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"Very glad I'm sure."
"So am I!" said Quarren with sudden emphasis. "I believe I'm on the right track now. I believe it's in me--in my heart--to work--to _work_!"--he laughed--"as the old chronicles say, 'To the glory of G.o.d and the happiness of self and mankind.' ... I'm grateful to you; do you understand?"
"Awf'lly glad, old chap."
"You funny Englishman--I believe you are.... And we'll make this thing go. Down comes my real-estate s.h.i.+ngle; I'm a part of the Dankmere Galleries now. I'll rent the bas.e.m.e.nt after our first sale and there you and I will fuss and tinker and doctor and nurse any poor old derelict of a picture back to its pristine beauty. What?"
"Not I," said the little Earl. "All I'm good for is to furnish the initial stock. You may do what you please with it, and we'll share profits according to contract. Further than that, Quarren, you'll have to count me out."
"Don't you care for pictures?"
"I prefer horses," said the Earl drily--"and, after the stable and kennel, my taste inclines toward Vaudeville." And he c.o.c.ked up one little leg over the other and whistled industriously at a waltz which he was attempting to compose. He possessed a high, maddening, soprano whistle which Quarren found painful to endure; and he was glad when his lords.h.i.+p departed, jauntily twirling his walking-stick and taking fancy dance steps as far as the front door.
Left alone Quarren leaned back in his chair resting his head against the new olive-tinted velvet.
He had nothing to do but sit there and gaze at the pictures and wait for an answer to his telegram.
It came about dusk and he lighted the gas to read it:
"Come up to Witch-Hollow to-morrow.
"MARIE WYCHERLY."
He could not leave until he had planned for work to go on during his absence. First he arranged with Valasco to identify as nearly as possible, and to appraise, the French and Italian pictures. Then he made an arrangement with Van Boschoven for the Dutch and Flemish; secured Drayton-Quinn for the English; and warned Dankmere not to bother or interfere with these temperamental and irascible gentlemen while in exercise of their professional duties.
"Don't whistle, don't do abrupt skirt-dances, don't sing comic songs, don't obscure the air with cigar smoke, don't go to sleep on the sofa and snore, don't drink fizzes and rattle the ice in your gla.s.s----"
"My G.o.d!" faltered his lords.h.i.+p, "do you mind if I breathe now and then?"
"I'll be away a few days--Valasco is slow, and the others take their time. Let anybody come in who wants to, but don't sell anything until the experts report to me in writing----"
"Suppose some chap rushes in with ten thousand----"
"No!"
"What?"
"Certainly not. Chaps who rush in with any serious money at all will rush in again all the faster if you make them wait. Don't sell a picture--not even to Valasco or any of the experts----"
"Suppose a charming lady----"
"Now you understand, don't you? I wouldn't think of selling a single canvas until I have their reports and have made up my own mind that they're as nearly right as any expert can be who didn't actually see the artist paint the picture. The only trustworthy expert is the man who saw the picture painted--if you can believe his word."
"But my dear Quarren," protested Dankmere, seriously bewildered--"how could any living expert ever have seen an artist, who died two hundred years ago, paint anything?"
"Right," said Quarren solemnly; "the point is keenly taken. Ergo, there _are_ no real experts, only guessers. When Valasco _et al_ finish their guessing, I'll guess how near they have guessed correctly. Good-bye....
You _will_ be good, won't you, Dankmere?"
"No fear. I'll keep my weather eye on the shop. Do you want me to sleep here?"
"You'd better, I think. But don't have rowdy parties here, will you? And don't wander away and leave the door open. By George! I believe I'd better stay----"
"Rot! Go on and take your vacation, old chap! Back in a week?"
"Yes; or any time you wire me----"
"Not I. I'll have a jolly time by myself."
"Don't have too many men here in the evening. The smoke will get into those new curtains----"
Dankmere, in his trousers and unders.h.i.+rt, stretched on the divan, laughed and blew a cloud of smoke at the ceiling. Then, reaching forth he took a palm-leaf fan in one hand, a tall, frosty gla.s.s in the other, and applied both in a manner from which he could extract the most benefit.
"Bon voyage!" he nodded to Quarren. "My duties and compliments and all that--and pick me out an heiress of sorts--there's a good fellow----"
As Quarren went out he heard his lords.h.i.+p burst forth into his distressing whistle; and he left him searching piercingly for inspiration to complete his "Coster's Hornpipe."
On the train Quarren bought the evening papers; and the first item that met his eye was a front-page column devoted to the Dankmere Galleries.
Every paper had broken out into glaring scare-heads announcing the recent despoiling of Dankmere Tarns and the venture into trade of Algernon Cecil Clarence Fayre, tenth Earl of Dankmere. The majority of papers were facetious, one or two scathing, but the more respectable journals managed to repress a part of their characteristic antagonism and report the matter with a minimum of venom and a rather exhaustive historical accompaniment:
"POOR PEERS EAGER TO SELL HEIRLOOMS
"LORD DANKMERE'S CASE SAID TO BE ONE OF DOZENS AMONG THE BRITISH ARISTOCRACY
"GAMBLING SPIRIT BLAMED
"OBSERVERS ASCRIBE POVERTY OF OLD BRITISH FAMILIES TO THIS CAUSE--MANY RENT ROLLS DECLARED TO BE MORTGAGED
"The opening of the so-called Dankmere galleries on Lexington Avenue will bring into the lime-light once more a sprightly though somewhat world-battered little Peer recently and disastrously connected with the stage and its feminine adjuncts.
"The Dankmere galleries blossom in a shabby old house flanked on one side by a Chop-Suey restaurant haunted of celestials, and on the other by an undertaker's establishment displaying the following enterprising sign: Mortem's Popular $50 Funerals! Bury Your Family at Attractive Prices!
"GAMBLING DID IT!
"Gambling usually lands the British Peer on his aristocratic uppers. But in this case gambolling behind the footlights is responsible for the present display of the Dankmere family pictures in the converted real-estate offices of young Mr. Quarren of cotillion fame.
"Among supposedly well-to-do English n.o.bles the need for ready cash so frequently reaches the acute stage that all manner of schemes are readily resorted to in an effort to 'raise the wind.'
"Lord Dankmere openly admits that had he supposed any valuable 'junk' lay concealed in the attics of his mansion, he would, without hesitation, have converted it into ready money long before this.
"Lord Dankmere's case is only one typical of dozens of others among the exclusive and highly placed of Mayfair. It is a known fact that since the sale of the Capri Madonna (t.i.tian) for $350,000 to the British Government, by special act of Parliament, Daffydill Palace has gradually been unloaded of all treasures not tied by the entail to the estate. For the same sum ($350,000) the late Earl of Blitherington disposed of his famous Library and the sale of the library was known to be necessary for the provision of living funds for the incoming heir. Just recently the Duke of Putney, reputed to be a man of vast wealth, had a difficulty with a dealer concerning the sale of some of his treasures.
"Such cases may be justified by circ.u.mstances. The general public hears, however, of only a few isolated cases. The number of private deals that are executed, week in, week out, between impoverished members of the highest n.o.bility--some of them bound, like Lord Blitherington and the Duke of Putney by close official ties to the Court--and the agents of either new-rich Britishers or wealthy Americans has reached its maximum, and by degrees unentailed treasures and heirlooms are pa.s.sing from owners of many centuries to families that were unheard of a dozen years ago.