodded to her, and leaning forward asked a question, with a motion toward Natasha.

"Mais charmante!" said he, evidently referring to Natasha, who did not exactly hear his words but understood them from the movement of his lips. Then he took his place in the first row of the stalls and sat down beside Dolokhov, nudging with his elbow in a friendly and offhand way that Dolokhov whom others treated so fawningly. He winked at him gaily, smiled, and rested his foot against the orchestra screen.

"How like the brother is to the sister," remarked the count. "And how handsome they both are!"