The Quirt Part 2

She ran, and as she ran she wept aloud like a child and called for her father. The deep rumble grew louder, nearer. The revealed brilliance became swift sword-thrusts of blinding light that seemed to stab deep the earth. Lorraine ran awkwardly, her hands over her ears, crying out at each lightning flash, her voice drowned in the thunder that followed it close. Then, as she neared the somber group of buildings, the clouds above them split with a terrific, rending crash, and the whole place stood pitilessly revealed to her, as if a spotlight had been turned on.

Lorraine stood aghast. The buildings were not buildings at all. They were rocks, great, black, forbidding boulders standing there on a narrow ridge, having a diabolic likeness to houses.

The human mind is wonderfully resilient, but readjustment comes slowly after a shock. Dumbly, refusing to admit the significance of what she had seen, Lorraine went forward. Not until she had reached and had touched the first grotesque caricature of habitation did she wholly grasp the fact that she was lost, and that shelter might be miles away.

She stood and looked at the orderly group of boulders as the lightning intermittently revealed them. She saw where the road ran on, between two square-faced rocks. She would have to follow the road, for after all it must lead _somewhere_,--to her father's ranch, probably. She wondered irrelevantly why her mother had never mentioned these queer rocks, and she wondered vaguely if any of them had caves or ledges where she could be safe from the lightning.

She was on the point of stepping out into the road again when a horseman rode into sight between the two rocks. In the same instant of his appearance she heard the unmistakable crack of a gun, saw the rider jerk backward in the saddle, throw up one hand,--and then the darkness dropped between them.

Lorraine crouched behind a juniper bush close against the rock and waited. The next flash, came within a half-minute. It showed a man at the horse's head, holding it by the bridle. The horse was rearing.

Lorraine tried to scream that the man on the ground would be trampled, but something went wrong with her voice, so that she could only whisper.

When the light came again the man who had been shot was not altogether on the ground. The other, working swiftly, had thrust the injured man's foot through the stirrup. Lorraine saw him stand back and lift his quirt to slash the horse across the rump. Even through the crash of thunder Lorraine heard the horse go past her down the hill, galloping furiously.

When she could see again she glimpsed him running, while something bounced along on the ground beside him.

She saw the other man, with a dry branch in his hand, dragging it across the road where it ran between the two rocks. Then Lorraine Hunter, hardened to the sight of crimes committed for picture values only, realized sickeningly that she had just looked upon a real murder,--the cold-blooded killing of a man. She felt very sick. Queer little red sparks squirmed and danced before her eyes. She crumpled down quietly behind the juniper bush and did not know when the rain came, though it drenched her in the first two or three minutes of downpour.

CHAPTER FOUR

"SHE'S A GOOD GIRL WHEN SHE AIN'T CRAZY"

When the sun has been up just long enough to take the before-dawn chill from the air without having swallowed all the diamonds that spangle bush and twig and gra.s.s-blade after a night's soaking rain, it is good to ride over the hills of Idaho and feel oneself a king,--and never mind the crown and the scepter. Lone Morgan, riding early to the Sawtooth to see the foreman about getting a man for a few days to help replace a bridge carried fifty yards downstream by a local cloudburst, would not have changed places with a millionaire. The horse he rode was the horse he loved, the horse he talked to like a pal when they were by themselves. The ridge gave him a wide outlook to the four corners of the earth. Far to the north the Sawtooth range showed blue, the nearer mountains pansy purple where the pine trees stood, the foothills shaded delicately where canyons swept down to the gray plain. To the south was the sagebrush, a soft, gray-green carpet under the sun. The sky was blue, the clouds were handfuls of clean cotton floating lazily. Of the night's storm remained no trace save slippery mud when his horse struck a patch of clay, which was not often, and the packed sand still wet and soggy from the beating rain.

Rock City showed black and inhospitable even in the sunlight. The rock walls rose sheer, the roofs slanted rakishly, the signs scratched on the rock by facetious riders were pointless and inane. Lone picked his way through the crooked defile that was marked MAIN STREET on the corner of the first huge boulder and came abruptly into the road. Here he turned north and shook his horse into a trot.

A hundred yards or so down the slope beyond Rock City he pulled up short with a "What the h.e.l.l!" that did not sound profane, but merely amazed.

In the sodden road were the unmistakable footprints of a woman. Lone did not hesitate in naming the s.e.x, for the wet sand held the imprint cleanly, daintily. Too shapely for a boy, too small for any one but a child or a woman with little feet, and with the point at the toes proclaiming the fas.h.i.+on of the towns, Lone guessed at once that she was a town girl, a stranger, probably,--and that she had pa.s.sed since the rain; which meant since daylight.

He swung his horse and rode back, wondering where she could have spent the night. Halfway through Rock City the footprints ended abruptly, and Lone turned back, riding down the trail at a lope. She couldn't have gone far, he reasoned, and if she had been out all night in the rain, with no better shelter than Rock City afforded, she would need help,--"and lots of it, and pretty darn quick," he added to John Doe, which was the ambiguous name of his horse.

Half a mile farther on he overtook her. Rather, he sighted her in the trail, saw her duck in amongst the rocks and scattered brush of a small ravine, and spurred after her. It was precarious footing for his horse when he left the road, but John Doe was accustomed to that. He jumped boulders, s.h.i.+ed around buckthorn, crashed through sagebrush and so brought the girl to bay against a wet bank, where she stood s.h.i.+vering.

The terror in her face and her wide eyes would have made her famous in the movies. It made Lone afraid she was crazy.

Lone swung off and went up to her guardedly, not knowing just what an insane woman might do when cornered. "There, now, I'm not going to hurt yuh at all," he soothed. "I guess maybe you're lost. What made you run away from me when you saw me coming?"

Lorraine continued to stare at him.

"I'm going to the ranch, and if you'd like a ride, I'll lend you my horse. He'll be gentle if I lead him. It's a right smart walk from here." Lone smiled, meaning to rea.s.sure her.

"Are you the man I saw shoot that man and then fasten him to the stirrup of the saddle so the horse dragged him down the road? If you are, I--I----"

"No--oh, no, I'm not the man," Lone said gently. "I just now came from home. Better let me take you in to the ranch."

"I was going to the ranch--did you see him shoot that man and make the horse drag him--_make_ the horse--he _slashed_ that horse with the quirt--and he went tearing down the road dragging--it--it was--_horrible_!"

"Yes--yes, don't worry about it. We'll fix him. You come and get on John Doe and let me take you to the ranch. Come on--you're wet as a ducked pup."

"That man was just riding along--I saw him when it lightened. And he shot him--oh, can't you _do_ something?"

"Yes, yes, they're after him right now. Here. Just put your foot in the stirrup--I'll help you up. Why, you're soaked!" Perseveringly Lone urged her to the horse. "You're soaking wet!" he exclaimed again.

"It rained," she muttered confusedly. "I thought it was the ranch--but they were rocks. Just rocks. Did you _see_ him shoot that man? Why--why it shouldn't be allowed! He ought to be arrested right away--I'd have called a policeman but--isn't thunder and lightning just perfectly _awful_? And that horse--going down the road dragging----

"You'd better get some one to double for me in this scene," she said irrelevantly. "I--I don't know this horse, and if he starts running the boys might not catch him in time. It isn't safe, is it?"

"It's safe," said Lone pityingly. "You won't be dragged. You just get on and ride. I'll lead him. John Doe's gentle as a dog."

"Just straight riding?" Lorraine considered the matter gravely.

"Wel-ll--but I saw a man dragged, once. He'd been shot first. It--it was awful!"

"I'll bet it was. How'd you come to be walking so far?"

Lorraine looked at him suspiciously. Lone thought her eyes were the most wonderful eyes--and the most terrible--that he had ever seen.

Almond-shaped they were, the irises a clear, dark gray, the eyeb.a.l.l.s blue-white like a healthy baby's. That was the wonder of them. But their gla.s.sy s.h.i.+ne made them terrible. Her lids lifted in a sudden stare.

"You're not the man, are you? I--I think he was taller than you. And his hat was brown. He's a brute--a _beast_! To shoot a man just riding along---- It rained," she added plaintively. "My bag is back there somewhere under a bush. I think I could find the bush--it was where a rabbit was sitting--but he's probably gone by this time. A rabbit," she told him impressively, "wouldn't sit out in the rain all night, would he? He'd get wet. And a rabbit would feel horrid when he was wet--such thick fur he never _would_ get dried out. Where do they go when it rains? They have holes in the ground, don't they?"

"Yes. Sure, they do. I'll _show_ you one, down the road here a little piece. Come on--it ain't far."

To see a rabbit hole in the ground, Lorraine consented to mount and ride while Lone walked beside her, agreeing with everything she said that needed agreement. When she had gone a few rods, however, she began to call him Charlie and to criticize the direction of the picture. They should not, she declared, mix murders and thunderstorms in the same scene. While the storm effect was perfectly _wonderful_, she thought it rather detracted from the killing. She did not believe in lumping big stuff together like that. Why not have the killing done by moonlight, and use the storm when the murderer was getting away, or something like that? And as for taking them out on location and making all those storm scenes without telling them in advance so that they could have dry clothes afterwards, she thought it a perfect outrage! If it were not for spoiling the picture, she would quit, she a.s.serted indignantly. She thought the director had better go back to driving a laundry wagon, which was probably where he came from.

Lone agreed with her, even though he did not know what she was talking about. He walked as fast as he could, but even so he could not travel the six miles to the ranch very quickly. He could see that the girl was burning up with fever, and he could hear her voice growing husky,--could hear, too, the painful laboring of her breath. When she was not mumbling incoherent nonsense she was laughing hoa.r.s.ely at the plight she was in, and after that she would hold both hands to her chest and moan in a way that made Lone grind his teeth.

When he lifted her off his horse at the foreman's cottage she was whispering things no one could understand. Three cowpunchers came running and hindered him a good deal in carrying her into the house, and the foreman's wife ran excitedly from one room to the other, asking questions and demanding that some one do something "for pity's sake, she may be dying for all you know, while you stand there gawping like fool-hens."

"She was out all night in the rain--got lost, somehow. She said she was coming here, so I brought her on. She's down with a cold, Mrs. Hawkins.

Better take off them wet clothes and put hot blankets around her. And a poultice or something on her chest, I reckon." Lone turned to the door, stopped to roll a cigarette, and watched Mrs. Hawkins hurrying to Lorraine with a whisky toddy the cook had mixed for her.

"A sweat's awful good for a cold like she's got," he volunteered practically. "She's out of her head--or she was when I found her. But I reckon that's mostly scare, from being lost all night. Give her a good sweat, why don't you?" He reached the doorstep and then turned back to add, "She left a grip back somewhere along the road. I'll go hunt it up, I reckon."

He mounted John Doe and rode down to the corral, where two or three riders were killing time on various pretexts while they waited for details of Lone's adventure. Delirious young women of the silk-stocking cla.s.s did not arrive at the Sawtooth every morning, and it was rumored already amongst the men that she was some looker, which naturally whetted their interest in her.

"I'll bet it's one of Bob's girls, come trailin' him up. Mebby another of them heart-ballum cases of Bob's," hazarded Pop Bridgers, who read nothing unless it was printed on pink paper, and who refused to believe that any good could come out of a city. "Ain't that right, Loney?

Hain't she a heart-ballum girl of Bob's?"

From the saddle Lone stared down impa.s.sively at Pop and Pop's companions. "I don't know a thing about her," he stated emphatically.

"She said she was coming to the ranch, and she was scared of the thunder and lightning. That's every word of sense I could get outa her. She ain't altogether ignorant--she knows how to climb on a horse, anyway, and she kicked about having to ride sideways on account of her skirts.

She was plumb out of her head, and talked wild, but she handled her reins like a rider. And she never mentioned Bob, nor anybody else excepting some fellow she called Charlie. She thought I was him, but she only talked to me friendly. She didn't pull any love talk at all."

"Charlie?" Pop ruminated over a fresh quid of tobacco. "Charlie! Mebby Bob, he stakes himself to a different name now and then. There ain't any Charlie, except Charlie Werner; she wouldn't mean him, do yuh s'pose?"

"Charlie Werner? Hunh! Say, Pop, she ain't no squaw--is she, Loney?" Sid Sterling remonstrated.

"If I can read brands," Lone testified, "she's no girl of Bob's. She's a good, honest girl when she ain't crazy."

"And no good, honest girl who is not crazy could possibly be a girl of mine! Is that the idea, Lone?"