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At the same moment Mercy roused herself and spoke: "Won't you sit down?"
she said, softly, still not looking round at him, still busy with her basket of wools.
He turned to get a chair--turned so quickly that he saw the billiard-room door move, as Grace Roseberry closed it again.
"Is there any one in that room?" he asked, addressing Mercy.
"I don't know," she answered. "I thought I saw the door open and shut again a little while ago."
He advanced at once to look into the room. As he did so Mercy dropped one of her b.a.l.l.s of wool. He stopped to pick it up for her--then threw open the door and looked into the billiard-room. It was empty.
Had some person been listening, and had that person retreated in time to escape discovery? The open door of the smoking-room showed that room also to be empty. A third door was open--the door of the side hall, leading into the grounds. Julian closed and locked it, and returned to the dining-room.
"I can only suppose," he said to Mercy, "that the billiard-room door was not properly shut, and that the draught of air from the hall must have moved it."
She accepted the explanation in silence. He was, to all appearance, not quite satisfied with it himself. For a moment or two he looked about him uneasily. Then the old fascination fastened its hold on him again. Once more he looked at the graceful turn of her head, at the rich ma.s.ses of her hair. The courage to put the critical question to him, now that she had lured him into remaining in the room, was still a courage that failed her. She remained as busy as ever with her work--too busy to look at him; too busy to speak to him. The silence became unendurable. He broke it by making a commonplace inquiry after her health. "I am well enough to be ashamed of the anxiety I have caused and the trouble I have given," she answered. "To-day I have got downstairs for the first time. I am trying to do a little work." She looked into the basket. The various specimens of wool in it were partly in b.a.l.l.s and partly in loose skeins. The skeins were mixed and tangled. "Here is sad confusion!"
she exclaimed, timidly, with a faint smile. "How am I to set it right again?"
"Let me help you," said Julian.
"You!"
"Why not?" he asked, with a momentary return of the quaint humor which she remembered so well. "You forget that I am a curate. Curates are privileged to make themselves useful to young ladies. Let me try."
He took a stool at her feet, and set himself to unravel one of the tangled skeins. In a minute the wool was stretched on his hands, and the loose end was ready for Mercy to wind. There was something in the trivial action, and in the homely attention that it implied, which in some degree quieted her fear of him. She began to roll the wool off his hands into a ball. Thus occupied, she said the daring words which were to lead him little by little into betraying his suspicions, if he did indeed suspect the truth.
CHAPTER XVII. THE GUARDIAN ANGEL.
"You were here when I fainted, were you not?" Mercy began. "You must think me a sad coward, even for a woman."
He shook his head. "I am far from thinking that," he replied. "No courage could have sustained the shock which fell on you. I don't wonder that you fainted. I don't wonder that you have been ill."
She paused in rolling up the ball of wool. What did those words of unexpected sympathy mean? Was he laying a trap for her? Urged by that serious doubt, she questioned him more boldly.
"Horace tells me you have been abroad," she said. "Did you enjoy your holiday?"
"It was no holiday. I went abroad because I thought it right to make certain inquiries--" He stopped there, unwilling to return to a subject that was painful to her.
Her voice sank, her fingers trembled round the ball of wool; but she managed to go on.
"Did you arrive at any results?" she asked.
"At no results worth mentioning."
The caution of that reply renewed her worst suspicions of him. In sheer despair, she spoke out plainly.
"I want to know your opinion--" she began.
"Gently!" said Julian. "You are entangling the wool again."
"I want to know your opinion of the person who so terribly frightened me. Do you think her--"
"Do I think her--what?"
"Do you think her an adventuress?"
(As she said those words the branches of a shrub in the conservatory were noiselessly parted by a hand in a black glove. The face of Grace Roseberry appeared dimly behind the leaves. Undiscovered, she had escaped from the billiard-room, and had stolen her way into the conservatory as the safer hiding-place of the two. Behind the shrub she could see as well as listen. Behind the shrub she waited as patiently as ever.)
"I take a more merciful view," Julian answered. "I believe she is acting under a delusion. I don't blame her: I pity her."
"You pity her?" As Mercy repeated the words, she tore off Julian's hands the last few lengths of wool left, and threw the imperfectly wound skein back into the basket. "Does that mean," she resumed, abruptly, "that you believe her?"
Julian rose from his seat, and looked at Mercy in astonishment.
"Good heavens, Miss Roseberry! what put such an idea as that into your head?"
"I am little better than a stranger to you," she rejoined, with an effort to a.s.sume a jesting tone. "You met that person before you met with me. It is not so very far from pitying her to believing her. How could I feel sure that you might not suspect me?"
"Suspect _you!_" he exclaimed. "You don't know how you distress, how you shock me. Suspect _you!_ The bare idea of it never entered my mind. The man doesn't live who trusts you more implicitly, who believes in you more devotedly, than I do."
His eyes, his voice, his manner, all told her that those words came from the heart. She contrasted his generous confidence in her (the confidence of which she was unworthy) with her ungracious distrust of him. Not only had she wronged Grace Roseberry--she had wronged Julian Gray. Could she deceive him as she had deceived the others? Could she meanly accept that implicit trust, that devoted belief? Never had she felt the base submissions which her own imposture condemned her to undergo with a loathing of them so overwhelming as the loathing that she felt now. In horror of herself, she turned her head aside in silence and shrank from meeting his eye. He noticed the movement, placing his own interpretation on it. Advancing closer, he asked anxiously if he had offended her.
"You don't know how your confidence touches me," she said, without looking up. "You little think how keenly I feel your kindness."
She checked herself abruptly. Her fine tact warned her that she was speaking too warmly--that the expression of her grat.i.tude might strike him as being strangely exaggerated. She handed him her work-basket before he could speak again.
"Will you put it away for me?" she asked, in her quieter tones. "I don't feel able to work just now."
His back was turned on her for a moment, while he placed the basket on a side-table. In that moment her mind advanced at a bound from present to future. Accident might one day put the true Grace in possession of the proofs that she needed, and might reveal the false Grace to him in the ident.i.ty that was her own. What would he think of her then? Could she make him tell her without betraying herself? She determined to try.
"Children are notoriously insatiable if you once answer their questions, and women are nearly as bad," she said, when Julian returned to her.
"Will your patience hold out if I go back for the third time to the person whom we have been speaking of?"
"Try me," he answered, with a smile.
"Suppose you had _not_ taken your merciful view of her?"
"Yes?"
"Suppose you believed that she was wickedly bent on deceiving others for a purpose of her own--would you not shrink from such a woman in horror and disgust?"
"G.o.d forbid that I should shrink from any human creature!" he answered, earnestly. "Who among us has a right to do that?"
She hardly dared trust herself to believe him. "You would still pity her?" she persisted, "and still feel for her?"
"With all my heart."