Some Remarks on the Tragedy of Hamlet, Prince of Denmark Part 2

Page 230, 231.

Bernardo. _It was about to speak when the c.o.c.k crew &c_.

The Speeches in consequence of this Observation are truly beautiful, and are properly Marks of a great Genius; as also these Lines which describe the Morning, are in the true Spirit of Poetry.

Page 31. _But, look, the Morn, in Russet Mantle clad, Walks oe'r the Dew of yon high Eastern Hill_.

And as to _Shakespeare's_ complying with the vulgar Notions of Spirits amongst the _English_ at that Time, so far from being low, it adds a Grace and a _Navete_ to the whole Pa.s.sage, which one can much easier be sensible of than know how to make others so.

SCENE. _The Palace_, (p. 231.) And Sequel.

_Enter the_ King, Queen, Hamlet, &c.

It is very natural and apropos, that the King should bring some plausible Excuse for marrying his Brother's Wife so soon after the Decease of his Brother, which he does in his first Speech in this Scene: It would else have too soon revolted the Spectators against such an unusual Proceeding. All the Speeches of the King in this Scene to his Amba.s.sadors _Cornelius_ and _Voltimand_, and to _Laertes_, and to Prince _Hamlet_, are entirely Fawning, and full of Dissimulation, and makes him well deserve the Character which the Prince afterwards gives him, of _smiling, d.a.m.n'd Villain, &c._ when he is informed of his Crime.

The King's and Queen's Questions to _Hamlet_ are very proper, to give the Audience a true Idea of the Filial Piety of the young Prince, and of his virtuous Character; for we are hereby informed of his fixed and strong Grief for the Loss of his Father: For it does not appear, that the Usurpation of the Crown from him, sits heavy on his Soul, at least, it is not seen by any Part of his Behaviour.

How his Uncle came to be preferred to him, we are left entirely in the dark, but may suppose it to have been done in the same Manner, as several things of the like Nature have been effected, viz. by Corruption and Violence, and perhaps upon the Pretence of the Prince's being too young.

I can by no Means agree with Mr. _Theobalds_, (p. 235.) who thinks, that it is necessary to suppose a considerable Number of Years spent in this Tragedy; because Prince _Hamlet_ is said to desire to return to _Wittenberg_ again, and is supposed to be just come from it; and that afterwards, the Grave-Digger lets us know that the Prince is Thirty Years old; my Reasons are, that as _Wittenberg_ was an University, and _Hamlet_ is represented as a Prince of great Accomplishments, it is no wonder that he should like to spend his Time there, in going on in his Improvements, rather than to remain inactive at _Elsinoor_, or be immers'd in Sottishness, with which he seems to tax his Countrymen; as will appear in the Sequel. Besides, he might well desire to return there, when he found his Throne usurped, and his Mother acting so abominable a Part. And as to the Term of going to School, &c. That does not at all imply literally a School for Boys, but is poetically used for Studying at any Age.

Another Reason may be given why there cannot be supposed to be a great Length of Time in this Play; which is this, That we see in the First Act, Amba.s.sadors dispatch'd to old _Norway_, concerning his Nephew _Fortinbras's_ Army, which was then ready to march; and in the Fourth Act, we see this Prince at the Head of that Army, which immediately, upon the Emba.s.sy from the _Danish_ King to his Uncle, we are naturally to suppose he leads to that other Enterprize which is mentioned in that Scene. Now it is no ways likely, that between the Emba.s.sy and the marching of an Army already a.s.sembled before that Emba.s.sy, there should be a Number of Years. These Reasons and the whole Conduct of the Piece convince me, that this is one of _Shakespeare's_ Plays, in which the least Time is employ'd; how much there is, I cannot pretend to say.

As to the _Prolepsis_, or in other Words, the mentioning the University of _Wittenberg_, long before its Establishment, thus antedating its Time, I shall not justify _Shakespeare_; I think it is a fault in him; but I cannot be of Opinion, that it has any bad Effect in this Tragedy.

_See Mr_. Theobald's _Note_, (p. 235.)

As to _Hamlet's_ Soliloquy, I shall set down the whole Pa.s.sage, and shall subjoin the Remarks of a very eminent Author which are in the Spirit of true Criticism.

_Oh that this too, too solid Flesh would melt, Thaw, and resolve it self into a Dew!

Or that the Everlasting had not fix'd His Cannon 'gainst Self-slaughter! Oh G.o.d! Oh G.o.d!

How weary, stale, and unprofitable, Seem to me all the Uses of this World!

Fie on't! Oh fie! 'tis an unweeded Garden, That grows to Seed; Things rank and gross in Nature, Possess it merely. That it should come to this, But two Months dead! Nay, not so much, not Two!

So Excellent a King, that was to this_, Hyperion _to a Satyr: So Loving to my Mother, That he would not let e'en the Winds of Heav'n Visit her Face too roughly. Heav'n and Earth!

Must I remember? Why, she would hang on him, As if Increase of Appet.i.te had grown By what it fed on; yet within a Month!

Let me not think. Frailty! Thy Name is Woman.

A little Month; e'er yet those Shoes were old, With which she follow'd my poor Father's Body, Like_ Niobe, _all Tears; Why she, even she, (Oh Heav'n, a Beast that wants Discourse of Reason, Would have mourn'd longer) married with mine Uncle, My Father's Brother; but no more like my Father, Than I to_ Hercules. _Within a Month, E'er yet the Salt of most unrighteous Tears Had left the flus.h.i.+ng in her gaul'd Eyes, She married. Oh! most wicked Speed, to post With such Dexterity to incestuous Sheets!_

_It is not, nor it cannot come to Good.

But, break my Heart, for I must hold my Tongue._

"The young Prince, (says this Author in the _Tatler_,) was not yet acquainted with all the Guilt of his Mother; but turns his Thoughts on her sudden Forgetfulness of his Father, and the Indecency of her hasty Marriage. The several Emotions of Mind, and Breaks of Pa.s.sion in this Speech, are admirable. He has touch'd every Circ.u.mstance that aggravated the Fact, and seem'd capable of hurrying the Thoughts of a Son into Distraction. His Father's Tenderness for his Mother, express'd in so delicate a Particular; his Mother's Fondness for his Father, no less exquisitely described; the great and amiable Figure of his dead Parent, drawn by a true Filial Piety; his Disdain of so unworthy a Successor to his Bed: But above all, the Shortness of the Time between his Father's Death, and his Mother's Second Marriage, brought together with so much Disorder, make up as n.o.ble a Part as any in that celebrated Tragedy. The Circ.u.mstance of Time I never could enough admire. The Widow-hood had lasted two Months. This is his first Reflection: But as his Indignation rises, he sinks to scarce two Months; afterwards into a Month; and at last, into a _little_ Month. But all this so naturally, that the Reader accompanies him in the Violence of his Pa.s.sion, and finds the Time lessen insensibly, according to the different Workings of his Disdain. I have not mentioned the Incest of her Marriage, which is so obvious a Provocation; but can't forbear taking Notice, that when his Fury is at its Height, he cries, _Frailty, thy Name is Woman!_ as Railing at the s.e.x in general, rather than giving himself leave to think his Mother worse than Others."

Page 238.

_Enter_ Horatio, Bernardo, _and_ Marcellus, _to_ Hamlet.

The Greeting between _Hamlet, Horatio,_ and _Marcellus_, is very easy, and expresses the benign Disposition of the Prince, and first gives us an Intimation of his Friends.h.i.+p for _Horatio_.

Page 238.

_We'll teach you to drink deep, e'er you depart_.

This seems designed to reflect upon the sottish Disposition, then encouraged amongst the _Danes_ by the Usurper, as will appear in the Sequel; and gives us one Reason why _Elsinoor_ was disagreeable to Prince _Hamlet_; and certainly, much confirms what I before said, as to his going back to _Wittenberg_.

Page 238.

The Prince's Reflections on his Mother's hasty Marriage, are very natural, and shew That to be one of the princ.i.p.al Causes of the deep fix'd Concern so visible in his Behaviour; and then they serve to introduce the Relation of the Appearance of his Father's Ghost.

Page 238, to the End of the Scene.

_Hamlet_ receives the Account they give him with such a Surprize as is very natural, and particularly his breaking off from the Consequence of his Question, viz. _Hold you the Watch to Night?_ and saying _arm'd?_ that is, returning to the main Question, is exceedingly in Nature.

Their differing in the Account of the Time the Spectre staid, throws an Air of Probability on the Whole, which is much easier felt than described.

The Prince's Resolution to speak to the Phantom, let what will be the Consequence, is entirely suitable to his Heroical Disposition; and his Reflection upon his Father's Spirit appearing in Arms, is such as one would naturally expect from him; and the Moral Sentence he ends his short Speech with, suits his virtuous Temper, at the same Time that it has a good Effect upon the Audience, and answers the End of Tragedy.

Page 241, to the End of the Scene, in p. 246.

SCENE in _Polonius's_ House.

_Enter_ Laertes _and_ Ophelia, _and afterwards_ Polonius.

It is evident by the whole Tenour of _Polonius's_ Behaviour in this Play, that he is intended to represent some Buffoonish Statesman, not too much fraught with Honesty. Whether any particular Person's Character was herein aim'd at, I shall not determine, because it is not to the Purpose; for whoever reads our Author's Plays, will find that in all of them, (even the most serious ones) he has some regard for the meanest Part of his Audience, and perhaps too, for that Taste for low Jokes and Punns, which prevailed in his Time among the better Sort. This, I think, was more pardonable in him, when it was confined to Clowns, and such like Persons in his Plays; but is by no Means excusable in a Man, supposed to be in such a Station as _Polonius_ is, Nay, granting that such Ministers of State were common, (which surely they are not) it would even then be a Fault in our Author to introduce them in such Pieces as this; for every Thing that is natural is not to be made use of improperly: But when it is out of Nature, this certainly much aggravates the Poet's Mistake. And, to speak Truth, all Comick Circ.u.mstances, all Things tending to raise a Laugh, are highly offensive in Tragedies to good Judges; the Reason in my Opinion is evident, viz. that such Things degrade the Majesty and Dignity of Tragedy, and destroy the Effect of the Intention which the Spectators had in being present at such Representations; that is, to acquire that pleasing Melancholy of Mind, which is caus'd by them, and that Satisfaction which arises from the Consciousness that we are mov'd as we ought to be, and that we consequently have Sentiments suitable to the Dignity of our Nature. For these and many other Reasons, too long to mention here, I must confess myself to be an Enemy also to all ludicrous Epilogues and Farcical Pieces, at the End of Tragedies; and must think them full as ridiculous as if we were to dress a Monarch in all his Royal Robes, and then put a Fool's Cap upon him.

But to come to the Scene now under Examination. It is certain, that except it be in playing upon the Word _Tender_ p. 244. (of which too he is sensible himself,) our old Statesman behaves suitably to his Dignity, and acts fully up to his Paternal Character; so here we shall not tax him.

The Advice of _Laertes_ to his Sister contains the soundest Reasoning, express'd in the most nervous and poetical Manner, and is full of Beauties; particularly, I can never enough admire the Modesty inculcated in these Lines:

_The chariest Maid is prodigal enough, If She unmask her Beauty to the Moon_.

_Ophelia's_ modest Replies, the few Words she uses, and the virtuous Caution she gives her Brother, after his Advice to her, are inimitably charming. This I have observed in general in our Author's Plays, that almost all his young Women (who are designed as good Characters) are made to behave with a Modesty and Decency peculiar to those Times, and which are of such pleasing Simplicity as seem too ignorant and unmeaning in our well taught knowing Age; so much do we despise the virtuous Plainness of our Fore-fathers!

_Polonius_ and _Laertes_ Behaviour to each other, is exceeding natural; and I agree with Mr. _Theobalds's_ Emendation as to that Circ.u.mstance, (p. 243.) of _Polonius_ Blessing his Son; but I can by no Means be of his Sentiment, that it was a Circ.u.mstance, which, if well managed by a Comick Actor, would raise a Laugh, (See his Note, p. 243.) for I am perswaded, that _Shakespeare_ was too good a Judge of Nature, to design any Thing Comick or Buffoonish upon so solemn an Occasion, as that of a Son's taking leave of his Father in the most emphatical and serious Manner. And therefore, whatever Actor proceeds upon this Supposition (as I have seen some do in parallel Cases) does only shew his Ignorance and Presumption. This a.s.sertion of mine will appear indisputable, if my Reader considers well the whole Tenour of this Scene, with the grave and excellent Instructions which it contains, from _Polonius_ to _Laertes_, and from both to _Ophelia_. It is impossible that any Buffoonry could be here blended, to make void and insignificant so much good Sense expressed in the true Beauties of Poetry. As to Prince _Hamlet's_ Love for _Ophelia_, I shall speak to it in another Place.

Concerning the Design of this Scene, we shall find it is necessary towards the whole Plot of the Play, and is by no Means an Episode. As to _Laertes's_ Character, I shall lay some thing of it else where.

Page 246

Scene. _The Platform before the Palace._